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Fujifilm X100V Film Simulation Recipe: Kodak T-Max 400

Posted on August 31, 2020 by Ritchie Roesch

*Tree Behind Bars* – North Salt Lake, UT – Fujifilm X100V – “Kodak T-Max 400”

Kodak introduced T-Max black-and-white negative film back in 1986, and they dubbed it “the finest-grained black-and-white film in the world.” While it certainly has fine-grain, particularly the low-ISO version, I don’t know how accurate Kodak’s proclamation was. It’s available in ISO 100, 400 and 3200 variants. This film simulation recipe is intended to resemble the ISO 400 version.

T-Max 400 is a popular B&W film. I’ve used it, although it has been many, many years. Kodak updated the film in 2007 to be sharper and have finer grain; it’s the old version that I have personal experience with. With any film, but perhaps especially with black-and-white negative film, so much can be altered in the darkroom to customize the aesthetic, and one film can produce many different looks, so creating a recipe can be controversial because it might not look exactly like what someone thinks it should. Still, I hope that you will recognize this as T-Max-esque.

You might find that this recipe looks familiar. Actually, it began as Kodak Tri-X 400. Fuji X Weekly readers Thomas Schwab (who has helped with several recipes) and Anders Linborg (who invented the Tri-X recipe) worked together to modify that recipe into this one. I added a couple of small revisions, and now we have Kodak T-Max 400! It really was a group effort, but mostly Thomas and Anders. Thanks, guys!

*Night Clouds* – Farmington, UT – Fujifilm X100V – “Kodak T-Max 400”

This Kodak T-Max 400 film simulation recipe is intended for the Fujifilm X100V, X-Pro3 and X-T4 cameras; however, with a couple small modifications, it can be used on any X-Trans III or IV camera. First, if your camera doesn’t have Clarity, consider using +1 Highlight and +4 Shadow instead, although you can certainly keep those settings as they are in the recipe below. If your camera doesn’t have the option for Grain size (only strength), set it to Strong. I used Toning on this recipe, which is completely optional, but on the X-T3 and X-T30, which has a different Toning menu, consider using +1 (warm). Back when I shot film I would often give my prints a quick Sepia bath, both for warmth and archival reasons, and the Toning option on your X-Trans IV camera does a good job of mimicking that.

One difference that you might notice between this recipe and Tri-X is ISO. On that recipe I suggest using ISO 1600 to 12800. I think for this recipe the best results are found between ISO 1600 and 3200, but anything from ISO 320 to 6400 looks good. I feel like ISO 12800 is a bit too much, but feel free to try it and see what you think.

Monochrome (+Y, +R, +G)
Dynamic Range: DR200
Highlight: 0
Shadow: +3
Noise Reduction: -4
Sharpening: +2
Clarity: +3
Toning: WC +2, MG 0
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Off
White Balance: Daylight,+9 Red & -9 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Kodak T-Max 400 film simulation recipe on my Fujifilm X100V:

*Hanging Leaves Silhouette* – North Salt Lake, UT – Fujifilm X100V

*Light Through The Dark Forest* – North Salt Lake, UT – Fujifilm X100V

*Ghosts* – North Salt Lake, UT – Fujifilm X100V

*Tree Trunks & Ground Cover* – North Salt Lake, UT – Fujifilm X100V

Tree at Forest Edge – North Salt Lake, UT – Fujifilm X100V

*Paved Forest Path* – North Salt Lake, UT – Fujifilm X100V

*People Shadows* – North Salt Lake, UT – Fujifilm X100V

*Happy Jon* – North Salt Lake, UT – Fujifilm X100V

*Fish in the Net* – Hyrum Reservoir, UT – Fujifilm X100V

*Tired Old Dock* – Hyrum Reservoir, UT – Fujifilm X100V

*A Boy & His Fishing Pole* – Farmington, UT – Fujifilm X100V

*Lake Water* – Farmington, UT – Fujifilm X100V

*Flower Photo* – North Salt Lake, UT – Fujifilm X100V

*Monochrome Wildflower* – North Salt Lake, UT – Fujifilm X100V

*Photo by Thomas Schwab* – Husum, Germany – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Black & White Infrared

Posted on August 11, 2020 by Ritchie Roesch

Stop Here on Infrared – Yellowstone NP, WY – Fujifilm X100V – “Black & White Infrared”

Infrared photographing is capturing light beyond the visible spectrum. It requires special film, or a digital sensor that has had the infrared filter removed. Any digital camera has the potential to be infrared sensitive, but the process isn’t easy or cheap. Full spectrum photography is similar to infrared, but also includes ultraviolet and visible light (not just infrared light). With full spectrum photography you can choose by the use of filters which light you want to capture. You can use filters with infrared, too, to control what light comes through, but not to the extent of full-spectrum. A characteristic of both infrared and full-spectrum in black-and-white is deep contrast, with dark skies and white foliage. One of my favorite photographers is Mitch Dobrowner, who converted his Canon cameras to full-spectrum for dramatic monochrome storm photography.

When I purchased my Fujifilm X-T1, I had the intentions of converting it to full-spectrum, but the cost of the conversion has prevented me from doing it. I still hope to do so, maybe later this year or perhaps next year. We’ll see. But I figured out a way to simulate something that’s in the neighborhood of infrared or full-spectrum on my Fujifilm X100V without any conversions. In the right light and with the right subject, it can be quite convincing! Even though you are only using the visible spectrum of light, it can appear as though you are actually doing infrared photography. Amazing!

Even in situations where this recipe doesn’t resemble infrared or full-spectrum, it will still produce a dramatic, high-contrast look that you might find appealing. Those who have said that Acros+R doesn’t actually resemble the use of a red filter on black-and-white film will appreciate these settings. Many landscape photographers, including Ansel Adams, employed a red filter to achieve a dark sky (for example, Moonrise Over Hernandez).

White Tree Black Sky – West Valley City, UT – Fujifilm X100V – “Black & White Infrared”

The trick is to use a low Kelvin white balance in conjunction with a dramatic white balance shift when using Acros+R. I got the idea from Fuji X Weekly reader James Clinich, who uses between 3800K and 4500K with a 0 Red & +8 shift to achieve a darker sky, which is something you can apply to other B&W recipes if you’d like to better mimic the use of a red filter. I just took his idea a step further to make it even more dramatic for this recipe.

My Black & White Infrared film simulation recipe can be difficult to use. I find that it doesn’t always work well. It can be very tough to gauge the best exposure, and I’ve had to go anywhere from -1 to +3 on the exposure compensation dial to get it right. It’s one of the more difficult to use recipes that I’ve created, yet it is highly rewarding. If you like dramatic black and white photographs, you’ll want to give this one a try! As of this writing, it’s only compatible with the Fujifilm X100V, X-Pro3 and X-T4 cameras.

Acros+R
Dynamic Range: DR200
Highlight: +4
Shadow: +3
B&W Toning: 0
Noise Reduction: -4
Sharpening: -4
Clarity: +5
Grain Effect: Strong, Large
Color Chrome Effect: Off
Color Chrome Effect Blue: Off
White Balance: 2750K, -5 Red & +9 Blue
ISO: Auto, up to ISO 6400

Example photographs, all camera-made JPEGs using this Black & White Infrared film simulation recipe on my Fujifilm X100V:

Crafts & Hobbies – West Valley City, UT – Fujifilm X100V

Cloud Above The Wall – Draper, UT – Fujifilm X100V

Flags Over IKEA Infrared – Draper, UT – Fujifilm X100V

Pinnacle – Farmington, UT – Fujifilm X100V

Suburban Abstract – Farmington, UT – Fujifilm X100V

Suites – West Valley City, UT – Fujifilm X100V

Paved Paradise – West Valley City, UT – Fujifilm X100V

Accessible Parking – West Valley City, UT – Fujifilm X100V

Done Shopping – West Valley City, UT – Fujifilm X100V

Soda Glass – West Valley City, UT – Fujifilm X100V

Couch Stripes – Farmington, UT – Fujifilm X100V

Flowers in the Sky – Big Sky, MT – Fujifilm X100V

Grey Hills – Red Rock Lakes NWR, MT – Fujifilm X100V

Abandoned Dream Infrared – Red Rock Lakes NWR, MT – Fujifilm X100V

Abandoned House by the Hill IR – Red Rock Lakes NWR, MT – Fujifilm X100V

Henry’s Fork River – Island Park, ID – Fujifilm X100V

Upper Red Rock Lake IR – Red Rock Lakes NWR, MT – Fujifilm X100V

Red Rock Road Monochrome – Red Rock Lakes NWR, MT – Fujifilm X100V

Aspen Leaves Infrared – Farmington, UT – Fujifilm X100V

Illuminated Tree – West Valley City, UT – Fujifilm X100V

Infrared Tree – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 800

Posted on July 27, 2020 by Ritchie Roesch

Flags of IKEA – Draper, UT – Fujifilm X100V – “Fujicolor Superia 800”

One of the earliest film simulation recipes I created that was intended to mimic a specific film was Fujicolor Superia 800, which I made on a Fujifilm X100F about two-and-a-half years ago. This is a recipe that I’ve used often; I especially like it on overcast days. When I published the Superia 800 recipe, I stated, “It’s not a 100% match [to the film], but I feel like it’s convincing enough….” I think that’s a true statement, but with the new tools available on the X100V, could I create a closer match, one that might be even more convincing?

Classic Negative needed to be the starting point for a new Fujicolor Superia 800 recipe since this new film simulation is “modeled after” Fujicolor Superia with “Superia-like” colors. I incorporated the new Clarity and Color Chrome Effect Blue features into this recipe. Unfortunately, Clarity slows down the camera considerably, so you’ll either have to accept the slow speed (which is what I do) or add Clarity later by reprocessing the RAW file. I think this new recipe is indeed a closer match to actual Superia 800—in fact, you could likely convince people that you shot film!

Horse Boarding – Salt Lake City, UT – Fujifilm X100V

I think this recipe might be my favorite of the Superia recipes that I’ve created thus far. If you like my Superia 100, Reala 100, and Superia 1600 recipes, you’ll certainly like this one, too! It has a great analog aesthetic. It’s pretty amazing that you can get this look straight out of camera. This Fujicolor Superia 800 recipe is (as of this writing) only compatible with the Fujifilm X100V, X-Pro3 and X-T4.

Classic Negative
Dynamic Range: DR400
Highlight: -1
Shadow: +1
Color: -1
Noise Reduction: -4
Sharpening: -1
Clarity: -4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Daylight, -1 Red & -3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Fujicolor Superia 800 film simulation recipe on my Fujifilm X100V:

Line Begins Here – Draper, UT – Fujifilm X100V

Fire Suppression – Draper, UT – Fujifilm X100V

Trash – Draper, UT – Fujifilm X100V

Family Friendly Parking – Draper, UT – Fujifilm X100V

Waiting for Hope? – Draper, UT – Fujifilm X100V

Waiting to Enter – Draper, UT – Fujifilm X100V

Waiting Reflection – Draper, UT – Fujifilm X100V

Keeper of the Door – Draper, UT – Fujifilm X100V

Entrance – Draper, UT – Fujifilm X100V

Cloud Above Yellow Wall – Draper, UT – Fujifilm X100V

Two Flag Poles – Draper, UT – Fujifilm X100V

Home Furnishings – Draper, UT – Fujifilm X100V

Upplaga – Draper, UT – Fujifilm X100V

Track Closed – Salt Lake City, UT – Fujifilm X100V

Artificial – Draper, UT – Fujifilm X100V

Hanging Patio Lights – Draper, UT – Fujifilm X100V

Two Step – Draper, UT – Fujifilm X100V

Red Light – Draper, UT – Fujifilm X100V

Rainbow Spirit – Farmington, UT – Fujifilm X100V

Chair Back – Farmington, UT – Fujifilm X100V

Joshua Eating – Farmington, UT – Fujifilm X100V

Brother & Sister on the Couch – Farmington, UT – Fujifilm X100V

Balcony Railing – Farmington, UT – Fujifilm X100V

Umbrella Unopened – Farmington, UT – Fujifilm X100V

Sunlight Sky & Green Leaves – Farmington, UT – Fujifilm X100V

Ripening Soon – Farmington, UT – Fujifilm X100V

Fallen Log in the Forest – Monte Cristo, UT – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: The Rockwell (Velvia)

Posted on July 18, 2020 by Ritchie Roesch

Abandoned Dream – Red Rock Lakes NWR, MT – Fujifilm X100V – “The Rockwell”

Ken Rockwell likes to say that Fujifilm cameras aren’t good for landscape photography because the JPEG colors aren’t “wild” enough for him. Even on his review of the X100V, he says, “The as-shot JPG color palette and contrasts are quite sedate,” and, “the X100V won’t amp-up colors if they aren’t strong to begin with.” He adds, “The Velvia film simulation modes don’t look any better; certainly not like real Velvia.” He’s entitled to his opinion, but I think he just hasn’t used the “right” recipe, and he might change his mind if he did. This recipe is one that Ken Rockwell might approve of, as it’s inspired by him, and that’s why I call it The Rockwell.

Ken mentions that the Velvia film simulation isn’t like real Velvia, and he means Velvia 50. There are, in fact, a few different films that share the Velvia name. Straight out of the box, the film simulation differs a little from the film. My X-T30 Velvia recipe is intended to get the film simulation closer to actual Velvia 50 film. “The Rockwell” recipe is also in the ballpark of Velvia 50 film, although it might actually exceed it. I’ve heard it said that Fujifilm’s short lived Fortia film (which Color Chrome Effect and Color Chrome Effect Blue are inspired by), which is like Velvia 50 on steroids, was a mistake. Supposedly it (or at least the original Fortia 50) was a botched Velvia run, but instead of trashing it Fujifilm sold it as a new film. This recipe isn’t as crazy as Fortia, but it’s every bit as crazy as Velvia 50 and perhaps slightly more. Another film that is in the general vicinity of this aesthetic is Kodak’s Ektachrome 100VS, which was essentially Kodak’s closest film to Velvia, but this recipe is a little off from that film. No, “The Rockwell” isn’t an exact match to any film, it’s just a recipe that Ken might use on his X100V if he ever read this article.

Gibbon Falls – Yellowstone NP, WY – Fujifilm X100V – “The Rockwell”

This film simulation recipe is definitely not for everyone. Just like the person it was named after, it’s bold yet sometimes over-the-top. Many of you will find it to be much too much for your photography. But some of you are going to love it. In the right situations, this recipe is stunning! It uses Clarity, which slows down the camera considerably, but this is a recipe that you might want to work slow with anyway, so it should be alright. This recipe is only compatible (as if this writing) with the X100V, X-Pro3 and X-T4.

Velvia
Dynamic Range: DR200
Highlight: -1
Shadow: -1
Color: +4
Noise Reduction: -4
Sharpening: +4
Clarity: +5
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “The Rockwell” film simulation recipe on my Fujifilm X100V:

Lake McDonald Shore Trees – Glacier National Park, MT – Fujifilm X100V

Driftwood Shore – Glacier National Park, MT – Fujifilm X100V

McDonald Lake & Rocks – Glacier National Park, MT – Fujifilm X100V

Lake McDonald – Glacier National Park, MT – Fujifilm X100V

Flathead Lake – Flathead Lake, MT – Fujifilm X100V

Clear Blue Water – Glacier National Park, MT – Fujifilm X100V

Tree & Snake River – Idaho Falls, ID – Fujifilm X100V

McDonald Creek Behind Pines – Glacier National Park, MT – Fujifilm X100V

Trees Obscuring the River – Glacier National Park, MT – Fujifilm X100V

McDonald Creek – Glacier National Park, MT – Fujifilm X100V

Green Trees – Glacier National Park, MT – Fujifilm X100V

Forest Flowers – Glacier National Park, MT – Fujifilm X100V

Lake Daisies – Flathead Lake, MT – Fujifilm X100V

Blossomed Bush by the Lake – Flathead Lake, MT – Fujifilm X100V

Upper Red Rock Lake – Red Rock Lakes NWR, MT – Fujifilm X100V

Red Lake Light – Flathead Lake, MT – Fujifilm X100V

Morning Rays – Canyon Ferry Lake, MT – Fujifilm X100V

Sunset Through The Trees – Island Park, ID – Fujifilm X100V

Aspen Sunstar – Island Park, ID – Fujifilm X100V

Johnny Sack Cabin – Island Park, ID – Fujifilm X100V

Hanging Flower Pot – Big Sky, MT – Fujifilm X100V

Mountain Wildflowers 1 – Red Rock Lakes NWR, MT – Fujifilm X100V

Mountain Wildflowers 2 – Red Rock Lakes NWR, MT – Fujifilm X100V

Rural Blossoms – Island Park, ID – Fujifilm X100V

Mountain Springtime – Island Park, ID – Fujifilm X100V

Blossom by the River – Island Park, ID – Fujifilm X100V

River Grass – Island Park, ID – Fujifilm X100V

Grassy Hills – Wild Horse Island State Park, MT – Fujifilm X100V

Pine in the Field – Wild Horse Island State Park, MT – Fujifilm X100V

Abandoned Rural Building – Wild Horse Island State Park, MT – Fujifilm X100V

Pop of Color Cabin – Polebridge, MT – Fujifilm X100V

Birdhouse Fence – Island Park, ID – Fujifilm X100V

Playground at the Edge of Nowhere – Island Park, ID – Fujifilm X100V

Hot Water – Yellowstone National Park, WY – Fujifilm X100V

Blue Eye – Yellowstone National Park, WY – Fujifilm X100V

Red Rock Turtle – Island Park, ID – Fujifilm X100V

Colorful Pallets – Bozeman, MT – Fujifilm X100V

Westfield – Idaho Falls, ID – Fujifilm X100V

Pink – Island Park, ID – Fujifilm X100V

Stop for the Pink Bus – Silos, MT – Fujifilm X100V

18 – Silos, MT – Fujifilm X100V

Stop Here – Yellowstone National Park, WY – Fujifilm X100V

Blue Trailer – Rexburg, ID – Fujifilm X100V

Grease Work – Rexburg, ID – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Bleach Bypass

Posted on July 8, 2020 by Ritchie Roesch

Rose on a Table – Farmington, UT – Fujifilm X100V – “Bleach Bypass”

The Fujifilm X-T4 has a new film simulation called Bleach Bypass. At this time, the X-T4 is the only camera that has it. It might come to the X-Pro3 and X100V at some point via a firmware update, but it’s difficult to know for sure if or when that will happen. Hopefully Fujifilm will add Bleach Bypass to the other cameras at some point.

Back in February I created a “Bleach Bypass” film simulation recipe for the X-T30 and X-T3 utilizing the double-exposure feature of the camera. The results are great, but the process is tricky, and the subject has to be completely still because it requires two exposures. The Fujifilm X100V and X-Pro3 cameras don’t (yet) have the new Bleach Bypass film simulation, but they do have the new Classic Negative film simulation, which makes a “bleach bypass” look possible with just one exposure.

Bleach bypass is a darkroom technique where you skip or limit the bleach during development of color film, which causes it to retain the silver. Results will vary greatly depending on the film used and exactly how you develop it, but generally speaking what you get with bleach bypass is a high-contrast, low-saturation, grainy picture that appears as if a black-and-white and color picture were combined together. This technique is more common for motion picture film than still photography, but some people do bleach bypass with C-41 film.

Thistle Color – Fruit Heights, UT – Fujifilm X100V – “Bleach Bypass”

I don’t know how accurate this recipe is to the Bleach Bypass film simulation that’s on the X-T4. I wasn’t trying to mimic that film simulation, but instead mimic actual bleach bypass film. I know some of you will really appreciate this look, but it’s certainly not going to be everyone’s cup of tea. You can use this recipe if you have a Fujifilm X100V, X-Pro3 or X-T4.

Classic Negative
Dynamic Range: DR100
Highlight: +2
Shadow: +4
Color: -4
Noise Reduction: -4
Sharpening: -1
Clarity: +3
Grain Effect: Strong, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Strong
White Balance: Daylight, -1 Red & +1 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “Bleach Bypass” film simulation recipe on my Fujifilm X100V:

Silver Aspen Leaves – Farmington, UT – Fujifilm X100V

Greenberries – Farmington, UT – Fujifilm X100V

Back Wall – Fruit Heights, UT – Fujifilm X100V

Turkey – Farmington, UT – Fujifilm X100V

Umbrella Below a Tree – Fruit Heights, UT – Fujifilm X100V

Instamatic Light – Farmington, UT – Fujifilm X100V

Kodak Instamatic Shelf – Farmington, UT – Fujifilm X100V

Pronto Polaroid – Farmington, UT – Fujifilm X100V

Dead Yellow Roses – Farmington, UT – Fujifilm X100V

Coffee & Book – Farmington, UT – Fujifilm X100V

Morning Time – Farmington, UT – Fujifilm X100V

Vase on a Table – Farmington, UT – Fujifilm X100V

Suburban Grey – Farmington, UT – Fujifilm X100V

Leaf in the Wet Grass – Farmington, UT – Fujifilm X100V

Water on a Red Slide – Farmington, UT – Fujifilm X100V

Lavender Lily – Farmington, UT – Fujifilm X100V

Sunlight in the Trees – Layton, UT – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 1600

Posted on June 29, 2020 by Ritchie Roesch

Red Rose – Farmington, UT – Fujifilm X100V – “Fujicolor Superia 1600”

For some of you, this new Fujicolor Superia 1600 film simulation recipe will be your favorite! It is so good! It’s very analog-esque, and does a great job of mimicking the film in a number of circumstances. If you love my Fujicolor Superia 100 and my Fujicolor Reala 100 recipes, you’re bound to love this one, too!

For high-ISO color photography, Superia 1600 film was your best bet if you needed to go faster than ISO 800. It has higher contrast and lower saturation than other Superia films, and is also more grainy, but with a very nice look. There are people who use Superia 1600 just for its aesthetic. Fujifilm discontinued Superia 1600 in 2016, but supposedly Fujicolor Natura 1600 and Press 1600 are the same film, just sold to different markets.

Sephora – Farmington, UT – Fujifilm X100V – “Fujicolor Superia 1600”

I didn’t include a “typical” exposure compensation with this recipe because you can get some very interesting looks by underexposing and (especially) overexposing—don’t be afraid to try -1 all the way to +2! This recipe is only compatible with the Fujifilm X100V, X-Pro3 and X-T4 (hopefully someday the X-T3 and X-T30, too—Fujifilm, please!).

Classic Negative
Dynamic Range: DR400
Highlight: 0
Shadow: +2
Color: -3
Noise Reduction: -4
Sharpening: -1
Clarity: -4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Daylight, +3 Red & +1 Blue
ISO: 1600 to 6400

Example photographs, all camera-made JPEGs using this Fujicolor Superia 1600 film simulation recipe on my Fujifilm X100V:

Electric Sunset – Kaysville, UT – Fujifilm X100V

Evening Overlook – Farmington, UT – Fujifilm X100V

Sunlight Tree – Farmington, UT – Fujifilm X100V

Country Fence – Kaysville, UT – Fujifilm X100V

Rose Bush Shadow – Farmington, UT – Fujifilm X100V

Red Rose Bush – Farmington, UT – Fujifilm X100V

Yellow Flower – South Ogden, UT – Fujifilm X100V

Not Yet Blackberries – Farmington, UT – Fujifilm X100V

Backyard Girl – Farmington, UT – Fujifilm X100V

Evening Light Tunnel – Farmington, UT – Fujifilm X100V

Building in Evening Light – Farmington, UT – Fujifilm X100V

Head On Illusion – Farmington, UT – Fujifilm X100V

Walking Reflection – Farmington, UT – Fujifilm X100V

Indoor/Outdoor Restaurant – Farmington, UT – Fujifilm X100V

Carbonaro – Farmington, UT – Fujifilm X100V

Vegetables – Farmington, UT – Fujifilm X100V

Dessert – Farmington, UT – Fujifilm X100V

Willards – Layton, UT – Fujifilm X100V

Thank You For You Patronage – South Ogden, UT – Fujifilm X100V

Wall Pipes – South Ogden, UT – Fujifilm X100V

Closed Gas Station Store – South Ogden, UT – Fujifilm X100V

Abandoned Drive Thru Window – South Ogden, UT – Fujifilm X100V

Abandoned Gas Station Overhang – South Ogden, UT – Fujifilm X100V

Light at the Top – Farmington, UT – Fujifilm X100V

Blue in the Middle – Farmington, UT – Fujifilm X100V

Moon Above – Farmington, UT – Fujifilm X100V

Suburban Sunstar – Farmington, UT – Fujifilm X100V

Bike 48 – Farmington, UT – Fujifilm X100V

Sunstar in the City – Farmington, UT – Fujifilm X100V

Strength and Endurance – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Fujicolor Reala 100

Posted on June 20, 2020 by Ritchie Roesch

Amusement Poles – Farmington, UT – Fujifilm X100V – “Fujicolor Reala 100”

Fujicolor Reala 100 was Fujifilm’s first Superia film, even though initially it did not have Superia in the name. Superia films shared Fuji’s “4th layer technology” and Reala was the first to have it, but Reala was marketed towards “pro” photographers while Superia was marketed towards “consumer” photographers. Eventually Fujifilm added Superia to Reala’s name. There were several different versions of Reala manufactured, including a high-ISO Tungsten one made for motion pictures, but Reala 100 was the most popular.

The Classic Negative film simulation is “modeled after” Superia with “Superia-like” colors, so it’s the best starting point for a Reala recipe. Reala 100 was very similar to Superia 100, but Superia 100 was intended for “general purpose” photography while Reala 100 was intended for portrait photography (interestingly, my wedding photos were shot on Reala). Colors are rendered a little differently between the two films, especially blue, which is deeper and more saturated on Reala, despite Reala being overall slightly less saturated than Superia 100. You’ll find that this recipe and my Fujicolor Superia 100 recipe replicate these differences quite nicely. Reala film was discontinued in 2013.

Tunnel & Fountain – Farmington, UT – Fujifilm X100V – “Fujicolor Reala 100”

This Fujicolor Reala 100 film simulation recipe is a great all-around option. It looks good under many circumstances. The aesthetic of this recipe is very close to my Superia 100 recipe, and I’m not sure which one I like better. This one is better for stronger blues, and the other is better for stronger reds, but they’re not far apart from each other. Unfortunately, as of this writing, this Reala recipe is only compatible with the Fujifilm X100V, X-Pro3 and X-T4 cameras.

Classic Negative
Dynamic Range: DR400
Highlight: -1
Shadow: -1
Color: +0
Noise Reduction: -4
Sharpening: -2
Clarity: -3
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Daylight, 0 Red & 0 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs using this Fujicolor Reala 100 film simulation recipe on my Fujifilm X100V:

Ferris Wheel – Farmington, UT – Fujifilm X100V

Ferris Wheel Through The Trees – Farmington, UT – Fujifilm X100V

Hands Raised – Farmington, UT – Fujifilm X100V

Blue Coaster – Farmington, UT – Fujifilm X100V

Waterless Waterslides – Farmington, UT – Fujifilm X100V

Umbrella Ride – Farmington, UT – Fujifilm X100V

Green Trees, Blue Sky – Farmington, UT – Fujifilm X100V

Cat Statue – Farmington, UT – Fujifilm X100V

Ride Operator – Farmington, UT – Fujifilm X100V

Waiting to Fly – Farmington, UT – Fujifilm X100V

Sunstar Tree – Farmington, UT – Fujifilm X100V

Backlit Fountain – Farmington, UT – Fujifilm X100V

Flowerbed – Farmington, UT – Fujifilm X100V

Field of Wildflowers – Farmington, UT – Fujifilm X100V

Potted Blooms – Farmington, UT – Fujifilm X100V

Flowers in a Garden – Farmington, UT – Fujifilm X100V

Blossoms Along a Fence – Farmington, UT – Fujifilm X100V

Red Blossoms – Farmington, UT – Fujifilm X100V

Covered Wagon – Farmington, UT – Fujifilm X100V

Man Waiting – Farmington, UT – Fujifilm X100V

Standing, Waiting – Farmington, UT – Fujifilm X100V

Corner – Farmington, UT – Fujifilm X100V

Puddle Reflections – Farmington, UT – Fujifilm X100V

Stroller – Farmington, UT – Fujifilm X100V

Almost – Farmington, UT – Fujifilm X100V

Please Unload Children – Farmington, UT – Fujifilm X100V

Lying on a Bench – Farmington, UT – Fujifilm X100V

Pink Hair Bow – Farmington, UT – Fujifilm X100V

Backpack – Farmington, UT – Fujifilm X100V

Josh Riding Carousel – Farmington, UT – Fujifilm X100V

Happy Jon – Farmington, UT – Fujifilm X100V

Map on a Fence – Farmington, UT – Fujifilm X100V

Woodford, Iowa – Farmington, UT – Fujifilm X100V

Forest Trees – Fruit Heights, UT – Fujifilm X100V

Windshield Rain – Fruit Heights, UT – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Kodak Tri-X 400

Posted on June 18, 2020 by Ritchie Roesch

Leaves in the Forest – Farmington, UT – Fujifilm X100V – ISO 3200 – “Kodak Tri-X 400”

The number one black-and-white film simulation recipe that I’ve been asked to create is Kodak Tri-X 400, but I’ve never been satisfied with my own attempts. Thankfully for you, Fuji X Weekly reader Anders Lindborg (Instagram) was able to do it! This is brilliant, and I’m sure you’ll love it. It’s the only B&W recipe I’m using on my Fujifilm X100V right now.

Kodak introduced Tri-X in the early 1940’s, and in the 1950’s they began selling it in 35mm format. Ever since, it has been the “standard” high-ISO black-and-white film for photographers. It’s been made in ISO 160, 200, 320 and 400 versions; this recipe is based on Tri-X 400. Kodak re-engineered Tri-X 400 in 2007 with finer grain and lower contrast, but it’s still nearly identical to the old stock.

Anders actually made three recipes in one: low-contrast, mid-contrast, and high-contrast. Tri-X, like most films, can be made more contrasty or less contrasty based on how it’s developed (chemicals used and/or development times) or printed (contrast filters). The recipe further down this article is the mid-contrast version. For low contrast, set Highlight to -1 and Shadow to +2. For high contrast, set Highlight to +1 and Shadow to +4. This film simulation recipe was designed for the X-T3 and X-T30, but I changed a couple of things for the X100V: I set Clarity to +4 (which isn’t available on the X-T3 and X-T30) and Grain to Strong & Large (on the X-T3 and X-T30, Grain is set to Strong). Because it adds contrast, setting Clarity to +4 actually makes this look more like the high-contrast version. If you are using this on the X100V, X-Pro3 or X-T4, feel free to try all three contrast versions, with or without Clarity, to see which you like better. For X-Trans III cameras, which don’t have Color Chrome Effect, you can still use this recipe; while it won’t look exactly the same, it will still look very similar. In other words, even though the title says “Fujifilm X100V Film Simulation Recipe” you can actually use it on any camera with the Acros film simulation—I’ve tried it on an X-T30 and X-T20, and it looks great!

Forest Edge – Fruit Heights, UT – Fujifilm X100V – ISO 1600 – “Kodak Tri-X 400”

I found that this recipe looks best when set to ISO 1600 or higher. From ISO 1600 to 3200, the results more resemble newer Tri-X 400 film. From ISO 6400 to ISO 12800, the results more resemble older Tri-X 400 film. I want to give a big thank-you to Anders Lindborg for creating this recipe, sharing it, and allowing me to publish it here—you are appreciated! Thank you!

Acros (+Y, +R, +G)
Dynamic Range: DR200
Highlight: 0
Shadow: +3
Noise Reduction: -4
Sharpening: +1
Clarity: +4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Off
White Balance: Daylight,+9 Red & -9 Blue
ISO: ISO 1600 – 12800
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Kodak Tri-X 400 film simulation recipe on my Fujifilm X100V:

Fallen Trunk – Fruit Heights, UT – Fujifilm X100V – ISO 1600

The Forest – Fruit Heights, UT – Fujifilm X100V – ISO 1600

Light in a Dark Canopy – Farmington, UT – Fujifilm X100V – ISO 1600

Sunlight & Leaves – Farmington, UT – Fujifilm X100V – ISO 12800

Monochrome Backlit Leaves – Farmington, UT – Fujifilm X100V – ISO 1600

Drops on a Window – Fruit Heights, UT – Fujifilm X100V – ISO 1600

Half Leaf In The Road – Farmington, UT – Fujifilm X100V – ISO 1600

Footstep – Farmington, UT – Fujifilm X100V – ISO 1600

Barrier – Farmington, UT – Fujifilm X100V – ISO 1600

Corner Benches – Farmington, UT – Fujifilm X100V – ISO 6400

Drinking Fountains – Farmington, UT – Fujifilm X100V – ISO 1600

Feel Like A Kid Again – Farmington, UT – Fujifilm X100V – ISO 1600

Walking at an Amusement Park – Farmington, UT – Fujifilm X100V – ISO 1600

Waiting at the Exit – Farmington, UT – Fujifilm X100V – ISO 3200

Diagonal Light Boy – Farmington, UT – Fujifilm X100V – ISO 12800

FED 5c Film Camera – Farmington, UT – Fujifilm X100V – ISO 3200

Coffee Grounds in a Filter – Farmington, UT – Fujifilm X100V – ISO 3200

Rainbow Feet on the Floor – Farmington, UT – Fujifilm X100V – ISO 3200

Girl in Zebra Shirt – Farmington, UT – Fujifilm X100V – ISO 12800

Rainy Day Siblings – Farmington, UT – Fujifilm X100V – ISO 3200

Level Up – Farmington, UT – Fujifilm X100V – ISO 12800

Wet Leaf in the Grass – Farmington, UT – Fujifilm X100V – ISO 5000

Wet Tree Leaves – Farmington, UT – Fujifilm X100V – ISO 3200

Leaf of a Different Color – Farmington, UT – Fujifilm X100V – ISO 3200

Emptiness – Roy, UT – Fujifilm X100V – ISO 3200

Empty Boxes in an Abandoned Home – Roy, UT – Fujifilm X100V – ISO 12800

Nobody’s Home – Roy, UT – Fujifilm X100V – ISO 3200

White Truck – Roy, UT – Fujifilm X100V – ISO 3200

Dead End Night – Roy, UT – Fujifilm X100V – ISO 12800

Trolley Bus – Farmington, UT – Fujifilm X100V – ISO 12800

Wrong Way – Centerville, UT – Fujifilm X100V – ISO 12800

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Fujifilm X100V New Feature: B&W Toning

Posted on June 14, 2020 by Ritchie Roesch

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With the X-T3 and X-T30, Fujifilm introduced black-and-white toning. With the X100V, X-Pro3 and X-T4, Fujifilm took B&W toning to a whole new level! On the X-T3 and X-T30, you have the option of 0 (for neutral), +1 through +9 for warm, and -1 through -9 for cool. On the new cameras, toning is set up more like white-balance-shift, except you can move as many as 18 spots up or down and left or right. Yes, on the X100V, there are 1,368 possible colors to tone your black-and-white pictures! You can even tone B&W video.

The up-and-down option is called “WC” for warm/cool; plus is warm, minus is cool, and 0 is neutral. The left-and-right option is called “MG” for magenta/green; plus is green, minus is magenta, and 0 is neutral. The further you get from 0, the stronger the color, and the closer you get to 0, the more subtle the color. Most people will likely use subtle toning, but some will appreciate the bold options.

I think there is the potential for some very creative uses of this new feature, especially when paired with multiple exposure photography. I haven’t explored the possibilities yet, but I will! If you are a fan of toning your black-and-white pictures, you’ll love this new option. The only thing missing is split-toning, which Fujifilm very well might add on future models—I hope so, anyway! In the meantime, I’ll explore the potential of this new toning feature on the X100V.

Examples of black-and-white toning on the Fujifilm X100V:

WC 0 MG 0

WC +5 MG 0

WC +5 MG +5

WC 0 MG +5

WC -5 MG +5

WC -5 MG 0

WC -5 MG -5

WC 0 MG -5

WC +5 MG -5

WC +18 MG 0

WC +18 MG +18

WC 0 MG +18

WC -18 MG +18

WC -18 MG 0

WC -18 MG -18

WC 0 MG -18

WC +18 MG -18

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Fujifilm X100V Film Simulation: Kodak Portra 400

Posted on June 10, 2020 by Ritchie Roesch

Bridge Over Stream – Layton, UT – Fujifilm X100V – “Kodak Portra 400”

This is a brand-new version of my X-T30 Kodak Portra 400 film simulation recipe, designed specifically for the Fujifilm X100V, X-Pro3 and X-T4. My “old” recipe isn’t, in fact, old, as I published it only one month ago, but already I have improved on it, thanks to Fujifilm’s new tools, and also thanks to Fuji X Weekly reader Thomas Schwab, who helped tremendously refine the recipe to be more accurate to actual Portra 400 film. You see, he captured some pictures with Portra 400 film and made some identical pictures with his X-Pro3. After a few small changes, this new recipe emerged. It’s very similar to the X-T30 Portra 400 recipe, the differences aren’t huge, but it is subtly better in my opinion.

Portra 400 was introduced by Kodak in 1998, and was redesigned in 2006 and again in 2010. As the name implies, it’s intended for portrait photography, but can be used for many other types of photography. It’s similar to Portra 160, but with more contrast, saturation and grain. Believe it or not, ISO 400 was considered “high ISO” by many photographers back in the film days, and Portra 400 was one of the absolute best “high ISO” color films ever made. Like all films, results can vary greatly depending on how it’s shot, developed and printed or scanned, and even which version of the film you’re talking about.

Backlit Forest Leaves – Layton, UT – Fujifilm X100V – “Kodak Portra 400”

This new Portra 400 film simulation recipe requires the use of Clarity, which slows down the camera considerably. Fujifilm suggests shooting RAW and adding Clarity later, but I just use the pause to slow myself down. The use of Clarity also means that this recipe can’t be used on “older” cameras, only the X100V, X-Pro3 and X-T4 (as of this writing), but feel free to apply the white balance shift of this recipe to the X-T30 version and see if you like it better.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: -1
Shadow: -2
Color: +2
Noise Reduction: -4
Sharpening: -2
Clarity: +2
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Daylight, +3 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this new Kodak Portra 400 film simulation recipe on my Fujifilm X100V:

Light Green Leaves – Layton, UT – Fujifilm X100V

Sunlight In The Tree – Layton, UT – Fujifilm X100V

Forest – Layton, UT – Fujifilm X100V

Creek Through The Trees – Layton, UT – Fujifilm X100V

Light on the Water – Layton, UT – Fujifilm X100V

Creek – Layton, UT – Fujifilm X100V

Big Green Leaf – Layton, UT – Fujifilm X100V

Sunshine & Tree Leaves – Farmington, UT – Fujifilm X100V

Sunlit – Farmington, UT – Fujifilm X100V

Stone & Blooms – Layton, UT – Fujifilm X100V

Jo Swinging – Layton, UT – Fujifilm X100V

Brother & Sister Driving – Farmington, UT – Fujifilm X100V

Protect & Serve – Farmington, UT – Fujifilm X100V

Seagull on a Lamp – Farmington, UT – Fujifilm X100V

Stormy Reeds – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 100

Posted on June 9, 2020 by Ritchie Roesch

Rose Garden – Farmington, UT – Fujifilm X100V – “Fujicolor Superia 100”

The new Classic Negative film simulation that’s found on Fujifilm’s latest cameras is intended to mimic Fujicolor Superia. Fujifilm doesn’t state which version of the film it’s intended to resemble; Fujifilm simply says that it’s “modeled after” Superia with “Superia-like” colors. They did very well in creating it, as it is unmistakably Superia. To me, straight-out-of-the-box Classic Negative most closely resembles Superia 200, although it’s not an exact match (but pretty close). There were at least a dozen different versions of Superia made by Fujifilm beginning in 1998, and a couple are still available today. I believe that Classic Negative can be made to resemble many of these different films. I started with Fujicolor Superia 100.

Superia 100 is a daylight balanced color negative film that Fujifilm produced between 1998 and 2009. It replaced Fujicolor Super G Plus 100, which, honestly, didn’t look all that much different. Superia 100 had improved grain, sharpness, and more accurate color under florescent light. Under normal conditions, and without a close inspection, the two films looked quite similar. Superia was a “consumer” film that was widely found in drug and convenient stores. It was regularly used for family snapshots, but was also popular among photojournalists, as well as portrait and wedding photographers. Superia 100 was marketed as a “general use” low-ISO color film. Like the film, this Fujicolor Superia 100 film simulation recipe serves as a general use option.

Sunset Behind the Reeds – Farmington, UT – Fujifilm X100V – “Fujicolor Superia 100”

I think many of you will really appreciate this film simulation recipe. It has fairly low contrast, but not too low, and produces very nice colors. It has a nostalgic quality to it, since the film that it’s based on was widely used for family snapshots in the 1990’s and 2000’s. You can use it for portraits or street photography or landscapes—really, it’s good for most situations. Unfortunately, as of this writing, this Fujicolor Superia 100 film simulation recipe is only compatible with the Fujifilm X-Pro3, X100V and X-T4 cameras. This recipe does use the new Clarity feature, and you should be aware that it slows down the camera considerably.

Classic Negative
Dynamic Range: DR-Auto
Highlight: -1
Shadow: -2
Color: +1
Noise Reduction: -4
Sharpening: -2
Clarity: -2
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Daylight, 0 Red & -1 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Fujicolor Superia 100 film simulation recipe on my Fujifilm X100V:

Under the Green Canopy – Farmington, UT – Fujifilm X100V

Light Through The Trees – Farmington, UT – Fujifilm X100V

Red Tree – Farmington, UT – Fujifilm X100V

Pagoda – Farmington, UT – Fujifilm X100V

Pink Tree – Farmington, UT – Fujifilm X100V

Nearly Empty Park – Farmington, UT – Fujifilm X100V

Waiting Alone – Farmington, UT – Fujifilm X100V

Fascinating – Farmington, UT – Fujifilm X100V

Fanatic Family – Farmington, UT – Fujifilm X100V

Grandmother & Grandson – Farmington, UT – Fujifilm X100V

Thirsty Peacock – Farmington, UT – Fujifilm X100V

Give it Back – Farmington, UT – Fujifilm X100V

Red & Blue Benches – Farmington, UT – Fujifilm X100V

Lagoon Railroad – Farmington, UT – Fujifilm X100V

Patriotic Boy – Farmington, UT – Fujifilm X100V

Ride is Closed – Farmington, UT – Fujifilm X100V

Nervously Ready for Tea Cup Ride – Farmington, UT – Fujifilm X100V

Do Not Enter – Farmington, UT – Fujifilm X100V

Rocks by the Raging River – Farmington, UT – Fujifilm X100V

Leaves Above Farmington Creek – Farmington, UT – Fujifilm X100V

Storm Above – Farmington, UT – Fujifilm X100V

Mine! – Farmington, UT – Fujifilm X100V

Refreshment Station – Farmington, UT – Fujifilm X100V

Evening Red – Farmington, UT – Fujifilm X100V

Desk Near a Window – Farmington, UT – Fujifilm X100V

Fake Blossoms – Farmington, UT – Fujifilm X100V

Backyard Jo – Farmington, UT – Fujifilm X100V

Jon, Laughing – Farmington, UT – Fujifilm X100V

Sunlit Tree Leaves – Farmington, UT – Fujifilm X100V

Evening Leaves – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

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My Fujifilm X100V Cine Teal Film Simulation Recipe

Posted on June 8, 2020 by Ritchie Roesch

Red Lights & Raindrops – Farmington, UT – Fujifilm X100V – “Cine Teal”

Baseball legend Lefty Gomez said, “I’d rather be lucky than good.” This particular film simulation recipe was a failure, but it was a lucky failure. I’ve been trying to create a Kodak Vision3 500T recipe, but I can’t get it right. I’ve tried a number of different combinations of settings, but I haven’t cracked the code (yet). This was one attempt. Under the right light, it does resemble Vision3 500T, but under most conditions it does not. Even though it was a failure, I like the look of this recipe, so I thought I’d share it with you.

I call this new film simulation recipe “Cine Teal” because it looks a bit cinematic thanks to the Eterna film simulation, and has a teal, green or yellow cast, depending on the light. This recipe looks best when used in the “blue hour” of dusk or dawn, and does well in shade and on overcast days. It can be used in other situations, but the results tend to be so-so, although you can still get interesting pictures sometimes. This recipe is a little limited in where it works best, but in the right situations it can look very nice. It’s not for everyone, but some of you will really appreciate it.

Sunlit Tree Leaves – Farmington, UT – Fujifilm X100V – “Cine Teal”

Because this film simulation recipe requires the use of Clarity, it will slow your camera down considerably. Fujifilm suggests, if you shoot RAW+JPEG, to add Clarity later by reprocessing the RAW file in-camera or with X RAW Studio. I just use the pause to slow myself down. This recipe is only compatible (as of this writing) with the Fujifilm X100V, X-Pro3 and X-T4.

Eterna
Dynamic Range: DR200
Highlight: -2
Shadow: +4
Color: -1
Noise Reduction: -4
Sharpening: -2
Clarity: -5
Grain Effect: Weak, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Strong
White Balance: 4550K, +1 Red & -9 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “Cine Teal” film simulation recipe on my Fujifilm X100V:

Small Garden Flowers – Farmington, UT – Fujifilm X100V

Roses Red – Farmington, UT – Fujifilm X100V

Roses are Red – Farmington, UT – Fujifilm X100V

Waiting Wishes – Farmington, UT – Fujifilm X100V

Subtle Rays – Farmington, UT – Fujifilm X100V

Cloud & Half Moon – Farmington, UT – Fujifilm X100V

Suburban Cloud – Farmington, UT – Fujifilm X100V

Evening House – Farmington, UT – Fujifilm X100V

Shadow of Self – Farmington, UT – Fujifilm X100V

Apple & Bike – Farmington, UT – Fujifilm X100V

Masked Man – Farmington, UT – Fujifilm X100V

Urban Blossoms – Farmington, UT – Fujifilm X100V

Evergreen – Farmington, UT – Fujifilm X100V

Small Table & Chairs – Orem, UT – Fujifilm X100V

Grand Girl – Farmington, UT – Fujifilm X100V

Mischievous Smile – Farmington, UT – Fujifilm X100V

Learning to Play – Farmington, UT – Fujifilm X100V

Lights Off – Farmington, UT – Fujifilm X100V

Coffee Table – Farmington, UT – Fujifilm X100V

Asian Decor – Farmington, UT – Fujifilm X100V

Dining – Farmington, UT – Fujifilm X100V

Hood Ornament – Farmington, UT – Fujifilm X100V

Open for Business – Orem, UT – Fujifilm X100V

FedEx – Farmington, UT – Fujifilm X100V

Movie Theater – Farmington, UT – Fujifilm X100V

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Fujifilm X100V New Feature: HDR

Posted on June 5, 2020 by Ritchie Roesch

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There’s a new feature on the Fujifilm X100V called HDR, which is an abbreviation for High Dynamic Range. You’ve probably heard of HDR photography. It was all the rage 10 years ago, but often looked terrible. Well, software has improved, and people are being more tasteful with their edits, and you likely see HDR pictures frequently and don’t even know it. I’ve never been a big fan of HDR photography, and I had very little interest in this new Fujifilm feature, but I thought that I’d try it anyway.

What is HDR? It’s the combination of a series of pictures, some overexposed and some underexposed, to maximize dynamic range. It prevents clipped highlights and blocked shadows. Fujifilm has other tools to deal with this: Highlight and Shadow adjustments, different Dynamic Range options, and D-Range Priority. HDR is now another option. You can select HDR 200, HDR 400, HDR 800 or HDR Plus.

Bright Flowers – Farmington, UT – Fujifilm X100V – HDR 800

On the X100V you have to go to the Drive menu to access HDR. One thing that I really appreciate about HDR on this camera is that you can select all of the different JPEG options except Dynamic Range (with HDR Plus you also cannot select Highlight, Shadow or Clarity). In other words, HDR becomes the Dynamic Range setting, and you still have everything else. You can also reprocess in-camera the RAW HDR file, but only as an HDR image. Cool!

Let’s take a closer look at the HDR options on the X100V, and also compare it to DR400 and D-Range Priority.

DR400

D-Range Priority Weak

D-Range Priority Strong

HDR 200

HDR 400

HDR 800

HDR Plus

The only pictures where the shadows appear significantly different are D-Range Priority Strong and HDR Plus. Otherwise shadows are similar, and HDR doesn’t seem to affect it much. However, highlights are greatly affected by the different HDR settings. In the pictures above, there’s a big difference in how the sun is rendered.

You might also notice some similarities between some of these different settings. Let’s compare a few:

DR400 vs. HDR 400

DR400

HDR 400

D-Range Priority Weak vs. HDR 200

D-Range Priority Weak

HDR 200

D-Range Priority Strong vs. HDR Plus

D-Range Priority Strong

HDR Plus

You might notice that D-Range Priority Weak and HDR 200 look very similar, as does DR400 and HDR 400, as well as D-Range Priority Strong and HDR Plus. Why? D-Range Priority Weak and HDR 200 are both based on DR200, so it makes sense that they would appear similar to each other. HDR 400 is based on DR400, so it’s logical that they would seem similar, as well. HDR 800 is like DR800 if such a thing existed. Both D-Range Priority Strong and HDR Plus are basically the same as HDR 800 with lighter shadows.

I don’t see a benefit to using HDR 200 or HDR 400, as you can achieve the same thing with your different Dynamic Range options. I did find HDR 800 useful for maximizing the dynamic range of the camera in harsh-light situations. HDR Plus isn’t really any different than using D-Range Priority Strong, so you might as well use the D-Range Priority setting if you really need it.

Here’s another example of the different HDR settings:

HDR 200

HDR 400

HDR 800

HDR Plus

The picture above illustrates when HDR Plus could be beneficial, but you might as well use D-Range Priority Strong instead. You could achieve the same thing as HDR 200 and HDR 400 by using the Dynamic Range settings. HDR 800 is the only one that you cannot mimic by using other settings, but the difference is pretty small between it and HDR 400.

HDR Examples

Light Flower – Farmington, UT – Fujifilm X100V – HDR 800

Tiny Library – Farmington, UT – Fujifilm X100V – HDR 800

Chopstix – Farmington, UT – Fujifilm X100V – HDR 800

Jurassic Park – Farmington, UT – Fujifilm X100V – HDR 800

Window Light on the Wall – Farmington, UT – Fujifilm X100V – HDR 800

Lunch – Layton, UT – Fujifilm X100V – HDR 800

Health Parking – Farmington, UT – Fujifilm X100V – HDR 800

Back in the day, HDR photographs were notorious for halos and cartoonish renderings, but I didn’t find any of those issue on the X100V. The camera does a decent job of aligning hand-held shots. The new HDR feature far exceeded my expectations (which were admittedly pretty low). However, it turns out that HDR on the X100V is not especially useful. It also slows down the camera considerably as it captures a series of pictures and combines them. Besides that, it doesn’t always work well.

HDR Bloopers

How many legs?

An extra wheel and no driver!

If there’s anything more than very minor movements within the frame, you’ll get weird artifacts from the combination of pictures. Even if there’s no movement, but you are not very still when you capture the pictures, you can get blur from poor alignment. I had just as many busts as I had successes when using HDR because of alignment problems and artifacts from movement. Maybe there’s a way to artistically use this?

Conclusion

HDR was not a feature that I was especially excited about on the Fujifilm X100V, yet it turned out to be a lot more fun than I expected. After playing around with it for a few days, I concluded that it’s not an especially useful tool. HDR 800 is the only selection that has a practical application, and the conditions have to be pretty extreme for it to be beneficial. While you can get good hand-held shots, you’re better off using a tripod, and don’t even think about using HDR if there’s anything more than very slow movement in the scene. While I think Fujifilm did a descent job in the programming, there’s plenty of room for improvement, and it’ll need to be made better before it’s a feature that will be used frequently. It’s good to have HDR as an option on the X100V, but I’m confident that I’ll rarely use it.

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[Not] My Fujifilm X100V Classic Negative Film Simulation Recipe

Posted on June 1, 2020 by Ritchie Roesch

Boy with a Bubble Gun – Farmington, UT – Fujifilm X100V

When the Fujifilm X-Pro3 came out late last year, which was the first camera with the new Classic Negative film simulation, I began to see some wonderful pictures that looked like they were captured using Superia film. Classic Negative is supposed to resemble Fujicolor Superia, most likely Superia 200, although Fujifilm doesn’t say. I believe there were more than 10 variants of Superia film made by Fujifilm, so it’s hard to know which version the film simulation was mostly modeled after. Whichever version of the film it’s intended to be, Classic Negative does a great job of mimicking it, because it definitely looks like Superia.

The Classic Negative look that was most intriguing to me was by Luis Costa, and I couldn’t wait for the day that I’d be able to try it for myself. Luis’ Classic Negative film simulation recipe, which can be found on his website, is nothing short of wonderful! It’s especially great for sunny days. It’s every bit as good as Luis made it look in his photographs. It’s programmed into the C1 slot on my Fujifilm X100V, and I doubt that it will move. It reminds me a lot of Superia X-Tra 400 with a warming filter, or maybe Superia 200 pushed one stop. Either way, it just looks good.

Warm Light on Reeds – Farmington Bay, UT – Fujifilm X100V

I did modify Luis Costa’s recipe slightly. Nothing big, but I added Color Chrome Effect and Clarity, and set Grain to Weak instead of Strong. It doesn’t change the look much at all. Feel free to turn off Color Chrome Effect and Clarity and set Grain to Strong if you’d like, which is Luis’ exact recipe. I want to thank Luis Costa for making and sharing his great Classic Negative recipe, and for allowing me to post it here. I encourage you to visit his website.

Because the Classic Negative film simulation changes look depending on how it’s exposed, you can get a couple different aesthetics with this recipe. I encourage you to increase exposure on some shots and decrease it on others (over and under exposing slightly), and see how it renders the picture. You might find that you prefer one look over the other, or that you prefer one in some situations and one in another. It’s fun to experiment with, and I invite you to do just that.

Classic Negative
Dynamic Range: DR200
Highlight: +1
Shadow: 0
Color: +3
Noise Reduction: -4
Sharpening: 0
Clarity: +2
Grain Effect: Weak, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: Auto, +4 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Classic Negative film simulation recipe on my Fujifilm X100V:

Red Rose Bush – Farmington, UT – Fujifilm X100V

Flowers by the Fence – Farmington, UT – Fujifilm X100V

Suburban Blooms – Farmington, UT – Fujifilm X100V

Dragonfly – Farmington, UT – Fujifilm X100V

Spring Leaves – Farmington, UT – Fujifilm X100V

Girl in Evening Light – Farmington, UT – Fujifilm X100V

Upside Down Wheelbarrow – Farmington, UT – Fujifilm X100V

Neighborhood Bubbles – Farmington, UT – Fujifilm X100V

Suburbs Illuminated – Farmington, UT – Fujifilm X100V

Boy in the Window Light – Farmington, UT – Fujifilm X100V

Little Yellow Ball in the Sky – Farmington, UT – Fujifilm X100V

Lake Reeds – Farmington Bay, UT – Fujifilm X100V

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My Fujifilm X100V Kodachrome 64 Film Simulation Recipe

Posted on May 27, 2020 by Ritchie Roesch

Evening at a Pond – Farmington Bay, UT – Fujifilm X100V “Kodachrome 64”

The Fujifilm X100V has some new features, including Clarity and Color Chrome Effect Blue, that my X-T30 doesn’t have, despite sharing the same sensor. The more JPEG options that I have, the more accurately I can create in-camera looks. My hope is to revisit some of my film simulation recipes, and create what I hope are more accurate versions using the new features. The first one that I revamped is my Kodachrome 64 film simulation recipe.

Many people love my Kodachrome 64 recipe, but not everyone. The biggest complaint that I’ve heard about it is that the reds aren’t vibrant enough. I don’t disagree with that, but there are always compromises when recreating looks in-camera because the tools available to me are limited. Of course, what Kodachrome 64 looks like depends on how you’re viewing it, whether projector, light table, scan, print, and how so. You can find some vastly different looking pictures that were captured on Kodachrome 64. For this revamped recipe, I spent some time studying the Kodachrome slides that I captured many years ago.

Red Lights & Rain – Farmington, UT – Fujifilm X100V “Kodachrome 64”

While I feel that this is an improved Kodachrome 64 recipe, it’s still not perfect. Those who disliked how reds were rendered on the old recipe will certainly like this one better, but is it 100% exactly like the film? No. I think +2 Color might be too much, but +1 Color doesn’t render reds and yellows vibrant enough. If you prefer +1 Color, feel free to do that instead. There’s a little less contrast with this new version. Both of the Color Chrome Effects, the lower Dynamic Range setting, and Clarity add contrast, so I changed Highlight and Shadow to compensate. The X-T4 has .5 Highlight and Shadow adjustments, and I would set Shadow to +0.5 if I were using these settings on that camera (I hope that Fujifilm updates the X100V and X-Pro3 to allow this, too). I think it would be acceptable to use +1 Shadow, but I felt that was a tad too much, so I set it to 0. Despite not being perfect, I do feel that this version is a little more accurate to actual Kodachrome 64 film.

If you have an X100V, X-Pro3 or X-T4, I invite you to try this new-and-improved Kodachrome 64 film simulation recipe. Be sure to let me know what you think! Here are a couple pictures comparing the two versions of this recipes:

Original Kodachrome 64 recipe.

New Kodachrome 64 Recipe.

Original Kodachrome 64 recipe.

New Kodachrome 64 recipe.

Classic Chrome
Dynamic Range: DR200
Highlight: 0
Shadow: 0
Color: +2
Noise Reduction: -4
Sharpening: +1
Clarity: +3
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Daylight, +2 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this new Kodachrome 64 film simulation recipe on my Fujifilm X100V: