When the Fujifilm X-Pro3 came out late last year, which was the first camera with the new Classic Negative film simulation, I began to see some wonderful pictures that looked like they were captured using Superia film. Classic Negative is supposed to resemble Fujicolor Superia, most likely Superia 200, although Fujifilm doesn’t say. I believe there were more than 10 variants of Superia film made by Fujifilm, so it’s hard to know which version the film simulation was mostly modeled after. Whichever version of the film it’s intended to be, Classic Negative does a great job of mimicking it, because it definitely looks like Superia.
The Classic Negative look that was most intriguing to me was by Luis Costa, and I couldn’t wait for the day that I’d be able to try it for myself. Luis’ Classic Negative film simulation recipe, which can be found on his website, is nothing short of wonderful! It’s especially great for sunny days. It’s every bit as good as Luis made it look in his photographs. It’s programmed into the C1 slot on my Fujifilm X100V, and I doubt that it will move. It reminds me a lot of Superia X-Tra 400 with a warming filter, or maybe Superia 200 pushed one stop. Either way, it just looks good.
I did modify Luis Costa’s recipe slightly. Nothing big, but I added Color Chrome Effect and Clarity, and set Grain to Weak instead of Strong. It doesn’t change the look much at all. Feel free to turn off Color Chrome Effect and Clarity and set Grain to Strong if you’d like, which is Luis’ exact recipe. I want to thank Luis Costa for making and sharing his great Classic Negative recipe, and for allowing me to post it here. I encourage you to visit his website.
Because the Classic Negative film simulation changes look depending on how it’s exposed, you can get a couple different aesthetics with this recipe. I encourage you to increase exposure on some shots and decrease it on others (over and under exposing slightly), and see how it renders the picture. You might find that you prefer one look over the other, or that you prefer one in some situations and one in another. It’s fun to experiment with, and I invite you to do just that.
Dynamic Range: DR200
Noise Reduction: -4
Grain Effect: Weak, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: Auto, +4 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)
Example photographs, all camera-made JPEGs using this Classic Negative film simulation recipe on my Fujifilm X100V:
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