Fujifilm X100V Film Simulation Recipe: Nature Neon

Setting Sun Trees – Bountiful, UT – Fujifilm X100V – “Nature Neon”

This film simulation recipe isn’t mine. It was created by Fuji X Weekly reader Immanuel Sander, who has actually posted several different recipes on his Instagram account (@captn.look). Thomas Schwab was the one who tipped me off to this. There are several really nice recipes that Immanuel has shared, but this one is my personal favorite. I asked him if I could share it with you on this website, and he graciously agreed. Immanuel calls this recipe Captn Look Nature Neon.

I’m not sure what film this might most closely resemble. It’s kind of similar to my Golden Negative recipe (although not exactly), which is kind of similar to FPP Retrochrome (expired high-speed Ektachrome). It’s also almost redscale-ish, a little more subtly than my Redscale recipe. Cross processed film can sometimes have a red/orange color cast, particularly (non-Velvia) Fujifilm transparencies, but I don’t think these settings are especially close to that. Even if this recipe doesn’t look exactly like any particular film, it nonetheless produce very interesting results.

The Road Less Traveled – Antelope Island SP, UT – Fujifilm X100V – “Nature Neon”

It’s called “Nature Neon” in part because it uses the Fluorescent 1 white balance, which is also called Daylight Fluorescent or Neon Light. It gives a look as if a red neon light is illuminating the scene. The change that I made to Immanuel’s recipe is that I set Sharpness to -2; he had it set to -4. Thomas prefers it set to 0. Really, whatever Sharpness you prefer to use from -4 to 0 is acceptable.

This film simulation recipe is compatible with the Fujifilm X100V, X-Pro3 and X-T4. This article is a bit unusual in that it features example photographs from three photographers: Immanuel Sanders, Thomas Schwab, and myself. You can see how three different photographers used these settings. I want to give a big thank-you to Immanuel for creating and sharing this recipe, and to Thomas for showing it to me. Thank you, guys! I encourage you to check out their Instagram pages to see more of their pictures.

Classic Chrome
Dynamic Range: DR400
Highlight: 0
Shadow: +2
Color: +3
Noise Reduction: -4
Sharpness: -2
Clarity: -4
Grain Effect: Weak, Small
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: Fluorescent 1, +2 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Nature Neon film simulation recipe:

Immanuel Sanders

Photo by Immanuel Sander
Photo by Immanuel Sander
Photo by Immanuel Sander
Photo by Immanuel Sander
Photo by Immanuel Sander

Thomas Schwab

Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab

Ritchie Roesch

Salt Lake from Ladyfinger Point – Antelope Island SP, UT – Fujifilm X100V
Peeking Peak – Antelope Island SP, UT – Fujifilm X100V
Rocks & Shrubs – Antelope Island SP, UT – Fujifilm X100V
Bison in a Meadow – Antelope Island SP, UT – Fujifilm X100V
Lava Sunset – Antelope Island SP, UT – Fujifilm X100V

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Fujifilm X100V Film Simulation Recipe: Kodachrome 1

Kodak Blossoms – Farmington, UT – Fujifilm X100V – “Kodachrome 1”

Kodachrome
They give us those nice bright colors
They give us the greens of summer
Makes you think all the world’s a sunny day

Kodachrome is probably the most iconic photographic film ever made. It was legendary, and many people saw the world through its colors. Kodak produced Kodachrome film from 1935 through 2009, when it was suddenly discontinued.

The Kodachrome name has been used for many different films over the years. The first Kodachrome product was a two-glass-plate color negative that was introduced in 1915. Like all other color photography methods of its time, the results weren’t particularly good and the product not especially successful.

Forest Brooks – Fruit Heights, UT – Fujifilm X100V – “Kodachrome 1”

In 1935 Kodak released its next Kodachrome, which was a color transparency film with an ISO of 10. This Kodachrome was the first color film that produced reasonably accurate colors and was the first commercially successful color film. It became the standard film for color photography for a couple decades, and was even Ansel Adams’ preferred choice for color work. The December 1946 issue of Arizona Highways, which was the first all-color magazine in the world, featured Barry Goldwater’s Kodachrome images.

Kodak made significant improvements to Kodachrome, and in 1961 released Kodachrome II. This film boasted more accurate colors, sharper images, finer grain, and a faster ISO of 25. While it was still similar to the previous Kodachrome, it was better in pretty much every way. A year later Kodachrome-X was introduced, which had an ISO of 64.

Another generation of Kodachrome, which came out in 1974, saw Kodachrome II replaced by Kodachrome 25 and Kodachrome-X replaced by Kodachrome 64. The differences between this version and the previous weren’t huge with nearly identical image quality. The biggest change was going from the K-12 to the K-14 development process (which was a little less complex, but still complex). This generation of Kodachrome is what most people think of when they picture (pun intended) the film, gracing the pages of magazines like National Geographic.

CPI – Farmington, UT – Fujifilm X100V – “Kodachrome 1”

I personally have shot plenty of Kodachrome, mostly Kodachrome 64. It was a good general use film that produced sharp images and pleasing colors. I haven’t used it in more than a decade. Its days are gone. Even if you can find an old roll of the film, there are no labs in the world that will develop it.

This Kodachrome 1 film simulation recipe is meant to mimic that first era of Kodachrome. This isn’t your parent’s or grandparent’s Kodachrome, it’s your great-grandparent’s. This Kodachrome 1 recipe is actually an updated version of my Vintage Kodachrome recipe. Since the new Fujifilm cameras have more JPEG options, such as Clarity, Color Chrome Effect and Color Chrome Effect Blue, it’s possible to get more accurate or at least different looks out-of-camera. This recipe is very similar to the original version, but I hope this one is just a tad better. It’s only compatible with the X100V, X-Pro3 and X-T4 cameras; if you don’t have one of those cameras, give the Vintage Kodachrome recipe a try. Both the old and this new version have a great vintage analog look that I’m sure many of you will appreciate. I want to give a big “thank you” to Fuji X Weekly reader Thomas Schwab for his help with updating this recipe.

Classic Chrome
Dynamic Range: DR400
Highlight: +4
Shadow: -2
Color: +4
Noise Reduction: -4
Sharpening: -2
Clarity: +1
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Auto, +2 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to -1 (typically)

Example photographs, all camera-made JPEGs using this Kodachrome 1 film simulation recipe on my Fujifilm X100V:

Reel 2 Reel – Farmington, UT – Fujifilm X100V
Behind the Grocery Store – Farmington, UT – Fujifilm X100V
American Neighborhood – Farmington, UT – Fujifilm X100V
Open Window Blinds – Farmington, UT – Fujifilm X100V
Playing Cards – Farmington, UT – Fujifilm X100V
Summer Bloom – Farmington, UT – Fujifilm X100V
Forest Edge – Fruit Heights, UT – Fujifilm X100V
Dead Tree Trunk – Fruit Heights, UT – Fujifilm X100V
Trees of Life & Death – Fruit Heights, UT – Fujifilm X100V
Sunlight & Leaves – Fruit Heights, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Fujifilm X100V Film Simulation Recipe: Bright Summer

Yellow Shack – Syracuse, UT – Fujifilm X100V – “Bright Summer”

I get asked frequently to create film simulation recipes for many different film aesthetics, but sometimes I get asked to recreate the look of a photographer and not a film. This recipe falls into the latter category, as it is intended to resemble the aesthetic of Preet (Instagram), a photographer from Dubai. Preet uses a Fujifilm X-Pro3, but he shoots RAW and edits in Lightroom. In fact, he told me that he will soon be releasing his own Lightroom presets so that you can get his aesthetic in-software. I wanted to get close tp his look in-camera without the need for RAW editing, so I created this film simulation recipe, which is modeled after Preet’s pictures. It’s not an exact match, but probably as close as you can get straight-out-of-camera.

I can recognize Preet’s images without even seeing his name. They are bright, low-contrast (but typically of high-contrast scenes), and vibrant with a warm yellow-ish cast. They are almost kodak-esque, but not exactly like any specific film, and clean without grain. This film simulation recipe is pretty close to that aesthetic. Preet photographs a lot of beach scenes, buildings, and cars. I’m reminded of a bright summer day, which is why I call this recipe “Bright Summer.”

Roof – Farmington, UT – Fujifilm X100V – “Bright Summer”

I found with this recipe that sometimes Color should be set to +3 instead of +4 to better match Preet’s look, but oftentimes +4 is better, and occasionally +5 would be most correct if such a setting existed. If you prefer Color set to +3 don’t be afraid to do it. White Balance Shift occasionally looks more correct with Red set to -5, but I found -4 to be better for most pictures. It’s a similar situation for Blue: -3 is sometimes a better match, but most often -2 is most correct. You’ll have to decide if you prefer the recipe as stated below, or if -5 Red & -2 Blue, or -5 Red & -3 Blue, or -4 Red and -3 Blue works better for you. It might vary from picture-to-picture. Although I have Grain set to Off, I would consider setting it to Weak and Small, but that’s just my taste. To get even closer to Preet’s look, bring down the highlights and lift the shadows very slightly with a curves adjustment in-software (which, of course, is completely optional). This film simulation recipe is only compatible with the Fujifilm X100V, X-Pro3 and X-T4.

Classic Chrome
Dynamic Range: DR400
Highlight: -2
Shadow: -2
Color: +4
Noise Reduction: -4
Sharpening: 0
Clarity: -5
Grain Effect: Off
Color Chrome Effect: Strong
Color Chrome Effect Blue: Off
White Balance: 7100K, -4 Red & -2 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1 to +2 (typically)

Example photographs, all camera-made JPEGs using this “Bright Summer” film simulation recipe (without any modifications) on my Fujifilm X100V:

Free Flu Shot – Farmington, UT – Fujifilm X100V
No, No, No! – Farmington, UT – Fujifilm X100V
Chopstix – Farmington, UT – Fujifilm X100V
Twin Garage Doors – Layton, UT – Fujifilm X100V
Roof Slant 1– Layton, UT – Fujifilm X100V
Roof Slant 2 – Layton, UT – Fujifilm X100V
Roof Ladder – Farmington, UT – Fujifilm X100V
Lemon Ice Cream Truck – Farmington, UT – Fujifilm X100V
Suburban Flowerbed – Farmington, UT – Fujifilm X100V
Construction Truck – Farmington, UT – Fujifilm X100V
Burger King Parking Lot – Farmington, UT – Fujifilm X100V
Crown Burgers – Layton, UT – Fujifilm X100V
Notice: Stop – Farmington, UT – Fujifilm X100V
Lamp & Sky – Farmington, UT – Fujifilm X100V
Yellow House – Farmington, UT – Fujifilm X100V
Yellow Tree Summer – Farmington, UT – Fujifilm X100V
American Tree – Farmington, UT – Fujifilm X100V
Outdoor Succulent – Layton, UT – Fujifilm X100V
Parking Lot Reflections – Farmington, UT – Fujifilm X100V
Light Sphere – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Fujifilm X-T200 (Bayer) Film Simulation Recipe: Golden Negative

Hidden Church – North Salt Lake, UT – Fujifilm X-T200 – “Golden Negative”

I got my hands on a Fujifilm X-T200! It’s not my camera, I’m just borrowing it for a few weeks. So far I’ve been more impressed with it than I thought I’d be. I’ll write more about all this later. What I want to share today is the very first film simulation recipe that I’ve created for the X-T200, called Golden Negative.

I can’t tell you how many requests I’ve had for recipes compatible with Fujifilm Bayer cameras, such as the X-T200, X-T100, X-A7, X-A5 and XF10, but it’s been a lot! Prior to this, I’d only made three film simulation recipes for these cameras, partly because you cannot save custom presets on these cameras like you can on X-Trans models. You more-or-less have to use one recipe for a period of time, and only switch occasionally. With this film simulation recipe, there are now four to choose from! X-Trans II recipes are compatible with these Bayer cameras, but they produce slightly different results. This recipe will work on X-Trans II, but it won’t look exactly the same. I tried this recipe on an X-Trans IV camera, and it looked noticeably different, but it didn’t look bad, so feel free to try this recipe any camera with the Classic Chrome film simulation; for best results, use it on a Fujifilm Bayer camera.

Early Autumn Evening – North Salt Lake, UT – Fujifilm X-T200 – “Golden Negative”

What does this Golden Negative recipe look like? I’m reminded of prints from the 1980’s and 1990’s, maybe captured on Kodak Gold and printed on Kodak paper. It’s not really intended to resemble that, it’s just what this recipe reminds me of. It has a beautiful low-contrast, low-saturation, warm-cast that’s closer to Kodak color negative film, such as Gold or ColorPlus, than reversal film. I don’t think this recipe is exactly like any specific film, but it looks great nonetheless.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: +1
Shadow: -2
Color: -2
Noise Reduction: -2
Sharpening: 0
White Balance: Daylight, +4 Red & -2 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this Golden Negative film simulation recipe on a Fujifilm X-T200:

XB – Farmington, UT – Fujifilm X-T200
Ogden or Bust – Woods Cross, UT – Fujifilm X-T200
Rose Garden – Farmington, UT – Fujifilm X-T200
Shadows on a Leaf – North Salt Lake, UT – Fujifilm X-T200
Ground Leaves – North Salt Lake, UT – Fujifilm X-T200
Brown Leaf – North Salt Lake, UT – Fujifilm X-T200
Autumn Trees Trunks – North Salt Lake, UT – Fujifilm X-T200
Forest Sunstar – North Salt Lake, UT – Fujifilm X-T200
Nature Above City – North Salt Lake, UT – Fujifilm X-T200
Haze Over North Salt Lake – North Salt Lake, UT – Fujifilm X-T200
Moonrise Over Mansions – North Salt Lake, UT – Fujifilm X-T200
Yellow Balsomroot – North Salt Lake, UT – Fujifilm X-T200
Blossomed Flower – North Salt Lake, UT – Fujifilm X-T200
Faux Succulent on a Shelf – Farmington, UT – Fujifilm X-T200
Girl Playing Cards – Farmington, UT – Fujifilm X-T200
Happy Girl – Farmington, UT – Fujifilm X-T200
Joshua on the Playground – North Salt Lake, UT – Fujifilm X-T200
Lit Leaves – Farmington, UT – Fujifilm X-T200

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Fujifilm X100V Film Simulation Recipe: Verano Tostado

Sunshine Pines – Mirror Lake, UT – Fujifilm X100V – “Verano Tostado”

There are some film simulation recipes that are more series and some that are more fun. This one is falls into the latter category. Even the name, Verano Tostado (“Toasted Summer”), and the story behind it, is fun. Fuji X Weekly reader Ricardo Guzman sent me this recipe to try. He called it “Tostado” and when I asked him why, Ricardo answered, “Toasted like summer—when you sleep after lunch at the beach, you wake up looking at funny colors.” Yes, that’s exactly what it looks like—verano tostado!

What’s great about this recipe is, even though the title says Fujifilm X100V, this actually will work on any X-Trans III and X-Trans IV camera. Simply disregard Grain set to Large if your camera doesn’t have that option. Clarity, Color Chrome Effect and Color Chrome Effect Blue are all set to 0 or Off, which makes this recipe usable on cameras that don’t have those options. I tried it on both a Fujifilm X-T20 and X-T30 and it worked great!

Roof and Ceiling – Farmington, UT – Fujifilm X100V – “Verano Tostado”

I did not include a “typical” exposure compensation because you can get some really interesting looks with this recipe from both overexposure and underexposure. Try -2/3 all the way up to +1 1/3 and see what happens. I want to thank Ricardo Guzman for creating this recipe and allowing me to share it here with you. Thanks, Ricardo!

Classic Chrome
Dynamic Range: DR200
Highlight: -1
Shadow: +2
Color: +3
Noise Reduction: -4
Sharpening: +2
Clarity: 0
Grain Effect: Strong, Large
Color Chrome Effect: Off
Color Chrome Effect Blue: Off
White Balance: Auto, -2 Red & -5 Blue
ISO: Auto, up to ISO 6400

Example photographs, all camera-made JPEGs using this Verano Tostado film simulation recipe on my Fujifilm X100V:

Summer Flowers – Mirror Lake, UT – Fujifilm X100V
Lake Fishing – Mirror Lake, UT – Fujifilm X100V
Mountain Lake – Mirror Lake, UT – Fujifilm X100V
Water Log – Mirror Lake, UT – Fujifilm X100V
Blue Lake Water – Mirror Lake, UT – Fujifilm X100V
Baiting a Fishing Lure – Mirror Lake, UT – Fujifilm X100V
Small Stream & Tiny Waterfall – Mirror Lake, UT – Fujifilm X100V
Green Leaf – Mirror Lake, UT – Fujifilm X100V
Forest Light Peek – Mirror Lake, UT – Fujifilm X100V
If a Tree Falls in the Forest – Mirror Lake, UT – Fujifilm X100V
Summer Feelings – Farmington, UT – Fujifilm X100V
Hello – Farmington, UT – Fujifilm X100V
Stripes – Farmington, UT – Fujifilm X100V
Table Plant – Farmington, UT – Fujifilm X100V

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Fujifilm X-T20 (X-Trans III) + X-T30 Film Simulation Recipe: Kodak Ultramax

Street Lamp Sunset – Farmington, UT – Fujifilm X-T30 – “Kodak Ultramax”

I’ve received a lot of positive feedback from my Fujifilm X100V Kodak Ultramax 400 film simulation recipe, which I published two weeks ago. I’ve had a ton of requests to make a version of this recipe that’s compatible with X-Trans III sensor cameras, plus the X-T30 and X-T3. Well, I’ve done it, and here it is!

This version of the Ultramax recipe is pretty close to the original, but not precisely the same. Because the new cameras—the X100V, X-T4 and X-Pro3—have different tools, that recipe isn’t compatible with “older” Fujifilm cameras, but I made some adjustments and changes, and created this new version, which produces similar results. It’s fully compatible with the X-Pro2, X100F, X-E3, X-T2, X-T20, X-H1, X-T3 and X-T30 cameras. While not 100% exactly the same as the original recipe, it definitely has the same overall Ultramax aesthetic.

Sunstar Through Peach Leaves – Farmington, UT – Fujifilm X-T20 – “Kodak Ultramax”

Ultramax 400 is Kodak’s consumer grade ISO 400 color negative film. Kodak has sold Ultramax 400 under many different names, beginning in 1987 with Kodacolor VR-G 400, rebranded Gold 400 one year later, called simply GC at one point, and finally, in 1997, Kodak settled on Ultramax 400. Kodak still sells Ultramax 400, although it’s not the same film as Kodacolor VR-G 400. This film has been tweaked and updated at least nine times over the years; however, the overall aesthetic is still substantially similar between all variations.

Classic Chrome
Dynamic Range: DR400
Highlight: +2
Shadow: +2
Color: +4
Sharpening: +2
Noise Reduction: -4
Grain: Strong
Color Chrome Effect: Off or N/A
White Balance: Auto, +1 Red & -6 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this Kodak Ultramax film simulation recipe on a Fujifilm X-T20 and X-T30:

Creek – Farmington, UT – Fujifilm X-T20
Shadow Catcher – Farmington, UT – Fujifilm X-T30
Boy by a Window – Farmington, UT – Fujifilm X-T30
Jonathan in Window Light – Farmington, UT – Fujifilm X-T30
Pencils on the Table – Farmington, UT – Fujifilm X-T30
Balcony – Farmington, UT – Fujifilm X-T20
Panda Express – Farmington, UT – Fujifilm X-T20
Window Flag – Farmington, UT – Fujifilm X-T30
American Tree – Farmington, UT – Fujifilm X-T30
Green Mountain Summer – Farmington, UT – Fujifilm X-T30
Summer Pear Tree – Farmington, UT – Fujifilm X-T30
Greens of Summer – Farmington, UT – Fujifilm X-T30
Backyard Tree Evening – Farmington, UT – Fujifilm X-T20
Backyard Aspen Leaves – Farmington, UT – Fujifilm X-T30

See also:
Fujifilm X-Trans III Film Simulation Recipe Compatibility
Fujifilm X-Trans IV Film Simulation Recipe Compatibility

Fujifilm X100F Review Blog

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Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X100V Film Simulation Recipe: Kodak Ektar 100

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Dock Light – Flathead Lake, MT – Fujifilm X100V – “Kodak Ektar 100”

I already have a Kodak Ektar film simulation recipe that I published a little over two years ago, but I’ve been wanting to revisit it for awhile. In the article that I published for that recipe, I wrote, “I’m actually a little hesitant to call this film simulation recipe Kodak Ektar 100 because it’s not quite right. It’s close, but a little off. The color palette is slightly askew.” That’s a true statement. My original Ektar recipe is close but no cigar. Since that time Fujifilm has added more JPEG options to their cameras, so would it be possible to get closer to real Ektar on my X100V?

Kodak introduced Ektar in 1989. It has been made in ISO 25, 100, 125, 400 and 1000 versions at one time or another. Kodak discontinued Ektar in 1997, but they brought it back in 2008 with an updated emulsion. I’ve shot the old Ektar but never the new Ektar. It’s my understanding that they’re similar but not exactly the same.

This new film simulation recipe will be controversial. To achieve a more correct color palette, this recipe is based off of Classic Chrome instead of Astia. The reason that I used Astia in the original recipe is because “Classic Chrome isn’t vibrant enough, even with Color set to +4.” That’s still true, although Color Chrome Effect does help a little. Honestly, if +6 was an option, that’s what I’d set Color to. Unfortunately that’s not an option, so we have a slightly undersaturated recipe. Another issue is that Ektar can have several different looks, depending on how it’s shot, developed, and printed or scanned, just like any film; however, with Ektar, even a 1/3 stop over or under exposure can noticeably effect the aesthetics of the picture.

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Peach Sun – Farmington, UT – Fujifilm X100V – “Kodak Ektar 100”

Fuji X Weekly reader Thomas Schwab helped me immensely with this recipe. He’s had a hand in several recipes, and even created one from scratch that’s quite popular: Urban Vintage Chrome. Thomas captured a bunch of pictures with actual Ektar film, and made several similar exposures with his X-Trans IV cameras. He showed me examples of both, applying my original Ektar recipe to the pictures captured with his Fujifilm cameras. Then we began to create a new Kodak Ektar 100 film simulation recipe based on his Ektar pictures, hoping to achieve something closer to the film than the original recipe.

We discovered very quickly that Ektar is impossible to faithfully recreate on Fujifilm cameras, because only Classic Chrome has the correct color palette, and it’s not vibrant enough. We tried Astia, Provia, Velvia, and PRO Neg. Hi, and of those Astia was the closest, but none of them were right. We settled on Classic Chrome despite it not being vibrant enough. We went back-and-forth on different settings, but especially the white balance. There were several times that we said, “This is it,” only to modify something the next day.

A problem we encountered is that Ektar can have several different looks, even from the same roll of film. There was a discussion about creating as many as three different recipes, depending on the exact aesthetic we wanted to recreate, but decided to go with just one recipe, modeled after our favorite pictures from Thomas’ Ektar film. After even more back-and-forth we finished with this recipe here. We feel confident that it is as close as we could get to actual Ektar film, acknowledging that it’s very close but not exactly right.

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Boat in the Bay – Flathead Lake, MT – Fujifilm X100V – “Kodak Ektar 100”

The original Ektar recipe isn’t an exact match to the film, and I believe that this new recipe is closer. The two recipes each produce a different look, and perhaps they both have a place, depending on what exact aesthetic you are after. This new recipe was a collaborative effort, and I want to give a special “thank you” to Thomas Schwab for all of the time and effort he put into making this a reality. It’s much appreciated!

This Kodak Ektar 100 film simulation recipe is intended for and only compatible with (as of this writing) the Fujifilm X100V, X-Pro3 and X-T4. It uses Clarity, which slows down the camera considerably. I just allow the pause to slow myself down. Another option, which is what Fujifilm recommends, is to add Clarity later by reprocessing the RAW file in-camera or with X RAW Studio.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: +1
Shadow: -2
Color: +4
Noise Reduction: -4
Sharpening: 0
Clarity: +3
Grain Effect: Off
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: 6050K, +3 Red & 0 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this new Kodak Ektar 100 film simulation recipe on my Fujifilm X100V:

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Daisies by the Dock – Flathead Lake, MT – Fujifilm X100V

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Henry’s Fork – Island Park, ID – Fujifilm X100V

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Johnny Sack Cabin – Island Park, ID – Fujifilm X100V

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North Shore of Island – Wild Horse Island State Park, MT – Fujifilm X100V

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Butters – Roy, UT – Fujifilm X100V

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Mustang Evening – Farmington, UT – Fujifilm X100V

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Roofline Sky – Farmington, UT – Fujifilm X100V

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Finding Clues – Farmington, UT – Fujifilm X100V

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Golden Boy – Farmington, UT – Fujifilm X100V

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Rocket Launching – Farmington, UT – Fujifilm X100V

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Yellow Lady – Layton, UT – Fujifilm X100V

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Light Too Bright – Farmington, UT – Fujifilm X100V

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Lawnmower Handle & Shadow – Farmington, UT – Fujifilm X100V

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Air Pump – Farmington, UT – Fujifilm X100V

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Blossom Red – Farmington, UT – Fujifilm X100V

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Flower Garden Blossom – Farmington, UT – Fujifilm X100V

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Bug Hiding on a Flower – Farmington, UT – Fujifilm X100V

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Rose Fence – Farmington, UT – Fujifilm X100V

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Marsh Reeds – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Kodak Ultramax 400

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Empty Outdoor Seating – Farmington, UT – Fujifilm X100V – “Kodak Ultramax 400”

Ultramax 400 is Kodak’s consumer grade ISO 400 color negative film. Kodak has sold Ultramax 400 under many different names, beginning in 1987 with Kodacolor VR-G 400, rebranded Gold 400 one year later, called simply GC at one point, and finally, in 1997, Kodak settled on Ultramax 400. Kodak still sells Ultramax 400, although it’s not the same film as Kodacolor VR-G 400. This film has been tweaked and updated at least nine times over the years; however, the overall aesthetic is still substantially similar between all variations.

This recipe is a happy accident. I was actually working on a different Kodak film simulation recipe, and this was a failed attempt. But I liked how this one looked, so I made a minor adjustment, and created this recipe, which I determined looked a heck-of-a-lot like Ultramax 400. I didn’t intentionally create an Ultramax 400 recipe, but nonetheless here it is! Sometimes it’s better to be lucky than good.

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Colorful Store Decor – Layton, UT – Fujifilm X100V – “Kodak Ultramax 400”

For some of you this new recipe will be an instant favorite. I really love how it looks and plan to use it frequently. This one might be right up there with Kodachrome 64 and Portra 400 for favorite Kodak presets. A word of caution: it does require Clarity, which slows down the camera considerably. This film simulation recipe (as of this writing) is only compatible with the Fujifilm X100V, X-Pro3 and X-T4 cameras.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: +1
Shadow: +1
Color: +4
Noise Reduction: -4
Sharpening: 0
Clarity: +3
Grain Effect: Strong, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: Auto, +1 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this new Kodak Ultramax 400 film simulation recipe on my Fujifilm X100V:

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Road Construction – Clearfield, UT – Fujifilm X100V

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Store Closing – Farmington, UT – Fujifilm X100V

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Urban Roses – Farmington, UT – Fujifilm X100V

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Summer Fruit Tree – Farmington, UT – Fujifilm X100V

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Ripening Peaches – Farmington, UT – Fujifilm X100V

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Wood Barrel – Layton, UT – Fujifilm X100V

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Table & Chair – Farmington, UT – Fujifilm X100V

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Library Lights – Farmington, UT – Fujifilm X100V

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Contemplation – Farmington, UT – Fujifilm X100V

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Blackberry Boy – Farmington, UT – Fujifilm X100V

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End Table Succulent – Farmington, UT – Fujifilm X100V

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Math Books on a Table – Farmington, UT – Fujifilm X100V

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Kitchen Tools – Farmington, UT – Fujifilm X100V

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Quality Goods – Layton, UT – Fujifilm X100V

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75 – Layton, UT – Fujifilm X100V

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Table Bloom – Layton, UT – Fujifilm X100V

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Fake Tulips – Layton, UT – Fujifilm X100V

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Fake Flowers in Window Light – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Fujifilm X100V Film Simulation: Kodak Portra 400

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Bridge Over Stream – Layton, UT – Fujifilm X100V – “Kodak Portra 400”

This is a brand-new version of my X-T30 Kodak Portra 400 film simulation recipe, designed specifically for the Fujifilm X100V, X-Pro3 and X-T4. My “old” recipe isn’t, in fact, old, as I published it only one month ago, but already I have improved on it, thanks to Fujifilm’s new tools, and also thanks to Fuji X Weekly reader Thomas Schwab, who helped tremendously refine the recipe to be more accurate to actual Portra 400 film. You see, he captured some pictures with Portra 400 film and made some identical pictures with his X-Pro3. After a few small changes, this new recipe emerged. It’s very similar to the X-T30 Portra 400 recipe, the differences aren’t huge, but it is subtly better in my opinion.

Portra 400 was introduced by Kodak in 1998, and was redesigned in 2006 and again in 2010. As the name implies, it’s intended for portrait photography, but can be used for many other types of photography. It’s similar to Portra 160, but with more contrast, saturation and grain. Believe it or not, ISO 400 was considered “high ISO” by many photographers back in the film days, and Portra 400 was one of the absolute best “high ISO” color films ever made. Like all films, results can vary greatly depending on how it’s shot, developed and printed or scanned, and even which version of the film you’re talking about.

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Backlit Forest Leaves – Layton, UT – Fujifilm X100V – “Kodak Portra 400”

This new Portra 400 film simulation recipe requires the use of Clarity, which slows down the camera considerably. Fujifilm suggests shooting RAW and adding Clarity later, but I just use the pause to slow myself down. The use of Clarity also means that this recipe can’t be used on “older” cameras, only the X100V, X-Pro3 and X-T4 (as of this writing), but feel free to apply the white balance shift of this recipe to the X-T30 version and see if you like it better.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: -1
Shadow: -2
Color: +2
Noise Reduction: -4
Sharpening: -2
Clarity: +2
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Daylight, +3 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this new Kodak Portra 400 film simulation recipe on my Fujifilm X100V:

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Light Green Leaves – Layton, UT – Fujifilm X100V

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Sunlight In The Tree – Layton, UT – Fujifilm X100V

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Forest – Layton, UT – Fujifilm X100V

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Creek Through The Trees – Layton, UT – Fujifilm X100V

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Light on the Water – Layton, UT – Fujifilm X100V

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Creek – Layton, UT – Fujifilm X100V

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Big Green Leaf – Layton, UT – Fujifilm X100V

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Sunshine & Tree Leaves – Farmington, UT – Fujifilm X100V

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Sunlit – Farmington, UT – Fujifilm X100V

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Stone & Blooms – Layton, UT – Fujifilm X100V

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Jo Swinging – Layton, UT – Fujifilm X100V

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Brother & Sister Driving – Farmington, UT – Fujifilm X100V

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Protect & Serve – Farmington, UT – Fujifilm X100V

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Seagull on a Lamp – Farmington, UT – Fujifilm X100V

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Stormy Reeds – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
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My Fujifilm X-T30 Kodacolor II 126 Film Simulation Recipe

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Blooming Pink – Farmington, UT – Fujifilm X-T30 “Kodacolor II 126”

A Fuji X Weekly reader asked me to recreate the look of some old family prints from the 1970’s that he found. After some investigating, it was determined that the pictures were captured on an Instamatic camera using 126 film (also called Kodapak). 126 film was basically 35mm film, except with a paper back and no sprockets (like 120 film), and in a cartridge that didn’t need to be rewound (similar to 110 film). It was intended for low-budget point-and-shoot cameras, and the cartridge made loading and unloading film easier. Basically, Instamatic was Kodak’s attempt to open up photography to the masses, as it required little to no skill or photographic background. It was very popular in the 1960’s and ’70’s, and became less popular in the 1980’s. A quirk of Instamatic cameras and 126 film is that it captured square pictures.

It’s unknown what film was used on the pictures in question, but most likely it was Kodacolor II, which was by far the most popular color 126 film during the time that these pictures were captured. Kodacolor is a name that Kodak gave to a number of different color negative films going back to the 1940’s. Kodacolor II was the very first C-41 process film. It was introduced in 1972 and discontinued in 1981, replaced by Kodacolor VR, which is the film that my Kodacolor film simulation recipe resembles. The prints likely have some fading and color shifts due to age, but they appeared to be in good condition overall.

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Instamatic – Farmington, UT – Fujifilm X-T30 “Kodacolor II 126”

This film simulation recipe, which I’ve called Kodacolor II 126, is a bit unusual in that it is supposed to mimic a look that came from cheap cameras. It calls for Image Quality to be set to Normal instead of Fine (I normally use Fine). The only other recipe that I’ve done this with is my Kodak Elite Chrome 200 Color Fade. I keep the ISO high on this recipe to make it look more grainy. While I’ve done that with several black-and-white recipes, this is the first time I’ve done it with color. This is also the only recipe that calls for the 1:1 aspect ratio, although feel free to use 3:2 or 16:9 if you’d like. These settings pair well with vintage lenses, and if you “miss” focus a little sometimes, well, that just makes it resemble Instamatic even more.

Classic Chrome
Dynamic Range: DR200
Highlight: -1
Shadow: +3
Color: -4
Noise Reduction: -4
Sharpening: -4
Grain Effect: Strong
Color Chrome Effect: Strong
Image Quality: Normal
Aspect Ratio: 1:1
White Balance: 6300K, +6 Red & +3 Blue
ISO: 3200 – 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “Kodacolor II 126” film simulation recipe on my Fujifilm X-T30:

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Polaroid Girl – Farmington, UT – Fujifilm X-T30

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Lizard, Boy & Wall – Farmington, UT – Fujifilm X-T30

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Boy in the Alley – Farmington, UT – Fujifilm X-T30

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Two Cans – Farmington, UT – Fujifilm X-T30

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Suburban House & Tree – Farmington, UT – Fujifilm X-T30

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Suburban Trees & Distant Mountain – Farmington, UT – Fujifilm X-T30

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Tree Top & Mountain Top – Farmington, UT – Fujifilm X-T30

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Suburban April  – Farmington, UT – Fujifilm X-T30

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Robot in the Window – Farmington, UT – Fujifilm X-T30

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Heart & Soul – Farmington, UT – Fujifilm X-T30

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Wreath & Flowers – Farmington, UT – Fujifilm X-T30

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White Paper – Farmington, UT – Fujifilm X-T30

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Bowl on a Trike – Farmington, UT – Fujifilm X-T30

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Hose & Elephant – Farmington, UT – Fujifilm X-T30

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Concrete Path – Farmington, UT – Fujifilm X-T30

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Little Colorful Chair – Farmington, UT – Fujifilm X-T30

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Summer Chair – Farmington, UT – Fujifilm X-T30

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Day Dreaming – Farmington, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Fujifilm X100F Review Blog

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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