Anders sent me a lengthy note on his process to create this recipe, and I want to share with you a short snippet just so you get an idea of the effort put into this. “I checked the spectrum sensitivity chart and looked for any significant bumps in the wavelengths,” he wrote. “For the largest bump, I checked what color it represents to try to match it as close as possible with the white balance shift. This recreated the bump in the recipe to make the simulation a bit extra sensitive to that specific color.” This was point four of seven in his process, and shows the kind of effort that can go into creating Film Simulation Recipes.
Specifically about this recipe, Anders noted, “Middle gray is the game here. Soft highlights and things disappearing into deep dark shadows, but never as black as Tri-X. Great for all day shooting in just about any weather. Looks totally awesome on winter shots!” I can add that it looks great on both sunny days and rainy days, too. I think it does especially well in moderate and high contrast situations.
Footbridge & Falls – Multnomah Falls, OR – Fujifilm X100V – “Ilford HP5 Plus 400”
Ilford began the Hypersensitive Panchromatic (HP) series in 1931. HP5 Plus 400 is the latest version, released in 1989, and still available today. This is a classic black-and-white film stock that has stood the test of time, and Anders did a great job mimicking it on Fujifilm cameras. This recipe is intended for use on the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras; however, for the X-T3 and X-T30, as well as X-Trans III cameras, simply ignore Grain size, and this recipe is compatible with those cameras, so anyone with an X-Trans III or IV camera can use this.
A side note: this recipe is different than my old Ilford HP5 Plus and Ilford HP5 Push Process recipes, which I still quite like, and are both excellent in low and mid contrast situations. Try those or Anders’ version—or all three if you are feeling adventurous!
Monochrome Dynamic Range: DR400 Highlight: -1 Shadow: +1 Noise Reduction: -4 Sharpness: -2 Clarity: 0 Grain Effect: Strong, Large Color Chrome Effect: Off Color Chrome Effect Blue: Off White Balance: Daylight, +1 Red & -8 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: -2/3 to +2/3 (typically)
Example photographs, all camera-made JPEGs using this “Ilford HP5 Plus 400” Film Simulation Recipe on my Fujifilm X100V:
Horsetail Falls From Bridge – Columbia River Gorge, OR – Fujifilm X100V
Horsetail Falls – Columbia River Gorge, OR – Fujifilm X100V
Upper Falls – Multnomah Falls, OR – Fujifilm X100V
36 CFR 261.53(e) – Multnomah Falls, OR – Fujifilm X100V
Use Caution For Slipping Bandits – Multnomah Falls, OR – Fujifilm X100V
No Cars – Astoria, OR – Fujifilm X100V
Two Elk in a Yard – Warrenton, OR – Fujifilm X100V
Spiral Stairs – Fort Stevens SP, OR – Fujifilm X100V
Old Fireplace – Fort Stevens SP, OR – Fujifilm X100V
Stairs in the Forest – Fort Stevens SP, OR – Fujifilm X100V
Astoria & Columbia River – Astoria, OR – Fujifilm X100V
Two Ships in the Columbia River – Astoria, OR – Fujifilm X100V
Tetons, As Seen By Oneskies – Grand Teton NP, WY – Fujifilm X100V
South Jetty – Fort Stevens SP, OR – Fujifilm X100V
Pointing To The Pacific – Cannon Beach, OR – Fujifilm X100V
Haystack Sticks – Cannon Beach, OR – Fujifilm X100V
Season 2 of SOOC kicks off this Thursday, March 24th, at 10 AM Pacific Time, 1 PM Eastern. That’s tomorrow!
SOOC is a monthly live video series, with each episode focused on a different film simulation recipe. It is a collaboration between Tame Your Fujifilm (Fujifilm X-Photographer Nathalie Boucry) and Fuji X Weekly (Ritchie Roesch). SOOC is a fun and educational experience where we not only talk about Fujifilm camera settings, but also answer your questions and give tips and tricks. Basically, we’re trying to help you master your Fujifilm camera, with a focus on simplifying your photographic workflow. It’s an interactive show, and your participation is essential, so I really hope to see you there!
This episode will conclude our discussion of the Kodak Gold 200 Film Simulation Recipe, and introduce the next recipe-of-the-month: Kodak Tri-X 400. It will be a great time, with wonderful photographs and discussions. You won’t want to miss it!
Also, there will be a 30-minute pre-show that I invite you to join. So if you have a little time before the show, even if it’s only five or ten minutes, please tune in as we showcase some of your pictures and have an informal chat with the audience.
If you are searching for a good blue-hour and nighttime Film Simulation Recipe, this is one you should try! I used it recently in Jackson Hole, Wyoming, and Astoria, Oregon, and was impressed with the results. I invite you, if you will be photographing after dark anytime soon, to give this recipe a try—you’ll be glad that you did! I suspect that this will become a favorite recipe for some of you.
Night Statue – Jackson Hole, WY – Fujifilm X100V – “Serr’s 500T”
This recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. For those with an X-T3 or X-T30, you can use this recipe but you’ll have to ignore Grain size and Color Chrome FX Blue—the results will be slightly different, but pretty close. Those with X-Trans III cameras will additionally have to ignore Color Chrome Effect. Because Clarity is set to 0 in this recipe, I used a 5% CineBloom filter on my X100V for these pictures—alternatively, you could set Clarity to -2 and get similar results.
Classic Chrome Dynamic Range: DR-Auto Highlight: -2 Shadow: -1 Color: -1 Noise Reduction: -2 Sharpness: -1 Clarity: 0 Grain Effect: Strong, Large Color Chrome Effect: Strong Color Chrome Effect Blue: Strong White Balance: 3200K, -1 Red & +4 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: -1/3 to +1/3 (typically)
Example photographs, all camera-made JPEGs using “Serr’s 500T” Film Simulation Recipe on my Fujifilm X100V:
Dairy Maid – Warrenton, OR – Fujifilm X100V
Cold Nights – Jackson Hole, WY – Fujifilm X100V
Magic Fork – Astoria, OR – Fujifilm X100V
Salmon – Astoria, OR – Fujifilm X100V
Walking Tadziu – Jackson Hole, WY – Fujifilm X100V
Sun Behind The Tetons – Grand Teton NP, WY – Fujifilm X100V – “Elite Chrome 200“
Sun Behind Tetons & River – Grand Teton NP, WY – iPhone 11 – RitchieCam – “Color Negative Low”
I recently visited the Grand Teton National Park in Wyoming. This iconic mountain range sits just north of the tourist town of Jackson Hole. If you’ve never been, this is a “bucket list” kind of place that you should absolutely try to see in person if you can. My visit was a quick weekend getaway, and not surprisingly the weather didn’t really cooperate. Still, I wanted to get in some photography, and so I did.
What I don’t want to do is view massive crops side-by-side. The Fujifilm X100V and the iPhone are much different tools, so this will be a very general overview without pixel-peeping.
Technically speaking, the X100V is far superior, and it isn’t even close. For technical image quality, the X100V is the camera to grab, but the iPhone, with its tiny little sensor, is surprisingly good, all things considered. The advantage of the iPhone is that you have it with you all of the time, and you can quickly and easily share the pictures captured with it across the world (especially if you used the RitchieCam app). Convenience and speed are the reasons to choose the iPhone over the X100V, but the X100V is pretty compact and quick, too. For printing or viewing large, the X100V is the right tool. For quick sharing, the iPhone is the right tool. Here’s the great news: you don’t have to choose—use both, or use the one that you happen to have with you.
This is the first in a series of articles where I’ll compare photographs captured with the Fujifilm X100V using Film Simulation Recipes and the iPhone using the RitchieCam app. Below are photographs captured with these cameras at the Grand Tetons in Wyoming. Let me know in the comments which pictures you like best!
Fujifilm X100V
Snake River Overlook Morning – Grand Teton NP, WY – Fujifilm X100V – “The Rockwell“
Fujifilm sent me an X-Pro3 to try for a few weeks. I put it through its paces as best as I could in that short time, and wanted to publish a review; however, what fresh insight can I give that hasn’t already been said over and over? Instead of rehashing all the technical data you probably already have known for awhile, I thought I’d simply answer this question: Is the Fujifilm X-Pro3 still a camera worth buying in 2022? And, is this a camera that you should consider?
The X-Pro3 was originally released in November of 2019, which was more than two years ago. In the digital era, a lot of people “upgrade” their gear every two-ish years, so does that mean the X-Pro3 is beginning to feel dated? Will it seem old even though you bought it brand-new? Will the X-Pro4 be announced the day after your X-Pro3 arrives in the mail?
Fujifilm sent me a well-used X-Pro3, but it was still in great shape. The majority of the reviews you find on the internet were probably from this exact same body. I won’t say that I got it last, but more-or-less that’s true.
It’s still a very similar size, weight, shape, and design as the original X-Pro1—Fujifilm didn’t change much externally over the last decade, but what they did change has certainly caused a lot of controversy. The headline change, of course, is the backwards-mounted rear screen, which forces you to use the hybrid-viewfinder for most of your photography, and only use the rear LCD when you absolutely have to. While I thought I’d love this, I think the execution was lacking, and I found it frustrating at times. Instead of folding down, I think flipping out to the side, and then twisting up or down, would have made a lot more sense. I think removing the D-Pad was a bit of a mistake, too.
Image quality on the X-Pro3 is fantastic—exactly the same as the X100V, X-T4, and the other X-Trans IV cameras. Unfortunately, and despite this being a “premium” model, Fujifilm hasn’t given this camera the Kaizen love that it deserves, and you won’t find Eterna Bleach Bypass, half-step Highlight and Shadow adjustments, or the two new Auto White Balance options. This is a real shame, because otherwise it would feel just as up-to-date as the latest models, but instead it has a sense of being slightly dated. The X-E4, the current entry-level model, has more JPEG options than the X-Pro3, and that just doesn’t seem right to me.
Enough of the negativity, though, because the X-Pro3 is an awesome camera! I thoroughly enjoyed using it. It is such a beautiful model, and is just as beautiful on the inside as it is on the outside. I can’t imagine anyone hating it. Yeah, it has a couple disappointing design choices, but if you are aware of those things going into the purchase, you won’t be disappointed. Best-looking body combined with Fujifilm’s fantastic film simulations is a winner in my books!
February Reaching – Farmington, UT – Fujifilm X-Pro3 – “Vintage Color v2”
Here’s something that maybe hasn’t been talked about much: the ability to save TIFFs. Most Fujifilm models can either do RAW or JPEG (or RAW+JPEG), but you have an additional option of TIFF on the X-Pro3. I didn’t notice any image quality difference between TIFF and JPEG, but the TIFF should allow you more room for editing before the files start to degrade. There’s also the potential that the TIFFs, having more bits, do actually deliver an improved image quality, but if so it is really subtle and I couldn’t tell.
The X-Pro3, though, isn’t a practical purchase—it’s emotional. The rational side of your brain will tell you that the X-T4 is slightly better and slightly cheaper. The rational side of your brain will tell you that the X-E4 is much cheaper, smaller, and lighter, yet basically the same thing, and since you rarely shoot in the rain you don’t really need weather-sealing anyway. But the emotional side tells you that those cameras aren’t as timeless as the X-Pro line. The X-Pro3 is a beast that you’ll keep and use and love for ages. It’s your Leica, except that it’s Fujifilm.
Mutual Conversation – Salt Lake City, UT – Fujifilm X-Pro3 – “Agfa Ultra 100”
On a more serious note, though, the X-Pro3 is a solid body that balances well with larger lenses. Sometimes, on my smaller cameras, my bigger and heavier lenses are a bit awkward to use, but not on the X-Pro3. If you often use these larger and heavier lenses, you might appreciate the larger, sturdier body of the X-Pro3.
While X-Trans V is just around the corner, I don’t believe that the X-Pro4 is going to be announced anytime soon—I think maybe in 2023, but I’d be pretty shocked if Fujifilm replaced the X-Pro3 anytime this year. I’ve certainly been wrong before, but I haven’t heard anything about an upcoming X-Pro4 on the horizon.
I think by-and-large those who would love the X-Pro3 know who they are already. If you are uncertain, that’s a pretty good indication that this camera isn’t for you. That’s not to say you’d dislike it, but you should strongly consider a different model instead. For those who are pretty confident that the X-Pro3 is the camera for them, you can know that you are probably right, and you’re going to love it. So, my conclusion is that the X-Pro3 isn’t perfect and it isn’t for everyone, but for some it will be a much appreciated, much loved, and much used camera for years to come.
I was sad to send Fujifilm their X-Pro3 back, and I’ll certainly miss it.
This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.
SOOC was postponed two weeks, and I know many of you set aside time today to tune in, so I thought I’d fill the void by sharing some recent YouTube videos that show or discuss Film Simulation Recipes. I hope that you find these videos interesting or entertaining. If you do appreciate a certain video, give the creator a “thumbs-up” and follow to let them know!
I was asked to recreate the aesthetic from a frame of a classic movie. I don’t know which movie, but only that it was shot on “Eastmancolor” film, which is a brandname for many different motion picture films and processes going back to the 1950’s. In fact, Eastmancolor Negative, better known as ECN, is still the development process used for today’s motion picture film. It’s unknown which film was used for the frame I was shown, but I did my best to recreate it on a Fujifilm X-Pro3.
After using these settings for several days, I decided that it really reminds me of old Ektachrome color reversal film, perhaps from the 1970’s. Ektachrome was known for fading rather quickly, with some color shifts if not stored well. Aside from some faded slides from my grandparents, most of the Ektachrome I’ve seen from this era have been in classic photography magazines. I don’t know how faithfully this recipe mimics old Ektachrome film, but it definitely has the right “memory color” for me. I hope that you like it, too.
Abandoned Ferris Wheel – Salt Lake City, UT – Fujifilm X-Pro3 – “Old Ektachrome”
This “Old Ektachrome” film simulation recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. This recipe isn’t compatible with the X-T3 or X-T30, but if you disregard Color Chrome FX Blue, disregard Grain size, and use a diffusion filter in lieu of Clarity, you’ll get similar results.
Classic Chrome Dynamic Range: DR400 Highlight: +2 Shadow: +1 Color: +3 Noise Reduction: -4 Sharpness: 0 Clarity: -4 Grain Effect: Strong, Large Color Chrome Effect: Strong Color Chrome Effect Blue: Weak White Balance: Daylight, +3 Red & +2 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: 0 to +2/3 (typically)
Example photographs, all camera-made JPEGs using this “Old Ektachrome” film simulation recipe on a Fujifilm X-Pro3:
Blue Roof – Salt Lake City, UT – Fujifilm X-Pro3
Old Carnaval Ride – Salt Lake City, UT – Fujifilm X-Pro3
Too Late To Ride – Salt Lake City, UT – Fujifilm X-Pro3
Early Blossoms – Salt Lake City, UT – Fujifilm X-Pro3
Potted Plant – Salt Lake City, UT – Fujifilm X-Pro3
Desert Snow – Canyonlands NP, UT – Fujifilm X-Pro3
Rock & Half Arch – Arches NP, UT – Fujifilm X-Pro3
Cave & Juniper – Arches NP, UT – Fujifilm X-Pro3
Snow in the Desert – Arches NP, UT – Fujifilm X-Pro3
Sign Stickers – Canyonlands NP, UT – Fujifilm X-Pro3
Red Rock Tree – Canyonlands NP, UT – Fujifilm X-Pro3
View Through Mesa Arch – Canyonlands NP, UT – Fujifilm X-Pro3
Fading Light On Wasatch – Farmington, UT – Fujifilm X-H1 – “Improved Velvia”
This Film Simulation Recipe is the second in a series, in which I attempt to customize each film simulation to optimize the aesthetic that Fujifilm intended. In other words, make a nice-looking recipe that is similar to yet better than the stock look of a film simulation. The first recipe in this series was Standard Provia, and this new one is called Improved Velvia.
I used to be frustrated by the Velvia film simulation because it’s not like Velvia 50. When people talk about Velvia film, that’s the emulsion that they most commonly mean, with it’s exaggerated super-vivid colors, but Velvia 50 is not the only Velvia film. You see, Velvia 50 was a “mistake” emulsion that landscape photographers fell in love with. I shot plenty of Velvia 50 back in the day, and it was one of my absolute favorite films. But Fujifilm was frustrated by it because it wasn’t what they wanted it to be. In 2003 Fujifilm “improved” Velvia and finally “fixed” their mistake—they made Velvia look like how they thought it should have from the beginning. This emulsion was called Velvia 100F and was duller than Velvia 50 (or Velvia 100, which came out in 2005)—it lacked the classic Velvia pop, but was better for pictures of people. One of the guys who worked on Velvia 100F also worked on the Velvia film simulation. It’s no surprise, then, that the Velvia film simulation is closer to Velvia 100F film than Velvia 50. Understanding this made me better realize the intention of—and better appreciate—the film simulation. I no longer find Velvia to be frustrating, and I think even default Velvia looks pretty good.
For this recipe, I didn’t want mimic Velvia 50, so I didn’t want to mess with the settings very much. I have other Velvia recipes that I quite like (here, here, & here), and those could very easily “stand-in” for this. I felt like a subtly-different option is what was needed. This recipe is compatible with X-Trans III models, plus the X-T3 and X-T30. For newer X-Trans IV, consider setting Color Chrome Effect and Color Chrome FX Blue to Off, Grain to Weak Small, and Clarity to 0.
Velvia Dynamic Range: DR200 Highlight: -1 Shadow: 0 Color: +1 Sharpness: 0 Noise Reduction: -4 Grain: Weak White Balance: Auto, -1 Red & -2 Blue ISO: Auto up to ISO 6400 Exposure Compensation: +1/3 to +2/3 (typically)
Example photographs, all camera-made JPEGs captured using this “Improved Velvia” film simulation recipe on my Fujifilm X-H1:
Reflection in Lake – Farmington, UT – Fujifilm X-H1
Wall & Reeds – Farmington, UT – Fujifilm X-H1
Net Fish – Farmington, UT – Fujifilm X-H1
Not Wanting A Picture – Farmington, UT – Fujifilm X-H1
Pelican – Farmington, UT – Fujifilm X-H1
Yellow Sky Sunset – Farmington, UT – Fujifilm X-H1
Soft Sunset Light on Francis Peak – Farmington, UT – Fujifilm X-H1
Sunset Sky & Water – Farmington, UT – Fujifilm X-H1
Reed Sunset – Farmington, UT – Fujifilm X-H1
Marsh Sunset – Farmington, UT – Fujifilm X-H1
Comparison:
“Improved Velvia”
“Default Velvia”
The top image (above) is this recipe, while the bottom image (above) is Velvia with everything set to 0 or Off, except for Dynamic Range, which was DR200, and Noise Reduction, which was -4. The White Balance was Auto 0R & 0B. You can see that both images are quite similar. My recipe is slightly more vibrant, has a little more yellow and slightly less red, and protects highlights a tad more. I also added a little Grain to my recipe to give it a more film-like appearance. Overall, though, the differences are fairly subtle.
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
I want to give a big “Thank You” to everyone who tuned into Episode 06 of SOOC, a collaboration between myself and Fuji X-Photographer Nathalie Boucry. This video series is live and interactive, so I’m especially grateful to all who participated! You are the ones who make these episodes great! Sorry that it took so long to get this video published, and I appreciate your patience.
In the video above are the viewers’ photographs, captured using the Cross Process film simulation recipe, that were shown during the show. It’s a short clip, so be sure to watch! I love seeing your pictures, and I’m honored that you submitted them for us to view.
The SOOC “recipe of the month” is Kodak Gold 200. Shoot with that recipe, and upload your pictures here to be featured in the next video! Season 02 Episode 01 will be on March 10 at 9 AM Pacific, 12 PM Eastern, so mark your calendars, and I look forward to seeing you then!
Clearing Clouds Over Winter Ridge – Farmington, UT – Fujifilm X-Pro3 – “Standard Provia”
This Film Simulation Recipe is the first in what will be a series, which will encompass several Fujifilm generations (not just X-Trans IV). I’m not exactly sure how many recipes will be in this series, but the intention is at least one for each film simulation offered by Fujifilm. This first recipe is compatible with X-Trans IV because Fujifilm sent me an X-Pro3 to try, and I have to return it soon, so I’m using it as much as practical so that I can write a review. The intention of this series is to customize each film simulation to optimization the aesthetic that Fujifilm intended. In other words, make a nice-looking recipe that is similar to yet better than the stock look of a film simulation. This first recipe, which I’ve titled simply Standard Provia, is my optimization of the Provia film simulation.
The Provia film simulation is not a facsimile of Provia slide film. I think Fujifilm just wanted to use the brandname for their “standard” colors, but there’s quite a divergence between the film simulation and the film. This recipe isn’t intended to mimic the film, but simply produce good results with the Provia film simulation (without modifying the overall aesthetic too much). The Provia film simulation is one of my least utilized, but I do believe this recipe makes good use of it.
Backlit Ivy – Farmington, UT – Fujifilm X-Pro3 “Standard Provia”
Because this recipe uses Clarity and Color Chrome FX Blue, it is only compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. If you have an X-T3 or X-T30, you could replace Clarity with a diffusion filter and ignore Color Chrome FX Blue and Grain size, and get similar results that will be just a little different.
Provia Dynamic Range: DR400 Highlight: +2 Shadow: +1 Color: +2 Noise Reduction: -4 Sharpening: 0 Clarity: -3 Grain Effect: Weak, Small Color Chrome Effect: Strong Color Chrome Effect Blue: Weak White Balance: Daylight, -3 Red & 0 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +2/3 (typically)
Example photographs, all camera-made JPEGs using this “Standard Provia” film simulation recipe on a Fujifilm X-Pro3:
Orange Traffic Barrier – Salt Lake City, UT – Fujifilm X-Pro3
Vape On Main – Salt Lake City, UT – Fujifilm X-Pro3
Small Table Decor – Farmington, UT – Fujifilm X-Pro3
Abandoned Ice Chest – Farmington, UT – Fujifilm X-Pro3
End Post – Farmington, UT – Fujifilm X-Pro3
Hanging Around – Farmington, UT – Fujifilm X-Pro3
Blackberry Leaf in February – Farmington, UT – Fujifilm X-Pro3
Crossing With Falling Snow – Farmington, UT – Fujifilm X-Pro3
Cautious Dirt – Farmington, UT – Fujifilm X-Pro3
Winter Storm over Wasatch – Farmington, UT – Fujifilm X-Pro3
This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
Mutual Conversation – Salt Lake City, UT – Fujifilm X-Pro3 – “Agfa Ultra 100”
Agfa Ultra 100 was a short lived film—introduced in 2003 and discontinued in 2005, although it was still available for a few years after—and was Agfa’s most vibrant color negative film. I’ve been attempting to mimic this film for a little while now (ever since I published the AgfaChrome RS 100 recipe last summer), but I couldn’t get it right. This Agfa Ultra 100 recipe actually has some similarities to the AgfaChrome RS 100 recipe, and (for this particular attempt) I used that recipe as the starting point. I never used this film, so I relied on online references and a couple pictures I found in an old magazine article as samples.
I’m actually not fully satisfied with this recipe. I think sometimes it’s pretty spot-on, and I think other times it is significantly off. Of course, one film can have several different aesthetics depending on how it was shot, developed, scanned and/or printed, and viewed, so perhaps that accounts for some of it. I think an argument can be made that Color should be +3 or even +4, but I also feel that sometimes that’s too much and +2 is just right. I think green is the least correct color, and if you do have a lot of green in the shot, you might consider increasing Color to +3 or +4 for a more accurate facsimile, although you might find reds and blues are rendered too strong if you do that.
Urban Sunstar – Salt Lake City, UT – Fujifilm X-Pro3 – “Agfa Ultra 100”
Because this recipe uses Classic Negative, Clarity, and Color Chrome FX Blue, this Agfa Ultra 100 film simulation recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras.
Classic Negative Dynamic Range: DR400 Highlight: +2 Shadow: -2 Color: +2 Noise Reduction: -4 Sharpness: -1 Clarity: -3 Grain Effect: Weak, Large Color Chrome Effect: Strong Color Chrome Effect Blue: Strong White Balance: Daylight, -2 Red & +3 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: 0 to +1 (typically)
Example photographs captured using this “Agfa Ultra 100” film simulation recipe on a Fujifilm X-Pro3:
Red – Salt Lake City, UT – Fujifilm X-Pro3
Blu – Salt Lake City, UT – Fujifilm X-Pro3
Orange – Salt Lake City, UT – Fujifilm X-Pro3
Walker Reflected – Salt Lake City, UT – Fujifilm X-Pro3
Common Signs – Salt Lake City, UT – Fujifilm X-Pro3
Pitched In Street Sign – Salt Lake City, UT – Fujifilm X-Pro3
Elevator – Salt Lake City, UT – Fujifilm X-Pro3
Street Crossing – Salt Lake City, UT – Fujifilm X-Pro3
Sidewalk Seat Shadow – Salt Lake City, UT – Fujifilm X-Pro3
Blue Boxes – Salt Lake City, UT – Fujifilm X-Pro3
Urban Congo – Salt Lake City, UT – Fujifilm X-Pro3
Sidewalk Closed In 150 Feet or Less – Salt Lake City, UT – Fujifilm X-Pro3
This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
February Reaching – Farmington, UT – Fujifilm X-Pro3 – “Vintage Color v2”
This “Vintage Color v2” recipe is a modification of the original Vintage Color Film Simulation Recipe. In the comments, Thomas Schumacher suggested using Classic Negative instead of Eterna. Sometimes when you try a different film simulation than what the recipe calls for, you discover interesting results. Well, I gave it a try and loved the results; however, I made a couple more modifications. Because Classic Negative has a lot more contrast built into it than Eterna, I chose DR400 (instead of DR200) to help prevent clipped highlights. Classic Negative also has more saturation than Eterna, so I set Color to -1 (instead of +1). I also changed Clarity to -3 (instead of -2) just to soften it a tad. The results produced by this “Vintage Color v2” recipe can be absolutely fantastic!
This recipe has almost two different looks, depending on the exposure. You can reduce exposure a little—go almost low-key—and get a wonderfully moody feel. You can also increase exposure a little—go almost high-key—and achieve something somewhat similar to overexposed Fujicolor Pro 400H. You can get beautiful pictures either way. Or split the difference and still get excellent results.
Pillars – Salt Lake City, UT – Fujifilm X-Pro3 – “Vintage Color v2”
This “Vintage Color v2” recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. As a reminder, Clarity causes the camera to pause for a moment after each shot. I use the pause to slow myself down, but if you need to be quick, and if you shoot RAW+JPEG, you can always set Clarity to 0, and add it later by reprocessing the RAW file in-camera.
Classic Negative Dynamic Range: DR400 Highlight: +2 Shadow: +3 Color: -1 Noise Reduction: -4 Sharpness: -2 Clarity: -3 Grain Effect: Strong, Large Color Chrome Effect: Strong Color Chrome Effect Blue: Strong White Balance: 7350K, -1 Red & -4 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: 0 to +1 (typically)
Example photographs captured using this “Vintage Color v2” film simulation recipe on a Fujifilm X-Pro3:
High Rise & Moon – Salt Lake City, UT – Fujifilm X-Pro3
KeyBank – Salt Lake City, UT – Fujifilm X-Pro3
Bronze Building – Salt Lake City, UT – Fujifilm X-Pro3
Bank Above Macy’s – Salt Lake City, UT – Fujifilm X-Pro3
Boy With Nerf Gun – Farmington, UT – Fujifilm X-Pro3
Fake Succulent on Table – Farmington, UT – Fujifilm X-Pro3
House At Last Light – Farmington, UT – Fujifilm X-Pro3
Winter Bloom Remnants – Farmington, UT – Fujifilm X-Pro3
Frozen Pond near Sunset – Farmington, UT – Fujifilm X-Pro3
Grass & Frozen Waterway – Farmington, UT – Fujifilm X-Pro3
Wild Gold – Farmington, UT – Fujifilm X-Pro3
Backlit Marsh Reed – Farmington, UT – Fujifilm X-Pro3
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
Berry Behind the Baseball Diamond – Farmington, UT – Fujifilm X100V – “Fujichrome Provia 100F”
The Fuji X Weekly app is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new film simulation recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, all of the original Early-Access Recipes have been publicly published on this blog and the App, so everyone can now use them. Patrons help support Fuji X Weekly and, really, without them there would be no App, so I want to give a special “thank you” to all of the Patrons!
This new recipe is called “Fujichrome Provia 100F” after the film that it is intended to mimic. Fujifilm introduced Provia 100 in 1994, and replaced it with the much improved Provia 100F in 2001. I’ve only shot a couple of rolls of Provia 100F. I remember that it had a cool color cast (especially when compared to Kodak films), it had a fair amount of contrast, moderate saturation, and tended to render blues strongly. This recipe has been in the works for awhile, with a lot of failed attempts. I think it does pretty well at reproducing the aesthetic of the film, but there are definitely a few compromises—more of the “memory color” that Fujifilm talks about, than perhaps a 100% accurate rendition. Still, I believe that it turned out pretty well overall.
Actual Fujicolor Provia 100F 35mm film. Chicago, 2005.
If you are a Fuji X Weekly Patron, it’s available to you right now on the App!
Example photographs captured using this “Fujichrome Provia 100F” film simulation recipe on my Fujifilm X100V:
Wasatch Front – Farmington, UT – Fujifilm X100V
Blue Sky Reeds – Farmington, UT – Fujifilm X100V
Branch Berries – Farmington, UT – Fujifilm X100V
Baseball Sky – Farmington, UT – Fujifilm X100V
Windsock – Farmington, UT – Fujifilm X100V
Field 3 – Farmington, UT – Fujifilm X100V
Skateboard & Runner – Farmington, UT – Fujifilm X100V
Creek Under Branches – Farmington, UT – Fujifilm X100V
Trail Through the Trees – Farmington, UT – Fujifilm X100V
Fence Along Path – Farmington, UT – Fujifilm X100V
Josh at the Court – Farmington, UT – Fujifilm X100V
This particular Film Simulation Recipe is one that I’m especially proud of. I was tasked to create some settings that mimic the aesthetic of Lisa Sorgini’s Behind Glass project, and I believe I got pretty close. I have no idea if Lisa shoots digital or film, and, if film, what film and process, but my suspicion is that it’s digital post-processed to have a vintage analog look. This recipe captures that aesthetic quite well. I call it Vintage Color.
What I like most about this “Vintage Color” recipe, and it was a great surprise when I discovered it, is that it’s pretty close to the aesthetic of famed Hudson River School painter Albert Bierstadt, particularly his Yosemite paintings. It may not mimic any specific film, but, no doubt about it, this is an artist’s recipe! I know that many of you will absolutely love it, and it will quickly become a fan favorite. It’s a personal favorite of mine.
Fuji X Weekly App Patrons have been able to use this recipe since May, because this was a Patron Early-Access Recipe on the App. The best App experience is reserved for Patrons, and one of the benefits is early access to some new recipes. This recipe was replaced by a different Early-Access Recipe, so now it’s available to everyone. If you are an App Patron, be sure to look for the new Early-Access Recipe!
This “Vintage Color” recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4 and X-T30 II cameras. As a reminder, Clarity causes the camera to pause for a moment after each shot; alternatively, try using a mild diffusion filter, like 1/8 Black Pro Mist or 5% CineBloom, for a similar effect.
Eterna Dynamic Range: DR200 Highlight: +2 Shadow: +3 Color: +1 Noise Reduction: -4 Sharpness: -2 Clarity: -2 Grain Effect: Strong, Large Color Chrome Effect: Strong Color Chrome Effect Blue: Strong White Balance: 7350K, -1 Red & -4 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +2/3 (typically)
Example photographs captured using this “Vintage Color” film simulation recipe on my Fujifilm X100V:
Urban Reflection – Reno, NV – Fujifilm X100V
Storm over Structure – Bountiful, UT – Fujifilm X100V
Windshield Rain – Farmington, UT – Fujifilm X100V
Joy Behind Glass – Farmington, UT – Fujifilm X100V
Caution – Layton, UT – Fujifilm X100V
Tracks & Trees – Capitola, CA – Fujifilm X100V
Warm Blossoms – Layton, UT – Fujifilm X100V
Golden Forest – Yosemite NP, CA – Fujifilm X100V
Forest Sun – Yosemite NP, CA – Fujifilm X100V
Half Dome Through The Trees – Yosemite NP, CA – Fujifilm X100V
The Captain – Yosemite NP, CA – Fujifilm X100V
Merced River – Yosemite NP, CA – Fujifilm X100V
El Cap & Merced – Yosemite NP, CA – Fujifilm X100V
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
By popular demand, I’ve compiled a list of the Top 25 Film Simulation Recipes of 2021! The methodology of determining which ones were most popular is simple: page views. The articles that were viewed the most throughout the entirety of 2021 were declared “most popular” for this list. It’s possible that, while the article was viewed a lot, the recipe wasn’t used all that much—I’m uncertain of a way to know which ones were the most used, so most viewed is the best method I’ve come up with. Also, it’s important to note that the recipes published in 2021 were at a disadvantage because they didn’t have a full year to be viewed, and this is especially true for those published towards the end of the year.
Last year I published Top 20 Most Popular Film Simulation Recipes of 2020, and, while there are some similarities, there are some interesting changes between the two years. The top most popular recipe of 2020 fell to Number 10 for 2021, while #2 in 2020 climbed to #1. Number 7 in 2020 didn’t make the 2021 Top 25 list at all. There’s plenty of other changes, too, yet also some recipes that stayed the same: Number 3 remained in the same place, as did Number 8.
Below you’ll find the Top 25 Film Simulation Recipes of 2021! I’d love to know which of these recipes are your favorites. If there’s a recipe in this list that surprises you, or if there’s a recipe that you’re surprised didn’t make the list, let me know in the comments!
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
Mountain Reeds – Farmington, UT – Fujifilm X-T1 – “Scanned Negative”
I was playing around with white balance shift, and came across some settings that I thought looked interesting. I wasn’t attempting to mimic any specific film or process, but was simply experimenting with tints. I’m pretty well acquainted with white balance shift, but I was searching for inspiration—and I found it!
While this film simulation recipe wasn’t modeled after any specific film, what it reminded me of is an improperly color-corrected negative film scan. You see, color negative film is orange (because of the yellow and magenta masks), and when scanned and inverted into a positive image, it will have a green-cast that needs to be color corrected. Some scanners will do this automatically, and some will require manual adjustments. If not color corrected completely right, the picture can have a color cast that might seem a little off—in this case, slightly too green (depending on the light), but not by a lot (and not always). In any event, I think this recipe has a certain mood that’s definitely interesting in the right situations.
Sidewalk Bell – Bountiful, UT – Fujifilm X-T1 – “Scanned Negative”
This “Scanned Negative” film simulation recipe is compatible with all X-Trans II cameras that have the PRO Neg. Std film simulation. The XQ1, XQ2, and X10 I believe don’t have this film simulation, so it’s not compatible with those cameras. If you have an X-Pro1 or X-E1, feel free to try this recipe, too, although the results will be slightly different.
PRO Neg. Std Dynamic Range: DR200 Highlight: -1 (Medium-Soft) Shadow: 0 (Standard) Color: -2 (Low) Sharpness: 0 (Standard) Noise Reduction: -2 (Low) White Balance: 5300K, -5 Red & -4 Blue ISO: Auto up to ISO 3200 Exposure Compensation: +1/3 to +2/3 (typically)
Example photographs, all camera-made JPEGs captured on my Fujifilm X-T1 using this “Scanned Negative” film simulation recipe:
Classic Adventures Parked – Farmington, UT – Fujifilm X-T1
Open Sign – Layton, UT – Fujifilm X-T1
Yellow Poncho – Bountiful, UT – Fujifilm X-T1
Icy Hose – Bountiful, UT – Fujifilm X-T1
Reflected, Not Reflected – Bountiful, UT – Fujifilm X-T1
Stairway to Nativity – Bountiful, UT – Fujifilm X-T1
Post & Trashcan – Bountiful, UT – Fujifilm X-T1
Ivy & Winter Home – Bountiful, UT – Fujifilm X-T1
Snow On Green Bush – Bountiful, UT – Fujifilm X-T1
Neighborhood in Winter Snow – Farmington, UT – Fujifilm X-T1
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
Last Warm Light on Wasatch Front – Farmington, UT – Fujifilm X-H1 – “Negative Print”
This film simulation recipe was inspired by various pictures I found while browsing old issues of Arizona Highways magazine. I have a small collection of old issues of this publication, which I enjoy flipping through from time-to-time for inspiration. Arizona Highways has a long history of publishing great photographs—even Ansel Adams was a regular contributor back in the day. As I was browsing old issues published over several decades, there was a certain aesthetic that seemed to reappear over and over. It caught my attention because of how lovely it looks. I don’t know the specifics of the film used—most likely Kodak of some sort, and probably multiple emulsion. My suspicion is that the printing process played a significant part in the aesthetic, and that’s why I call this recipe Negative Print.
After some experimenting, I decided that the Eterna film simulation was the best base. Because of that, this recipe is only compatible with the Fujifilm X-H1, X-T3, and X-T30 cameras (as well as older GFX models, although the results will be slightly different). For newer X-Trans IV cameras (plus newer GFX), you’ll have to decide on Grain size (either Small or Large—I recommend Large), Color Chrome FX Blue (I recommend Off), and Clarity (I suggest either 0 or -2). I really like how this recipe renders pictures, and at times it really is reminiscent of those pictures printed in the magazine!
White & Red Rose – Ogden, UT – Fujifilm X-T30 – “Negative Print”
If you are looking for a classic analog aesthetic, this recipe is a great one to try. The way it renders shadows and colors definitely gives it a film-like look, and I know that this recipe will quickly become a favorite for some of you. I think it might just have a permanent place in my X-H1.
Eterna Dynamic Range: DR200 Highlight: +2 Shadow: +4 Color: +4 Noise Reduction: -4 Sharpness: -1 Grain Effect: Weak Color Chrome Effect: Off/NA White Balance: Fluorescent 3, -2 Red & -7 Blue ISO: Auto up to ISO 6400 Exposure Compensation: +1/3 to +2/3
Below are example pictures, all camera-made JPEGs captured using this “Negative Print” Film Simulation Recipe:
Fire & Pine – Farmington, UT – Fujifilm X-H1
Trail in the Trees – Farmington, UT – Fujifilm X-H1
Tree by a Creek – Farmington, UT – Fujifilm X-H1
Old Blooms – Farmington, UT – Fujifilm X-H1
Snow on the Creek Bank – Farmington, UT – Fujifilm X-H1
Small Waterfall – Ogden, UT – Fujifilm X-T30
Rural Pipe – Farmington, UT – Fujifilm X-H1
Suburban Snowman – Farmington, UT – Fujifilm X-H1
Love Yourself – Salt Lake City, UT – Fujifilm X-H1
Stairs to Foot Bridge – Farmington, UT – Fujifilm X-H1
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
Anders began by looking at some old prints he has, which were captured on Kodak Gold 200 film. He noticed that these prints looked a little different than my Kodak Gold 200 recipe, but one film can have many different looks depending on how it was shot, developed, printed and/or scanned, or even which generation of the emulsion you’re viewing. This recipe mimics the aesthetic of his prints, but he noticed that it also matches many examples of Gold 200 that he found online.
Kids in a Tree – Farmington, UT – Fujifilm X100V – “Kodak Gold v2”
This recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. To make this recipe work on the X-T3 and X-T30, Anders suggests using Grain Strong, White Balance 5900K (with the same shift), and ignoring Clarity—I suggest that you consider using a weak diffusion filter, such as 1/8 Black Pro Mist or 5% CineBloom, in leu of Clarity. In addition, for X-Trans III, ignore Color Chrome Effect. The results will be slightly different, but nearly the same. Anders suggests trying this recipe with a 3200K white balance for night photography.
Classic Chrome Dynamic Range: DR200 Highlight: 0 Shadow: -1 Color: -1 Noise Reduction: -4 Sharpness: -1 Clarity: -2 Grain Effect: Strong, Large Color Chrome Effect: Weak Color Chrome Effect Blue: Off White Balance: 5800K, +2 Red & +4 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: 0 to +2/3 (typically)
Example photographs, all camera-made JPEGs using this new Kodak Gold v2 film simulation recipe on my Fujifilm X100V:
Moon Behind Pine – Farmington, UT – Fujifilm X100V
Moon Behind Cattails – Farmington, UT – Fujifilm X100V
Safe Zone – Farmington, UT – Fujifilm X100V
Makeshift Gate – Farmington, UT – Fujifilm X100V
Wood Post – Farmington, UT – Fujifilm X100V
Trail to Visitors Center – Farmington, UT – Fujifilm X100V
Green Leaves in January – Farmington UT – Fujifilm X100V
Hanging Red Berries in Winter – Farmington, UT – Fujifilm X100V
Berries and Barren Branches – Farmington, UT – Fujifilm X100V
Brown Reeds – Farmington, UT – Fujifilm X100V
Jo in a Tree – Farmington, UT – Fujifilm X100V
Jo Under The Tennis Net – Farmington, UT – Fujifilm X100V
Rural Creek – Farmington, UT – Fujifilm H-H1 – “Kodak GT 800-5”
My Kodak Max 800 film simulation recipe was modeled after some film I found that had “Kodak GT 800-3” imprinted on the negatives. After some research I found out that it was Kodak Max Zoom 800 (specifically, the third iteration of this film). Kodak Max Zoom 800 was replaced by Kodak Max Versatility Plus 800 in 2006, and those negatives had “Kodak GT 800-4” imprinted on them. Well, I found some more prints plus the negatives, and this film has “Kodak GT 800-5” imprinted on them. I searched and searched, but I didn’t find any information on this film. My suspicion is that Kodak updated the Kodak Max Versatility Plus 800 film in some way, yet kept the name the same, but that’s just a guess—it could be an entirely different emulsion sold under a different name. In other words, I’m pretty sure “Kodak GT 800-5” is a descendant of Kodak Max 800, but I wasn’t able to find any specific information on it.
The 4″ x 6″ prints I found were captured in 2008 while on a day-trip to Sedona, Arizona, and were developed at Walgreens. I’m pretty sure the film was shot using a disposable camera, although I don’t remember why (I remember the trip, but I don’t remember anything specific about the pictures). The prints have a strong warm (red/orange) color cast, are somewhat desaturated, and have dark shadows. I’m not sure if this is due to the film itself, or the development and printing by Walgreens, or because they’re degrading with time, or a combination of all three—perhaps something else entirely, like sitting too long in a hot car (always a possibility in Arizona). Whatever the reason, I thought the aesthetic was interesting, so I recreated it on my Fujifilm X-H1.
A Poor quality scan of a print from actual Kodak GT 800-5 film.
A goal of mine for 2022 is to buy a better scanner. I had a “better” one (by better, I simply mean better than what I currently have, because it was mediocre, or really “good enough”), but it stopped working about 10 months ago. This current scanner, which is part of a printer/scanner combination, is particularly bad for some reason. I say all of this because the scan above doesn’t do the print justice, but I wanted to include it anyway to give you an idea where the inspiration for this recipe came from.
This Kodak GT 800-5 film simulation recipe is compatible with all X-Trans III cameras, which include the Fujifilm X-Pro2, X100F, X-E3, X-T2, X-T20, and X-H1. You can also use it on the X-T3 and X-T30 by setting Color Chrome Effect to Off. Because of the particularly warm color cast, this isn’t a recipe that’s for everyone or every situation, but in certain situations this will produce interesting results, and some of you will definitely like it.
PRO Neg. Std Dynamic Range: DR400 Highlight: 0 Shadow: +3 Color: -3 Sharpness: -2 Noise Reduction: -4 Grain: Strong White Balance: 7100K, +7 Red & -5 Blue ISO: Auto up to ISO 6400 Exposure Compensation: +1/3 to +1 (typically)
Example photographs, all camera-made JPEGs captured using this “Kodak GT 800-5” film simulation recipe on my Fujifilm X-H1:
Storm Over Mountains at Sunset – Farmington, UT – Fujifilm X-H1
Winter Mountain – Farmington, UT – Fujifilm X-H1
Snow Covered Blackberry Vines by a Creek – Farmington, UT – Fujifilm X-H1
Winter Berries – Farmington, UT – Fujifilm X-H1
Blossom Remnants 1 – Farmington, UT – Fujifilm X-H1
Blossom Remnants 2 – Farmington, UT – Fujifilm X-H1
Milkweed in January – Farmington, UT – Fujifilm X-H1
Small Spillway – Farmington, UT – Fujifilm X-H1
Rural Road Near Creek – Farmington, UT – Fujifilm X-H1
Path in the Marsh – Farmington, UT – Fujifilm X-H1
Cattails & Frozen Pond – Farmington, UT – Fujifilm X-H1
Frozen Waterway – Farmington, UT – Fujifilm X-H1
Citations Will Be Issued – Farmington, UT – Fujifilm X-H1
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
The Fuji X Weekly App is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new film simulation recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, many Early-Access Recipes have been publicly published on this blog and the App, so now everyone can use them! Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!
This new Patron Early-Access recipe is called Analog Gold because it has a vintage film-like aesthetic with a golden color cast. It produces a warm, somewhat-muted look, and does well in both sunny and overcast conditions. While it’s not modeled after any specific film or process, it does convey an analog quality that’s easy to appreciate. I know that some of you will love this one!
This “Analog Gold” Patron Early-Access Recipe is compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. If you are a Fuji X Weekly Patron, it’s available to you right now on the Fuji X Weekly App! If you don’t have the App, download it for free today.
Example photographs, all camera-made JPEGs captured using this “Analog Gold” film simulation recipe on my Fujifilm X-E4:
Kaysville Pond in January – Kaysville, UT – Fujifilm X-E4
Weather Radar – Farmington, UT – Fujifilm X-E4
Dry Leaves & Red Berries – Kaysville, UT – Fujifilm X-E4
Rusty Fence Post – Farmington, UT – Fujifilm X-E4
Flowing Creek in Grass – Kaysville, UT – Fujifilm X-E4
Frozen Pond – Kaysville, UT – Fujifilm X-E4
Grass & Frozen Pond Water – Kaysville, UT – Fujifilm X-E4
Grass in the Ice – Kaysville, UT – Fujifilm X-E4
Dry Shrub – Kaysville, UT – Fujifilm X-E4
Helicopters Waiting to Fly – Kaysville, UT – Fujifilm X-E4
