Provia Slide — Fujifilm X-Pro2 (X-Trans III) Film Simulation Recipe

Nature of Architecture – Buckeye, AZ – Fujifilm X-Pro2 – Provia Slide

This Provia Slide Film Simulation Recipe doesn’t necessarily do a great job of replicating real Fujichrome Provia 100F or 400X color transparency film. I did find some examples that weren’t far off at all, but I believe it was more in how they were scanned and edited than anything else. One film can have many different looks based on a whole host of factors, and there is a by-chance resemblance to some Provia 100F pictures, but this Recipe is not a good facsimile for most Provia transparencies. I wasn’t attempting to replicate Provia film, so the similarities that do exist are merely a happy accident. I do believe it has an analog-like slide film aesthetic, even if it’s only a moderately good match for Provia 100F.

More simply, I was going for a Recipe that’s vibrant, based on the Provia film simulation, and uses the Fluorescent 3 White Balance. I chose Provia because I’d like to have more Recipes that are based on the Provia film simulation. I decided on the Fluorescent 3 White Balance because X-Trans III cameras cannot save a White Balance Shift within the C1-C7 Custom Presets, but they will remember one WB Shift per WB type; if each C1-C7 Recipe has a different WB type, then you don’t have to remember to adjust the WB Shift when changing to a different C1-C7 preset. Since there is only one Recipe that uses Fluorescent 3 for X-Trans III (and two for the X-T3/X-T30), I thought it would be good to have another option.

Rainbow Bougainvillea – Buckeye, AZ – Fujifilm X-Pro2 – Provia Slide

This Provia Slide Recipe is compatible with all X-Trans III cameras: Fujifilm X-Pro2, X100F, X-E3, X-T2, X-T20, and X-H1, as well as the Fujifilm X-T3 and X-T30 (simply set Color Chrome Effect to Off). I’m sure it can also be used on the GFX 50R and GFX 50S, although it will likely render slightly different.

Film Simulation: Provia/STD
Dynamic Range: DR200
Grain Effect: Weak
White Balance: Fluorescent 3, -1 Red & -8 Blue
Highlight: -1
Shadow: +1
Color: +3
Sharpness: -1

High ISO NR: -4
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this Provia Slide Film Simulation Recipe on a Fujifilm X-Pro2:

Patio Pot – Buckeye, AZ – Fujifilm X-Pro2
Dying Plant – Buckeye, AZ – Fujifilm X-Pro2
Spring Wildflowers & Dead Wood – Buckeye, AZ – Fujifilm X-Pro2
Suburban Bougainvillea Blossoms – Buckeye, AZ – Fujifilm X-Pro2
Closed Sidewalk – Buckeye, AZ – Fujifilm X-Pro2
Green Leaves & Rose Blossom – Buckeye, AZ – Fujifilm X-Pro2
Backlit Tree Leaves Abstract – Buckeye, AZ – Fujifilm X-Pro2
Bright Green Leaves – Buckeye, AZ – Fujifilm X-Pro2
Potted Green – Buckeye, AZ – Fujifilm X-Pro2
Peace & Happiness – Goodyear, AZ – Fujifilm X-Pro2
Water Fountain Rainbow – Buckeye, AZ – Fujifilm X-pro2
Vines in the Arches – Buckeye, AZ – Fujifilm X-Pro2
Neon – Goodyear, AZ – Fujifilm X-Pro2
Dusk Pharmacy – Buckeye, AZ – Fujifilm X-Pro2

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
The Essential 7 Film Simulation Recipes to Program Into Your Fujifilm Camera First
Which Film Simulation Recipes, When?

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Review: Fujifilm X-Pro2 – Is It Still Relevant?


Fujifilm X-Pro2 Blog

The new Fujifilm X-Pro3 will be released on November 29, and there’s a lot of buzz around it, but what about the X-Pro2? Is it still relevant? Is it a camera that you should consider? Is it a good option even though it has the old sensor and processor? I hope to answer those questions in this review.

The X-Pro2 was released way back in March of 2016. It replaced the X-Pro1, which was the very first X-Trans sensor camera by Fujifilm. The X-Pro2 was the first camera to have the 24-megapixel X-Trans III sensor. The X-H1, X-T2, X-T20, X-E3 and X100F would later share this same sensor and processor. The 26-megapixel X-Trans IV sensor, which is the same sensor found in the upcoming X-Pro3, was introduced with the X-T3 in September of 2018. The X-Trans III sensor inside the X-Pro2 is almost four-years-old, and perhaps a year out-of-date, but is it still good?

The main advantage of the fourth generation sensor over the third generation is heat. The new sensor runs cooler, which means it can be pushed further. It’s quicker, and the processor can be asked to do more. There’s very little image-quality difference between the two sensors. Pictures captured with the X-Pro3 won’t look much different than those captured with the X-Pro2. But the older camera won’t be as quick, especially regarding auto-focus, and it has fewer features. The X-Pro3 is loaded with new tools, which may or may not be useful to you. Even though the X-Pro2 isn’t as quick or feature-rich, it’s still sufficiently quick and feature-rich for most photographers.

The X-Pro line isn’t about quickness anyway. It’s about having a solid quality camera that’s a joy to use. It feels good to have in your hand and to hold to your eye. It’s something to take to the city and wait for just the right light and moment. It’s a photographer’s tool. And what a great tool it is!

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Fujifilm blog Fujinon 23mm f/2 Lens

Something that I appreciate about the X-Pro2 is that it’s weather-sealed. Pair it with a weather-sealed lens, and you can use it in situations that you wouldn’t dare take another camera. For me that was the Great Sand Dunes National Park in Colorado, where the winds were whipping the sand, which pelted my skin. The X-Pro2 handled it like a champ, and I was able to “get the shot” that I was after.

Another thing that I really appreciate about the camera is the viewfinder. The X-Pro2 has a unique hybrid viewfinder that can be used electronically or optically. It’s a part of the experience of the camera. The X-Pro line isn’t about test charts or stat sheets, it’s about the user experience. Fujifilm calls it “pursuing pure photography” with “a body design that maximizes practicality.” While the X-Pro2 offers identical image quality and similar features to the X-T2 (and, really, the X-T20), what sets it apart is the experience of it, and the great viewfinder is a big part of that.

Even though the X-Trans III sensor is almost four-years-old now, it doesn’t come across as “old” in practical use. It offers more than enough resolution, dynamic range and high-ISO capabilities for most people and situations. The X-Pro2 is plenty quick and feature-rich to warrant consideration. It wasn’t designed to be your typical “throw-away” digital camera, which you own for perhaps two years, and then unload on eBay at a bargain basement price when the latest model is released. The X-Pro2 was intended as a camera that you keep for years. It’s a camera that you’ll still want to have around when it’s ten years old, and if it still has some clicks left in the shutter, perhaps longer.

The X-Pro2 is a beautiful camera! I think the only camera that’s better-looking in the Fujifilm lineup is the X100F, and only by a little. Fujifilm got the design right, and it’s cameras like this that have given Fujifilm a great reputation. Strangers will ask you about the camera around your neck, and fellow photographers will comment to you about the beautiful design. There’s a certain pride in owning one.

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I don’t want to dive deeply into the technical aspects of this camera. I’m not going to share stat sheets or show massive crops comparing the image quality to other cameras. You can readily find that information on the web. What I want to offer is my opinion of the X-Pro2. Is it a good camera to buy?

If you are in the market for a camera and are considering the X-Pro2, but you are unsure because it’s not the latest-and-greatest, I want to help you. You will love it! But with the caveat that the X-Pro series isn’t for everyone. If you are the type of person who has to have the newest, fastest and greatest, this might not be the best camera for you. If you find yourself constantly searching the internet for side-by-side crops to compare the tiny differences between cameras, this one might not be for you. If you are the person who buys a new camera every year, you might want to consider something else. If you’re the kind of person who likes to capture pictures at your own pace and in your own way, and you appreciate the way Fujifilm cameras render images, then the X-Pro2 might very well be a good choice. If you are after an experience that’s different from your typical digital camera, something with an analogue soul perhaps, the X-Pro2 is something you should strongly consider. It’s a great camera, even in 2019, and I’m sure still in 2026, and while it’s not for everyone, I do believe that most people would appreciate it.

You can buy the Fujifilm X-Pro2 here:  B&H  Amazon

These are affiliate links, which, when you purchase something using them, I get a small kickback. It doesn’t cost you anything, yet it helps to financially support this website. I would never ask you to purchase something that you don’t want, but if you found this article helpful and are planning to buy this camera, using my links to do so helps me tremendously. Thank you for your support!

Example photographs, all camera-made JPEGs from my Fujifilm X-Pro2:

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Twisted Tree – Keystone, SD – Fujifilm X-Pro2

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Jacob’s Ladder – Taos, NM – Fujifilm X-Pro2

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Passerby – Great Sand Dunes NP, CO – Fujifilm X-Pro2

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Storm Over San Luis Valley – Alamosa, CO – Fujifilm X-Pro2

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Old Truck & Mt. Lindsey – Fort Garland, CO – Fujifilm X-Pro2

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Clouds Around Timpanogos – Heber City, UT – Fujifilm X-Pro2

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Bells & Crosses – Taos, NM – Fujifilm X-Pro2

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Needle’s Eye Night – Custer SP, SD – Fujifilm X-Pro2

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Night Sky Over Needles Highway – Hill City, SD – Fujifilm X-Pro2

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Securely In Father’s Arms – Mount Rushmore NM, SD – Fujifilm X-Pro2

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From Dust To Dust – Great Sand Dunes NP, CO – Fujifilm X-Pro2

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Drummond Ranch – Pawhuska, OK – Fujifilm X-Pro2

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Red Leaves In The Forest – Wasatch Mountain SP, UT – Fujifilm X-Pro2

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Green & Blue Mountain – South Weber, UT – Fujifilm X-Pro2

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Wasatch Spring – South Weber, UT – X-Pro2

See also: Fujifilm Gear

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Featured Gear: Fujifilm X-Pro2

Fujifilm X-Pro2

Fujifilm X-Pro2

Fujifilm recently confirmed that the X-Pro3 is forthcoming and will include some new features. The X-Pro3 will have an unusual backwards-mounted rear screen, a small second rear screen that displays exposure and film simulation information, no four-way D-Pad, plus a brand new film simulation and some new JPEG options like clarity and curve adjustments. The screen setup has created a lot of buzz, and it seems that people either love or hate the redesign. The X-Pro3 might be the most controversial update by Fujifilm ever, and it hasn’t even been officially announced yet.

The X-Pro line is Fujifilm’s second most beautifully designed camera, only marginally behind the X100 series. Fuji knows how to produce appealing cameras, and X-Pro cameras look great! They resemble 1960’s-era 35mm rangefinders, and can even operate like one. It has a really cool hybrid viewfinder, that can work optically, digitally or both. The X-Pro design produces an experience that’s different from other digital cameras.

The X-Pro2 was released in March of 2016. Despite being three-and-a-half years old now, the X-Pro2 doesn’t often get discounted. It’s a popular camera that’s almost in the collectible or cult-like realm of Leica. It’s one of those cameras that I think most people would love to own just for the joy of it. Is the X-T3 a better camera? Absolutely. Is the X-T3 more fun or better looking? Absolutely not. Enjoyable and superior-styling are how I would describe the X-Pro line. People will often ask you about the camera in your hand when you shoot with an X-Pro. There’s pride in owning one. I know this from first-hand experience. And the joy of the shooting experience is what this camera is about.

40690709540_e050b004a4_c

Twisted Tree – Keystone, SD – Fujifilm X-Pro2

While the X-Pro3 is around the corner, and will be available to buy before the end of the year, there are reasons to get yourself an X-Pro2 instead. First, the X-Pro2 is available for purchase today, and you don’t have to wait. Plus, it’s currently discounted, since the new camera was conformed by Fujifilm. The upcoming version has the unusual rear screen, which you might not like and maybe think is odd, and it also doesn’t have a D-Pad, which the X-Pro2 does have. You might find the backside of the X-Pro2 a better fit for you than the X-Pro3. Aside from all of that, the X-Trans IV sensor and processor inside the new version isn’t a huge upgrade over the X-Trans III sensor and processor inside the X-Pro2. The biggest benefit to X-Trans IV is heat (the new sensor runs cooler), which allows the camera to operate faster. Your style of photography might not require blazing fast auto-focus. There’s not much of a difference in image quality between X-Trans III and IV. The X-Pro3, aside from some design changes and a few JPEG features, isn’t much different than the X-Pro2, and they’re probably about 90-95% the same exact camera.

Below are the current prices (as of this writing) on the Fujifilm X-Pro2, whether for just the camera body or bundled with a lens. The graphite version with the 23mm lens looks especially appealing, and has the largest discount. You will find affiliate links to buy the camera at both B&H and Amazon. If you do, I will get a small kickback for referring you. Nobody pays me to write the articles you find on this blog, so using my affiliate links to buy an item is an opportunity for you to support what I do on Fuji X Weekly, and it’s greatly appreciated.

Fujifilm X-Pro2 (Body Only): $1,499 ($200 off)
Buy: B&H  Amazon

Fujifilm X-Pro2 w/23mm f/2 lens: $1,948 ($200 off)
Buy: B&H   Amazon

Fujifilm X-Pro2 w/35mm f/2 lens: $1,898 ($200 off)
Buy: B&H   Amazon

Fujifilm X-Pro2 w/50mm f/2 lens: $1,948 ($200 off)
Buy: B&H   Amazon

Fujifilm X-Pro2 Graphite w/23mm f/2 lens: $1,949 ($350 off)
Buy: B&H   Amazon