My Fujifilm X-T30 Kodak Portra 160 Film Simulation Recipe

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Summer Waves Hello – Farmington, UT – Fujifilm X-T30 “Kodak Portra 160”

This is the film simulation recipe that you’ve been waiting for! One of the top films that I’ve been asked to create a film simulation recipe for is Portra 160. I’ve tried many times, and I felt that I got close a couple of times, but I was never able to get it quite right. Fuji X Weekly reader Piotr Skrzypek recently created a Portra 160 film simulation recipe for his Fujifilm X-E2, which he gave me permission to share. I modified his settings very slightly, and published that Portra 160 recipe for X-Trans II cameras last week. Using those settings as a starting point, and understanding how X-Trans II is different than the newer sensors, I was able to make a Portra 160 film simulation recipe that is compatible with X-Trans III & IV cameras.

Portra is a line of films that Kodak introduced in 1998. As the name implies, it was designed for portrait photography, although it has been used for many different genres, as it’s good for more than just portraits. Kodak made Portra in three different ISOs: 160, 400 and 800. The ISO 160 and 400 versions originally had two options: Neutral Color (NC) and Vivid Color (VC). In 2011 Kodak redesigned Portra, and they did away with the Neutral and Vivid versions, making instead only one option in each ISO. Portra has been a popular film since its introduction.

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Horizontal Ladder – Farmington, UT – Fujifilm X-T30 “Kodak Portra 160”

This recipe looks great when you turn the exposure compensation dial up. You don’t want to clip highlights, but if you keep the highlights just below clipping you can get excellent results. This recipe is especially good for high-contrast scenes. Really, this is a good all-around recipe that you’ll want to keep programmed in your camera’s Q Menu. I imagine that for some of you, this will be the top film simulation recipe that you use most of the time. Don’t be afraid to use Auto-White-Balance instead of Daylight, or to adjust Color up to +2 or down to 0, depending on your tastes.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: -2
Shadow: -2
Color: +1
Noise Reduction: -4
Sharpening: -2
Grain Effect: Weak
Color Chrome Effect: Off
White Balance: Daylight, +4 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 1/3 (typically)

Example photographs, all camera-made JPEGs using this Kodak Portra 160 film simulation recipe on my Fujifilm X-T30:

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Last Light Roofline – Farmington, UT – Fujifilm X-T30

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Yellow House – Farmington, UT – Fujifilm X-T30

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Rooflines – Farmington, UT – Fujifilm X-T30

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Garages – Farmington, UT – Fujifilm X-T30

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Blue Dumpster – Farmington, UT – Fujifilm X-T30

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Stop – Kaysville, UT – Fujifilm X-T30

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Elevator Trucks – Kaysville, UT – Fujifilm X-T30

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Bird Over Grain Elevator – Kaysville, UT – Fujifilm X-T30

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Autumn Leftovers – Farmington, UT – Fujifilm X-T30

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Sky Reed – Farmington, UT – Fujifilm X-T30

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Boy in Thought – Farmington, UT – Fujifilm X-T30

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Blue Wall Boy – Farmington, UT – Fujifilm X-T30

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Girl by the Fence – Farmington, UT – Fujifilm X-T30

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Bike Seat – Farmington, UT – Fujifilm X-T30

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First Pear Bloom – Farmington, UT – Fujifilm X-T30

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Goosenecks – Goosenecks SP, UT – Fujifilm X-T30

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Satellite Dish – Farmington, UT – Fujifilm X-T30

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Grey Sky Over Roof – Farmington, UT – Fujifilm X-T30

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Red Barn Day – Farmington, UT – Fujifilm X-T30

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Sky Blooms – Farmington, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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[Not] My Fujifilm X-T1 (X-Trans II) Kodak Portra 160 Film Simulation Recipe

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Mitchell Mesa – Monument Valley, AZ – Fujifilm X-T1 “Kodak Portra 160”

Kodak introduced Portra film in 1998. As the name implies, this film was designed for portrait photography, as it produces pleasing skin tones. It came in three ISO options: 160, 400 and 800. The ISO 160 and 400 versions came in two varieties: Neutral Color (NC), which was less saturated, and Vivid Color (VC), which was more saturated. In 2011 Kodak did away with the Neutral Color and Vivid Color options, making a new version that was more-or-less in-between the two.

One of the top films that I’ve been asked to create a film simulation recipe for is Portra 160. I’ve tried many times, and I felt that I got close a couple of times, but I was never able to get it quite right. Fuji X Weekly reader Piotr Skrzypek recently created a Portra 160 film simulation recipe for his Fujifilm X-E2, and he gave me permission to share his settings with you! When I first looked at his pictures, I immediately thought that they resembled Portra, and I continued to think so as I used his recipe on my X-T1. Piotr has a lot of experience shooting film, and the main film that he uses is Portra 160. I’ve shot Portra before, but it’s been many years. How the film is shot, developed, and printed or scanned effects the way that it looks, so results can vary, but this recipe is overall an excellent facsimile of actual Portra 160 film. Great job, Piotr Skrzypek!

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Portra – Farmington, UT – Fujifilm X-T1 “Kodak Portra 160”

I did alter Piotr’s recipe a little. I have Color set to +1, but he has Color set to +2, which I think more mimics Portra 160VC. Whether you set Color to +1 or +2, you are still getting a Portra look, and you can try it both ways and decide which you like better for your photographs. You can even try setting color to 0 to get a Portra 160NC look. The other change I made is to white balance, which I set to Daylight, while Piotr uses auto-white-balance. In many outdoor circumstances Daylight and AWB will produce identical results, so for the most part it doesn’t matter which you choose. I like Daylight a little more than AWB, but you can decide which you prefer for yourself. This recipe is intended for X-Trans II cameras, but there will be a Portra 160 recipe for X-Trans III and IV cameras coming soon!

Classic Chrome
Dynamic Range: DR-Auto
Highlight: -2 (Low)
Shadow: -2 (Low)
Color: +1 (Medium-High)
Sharpness: -2 (Low)
Noise Reduction: -2 (Low)
White Balance: Daylight, +3 Red & -4 Blue
ISO: Auto, up to ISO 3200

Example photographs, all camera-made JPEGs using this Kodak Portra 160 recipe on my Fujifilm X-T1:

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Snow on the Roofs – Farmington, UT – Fujifilm X-T1

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Roof Snow – Farmington, UT – Fujifilm  X-T1

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Faux Green – Farmington, UT – Fujifilm X-T1

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Beside the Window – Farmington, UT – Fujifilm X-T1

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Silver & Green – Farmington, UT – Fujifilm X-T1

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Green Stems – Farmington, UT – Fujifilm X-T1

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Bright Blossoms – Farmington, UT – Fujifilm X-T1

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Future Fujifilm Photographer – Monument Valley, AZ – Fujifilm X-T1

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Girl, Horse & Books – Farmington, UT – Fujifilm X-T1

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The Peg Game – Farmington, UT – Fujifilm X-T1

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Girl & Game – Farmington, UT – Fujifilm X-T1

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Wood Ladder – Edge of the Cedars SP, UT – Fujifilm X-T1

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Monumental Crosswalk – Monument Valley, UT – Fujifilm X-T1

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Four Desert Horses – Monument Valley, AZ – Fujifilm X-T1

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Mittens Evening – Monument Valley, AZ – Fujifilm X-T1

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Rural Grass – Farmington Bay, UT – Fujifilm X-T1

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Reeds & Mountain – Farmington, UT – Fujifilm X-T1

See also:
Fujifilm X-T1 Kodacolor Recipe
Fujifilm X-T1 Kodachrome II Recipe
Fujifilm X-T1 Kodachrome 64 Recipe
Fujifilm X-T1 Ektachrome 100SW Recipe
Fujifilm X-T1 Agfa Optima Recipe

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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My Fujifilm X-T30 Classic Slide Film Simulation Recipe


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Winter Reeds – Farmington, UT – Fujifilm X-T30 “Classic Slide”

A lot of my film simulation recipes lean towards a warm cast. In the film days, many different films, especially those by Kodak, tended to lean warm. I often used a warming filter for my landscape photography, which made an even more pronounced color cast. This was all very common and normal. But not all films were balanced that way, not even all of Kodak’s. Since films have a specific Kelvin temperature (often “daylight balanced”), the light conditions could create a cool cast even on a warm-toned film. I decided that I needed another film simulation option with a cool color cast, because film isn’t always warm, and sometimes the scene demands something that’s cool.

I call this film simulation recipe “Classic Slide” because it has a slide-film aesthetic, in my opinion. I didn’t go about trying to mimic the look of any specific film. I think it’s in the neighborhood of Ektachrome 100G, or Elite Chrome 100, or Provia 100F and 400X, although it’s not an exact match to any of those films. It’s probably a bit closer to Provia than Ektachrome. It has a general color reversal film look, without matching any one in particular.

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Indoor Green – Farmington, UT – Fujifilm X-T30 “Classic Slide”

To create this film simulation recipe I began with my Kodachrome 64 recipe. You might notice many similarities. In fact, the white balance shift is the biggest change. I adjusted Sharpness down one notch just because Kodachrome was known as a “sharp” film, and this isn’t Kodachrome, but, in reality, the difference between +1 and +2 is tiny. I also set Color Chrome Effect to Off, which makes it completely compatible with all X-Trans III & IV cameras.

Classic Chrome
Dynamic Range: DR400
Highlight: +1
Shadow: +2
Color: 0
Sharpening: +1
Noise Reduction: -4
Grain: Weak
Color Chrome Effect: Off
White Balance: Daylight, -2 Red & +3 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Classic Slide film simulation recipe on my Fujifilm X-T30:

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Yellow Couch – Layton, UT – Fujifilm X-T30

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Chair & Blue Pillow – Farmington, UT – Fujifilm X-T30

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Green Leaves Indoors – Layton, UT – Fujifilm X-T30

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Dresser Decor – Farmington, UT – Fujifilm X-T30

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Laying in the Light – Farmington, UT – Fujifilm X-T30

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Blinded by the Light – Farmington, UT – Fujifilm X-T30

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Duck out of Water – Farmington, UT – Fujifilm X-T30

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Crossing Flags – Farmington, UT – Fujifilm X-T30

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Remaining Relic in Disrepair II – Farmington, UT – Fujifilm X-T30

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Francis Peak in Evening Light – Farmington, UT – Fujifilm X-T30

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Kodacolor Film Simulation Recipe, Part 2

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Remaining Relic in Disrepair – Farmington, UT – Fujifilm X-T30

One of the most popular film simulation recipes that I’ve created is Kodacolor, which mimics the look of Kodacolor VR film, and ColorPlus 200 (the same film re-branded). A Fuji X Weekly reader recently asked me to create a recipe that resembles the aesthetic of photographer Stephen Shore. Stephen has been around for many, many years, and he’s still photographing today. Over the decades he’s used many different films, and perhaps even digital in recent years, but most notably he shot Kodacolor in 35mm, 4″ x 5″ medium-format, and especially 8″ x 10″ large format.

When I was looking at Stephen Shore’s pictures, there was something about it that seemed “off” when compared to my Kodacolor recipe. Close, but off. Some of that could be attributed to the use of different films, or how the film was shot, developed and/or printed. Then I read that the medium-format and especially the large-format versions of Kodacolor film were more vibrant, more saturated, then the 35mm version, and I realized why my recipe seemed off. It needed Color to be turned up in order to mimic Stephen Shore’s pictures.

This is not a new recipe. It is my Kodacolor recipe with one change: Color is to 0 instead of -2. That’s it! The results are only subtly different, but closer to Stephen Shore’s aesthetic. I think, alternatively, setting Grain to Weak could also be appropriate, but I left it at Strong. All of the pictures in this article were captured using this modified Kodacolor recipe on my Fujifilm X-T30. This recipe (as well as the original Kodacolor recipe) is compatible with all X-Trans III & IV cameras.

Classic Chrome
Dynamic Range: DR400
Highlight: -1
Shadow: +2
Color: 0
Sharpening: +2
Noise Reduction: -4
Grain: Strong
Color Chrome Effect: Off
White Balance: 6300K, -1 Red & -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to + 1-1/3 (typically)

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Francis Peak Afternoon – Farmington, UT – Fujifilm X-T30

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March Reeds – Farmington, UT – Fujifilm X-T30

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Ready To Swing – Farmington, UT – Fujifilm X-T30

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Potted Plant by a Window – Layton, UT – Fujifilm X-T30

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Pointing Towards the Sky – Layton, UT – Fujifilm X-T30

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House Window – Farmington, UT – Fujifilm X-T30

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Colorful Neighborhood – Farmington, UT – Fujifilm X-T30

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Kiss The Crepes – Farmington, UT – Fujifilm X-T30

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5:20 – Farmington, UT – Fujifilm X-T30

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Packed Parking Lot – Bountiful, UT – Fujifilm X-T30

See also: Kodacolor for X-Trans II

My Fujifilm X-T30 “Bleach Bypass” Film Simulation Recipe


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Instamatic Morning – Farmington, UT – Fujifilm X-T30 “Bleach Bypass”

The upcoming Fujifilm X-T4 will have a new film simulation: Bleach Bypass. This new film simulation might eventually come to other X-Trans IV cameras, such as the X-T30, X-T3, X-Pro3 and X100V, but it might not, as Fujifilm has yet to add Classic Negative to the X-T3 and X-T30. It would certainly be nice if Fujifilm gave those of us with “older” X-Trans IV cameras the new film simulations. Even if they never do, you are in luck, as I have created a film simulation recipe to mimic the look of bleach bypass!

Bleach bypass is a darkroom technique where you skip or limit the bleach during development of color film, which causes it to retain the silver. Results will vary greatly depending on the film used and exactly how you develop it, but generally speaking what you get with bleach bypass is a high-contrast, low-saturation, grainy picture that appears as if a black-and-white and color picture were combined together. This technique is more common for motion picture film than still photography, but some people do bleach bypass with C-41 film.

I experimented with the techniques that I used for this film simulation back in June of last year. Much came out of those experiments, including both the Faded Color and Faded Monochrome film simulation recipes, as well as in-camera texturing. I created something similar to this recipe, but gave up on it before completing it. Last week Fuji X Weekly reader James Clinich reached out to me to share some experiments he had been doing, which turned out to be very similar to what I had done back in June. This rekindled my interest, and with inspiration drawn from James, I made this “Bleach Bypass” film simulation recipe.

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Car’s 3 & 4 – Farmington, UT – Fujifilm X-T30 “Bleach Bypass”

This film simulation recipe requires the use of the double exposure feature of your camera. You will need a tripod, and there can’t be any movement in the scene. You have to make two identical exposures, one in color and one in black-and-white. After the first exposure is made, you must change the film simulation before making the second exposure. You can have both sets of settings programmed into the custom menu as separate presets, and toggle between them, or just change the film simulation, making sure that the tone is set correctly when making the Acros exposure. It’s a bit tricky and limited, but the results are nice. If you don’t want to do double exposures, but want something that will produce similar results to this recipe, try my Dramatic Classic Chrome recipe except set color to -4. That’s about as close as you can get. Otherwise, if you want to create a bleach bypass look in-camera, this recipe is your best option.

Exposure 1
Classic Chrome
Dynamic Range: DR200
Highlight: +3
Shadow: +4
Color: +2
Color Chrome Effect: Strong
Grain: Strong
Sharpening: +1
Noise Reduction: -4
White Balance: Auto, -1 Red & +3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Exposure 2
Acros
Dynamic Range: DR200
Highlight: +3
Shadow: +4
Tone: +2 (warm)
Color Chrome Effect: Strong
Grain: Strong
Sharpening: +1
Noise Reduction: -4
White Balance: Auto, -1 Red & +3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “Bleach Bypass” film simulation recipe on my Fujifilm X-T30:

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Pillows – Farmington, UT – Fujifilm X-T30

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Window Robot – Farmington, UT – Fujifilm X-T30

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Illuminated Faux Flowers – Farmington, UT – Fujifilm X-T30

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Pronto! – Farmington, UT – Fujifilm X-T30

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Touch of Green – Farmington, UT – Fujifilm X-T30

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Rooftops & Mountaintops – Farmington, UT – Fujifilm X-T30

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Tracks Under The Bridge – Farmington, UT – Fujifilm X-T30

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Do Not Cross Tracks – Farmington, UT – Fujifilm X-T30

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Locked Box & Escape Route – Farmington, UT – Fujifilm X-T30

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Empty Walking Bridge – Farmington, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

Fujifilm X-T1 (X-Trans II) Kodachrome II Film Simulation Recipe


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Rural Grass – Farmington Bay, UT – Fujifilm X-T1

One of my favorite film simulation recipes, and one of the most popular, if not the most popular, on Fuji X Weekly, is my Kodachrome II recipe. This version of that recipe is adapted for Fujifilm X-Trans II cameras, such as my X-T1. It will work on all cameras with an X-Trans II sensor, plus Bayer sensor cameras, such as the XF10, X-T100 and X-A7. Because it requires the Classic Chrome film simulation, it is not compatible with X-Trans I cameras, or the original X100.

Classic Chrome
Dynamic Range: DR200
Highlight: +2 (High)
Shadow: +1 (Medium-High)
Color: -1 (Medium-Low)
Sharpness: 0 (Medium)
Noise Reduction: -2 (Low)
White Balance: Auto, +1 Red & -2 Blue
ISO: Auto up to ISO 3200

Example photographs, all camera-made JPEGs captured on my Fujifilm X-T1 using this Kodachrome II film simulation recipe:

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The Wetlands of Farmington Bay – Farmington Bay, UT – Fujifilm X-T1

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Pallet Dump – Farmington, UT – Fujifilm X-T1

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Old Wood – Farmington Bay, UT – Fujifilm X-T1

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February Thistles – Farmington Bay, UT – Fujifilm X-T1

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Francis Peak in February – Farmington, UT – Fujifilm X-T1

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Succulents – Farmington, UT – Fujifilm X-T1

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Bright Apple – Farmington, UT – Fujifilm X-T1

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Kodak Film Canisters – Farmington, UT – Fujifilm X-T1

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Bolsey on the Camera Shelf – Farmington, UT – Fujifilm X-T1

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Longing For Another World – Farmington, UT – Fujifilm X-T1

See also:
Fujifilm X-T1 Kodachrome 64 Film Simulation Recipe
Fujifilm X-T1 Kodacolor Film Simulation Recipe
Fujifilm X-T1 Ektachrome 100SW Film Simulation Recipe
First Fujifilm X-T1 Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

My Fujifilm X-T1 (X-Trans II) Kodacolor Film Simulation Recipe


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Man in Red – Farmington, UT – Fujifilm X-T1 – “Kodacolor”

Yesterday I published my Kodachrome 64 recipe for X-Trans II cameras, such as my Fujifilm X-T1, and today I will share with you my Kodacolor recipe for X-Trans II! Because this Kodacolor recipe requires the Classic Chrome film simulation, those with X-Trans I cameras can’t use it, but those with X-Trans II or Bayer sensor cameras can. While I got the overall aesthetic pretty darn close to the original Kodacolor recipe for X-Trans III and IV, the one thing that I wish I could change is the grain. Newer Fujifilm cameras have faux grain options, but older ones don’t. If you want to mimic the grain in-camera, your best option is to use a higher ISO, such as 3200 or 6400, and let the digital noise act as faux grain. Otherwise, I’m quite pleased with how this Kodacolor film simulation recipe turned out.

Classic Chrome
Dynamic Range: DR400
Highlight: +1 (Medium-High)
Shadow: +1 (Medium-High)
Color: -2 (Low)
Sharpness: 0 (Medium)
Noise Reduction: -2 (Low)
White Balance: 6300K, -3 Red & -2 Blue
ISO: Auto, up to ISO 6400

Example photographs, all camera-made JPEGs using this Kodacolor recipe on my Fujifilm X-T1:

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Front Runner – Farmington, UT – Fujifilm X-T1

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Fro – Farmington, UT – Fujifilm X-T1

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Cross at Crosswalks – Farmington, UT – Fujifilm X-T1

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Look Both Ways – Farmington, UT – Fujifilm X-T1

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Pipe – Farmington, UT – Fujifilm X-T1

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Rusty Shadows – Farmington, UT – Fujifilm X-T1

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Stop by the Rack – Farmington, UT – Fujifilm X-T1

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Nord’s Stop – Farmington, UT – Fujifilm X-T1

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Mall Across the Mud – Farmington, UT – Fujifilm X-T1

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Pond Among Reeds – Farmington Bay, UT – Fujifilm X-T1

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Grass on the Water – Farmington Bay, UT – Fujifilm X-T1

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Lake Reflection – Farmington Bay, UT – Fujifilm X-T1

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Antelope Island Beyond Farmington Bay – Farmington Bay, UT – Fujifilm X-T1

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Camera Shelf – Farmington, UT – Fujifilm X-T1

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Green is Good for My Soul – Farmington, UT – Fujifilm X-T1

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My Fujifilm X-T1 (X-Trans II) Kodachrome 64 Film Simulation Recipe


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Sun Roof – Farmington, UT – Fujifilm X-T1 – “Kodachrome 64”

One of my favorite film simulation recipes is Kodachrome 64. It’s also one of the most popular recipes on Fuji X Weekly. Those with X-Trans III and IV cameras, such as the Fujifilm X-T30 that I created it on, have been enjoying it since August, but those with X-Trans II cameras—X-T1, X-T10, X-E2, X-E2s, X100T, and X70—have been left out of the fun. Those with Bayer sensor cameras, such as the X-T100, XF10, X-A7, etc., have been out of luck, too. That all changes, starting now. I have cracked the code, and created a Kodachrome 64 recipe for my X-Trans II camera! Unfortunately, it won’t work on the X100, X100S, X-E1 or X-Pro1 because it requires the Classic Chrome film simulation, which those cameras don’t have. But those who own a Fujifilm X-Trans II or Bayer camera, which do have Classic Chrome, I’m sure will appreciate this Kodachrome 64 recipe.

Classic Chrome
Dynamic Range: DR400
Highlight: +2 (High)
Shadow: +1 (Medium-High)
Color: 0 (Medium)
Sharpness: 0 (Medium)
Noise Reduction: -2 (Low)
White Balance: Daylight, 0 Red & -3 Blue
ISO: Auto, up to ISO 3200

Example photographs, all camera-made JPEGs using this Kodachrome 64 recipe on my Fujifilm X-T1:

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Watered Tree – Farmington, UT – Fujifilm X-T1

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Reflection in the Grass – Farmington, UT – Fujifilm X-T1

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Reed Grass – Farmington, UT – Fujifilm X-T1

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Reeds In Water – Farmington, UT – Fujifilm X-T1

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Sisters on a Bridge – Farmington, UT – Fujifilm X-T1

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Red Mustang – Farmington, UT – Fujifilm X-T1

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Wrangler – Farmington, UT – Fujifilm X-T1

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Parking Lot Sunset – Farmington, UT – Fujifilm X-T1

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January Evening Hill – Farmington, UT – Fujifilm X-T1

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Rooftop Birds – Farmington, UT – Fujifilm X-T1

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Suburban Silver Lining – Farmington, UT – Fujifilm X-T1

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Coffee Cup – Farmington, UT – Fujifilm X-T1

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Prerequisite – Farmington, UT – Fujifilm X-T1

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Yellow Pillows – Farmington, UT – Fujifilm X-T1

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Smiling Jon – Farmington, UT – Fujifilm X-T1

See also: First three Fujifilm X-T1 Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00