[Not] My Fujifilm X100V Classic Negative Film Simulation Recipe

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Boy with a Bubble Gun – Farmington, UT – Fujifilm X100V

When the Fujifilm X-Pro3 came out late last year, which was the first camera with the new Classic Negative film simulation, I began to see some wonderful pictures that looked like they were captured using Superia film. Classic Negative is supposed to resemble Fujicolor Superia, most likely Superia 200, although Fujifilm doesn’t say. I believe there were more than 10 variants of Superia film made by Fujifilm, so it’s hard to know which version the film simulation was mostly modeled after. Whichever version of the film it’s intended to be, Classic Negative does a great job of mimicking it, because it definitely looks like Superia.

The Classic Negative look that was most intriguing to me was by Luis Costa, and I couldn’t wait for the day that I’d be able to try it for myself. Luis’ Classic Negative film simulation recipe, which can be found on his website, is nothing short of wonderful! It’s especially great for sunny days. It’s every bit as good as Luis made it look in his photographs. It’s programmed into the C1 slot on my Fujifilm X100V, and I doubt that it will move. It reminds me a lot of Superia X-Tra 400 with a warming filter, or maybe Superia 200 pushed one stop. Either way, it just looks good.

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Warm Light on Reeds – Farmington Bay, UT – Fujifilm X100V

I did modify Luis Costa’s recipe slightly. Nothing big, but I added Color Chrome Effect and Clarity, and set Grain to Weak instead of Strong. It doesn’t change the look much at all. Feel free to turn off Color Chrome Effect and Clarity and set Grain to Strong if you’d like, which is Luis’ exact recipe. I want to thank Luis Costa for making and sharing his great Classic Negative recipe, and for allowing me to post it here. I encourage you to visit his website.

Because the Classic Negative film simulation changes look depending on how it’s exposed, you can get a couple different aesthetics with this recipe. I encourage you to increase exposure on some shots and decrease it on others (over and under exposing slightly), and see how it renders the picture. You might find that you prefer one look over the other, or that you prefer one in some situations and one in another. It’s fun to experiment with, and I invite you to do just that.

Classic Negative
Dynamic Range: DR200
Highlight: +1
Shadow: 0
Color: +3
Noise Reduction: -4
Sharpening: 0
Clarity: +2
Grain Effect: Weak, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: Auto, +4 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Classic Negative film simulation recipe on my Fujifilm X100V:

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Red Rose Bush – Farmington, UT – Fujifilm X100V

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Flowers by the Fence – Farmington, UT – Fujifilm X100V

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Suburban Blooms – Farmington, UT – Fujifilm X100V

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Dragonfly – Farmington, UT – Fujifilm X100V

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Spring Leaves – Farmington, UT – Fujifilm X100V

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Girl in Evening Light – Farmington, UT – Fujifilm X100V

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Upside Down Wheelbarrow – Farmington, UT – Fujifilm X100V

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Neighborhood Bubbles – Farmington, UT – Fujifilm X100V

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Suburbs Illuminated – Farmington, UT – Fujifilm X100V

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Boy in the Window Light – Farmington, UT – Fujifilm X100V

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Little Yellow Ball in the Sky – Farmington, UT – Fujifilm X100V

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Lake Reeds – Farmington Bay, UT – Fujifilm X100V

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H

37 comments

  1. Luís Costa · June 1, 2020

    Awww man, I’m so proud that you like it this much! It feels great to be able to give something back to the person who literally changed my whole approach to digital photography. 🙂

    Liked by 1 person

    • Ritchie Roesch · June 1, 2020

      I’m glad that we can help each other. This is such a great community, and I’m honored to be a part of it.

      Like

  2. Earl Rogers,Jr. · June 1, 2020

    I like your recipe but can it be set up on the X_Pro2 or the X-H1.

    Liked by 1 person

    • Ritchie Roesch · June 1, 2020

      No, unfortunately. Only X-Pro3, X100V and X-T4. Maybe possibly the X-T3 and X-T30 someday, but not right now.

      Like

  3. francisywk · June 2, 2020

    Can’t wait for Classic Negative to be made available on X-T3/X-T30. I’ll shoot with your awesome Superia 800 recipe in the meantime.

    Liked by 1 person

    • Ritchie Roesch · June 2, 2020

      I really, really hope Fujifilm does it, and does it sooner than later. We’ll see, though.

      Like

  4. default · June 3, 2020

    How would you say the color chrome and clarity affects the pictures in this recipe compared to Luís’s original? 🙂

    Thanks for great content!

    Like

    • Ritchie Roesch · June 3, 2020

      Very little. It makes it a little more contrasty, and very subtly changes the color, but it’s very minor.

      Like

  5. Neo Nilsson · June 3, 2020

    Hello Ritchie! Im very glad that you share your beautiful recepies, thank you! I have a question. Is there a way to shoot two recepies at the same time? It would help if i could shoot a recepie for b&w and one in colour. I have the x-pro2 by the way.

    Like

    • Ritchie Roesch · June 3, 2020

      I know on other cameras, such as the X-Pro2, you can bracket film simulations, but not film simulation recipes. I haven’t looked deep enough into the X100V yet to know if they changed it on that camera.

      Like

  6. Peter · June 3, 2020

    Hi!
    Thanks for good and inspiring thoughts and tips! 🙂
    I do have a question/remark, though… When using clarity or noise reduction the writing speed slows down to painful levels… When putting them both to zero again the speed gets to normal/fast.
    I’m using a Sandisk Extreme 150 mb/s U3 C10 card – perhaps it will work better with a slightly faster card?
    Best regards!

    Like

    • Ritchie Roesch · June 5, 2020

      I’m not sure that the noise reduction affects writing speeds much if at all, but Clarity definitely does. A faster card might help, but I think that setting Clarity to 0 and adding it later (if you shoot RAW+JPEG) might help; it’s what Fujifilm recommends. I just “use” the pause to slow myself down.

      Like

      • Peter Simonsson · June 6, 2020

        Thanks, Ritchi!
        And I will take your thoughts about the opportunity to have those small slowing down moments to my own capturing process👍

        Liked by 1 person

  7. James Anderson · June 4, 2020

    Hey there, this looks beautiful. I’m also really enjoying classic neg on my x-pro3. Have you got any recipes in the works using classic neg? The way it changes in different lighting is fascinating and I’m sure with your knowledge and experience you could make a great recipe from it. Also, how do you think classic neg is compared to your Superia 800 recipe?

    Liked by 1 person

    • Ritchie Roesch · June 5, 2020

      I have several different Classic Negative based film simulation recipes in the works. In fact, I have probably 5 or 6 different film simulation recipes that I’ll be publishing over the next couple of weeks (not all Classic Negative). I think that Superia 800 is as close as you can get on X-Trans III, but I can likely make a more accurate version using Classic Negative. That’s on my to-do list.

      Like

  8. Romain Vignes · June 8, 2020

    I was also blown away by Luis recipe, but after a few tries I had the impression of too much red, especially on skin tones. So I changed the color (+3 => +1) and WB adjustement (+4R/-4B => 0R/-3B). Experiment in progress…
    Anyway, thank you so much Ritchie for your great work on Fuji film simulations!!!

    Like

    • Ritchie Roesch · June 9, 2020

      This recipe is great for sunny days, but it can get a little too warm indoors or on overcast days. It’s fun to experiment with white balance shifts, let me know how it goes!

      Like

  9. Natalie A · July 16, 2020

    Hi Richie, I absolutely love your recipes! This one and the Superia 100 are definitely my favorites! Do you have any suggestions or an alternate recipe for them on the xt3? I know these use classic negative which the xt3 doesn’t have but i just love these colors and would like to apply them to my work in camera. Thank you for all the work that you do!

    Liked by 1 person

    • Ritchie Roesch · July 18, 2020

      Thank you! Unfortunately, I don’t think you can recreate this look on the X-T3. I hope that it gets Classic Negative in a firmware update so that you can use it.

      Like

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  12. Mat · October 13

    What would be the closest thing to classic neg for Xtrans II sensors?

    I see others have mentioned Superia 800, but I assume that was made for Xtrans III. I will give this a try as much as it is possible.

    Liked by 1 person

    • Ritchie Roesch · October 14

      I would really love to mimic Classic Negative for those cameras that don’t have it, and I’ve tried. The unusual color shift plus the way it changes depending on exposure (which is unique) makes it pretty much impossible, but I’d love to figure out something that’s close. I actually think that the Fujicolor 100 Industrial recipe is closest, and maybe I’ll attempt to tackle that for X-Trans II next.

      Like

      • Diego Fernandez · January 6

        Hello!! Greetings from Argentina!! This week I discovered your page! It’s very interesting, I really liked discovering all the different films! I have a fujifilm x30 camera and yesterday I programmed the portra 160 simulation which I really liked! I wanted to ask you if there is any simulation of a film similar to classic negative for xtrans II sensors? I read that you were going to try to simulate the film “Fujicolor 100 Industrial” … do you continue with that project or did you find any other film that resembles the classic negative?

        Liked by 1 person

      • Ritchie Roesch · January 9

        So I don’t have anything that resembles Classic Negative for X-Trans II. I keep trying, but haven’t figured it out yet. Fujicolor 100 Industrial is on my to-do list for X-Trans II, maybe I’ll work on that next week. Thank you for the reminder!

        Like

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  16. Ruồi · December 28

    Hi. Is it possible the Classic Negative can be made on Xe-1? or acceptable closest color?

    Liked by 1 person

    • Ritchie Roesch · December 28

      Oh, I wish! There really isn’t anything like Classic Negative, not just because of the color shifts, but because it changes depending on the exposure.

      Like

  17. anzio2 · January 1

    Hi Ritchied! Thanks a lot for this recipe too! A general question, though: what’s the role of the “grain effect”? I mean, in the original recipe of Classic Neg from Luis Costa, the “grain” is set to “Strong, Large”, and indeed I don’t like it too much, since also at low ISO (let’s say 320 ISO) it seems the photo has been shot at much higher ISO values… I prefer in fact your “Weak” effect, but how does it relate to the general aspect of the pictures? And, maybe you compensated the use of “Weark” grain (instead of the original Costa’s “Strong” one) by using the Clarity effect?

    Liked by 1 person

    • Ritchie Roesch · January 3

      Grain doesn’t do a whole lot except add a faux film grain onto the image. I think sometimes I like to dial back the grain (depending on the recipe) if I’m using high-ISO, because the digital noise is a natural film-grain-like effect. Acros, which has it’s own built-in Grain that increases as the ISO increases, can sometimes need Grain dialed back when shooting high-ISO.

      Liked by 1 person

      • anzio2 · January 3

        Ok thanks Ritchie! Another question, if I can: as you wrote, this recipe (which I love btw) seems a bit too warm indoors, or when outside is a quite cloudy… maybe it also depend on the WB shift you make? I mean, I noted that your “Superia 100” recipe works better for me indoors, especially for skin tones etc.: maybe the main reason is that your “Superia 100” has less or minor WB “shift” than this recipe?

        Like

      • Ritchie Roesch · January 3

        So much depends on the light. Back when I shot film, you had two “white balance” (didn’t call it white balance, though) options: Daylight and Tungsten. I carried warming and cooling filters for different light situations. You can do the same with digital cameras (use warming and cooling filters), or you can adjust the white balance (and shift) for various lighting situations, or you simply get what you get. There’s no right or wrong way. Feel free to adjust as you see fit for your photography and situations.

        Like

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