Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Pure Negative

Gold Coast – Pismo Beach, CA – Fujifilm X-E4 – “Pure Negative”

This “Pure Negative” Film Simulation Recipe was created by Thomas Schwab, who has made several recipes published on this website, including Superia Xtra 400Fujicolor NPS 160 Pulled, Urban Vintage ChromeKodachrome IIKodak Portra 800 v2Kodak Brilliance, Classic MonochromeB&W Superia, and Monochrome Kodachrome. Thomas has also collaborated on other recipes, playing an important role in getting them right, including Kodak Portra 800Kodak Ektar 100Kodachrome 1Kodak Portra 400, and Kodak T-Max 400. I’m sure I’ve missed a few, and for that I apologize.

Thomas told me that this “Pure Negative” recipe is basically a modification of his X-Trans I Kodachrome II recipe for use on X-Trans IV cameras. Because X-Trans I doesn’t have Classic Chrome, Thomas used the PRO Neg. Std film simulation to emulate a Kodachrome aesthetic as best as possible, and his recipe does a good job of that for the X-Pro1 and X-E1 cameras. There are already several excellent Kodachrome options for X-Trans IV; this recipe isn’t intended to replicate Kodachrome, but instead produce good natural-looking results—perhaps there is a little unintentional Kodachrome 25 resemblance, too. Thank you, Thomas, for creating this recipe and allowing me to share it on Fuji X Weekly!

Cactus Scar – Goodyear, AZ – Fujifilm X-E4 – “Pure Negative”

This Film Simulation Recipe is a great general-purpose option. It’s very versatile, delivering excellent results in a variety of situations. The only modification that I made to Thomas’ recipe is Dynamic Range: he prefers DR-Auto, but I set it to DR200. That’s not a big change, as DR-Auto chooses DR200 whenever there is bright highlights in the frame. Select whichever you prefer—either DR-Auto or DR200 is fine. For the Fujifilm X-T3 and X-T30 cameras, ignore Grain size and use a 5% CineBloom in lieu of Clarity (or just ignore Clarity)—the results will be similar. For X-Trans III, you’ll additionally have to ignore Color Chrome Effect, since your camera doesn’t have it. This recipe should be fully compatible with the new X-H2s, although I have not tested it to know for certain.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +1
Shadow: +2
Color: -4
Noise Reduction: -4
Sharpness: +1
Clarity: -2
Grain Effect: Weak, Small
Color Chrome Effect: Weak
Color Chrome Effect Blue: Off
White Balance: Auto, +1 Red & -2 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this “Pure Negative” Film Simulation Recipe on a Fujifilm X-E4:

Bougainvillea Branch – Buckeye, AZ – Fujifilm X-E4
One Blossom Remains – Buckeye, AZ – Fujifilm X-E4
Prickly Pear – Goodyear, AZ – Fujifilm X-E4
Arching Palms – Goodyear, AZ – Fujifilm X-E4
Veiled Wasatch – Layton, UT – Fujifilm X-E4
Teenage Mutant Ninja Turtle – Layton, UT – Fujifilm X-E4
Pismo – Pismo Beach, CA – Fujifilm X-E4
Brad’s – Pismo Beach, CA – Fujifilm X-E4
Turbulent Waters – Pismo Beach, CA – Fujifilm X-E4
Wave Rider – Pismo Beach, CA – Fujifilm X-E4
Surfer – Pismo Beach, CA – Fujifilm X-E4
Standing on Water – Pismo Beach, CA – Fujifilm X-E4
Golden Ocean – Pismo Beach, CA – Fujifilm X-E4

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-E4 Black    Amazon   B&H
Fujifilm X-E4 Silver   Amazon   B&H

Find this film simulation recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

Fujifilm X-Trans IV Film Simulation Recipe: AgfaChrome RS 100

H&M – Farmington, UT – Fujifilm X-E4 – “AgfaChrome RS 100”

I was asked to create a film simulation recipe for AgfaChrome RS 100 color transparency film. Agfa made this slide film from 1984 through 1995, with an “improved emulsion” released in 1992. I never used AgfaChrome RS 100, so I have zero experience with the film. It was difficult to find examples of, and old issues of Popular Photography and Photographic magazines were my best resource. Despite the challenges, I was able to create a film simulation recipe that I’m very happy with.

This AgfaChrome RS 100 recipe renders pictures beautifully! It has a great vintage analog feel to it. People might think that the images are old film pictures that you scanned, and they certainly won’t suspect that they’re straight-out-of-camera JPEGs! I’m confident that this recipe will be an instant favorite for many of you.

Flower Garden – Park City, UT – Fujifilm X-E4 – “AgfaChrome RS 100”

Because this X-Trans IV recipe requires Classic Negative, Clarity, and Color Chrome FX Blue, it’s only compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10 and X-E4 cameras—unfortunately it’s not compatible with the X-T3 and X-T30. I believe that it is compatible with the GFX100S, although results will likely be slightly different. If you have a compatible camera, be sure to give this AgfaChrome RS 100 recipe a try!

Classic Negative
Dynamic Range: DR400
Highlight: +1
Shadow: -1
Color: +2
Noise Reduction: -4
Sharpening: -2
Clarity: -3
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Daylight, -3 Red & +5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this “AgfaChrome RS 100” film simulation recipe on my X100V and X-E4:

Bowl on a Shelf – Scottsdale, AZ – Fujifilm X100V
Parking Garage – Park City, UT – Fujifilm X-E4
Below Deck Parking – Park City, UT – Fujifilm X-E4
Smile – Farmington, UT – Fujifilm X100V
Little Dragon – Scottsdale, AZ – Fujifilm X100V
Free People – Park City, UT – Fujifilm X-E4
Towering Cloud – Farmington, UT – Fujifilm X-E4
Drive Slow, But Don’t Park – Park City, UT – Fujifilm X-E4
Checkerboard – Scottsdale, AZ – Fujifilm X100V
Patagonia – Park City, UT – Fujifilm X-E4
Green Grapes – Farmington, UT – Fujifilm X-E4
Blackberries – Farmington, UT – Fujifilm X-E4
Pink Among Green – Farmington, UT – Fujifilm X-E4
Little Cherries – Farmington, UT – Fujifilm X-E4
Permission to Park – Park City, UT – Fujifilm X-E4
One Way – Park City, UT – Fujifilm X-E4
Honey Bucket & Trailer – Park City, UT – Fujifilm X-E4
We Are Open – Park City, UT – Fujifilm X-E4
Park City Downtown – Park City, UT – Fujifilm X-E4
Buildings in Downtown Park City – Park City, UT – Fujifilm X-E4
Church Cans – Park City, UT – Fujifilm X-E4
Gas Sign – Park City, UT – Fujifilm X-E4

Find these film simulation recipes and many more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

My Fujifilm X-T30 Velvia Film Simulation Recipe


46603235325_c7387dd6ae_c

Mesa Trail – Castle Valley, UT – Fujifilm X-T30 – Velvia

I already have a Velvia film simulation recipe. I’ve been using it for about a year-and-a-half now and I like the recipe. It’s designed for X-Trans III cameras. With the Fujifilm X-T30, which has the new sensor and processor, including the new Color Chrome Effect, I decided to revisit Velvia. Can I make Velvia better on an X-Trans IV camera?

I don’t know if this recipe is better than the old one. It’s a little bolder with slightly more contrast and color saturation. It’s probably a little more accurate to Velvia 100 than the old recipe, and a tad closer to Velvia 50, too. I do like this recipe more than the original, but the old one has its place, too. I don’t think this replaces the old recipe, but more supplements it when the situation calls for something punchier.

32576328657_c7a1913363_c

Red Mesa – Castle Valley, UT – Fujifilm X-T30 – Velvia

I have grain effect set to weak on this recipe, but I only like to have grain on when using ISO 1600 or below. Above that the digital noise acts as a grain effect, so I like to turn the grain effect off when working with higher ISOs. Depending on the image, +4 color can sometimes look better, so don’t be afraid to bump that up when needed, but I think +3 works best as the standard setting. This recipe has a stronger shadow setting than the old one, and if you find that there’s too much contrast, simply set Shadow to 0. The original Velvia recipe called for DR200, but I went with DR-Auto on this one. If you’d prefer to use DR200 instead of auto, feel free to do so.

Velvia
Dynamic Range: DR-Auto
Highlight: 0
Shadow: +1
Color: +3
Noise Reduction: -4
Sharpening: +2
Grain Effect: Weak
Color Chrome Effect: Strong
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs, captured using a Fujifilm X-T30 with this film simulation recipe:

47465419112_e0b9320125_c

Rock Balanced – Arches NP, UT – Fujifilm X-T30 – Velvia

40552526283_717d13564d_c

North Window Arch – Arches NP, UT – Fujifilm X-T30 – Velvia

32576457297_c86e95b3cf_c

Red Hill – Castle Valley, UT – Fujifilm X-T30 – Velvia

40552657763_b1f3b6aa4b_c

Castles To The Sky – Castle Valley, UT – Fujifilm X-T30 – Velvia

33642081158_e514108ea8_c

Water & Stone – Moab, UT – Fujifilm X-T30 – Velvia

33642330258_26b03a141c_c

Cactus Noon – Moab, UT – Fujifilm X-T30 – Velvia

47517672061_6b8326e0d9_c

Dead Tree Point – Dead Horse Point, SP, UT – Fujifilm X-T30 – Velvia

47518065821_6f11b2c722_c

Desert River – Dead Horse Point SP, UT – Fujifilm X-T30 – Velvia

40660339113_38c71dc567_c

Peak Through The Thin Clouds – South Weber, UT – Fujifilm X-T30 – Velvia

32661438597_6fc4b7f2c5_c

Sunset Red Mountain – South Weber, UT – Fujifilm X-T30 – Velvia

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00