Weekly Photo Project – Intermission

After completing half a year without missing a single day, I purposefully took a break from this photo-a-day project. At first I was a little anxious, because I felt as though I was selling myself short. I mean, I made it halfway, why can’t I just pull up the bootstraps and persevere? However, the break was refreshing, and perhaps necessary, and those initial feelings soon subsided. I was able to reflect back on the 26 weeks that had passed. I now feel ready to tackle the second half. I said this before, if I were to do this again, I would schedule periodic breaks, maybe once a quarter. In a way it goes against the idea of capturing a picture each day, but, at the same time, if one needs a mental refresher, one should take a mental refresher! I definitely needed one, and I’m happy that I took it.

Below you’ll find one photograph that I’ve selected from each week of this project. What I found interesting as I looked back at each post is that for some of the weeks there were several good pictures to choose from, and other weeks there were seven mediocre-at-best pictures posted. Those weeks that had several good photographs in them, I remembered that there were other good images that I could have also included, but I had to pick just one for each day. Good photography doesn’t happen daily, as it takes the right subject at the right time in the right light and with the right vision. Doing a project like this increases the odds, but it’s still not going to happen every time I have a camera in my hands. But when the right conditions occur, it’s usually not just one good frame that I come away with, but several. It’s important to take advantage of those moments when everything comes together, and really squeeze the best pictures possible out of them.

Week 1

43735534292_2047a3ce40_c

Truck Stop – Bowie, TX – Fujifilm X100F

Week 2

43804460782_76cd176ef7_c

Grain Hoppers – Westlake, TX – Fujifilm X100F

Week 3

43923170252_182e52d0da_c

Window Seat – Pawhuska, OK – Fujifilm X-Pro2

Week 4

30190583818_1488fc9a3e_c

Halfway Done – Layton, UT – Fujifilm X100F

Week 5

44137442062_538f835f60_c

Beams Over The Mountain – South Weber, UT – Fujifilm X-Pro2

Week 6

29389666937_59ca33495e_c

California Dreamin’ – South Weber, UT – Fujifilm X-Pro2

Week 7

30694626418_b1d9722c67_c

Wasatch Ridge Autumn – South Weber, UT – Fujifilm X-Pro2

Week 8

44559202662_91e2a3aec2_c

Flag On A Pole – Layton, UT – Fujifilm XF10

Week 9

44825573182_02b10664be_c

Cloudy Day Train – Clearfield, UT – Fujifilm XF10

Week 10

43106076230_60344f2273_c

Ghosts of the Past – Ogden, UT – Fujifilm XF10

Week 11

43276437840_df8a0ce201_c

Clouds Around The Timpanogos – Heber City, UT – Fujifilm X-Pro2

Week 12

30256522107_a64dfd9f75_c

Wasatch Orange – South Weber, UT – Fujifilm X-Pro2

Week 13

45481624451_506188ec0e_c

Capital Lamp – SLC, UT – Fujifilm XF10

Week 14

45506154182_a11dc8dee3_c

Joy Rider – SLC, UT – Fujifilm X100F

Week 15

30700133987_3e24d6cd1b_c

Empty Church Seats – Layton, UT – Fujifilm XF10

Week 16

43971970660_3da251def9_c

Peculiar Waters – Antelope Island SP, UT – Fujifilm XF10

Week 17

45891399272_034851688a_c

Waiting Alone For The Train – SLC, UT – Fujifilm XF10

Week 18

32146614198_42ac239019_c

The Little Engineer – South Weber, UT – Fujifilm X-T20

Week 19

32212591648_0b603a3918_c

Amanda & I at the Great Salt Lake – Antelope Island SP, UT – Fujifilm X100F

Week 20

32352882958_6989341b03_c

Fake Flowers In The Window – South Weber, UT – Fujifilm XF10

Week 21

44544206060_1d40e1ac4a_c

Ogden Airport – Ogden, UT – Fujifilm XF10

Week 22

45677125804_5ca73364fa_c

Wasatch Mountain Moon Rise – South Weber, UT – Fujifilm X-T20

Week 23

31555093207_588cc915e7_c

Great Salt Lake Evening – Layton, UT – Fujifilm X-T20

Week 24

44748127930_a118d49b2e_c

Frary Fence – Antelope Island SP, UT – Fujifilm X-T20

Week 25

46094042454_0928e934db_c

Morning Mountain White – South Weber, UT – Fujifilm X-T20

Week 26

39887863723_cdba9b8dd5_c

Winter Horse – South Weber, UT – Fujifilm XF10

 

Welcome to Fujixweekly.com!

35191782074_2699a7ac0c_c

On August 21, 2017, I began the Fuji X Weekly blog with the photograph above and several paragraphs explaining why I started this thing and what I envisioned it becoming. Several twists and turns have taken place along the way. What this blog is today isn’t exactly what I originally had in mind. It has evolved in ways that I didn’t anticipate back in late-summer of 2017, as well as some ways that I thought could potentially happen. That’s alright, because it’s much greater than I thought possible! I’m not bragging. It’s because of you all that Fuji X Weekly is what it is. Like you, I’m just going along for the ride, and we’ll find out together where things go over the coming months and years.

I wanted to announce two changes that are big, yet may not be completely obvious at first. These changes are the direct result of you guys and gals out there that have ordered products using my Amazon links. I recently received the first payment, and it was just enough money to accomplish what I hoped to accomplish. Like I promised, the purpose of the links is to improve the Fuji X Weekly experience. It’s thanks to you that these changes happened. Thank you!

The first thing you might notice is that this blog is officially fujixweekly.com. Yea! You don’t have to use “.wordpress” anymore. If you’ve linked to this blog, those links will still work even though “.wordpress” is in the address. However, from here on out, the address is shorter and simpler, and hopefully that makes things easier for you when you wish to visit or share. Also, I’m hoping that it gives this website a little more credibility, as “.wordpress” has an amateur air to it.

The second big change is that the WordPress advertisements should be gone forever. Because I was using their free service, WordPress was plastering advertisements all over this blog. It was annoying! I didn’t benefit from those ads except that I didn’t have to pay WordPress any money for this website. Now that I’m not using the free service, there are no more advertisements. This should make the blog look more clean and less cluttered, and hopefully you won’t feel hounded for money. I will still post Amazon links here and there, but I hope that you find that to be a helpful service and not an annoying ploy.

Anyway, welcome to fujixweekly.com! Expect more positive changes to come, and those changes are all thanks to you!

House Underwater – Thistle, Utah

39892574453_efd24a4707_c

House in a Frozen Pond – Thistle, UT – Fujifilm XF10

Thistle, Utah, is a strange place. It’s a little ghost town in Spanish Fork Canyon in the Wasatch Mountains. It was established in 1878 and was a railroad town, situated along the Rio Grande mainline. U.S. Route 6 and U.S. Route 89 intersected in Thistle. A lot of people and cargo passed through there, but the town never really became much of anything. At it’s peak in the 1920’s, the town had a population of just over 400 people.

I had heard of Thistle many years ago, because photographer Richard Steinheimer had captured two of his most well known pictures there. I had never visited it, nor did I have any idea of what it looked like, outside of a couple black-and-white prints captured in the 1950’s. It was a recent adventure that led me to stumble upon Thistle quite by accident. I passed through it not knowing what I was passing through, and stopped because I saw something interesting.

img_0301

Photo by Richard Steinheimer

Steinheimer, if he were still alive, would not recognize Thistle. Both highways have been rerouted and the tracks have been realigned. Even the Spanish Fork River isn’t entirely in the same place. The town is almost entirely gone, with the exception of a half-submerged house and some crumbling ruins that are barely hanging on. In 1983 there was a massive mudslide that demolished the little town of Thistle. It completely destroyed the area. At the time it was the costliest landslide in U.S. history.

The ruins of Thistle are easy to miss. On the west side of Route 89 are a couple crumbled buildings that almost blend into the landscape. On the east side of the highway is an old house that’s halfway deep in water, hidden behind some tall brush. I’m sure many people drive right through Thistle and don’t even realize it. There’s not much to see. There wasn’t much to see when the town was still a town, but there’s really not much left today.

I visited Thistle on a cold winter day, much like Steinheimer did back before my parents were even born. The location is beautiful, and the snow hides the tragic remains. I’m glad that fate took me to this cold and lonely place as I appreciate the adventure. Thistle will soon be completely gone and I’m thankful that I got to see it before then. Still, I don’t think I’ll be returning anytime soon.

46132538904_01e75274f6_c

Ice Cold Home – Thistle, UT – Fujifilm XF10

45942887825_559779ef5d_c

Defaced & Decaying – Thistle, UT – Fujifilm X-T20

32982171728_24e3dfb169_c

Hidden Hiemal Haggard Home – Thistle, UT – Fujifilm X-T20

45942932935_1edf0896d6_c

Old Frozen Home – Thistle, UT – Fujifilm X-T20

Weekly Photo Project, Week 26

I made it to the halfway point without missing a single day! That’s a big accomplishment, but I feel exhausted by this project. It has taken its toll at times. There are days when it takes a lot of mental effort to capture even one image. One thing that I wish I’d done different, and it’s what I would recommend for those who want to undertake a photo-a-day project, is to schedule breaks periodically. I wish that, say, once per quarter I had a week scheduled off. It’s not that I wouldn’t do any photography during that week, but only I wouldn’t have to do photography during that week if I didn’t want to. Still, it feels great to reach the midpoint, and it seems worthy of celebration.

Monday, January 14, 2019

32870584398_7be9a4fda3_c

Clouds Lifting off the Mountain – South Weber, UT – Fujifilm X-T20

Tuesday, January 15, 2019

46794703151_f5eff215f2_c

Winter Rose – Layton, UT – Fujifilm XF10

Wednesday, January 16, 2019

32919073408_a512bdee53_c

Winter Wood Fence – South Weber, UT – Fujifilm X-T20

Thursday, January 17, 2019

39829322293_7a7cc3732a_c

Two Red Chairs In Snow – South Weber, UT – Fujifilm X-T20

Friday, January 18, 2019

31852949937_ea50b33fcf_c

Mountaintop Snow & Clouds – South Weber, UT – Fujifilm X-T20

Saturday, January 19, 2019

39887863723_cdba9b8dd5_c

Winter Horse – South Weber, UT – Fujifilm XF10

Sunday, January 20, 2019

46097445634_4978181470_c

Snowy Mountain Illuminated By Blood Moon – South Weber, UT – Fujifilm X-T20

Week 25 Week 27

Fuji X Weekly Vlog: Episodes 4 – 8

I recently created a Fuji X Weekly YouTube channel with the idea that I’d be able to put my content in a different format and perhaps reach new people. I’m not a video guy, but my wife, who always gives me amazing advice, suggested that I should be making videos. What I’m trying to do, and it’s all a big learning process for me, is make short vlogs with quality content that are entertaining and optimized for mobile device viewing. I think that a lot of photography-related videos on YouTube are long, which can be good, but I feel that there is a need for concise content that can be consumed quickly. That’s what I’m aiming for, and hopefully I’ll get better at this the more I do it.

Check out my latest Fuji X Weekly Vlog episodes!

Vintage Lenses on Modern Cameras: Using M42 on Fujifilm X

45930440104_6c2c3fb4f9_c

Asahi Auto-Takumar 55mm f/2.2 on a Fujifilm X-T20

Lenses can be quite expensive. Most new lenses cost anywhere from a few hundred dollars to a couple thousand. Many people want to expand their glass collection but simply cannot afford it. A good solution is to use vintage lenses from the film era on your modern camera. An inexpensive adapter will allow you to attach lenses from another mount to your Fujifilm X camera. This is a cost-effective way to add more glass to your current camera kit.

One lens mount that’s common to find is M42 screw mount, which was originally designed by Carl Zeiss in the late-1930’s. Several different camera brands used M42 at one time or another, including Pentax, Contax, Praktica, Fujica, Yashica, Cosina, Ricoh, Zenit, Olympus and others. Most camera manufacturers who used M42 had moved on to other mounts by the late-1970s, but some M42 screw mount lenses are manufactured to this day. Thankfully, your options for this mount are plentiful!

What I love about many of these vintage lenses is that they have exceptional image quality, yet they also seem to have their own unique character. Many modern lenses are precision engineered, which is great, but they lack character. What sets one apart from another is just how precisely it was designed and tooled. Vintage lenses often have flaws, which might seem like a negative attribute, but these flaws sometimes produce unique effects that you’d never find on a brand-new lens. It might be a certain bokeh, soft corners, lens flare–whatever the flaw is, it makes your pictures less perfect, which is the character that is often missing in modern photography. Actor Willie Garson famously stated, “Perfection is the antithesis of authenticity.”

The challenge with using older lenses is that auto-focus and auto-aperture are out the window. You will need to manual focus, which is made easier thanks to focus peaking and focus confirmation, but it is still a skill to learn for those who aren’t used to it. You will have to set the aperture yourself, which isn’t a difficult skill, but if you always use auto-aperture this might take some practice. For some people there will be a learning curve, but I believe that the manual features are actually a help and not a hindrance, since it slows you down and forces you to consider things a little bit more deeply. You also must ensure that “Shoot Without Lens” is selected on your Fujifilm camera, or else it won’t work.

These old lenses are often easy to find for a reasonable price. Some can be expensive, but most are not. In fact, if you shop around, you can get two or three different lenses for less than $100! If money is tight, this is probably your best bet for purchasing additional glass for your camera. Look at thrift stores, antique shops, yard sales, flea markets, Facebook Marketplace and eBay for good bargains. Below are three different M42 screw mount lenses that I have used on Fujifilm X cameras.

Helios 44-2 58mm f/2

33644264825_b6beb192d0_c

The Helios 44-2 58mm f/2 is a Soviet Union lens renown for its swirly bokeh. It’s a knockoff of the Zeiss Jena Biotar 58mm f/2 that was made in the 1940’s and 1950’s. This lens was mass-produced in Russia for many, many years and can be found for very little money. In fact, mine came attached to a Zenit-E camera that was less than $50. If there is one lens that epitomizes character, this is it, as it has fantastic image quality, yet it can be quirky, often in the best ways possible.

34497306045_54807e81e5_c

Tricycle In The Woods – South Weber, UT – Fujifilm X-E1 & Helios 44-2

34190840780_642ff55cfc_c

Snake River Fog – Grand Teton NP, WY – Fujifilm X-E1 & Helios 44-2

Asahi Auto-Takumar 55mm f/2.2

45983677334_fff371e3ac_c

The Asahi Auto-Takumar 55mm f/2.2 was made by Pentax in the late-1950’s and early 1960’s, and there was a nearly identical lens but with a slightly larger aperture (f/2) that was manufactured into the 1970’s. This is a great prime lens that produces beautiful pictures. It doesn’t have as much character as the Helios, but it makes up for it by how lovely it renders pictures. It’s definitely a favorite of mine! Oh, and I paid $35 dollars for it and the camera that it was attached to.

46605950441_06347f4a2f_c

Welcome To Ogden – Ogden, UT – Fujifilm X-T20 & Asahi 55mm

46770058102_23dbbc1f8e_c

Super Moon Illumination – South Weber, UT – Fujifilm X-T20 & Asahi 55mm

Jupiter 21M 200mm f/4

46815958622_a46c1a1bdf_c

The Jupiter 21M 200mm f/4 is Soviet Union lens that was manufactured from the early 1970’s through the late 1990’s, and a nearly identical earlier version of this lens was introduced in the late 1950’s. The image quality is nothing short of fantastic, but it’s super heavy and feels like a tank. It’s not something that you want to carry around all day. The Jupiter 21M can sometimes be found for less than $100, so it’s a really great bargain for what you get. It’s a solid long-telephoto option for those on a tight budget.

40616113442_22902f7d97_c

Layers of Grey – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

25786669377_25bf54cefa_c

Endless Canyons – Dead Horse SP, UT – Fujifilm X-A3 & Jupiter 21M

7 Incredibly Cheap & Easy Photography Hacks

In the video above I share seven simple and inexpensive (or free!) photography tips and tricks. Feel free to use them, and if you like the video be sure to share it so that others can learn the tricks, too.

Here are the seven hacks in the video:
– mini string lights for foreground bokeh (click here for the mini string lights)
colored page markers for light leaks (click here for the page markers)
– crumpled tin foil bokeh background
– coffee sleeve lens hood
faux wood ceramic tiles for worn wood setting
– backwards mount macro lens (click here for the adapter)
shift the white balance

You’ll notice that I included links above to Amazon where you can see and purchase some of the items that I used in the video. I am an Amazon Affiliate partner (so that I can improve the Fuji X Weekly experience), but I did this more so that you can see the actual product used than for you to go buy something (the items are under $10 each, so I don’t expect the links to be particularly financially beneficial). Perhaps doing this is helpful to someone.

I hope that you appreciate the video and find it useful! It was fun to make, and I hope to do many more videos over the coming days, weeks and months. If you like it, be sure to subscribe to my YouTube channel so that you don’t miss anything!

Weekly Photo Project, Week 24

I had a couple of photographically productive days this week, plus a bunch that were not. Still, I managed to capture at least one image each day, which is the goal of this project. I’m still working on the quality side of things. I don’t want to capture a thoughtless snapshot just to have an image, which I’ve done several times since I started this 365 challenge. I want each day to be represented by a good picture, which I’m attempting to do better at. I still have plenty of room for improvement. I hope that you enjoy these pictures!

Monday, December 31, 2018

45824507244_9bd89ec7c8_c

Blowing Snow At Sunset – South Weber, UT – Fujifilm X-T20

Tuesday, January 1, 2019

44748127930_a118d49b2e_c

Frary Fence – Antelope Island SP, UT – Fujifilm X-T20

Wednesday, January 2, 2019

45666125365_cca6f43564_c

Winter Horse – South Weber, UT – Fujifilm X-T20

Thursday, January 3, 2019

32731856968_e0927c760d_c

Candy – Ogden, UT – Fujifilm X-T20

Friday, January 4, 2019

31665653707_212c4d0bc7_c

Snow Capped Mountain Evening – South Weber, UT – Fujifilm X-T20

Saturday, January 5, 2019

45909529204_4550d2c280_c

Remembering Spring – South Weber, UT – Fujifilm X-T20

Sunday, January 6, 2019

31692868357_8d0fe4a7c1_c

Potted Succulent – South Weber, UT – Fujifilm X-T20

Week 23  Week 25

Fujifilm Classic Chrome Film Simulation Recipes

Classic Chrome is one of the most popular film simulations available on Fujifilm X-Trans cameras. It produces a look similar to quintessential Kodak color transparency films like Kodachrome and Ektachrome, which graced the pages of publications like National Geographic and Arizona Highways for many years. With all things vintage being in style, there is a huge draw to the analog-esque results produced by the Classic Chrome film simulation.

I love Classic Chrome and I have used it as the base for a bunch of different film simulation recipes. It’s possible to achieve a number of different interesting looks straight out of camera by adjusting the settings. Honestly, I think that I’ve only scratched the surface of what’s possible. I plan to create even more film simulation recipes using Classic Chrome in the coming months. As I do, I will add them to this article.

Below you will find all of my different film simulation recipes that I have created that use Classic Chrome. If you haven’t tried them all, I personally invite you to do so and see which are your favorites! My personal favorite is Kodachrome II, but they each have their own usefulness and charm. Let me know in the comments which recipe you like most!

Even though the different recipes say X100F, X-Pro2, and X-T20, they are completely compatible with any Fujifilm X-Trans III or IV camera. For example, you don’t have to use the X100F recipes exclusively on the X100F. You can use any of my recipes on any X-Trans III camera.

My original Classic Chrome recipe.

My dramatic Classic Chrome recipe.

My Vintage Kodachrome recipe.

My Kodachrome II recipe.

My Vintage Agfacolor recipe.

My Kodak Portra recipe.

See also:

My Classic Chrome recipe for Fujifilm Bayer and X-Trans II.

If you like these recipes, be sure to follow Fuji X Weekly so that you don’t miss out when I publish a new one! Feel free to comment, as I appreciate your feedback. Please share on social media this article or any other that you found useful so that others might find it, too.

Weekly Photo Project, Week 23

Another week down! These pictures were from the last full week of 2018, and it always amazes me how quickly each year passes by. I really hope that you all had a great holiday season. I hope that 2019 is an amazing year for you! I appreciate all of you who visit this blog, read my articles and view my pictures. You guys and gals are great! Thank you for being a part of this project and a part of this blog!

Monday, December 24, 2018

32580831098_fc673d64d9_c

Christmas Eve Candle – South Ogden, UT – Fujifilm XF10

Tuesday, December 25, 2018

32745473448_d8a3570593_c

The Joy of Instax – South Weber, UT – Fujifilm X-T20

Wednesday, December 26, 2018

31555093207_588cc915e7_c

Great Salt Lake Evening – Layton, UT – Fujifilm X-T20

Thursday, December 27, 2018

32653154448_642b2157f5_c

Winter Forest Impression – South Weber, UT – Fujifilm X-T20

Friday, December 28, 2018

45782451214_6ff4dbc55c_c

Cold Mountain Evening – South Weber, UT – Fujifilm X-T20

Saturday, December 29, 2018

45608825895_3f0a5e7a48_c

Lifting Clouds Around The Mountain – South Weber, UT – Fujifilm X-T20

Sunday, December 30, 2018

46533855561_efea6d4d68_c

Winter Shrub – SLC, UT – Fujifilm XF10

Week 22  Week 24

My Favorite Photographs of 2018

“Twelve significant photographs in any one year is a good crop.” –Ansel Adams

I like to begin each new year with a look back at the year that just ended. What happened that was particularly good? What happened that was especially bad? What successes did I have? Failures? Did I achieve my goals? I examine the different aspects of my life to see what went well and what didn’t so that I can hopefully do better in the coming 12 months. New Year’s is a good opportunity for self-reflection.

2018 was a particularly prolific photographic year for me. I captured more images than any other year in my life. I have never made more pictures in a twelve month period than I did in the last twelve. Perhaps one reason why I captured more photographs is because of the 365 project that I’m almost halfway through, which keeps me shooting even when I don’t think I have time or don’t feel like it. Another reason is because Fujifilm cameras allow me to get the results I want straight-out-of-camera without the need for editing, so I have noticeably more time for capturing photos. In fact, of the twelve pictures below, only one received any post-processing aside from minor cropping, and the rest are unedited camera-made JPEGs. It might also be because I did a little more traveling than in years past. Besides quantity, I think that the quality of my photographs also reached new heights. I made many pictures that I’m proud of in 2018.

I was attempting to compile a list of my favorite photographs that I captured in 2018, and that turned out to be a big task. Based on the Ansel Adams quote at the top of this article, I kept it strictly to twelve pictures. It took me several days to review all of my photos, and when the dust settled I had over 50 finalists! It wasn’t too difficult to narrow that list to 14 color pictures and 17 black-and-whites because there were clearly two tiers of images. Reducing those 31 to 12 was actually quite hard, and I’m not confident that I got it right. I might not have picked the right twelve!

It’s difficult for photographers to decide which of their own pictures are the best because photographers carry a lot of biases. Steve McCurry’s famous Afgan Girl photograph wasn’t his favorite from that shoot, but National Geographic preferred the exposure that would grace the June 1985 cover, and it’s the one we all know and love, while Steve’s favorite has pretty much remained unnoticed. Just because I chose a picture as my favorite doesn’t mean that it’s my best. I don’t really know which pictures are my best. Often it’s not the photographer that decides this.

Whether or not the twelve pictures below are my best, or if my best pictures were tossed out when I reduced the list from 31, I believe the group found here could be called a good crop. I think these pictures are significant in their own way. Each one of them are interesting. I feel like they all convey something. Perhaps more importantly they’re my favorite. It’s good to look back at these pictures and mark them as successes. It makes me excited for all the photographs that I will capture in 2019. If I keep working hard, next year’s list will be even better!

Color:

31555093207_588cc915e7_c

Great Salt Lake Evening – Layton, UT – Fujifilm X-T20 (Dec.)

40823581752_7cb004cf62_c

Canyon Pinion – Canyonlands NP, UT – Fujifilm X100F (Feb.)

45082700115_8bed7c7452_c

Vibrant Autumn Forest – Zion NP, UT – Fujifilm X-T20 (Nov.)

41531431264_0bcc47b7f0_c

Securely In Father’s Arms – Mount Rushmore, SD – Fujifilm X-Pro2 (May)

42769948535_3b2036238a_c

From Dust To Dust – Great Sand Dunes NP, CO – Fujifilm X-Pro2 (July)

41906222295_1258ff693a_c

Needle’s Eye Night – Custer SP, SD – Fujifilm X-Pro2 (May)

B&W:

43704351561_99d9a85420_c

Taos Tourist – Taos, NM – Fujifilm X100F (July)

40905092422_58a01d5294_c

Watchtower Sky – Grand Canyon NP, AZ – Fujifilm X100F (Mar.)

40690709540_e050b004a4_c

Twisted Tree – Keystone, SD – Fujifilm X-Pro2 (May)

31231001448_dc5571ac28_c

Epic Zip Line – Sundance, UT – Fujifilm X100F (Oct.)

43276437840_df8a0ce201_c

Clouds Around Timpanogos – Heber City, UT – Fujifilm X-Pro2 (Oct.)

28777067657_4f3c4e0496_c

Storm Over San Luis Valley – Alamosa, CO – Fujifilm X-Pro2 (July)

Weekly Photo Project, Week 22

There’s an advantage and disadvantage to doing a photo-a-day project like this. The disadvantage is that it can be difficult and exhausting. There were a couple of days during this week that I wanted to stop. I had so much going on with the holiday season, and the weather is cold and the daylight is short, so making time for photography seemed unnecessary. It’s easy to make excuses, but it’s important to not allow them to stop us from achieving our goals. The advantage to doing a 365 project is that, because I forced myself to capture some images when I didn’t want to, I was able to create some pictures that I probably wouldn’t have otherwise. I can clearly see the benefit as I look back at the pictures I’ve captured over the last five months. The advantage significantly outweighs the disadvantage, and so I persevere, still on track going into the new year.

Monday, December 17, 2018

31422603097_a4341bdb34_z

Sparkle Tree – South Weber, UT – Fujifilm X-T20

Tuesday, December 18, 2018

31445368787_f84910be27_z

Mountain & Cloud – South Weber, UT – Fujifilm X-T20

Wednesday, December 19, 2018

44579927960_28ec418552_z

Christmas Glow – Layton, UT – Fujifilm X-T20

Thursday, December 20, 2018

45677125804_5ca73364fa_z

Wasatch Mountain Moon Rise – South Weber, UT – Fujifilm X-T20

Friday, December 21, 2018

46409197011_e43966b22a_z

Three 35mm Film Canisters – South Weber, UT – Fujifilm X-T20

Saturday, December 22, 2018

45698551674_f85e3657fa_z

Frosted Tree & Winter Sun – South Weber, UT – Fujifilm X-T20

Sunday, December 23, 2018

45715926164_5e3c3851dd_z

Monochrome Architecture Angles – Woods Cross, UT – Fujifilm XF10

Week 21   Week 23

Art & Photography

42780209404_643855c4df_z

Pas Une Abeille – South Weber, UT – Fujifilm X-Pro2

Photography is a form of art, or at least it can be. Discussing art is kind of a dangerous proposition because it’s subjective, and you are bound to step on someone’s toes. I think it’s important to talk about art, and, even if someone might be offended, it is beneficial to have some understanding of what it is and how it relates to photography. I’ll make an attempt at defining art and demonstrating how it relates to you.

Most photographs are not art, which means most people who snap pictures with a camera are not artists. Most people who have a paintbrush in their hands are not artists. Most people who sing aren’t recording artists. Not all people who whittle are wood-carvers. Not all people who draw letters are calligraphers. You get the idea. Just because something is similar to art, does not make it art. There is something that separates actual art from facsimile “art” that’s not really art at all.

Before jumping too deep into this, I want to clarify that it is perfectly fine that most photographs are not art. There are many different purposes for the photograph, and art is just one of them. There is nothing wrong with pictures that aren’t art, as they have their place, just as photographs as art also have their place. Just because one uses a camera doesn’t mean that person must be or should be an artist. You may have little to no interest in art at all, but you love to photograph, and there is nothing wrong with that whatsoever.

27766622549_ee051d9011_z

Curtain Abstract – Mesquite, NV – Fujifilm X100F

Webster defines art as “the conscious use of skill and creative imagination.” Oxford defines it as “the expression of human creative skill and imagination.” Both of these explanations are similar and describe the two critical components for determining if something is art or not: skill and imagination. If something is created skillfully but not imaginatively, it’s not art. If something is created imaginatively but not skillfully, it’s not art. It must be both skillfully and imaginatively completed in order to be considered art.

People have different levels of skill and creativity. You might be very skillful but only marginally creative. You can be highly creative but only marginally skillful. Either way, you can still create art, and you can work to improve your shortcomings. You can become more proficient and increase your creativity with practice. Obviously you want to be very skillful and highly creative if you wish to be an artist photographer. That’s a life-long process, and there are no easy one-size-fits-all instant answers. Just continue to work hard and be persistent.

Aside from knowing how to use your camera gear to achieve your desired results, and having imagination enough to know what you want the results to be in the first place, I think that there are a few more aspects to art that should be talked about. Look again at what Webster said of art, paying particular attention to the phrase, “conscious use of…” in the definition. You have to know what it is that you are creating. You have to be able to define it. You should be able to explain it to some extent. If you can’t, it’s not likely art that you’re creating.

41669491680_ae43ae0824_z

Ethos – Riverdale, UT – Fujifilm X100F

I used to show my photographs to people and they’d say, “Oh, that looks nice!” Or, “What a pretty picture!” Then one day someone asked, “What does this picture mean? What is its purpose?” I had no answer because I had never thought of that before. I really didn’t know what to say, and it was kind of embarrassing. I realized that I needed to have an answer for all of my photographs–I needed to know the purpose and meaning of each–but the answer needed to be made prior to exposure, not after. If I’m trying to make it up after the fact it will typically translate as artificial and weak. If a photograph is art, the photographer should be able to give a clear and concise explanation of the image. It doesn’t necessarily have to be profound. It doesn’t necessarily have to be obvious to the viewer. But the photographer should know clearly in their mind why they created the image and what the meaning of it is. And it’s okay if the viewer doesn’t see it the same way that you see it, it only matters that you know why you created it.

I believe that if something is art it should convey something to the viewer. It might be a strong and obvious message, it might be a subtle concept, it might be an emotion–there should be some kind of nonverbal communication, whether clear or vague. The photographer must decide what it is that the picture will convey, and then make decisions prior to exposure that will most strongly speak it. The Oxford explanation of art uses the word “expression” which can be defined as making one’s thoughts and feelings known. When you are an artist photographer, that’s exactly what you are doing. You are expressing your thoughts and/or feelings to others through your pictures. You are giving the viewer a glimpse of yourself through your photographs. Art is self expression. How you do this is entirely up to you. What glimpses you give of yourself is entirely up to you. You have to make those decisions, then skillfully and imaginatively create something from it.

Not everyone will appreciate your art. Not everyone will get it. In fact, if you are truly expressing yourself, you should expect criticism. People have opinions that are different than yours. People have experiences that are different than yours. People see the world through different eyes than yours. Strangers will look at something that you think is great and they’ll think it’s terrible. That’s completely okay, and you may not realize it, but you do the exact same thing. Beauty is in the eye of the beholder.

34190840780_642ff55cfc_z

Snake River Fog – Grand Teton NP, WY – Fujifilm X-E1

If you are an artist photographer, you have to expect that criticism will come. Take it for what it’s worth, and, most likely, it’s not worth much. Listen to people who you trust, and take their criticism to heart. They mean well with what they say, and they’re just trying to help you. For everyone else, give the criticism a listen, but don’t put much stock into it, and don’t let it bother you. If you’re not getting any criticism at all, it’s most likely because you are not creating art, and you are not expressing yourself through your photographs enough.

Not everyone is an artist photographer, and not every artist photographer is always creating art. Photography as art happens when someone consciously expresses themselves in a masterful and creative fashion. It happens when the photographer communicates thoughts or emotions through pictures. I’m constantly striving to be an artist photographer. Sometimes I think I’ve succeeded, other times I feel like I’ve fallen short. But I keep at it, never giving up, always striving ahead.

The takeaway that I’d like to most impart is that you and I should continuously be working towards becoming more skilled with our gear and we should daily be practicing creativity. Constantly take baby steps to become a better and more artistic photographer. Even if things are slow developing or mistakes happen, don’t give up but instead keep moving forward. Be persistent. Tomorrow’s photographs can be better than today’s.

Capturing Family Photos – Being Both Behind & In Front of The Camera

32212591648_0b603a3918_z

Each year when it’s time to capture family portraits, my wife, Amanda, suggests that we hire a photographer to do the job. I have mixed feelings on this because if you want good pictures you should hire a good photographer, and I’m a photographer but it can be very tough to be both in front of the camera and behind the camera at the same time. I’m generally cheap but I’m also happy to help support the photographic community. Most years, including last year, I end up with the job and only a few times have we actually had someone else do it. Almost every year, though, the idea of hiring someone gets brought up.

This year we took our own pictures once again, deciding not to hire someone. There are  always challenges in doing this, and the results are a mixed bag. This is known going into it. I prepared myself mentally that things weren’t going to be perfect. When you are in front of the camera, you simply don’t have the control, vision or freedom that you are used to when you’re behind the camera. You rely a little more on preparation and luck, and really just hope for the best.

There were two shots that my wife and I were hoping to get good: one picture with the two of us and one picture with all six of us. Anything else would be the icing on the cake. We knew that we would do the photo shoot at Antelope Island State Park, and we purposefully chose a day that was supposed to be overcast so that we’d have softer light. We scouted out three different locations on Antelope Island for the pictures. We made a plan and had everything set.

For the photographs of Amanda and I and also the entire family, I used two cameras set on tripods. I had a Fujifilm X-T20 with a 90mm lens, and set closer (but out of the frame of the X-T20) was a Fujifilm X100F. I used the Fujifilm camera remote app to control the X-T20 from my phone and on the X100F I used the interval timer (set to capture an image every 15 seconds) to snap random shots. This turned out to be a good setup, providing two angles and capturing a little of the serendipity. For the rest of the pictures the cameras were taken off of the tripods and my wife and I both captured images, which were the “icing on the cake” photographs.

What was out of my control was the weather, or more specifically the temperature, as it was colder than we were dressed for. The kids were pretty miserable. We sent them to the car (which was never far out of frame) frequently to warm up. Besides being cold, my four-year-old son was nervous and didn’t have a good attitude for much of the shoot. Despite our best efforts, we really struggled to get him to have a look on his face that didn’t clearly say, “I don’t want to be here!”

Some of my favorite pictures are the random ones captured by the X100F. These “outtakes” are humorous and give a behind-the-scenes glimpse of the “real” us. The out-of-focus shot of Amanda and I was a happy accident. I captured RAW+JPEG, and using the built-in RAW converter on the cameras, made both color and black-and-white versions of each picture. Our favorites are the black-and-whites, so that’s what I decided to share here. Overall I believe it went well. The pictures aren’t perfect. The photo shoot would likely have turned out a little better if I had hired someone to do it. Maybe next year I’ll do that. Or maybe once again I’ll find myself in two places at once.

The kids:

32221116998_c1d7a78443_z

32221697128_77e672f268_z

44280531070_5e209293c5_z

44267696330_1aae81142b_z

46092180891_1507746335_z

45172381335_0293737ca4_z

44276486740_ffa4fd1700_z

Amanda and I:

45179985475_4a6bc48436_z

44275532280_c9d5825c0c_z

44275531450_aa055f5c1c_z

45367608194_a0a6b87cfb_z

Partial family:

44275661640_76d459bb42_z

46092063501_bb7d84109e_z

45367926724_f1ebb77c60_z

45368317654_9cd95514b9_z

The whole family:

45181059995_1d8c06b269_z

44276175400_4c0a5eeb31_z

31145042747_43c7319d2e_z

44267687160_0802593f16_z

32221282118_6c856abdcd_z

Outtakes:

45172183005_6458874c72_z

32212636558_c92f32eb97_z

31145179547_b0b1fdafc4_z

45372610804_aa0ffeb3bf_z

32221247168_23a628642f_z

44275532150_04e2057b04_z

31153716377_44c524a105_z

45180197675_ec4a7f663e_z

31153088717_7ed5fa258a_z

Weekly Photo Project, Week 21

My weekly photo project is an attempt to capture one picture every day for a year, taking things one week at a time. I’m 21 weeks into it now, and perhaps you have not been following this project from the beginning. If you’d like to take a look back, here’s a link to Week 1, and from there you can see each week from the start. You could also browse through it backwards using the link at the bottom of this article. I hope that you enjoy the pictures!

Monday, December 10, 2018

46268318391_db12662b0e_z

Christmas Lights Display – Layton, UT – Fujifilm XF10

Tuesday, December 11, 2018

46229159462_21318306e5_z

Reading To Children And Seniors – Layton, UT – Fujifilm XF10

Wednesday, December 12, 2018

44504964080_62149e2712_z

Clouds Moving Across The Wasatch – South Weber, UT – Fujifilm X-T20

Thursday, December 13, 2018

44491412130_b6eba7577d_z

Frosted Hill – Ogden, UT – Fujifilm X-T20

Friday, December 14, 2018

45592498544_27afedaa58_z

Watching Trains – South Weber, UT – Fujifilm X-T20

Saturday, December 15, 2018

46384649441_a9817a8e5f_z

Red Chairs In Snow – South Weber, UT – Fujifilm X-T20

Sunday. December 16, 2018

44544206060_1d40e1ac4a_z

Ogden Airport – Ogden, UT – Fujifilm XF10

Week 20  Week 22

My Fujifilm X-T20 Fujicolor Pro 400H Film Simulation Recipe


44583659780_66ef7dfffd_z

Taking Out The Trash – Ogden, UT – Fujifilm X-T20 “Pro 400H”

Fujifilm Pro 400H is a color negative film that was first introduced in 2002 (originally named NPH400). It’s a popular print film that has survived the digital era, as Fujifilm continues to manufacture Pro 400H to this very day, while many other films have seen the chopping block. It’s a fine-grain (for ISO 400), natural-color, versatile film that’s especially good for weddings and portraits. I have used it a couple times myself, although not anytime recently. I do remember some of the idiosyncrasies of the film. Interestingly, the “H” in the name stands for “high speed,” which is the designation that Fujifilm gave to all their ISO 400 films.

I’ve tried in the past to create a Pro 400H recipe for Fujifilm X cameras, but I was never happy with the results. In fact, you might recall that I suggested Fujifilm include this as a new film simulation in future cameras. Recently a Fuji X Weekly reader, Mauricio, shared with me his settings for Pro 400H, and he asked my thoughts on it. I was able to try it out and I liked it! His settings were indeed close, although I felt it needed some tweaking to better mimic the film.

Anytime that you are attempting to recreate the look of a certain film with a digital camera, there are variables that make it difficult. How was it shot? How was it developed? Was it printed, and how so? Was it scanned, and how so? Those are common challenges, plus more. With Pro 400H, there is an additional challenge: the film can look much different depending on the light and exposure. There are several distinct looks that can be achieved using the film, and it’s not possible to recreate all of those aesthetics with a film simulation recipe. Despite all of the challenges, I do feel that I was able to create a look that is in the ballpark of the film, thanks to the help of Mauricio.

There were several compromises that I had to make. I tried many different things to get the aesthetics as close as I could. For example, the film is known for cool blueish shadows and a warm pinkish highlights. Split toning is not possible on Fujifilm X cameras. I could get the shadow color cast more accurate but at the expense of the highlight color, or I could get the highlight color cast more accurate but at the expense of the shadow color. The white balance shift that I settled on, which is the same one that was suggested to me in the first place, isn’t spot-on accurate for the shadows or highlights, but it’s a nice middle ground that’s close enough to both to be convincing. What you get is a cool color cast showing through in the shadows and a slight red color cast showing up in the highlights. The light and exposure of an image will change the look of it in a similar fashion to the actual film, although not completely the same. It’s as close as I could get it.

31437082337_381f4e6131_z

Holiday Decor – S. Weber, UT – Fujifilm X-T20 “Pro 400H”

Fujifilm Pro 400H film has a huge latitude in the highlights. You can overexpose it by three stops easily (maybe four) and get a good print. In fact, a lot of people purposefully overexpose the film because the colors turn pastel and the images become more warm and vibrant. The X-Trans III sensor has a lot of dynamic range, but it cannot hold up to a three stop overexposure. I found that DR200 is a good setting in many circumstances, but in high-contrast scenes, DR400 might be a better option. I used DR200 for all of the pictures in this article, but some might have benefited from the higher dynamic range setting. I think in high contrast scenes, in order to prevent clipped highlights, if you aren’t going to select DR400, perhaps set highlights to -1. I debated on whether +2 or +3 is the best setting for shadows. I think a +2.5 option would be most correct, but unfortunately that doesn’t exist. My recommendation would be to use +2 in higher contrast scenes and +3 in lower contrast scenes. I used +3 for all of the photos here.

Another setting that I debated on was color saturation. I settled on +4, which I think is the most correct for simulating slightly overexposed Pro 400H. An argument could be made that +3, +2 and +1 are also correct, depending on how the film was exposed and handled. If you think that +4 is too saturated for your tastes, simply find the color setting that works best for you. Pro 400H is definitely a tough film to make a recipe for. I think these settings are going to be your best bet for achieving a look straight out of camera that mimics the film’s aesthetic. Even though I captured these photographs using an X-T20, this film simulation recipe is compatible with all Fujifilm X-Trans III and IV cameras.

PRO Neg. STD
Dynamic Range: DR200
Highlight: 0
Shadow: +3
Color: +4
Grain: Weak
Noise Reduction: -3
Sharpening: 0
White Balance: Auto, +2 Red & +1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T20 Fujicolor Pro 400H Film Simulation recipe:

46384649441_a9817a8e5f_z

Red Chairs In Snow – South Weber, UT – Fujifilm X-T20 “Pro 400H”

45662766704_9c26430f25_z

Up From The Snow – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46371027452_7922b3981a_z

Second Day of Winter – South Weber, UT – Fujifilm X-T20 “Pro 400H”

45698551674_f85e3657fa_z

Frosted Trees & Winter Sun – South Weber, UT – Fujifilm X-T20 “Pro 400H”

45698551654_f4d5ec3073_z

Cold Neighborhood Morning – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46400688281_db0bb799f6_z

Some Lady’s Book Store – Ogden, UT – Fujifilm X-T20 “Pro 400H”

45677209454_2fd4d34bc1_z

TV Fiasco – Ogden, UT – Fujifilm X-T20 “Pro 400H”

45662765274_e24c361d9c_z

Pierre’s Miniature Bakery – South Weber, UT – Fujifilm X-T20 “Pro 400H”

45473991005_91ae99e45e_z

Christmas Decoration – South Weber, UT – Fujifilm X-T20 “Pro 400H”

44592379250_e92555d970_z

Faith – South Weber, UT – Fujifilm X-T20 “Pro 400H”

31445359407_0db2b4a650_z

FED 5c Rangefinder – South Weber, UT – Fujifilm X-T20 “Pro 400H”

32551063558_6ed5b24a95_z

Bolsey Behind Bars – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46335544862_b545c3409c_z

Fake Grass In A Box – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46384650641_5cdc3423bd_z

Lavender & Twine – South Weber, UT – Fujifilm X-T20 “Pro 400H”

45687655244_db2dca52c5_z

Pentax & Fujifilm – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46409197011_e43966b22a_z

Three 35mm Film Canisters – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46384650611_cc7c8a2090_z

Vase Arm – South Weber, UT – Fujifilm X-T20 “Pro 400H”

31461046687_2feee2c29d_z

Red Fire Hydrant – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46336590922_1cbe6aeb61_z

Neighborhood Window – South Weber, UT – Fujifilm X-T20 “Pro 400H”

32513897738_d50f75bcb3_z

Dead Rose Bush Leaves – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46370965692_880ff70830_z

Frozen Leaf – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46400611141_8379b86642_z

Moon Rise Over The Mountain – South Weber, UT – Fujifilm X-T20 “Pro 400H”

45662767134_6004eb1ce0_z

Snow Dusted Peak – South Weber, UT – Fujifilm X-T20 “Pro 400H”

31445368787_f84910be27_z

Mountain & Cloud – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46335544402_2ed50ab9ec_z

Brick Wall Boy – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46335800942_f31e1803ff_z

Car Play – South Weber, UT – Fujifilm X-T20 “Pro 400H”

46386808841_7fecc31194_z

Girl By The Window Light – South Weber, UT – Fujifilm X-T20 “Pro 400H”

31457433447_ed5d12134c_z

Green Night Shed – Layton, UT – Fujifilm X-T20 “Pro 400H”

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$5.00

Current Fujifilm X-T2 Deals

I wanted to pass along some great deals on the Fujifilm X-T2 that are currently going on at Amazon. While the X-T20 is my top recommended Fujifilm camera, right now the X-T2 is probably the best value because it’s a really high quality camera that has been steeply discounted (thanks to the X-T3). If you’ve thought about getting this camera, now is the time, as I understand that these prices will change on January 1st. Also, if you use my links to buy the camera, you’ll be supporting this website, which is something that I appreciate! Oh, and it’s not too late if you are Christmas shopping.

Here are the current deals on the Fujifilm X-T2:

The Fujifilm X-T2 (body only) is $1,099, which is $500 off!
The graphite Fujifilm X-T2 (body only) is $1,199, which is $600 off!
The Fujifilm X-T2 with an 18-55mm f/2.8-4 lens is $1,400, which is $500 off!

Weekly Photo Project, Week 20

I had a couple days of productive photography during this week. Because of my busy holiday schedule, the sometimes less-than-ideal weather conditions, and fewer daylight hours, there were some days where I almost didn’t capture a single picture. Luckily I did manage to take at least two images each day, which is great! Twenty straight weeks capturing at least one photo each day is certainly an accomplishment, one that I wasn’t sure I’d pull off. Now if I can string 32 more weeks together I’ll have successfully finished a 365 project. I want to challenge myself moving forward to improving the quality of the pictures. I feel as though on certain days all I’ve done is made a quick snapshot in order to have a picture. I want to make sure that I’ve created a quality image on each day, which is a challenge within a challenge, I suppose.

Monday, December 3, 2018

46117409362_7aa806d6ca_z

Sunset Painted On The Ridge – South Weber, UT – Fujifilm X-T20

Tuesday, December 4, 2018

46127884332_8f21bf04e2_z

Snow Blowing Off The Roof – South Weber, UT – Fujifilm X-T20

Wednesday, December 5, 2018

46193276021_439fa12272_z

Time For A Photographic Adventure – South Weber, UT – Fujifilm XF10

Thursday, December 6, 2018

46158402952_6b385fd5e2_z

Holding On Despite The Challenges – South Weber, UT – Fujifilm XF10

Friday, December 7, 2018

32352882958_6989341b03_z

Fake Flower In The Window – South Weber, UT – Fujifilm XF10

Saturday, December 8, 2018

45326017005_38e91a097b_z

Lonely Road Cross Process – Farmington, UT – Fujifilm XF10

Sunday, December 9, 2018

31313405387_4013a84cf9_z

Somewhere To Elsewhere – North Salt Lake, UT – Fujifilm XF10

Week 19  Week 21

Focus On What Matters

46327737271_f009ba52b7_z

I’ve been thinking about focus a lot lately. Not focus of the lens, but focus of the mind and life. How can I photographically improve? How can I use my time better? What should I be doing different? There are a lot of different aspects of this that I could talk about, and I’ll try to get to several of them in this article.

What comes to my mind first regarding focus and photography is composition. Something catches your eyes and you want to capture it with your camera. You have to consider what it is exactly that you wish to make a picture of. There is something about the scene that fascinates you, but what is it? Is it the light? The color? Design? Juxtaposition? Contrast? How can you best photographically communicate that? Once you’ve answered those questions and many others, then you can go about creating a meaningful image by cutting out everything that isn’t important.

Photography is a lot like sculpting. The sculptor starts with a rock and chisels away everything that isn’t the finished sculpture. The photographer starts with a vast scene and removes everything that isn’t the picture that’s in his or her mind. Focus on what the picture should look like, and then take out of the frame everything that doesn’t belong.  Less is more. Successful photography is often about non-verbally communicating as clearly and concisely as possible.

I get asked sometimes how I find time to photograph every day. Life is busy. I have four young kids that keep me immensely occupied. I have to put food on the table and a roof over my family’s heads. There are so many different people and things that require my attention. It’s often easier to not photograph. On the flip side it’s also easy to photograph too much and neglect the more important things around me. I get pulled in a lot of different directions. Finding balance is difficult, but possible.

32221247168_23a628642f_z

When you are passionate about something you find the time for it. I’m passionate about my family. I’m passionate about photography. I’m passionate about writing and other things. I make time for the things that I love. Something’s got to give, so I spend less time on the things that don’t matter as much to me.

You have to focus your time deliberately and wisely. If you are flying day-to-day by the seat of your pants you’ll spend too much time on one thing and ignore the others. Everything will find itself unbalanced. You have to focus your time and energy with purpose. You have to set aside a predetermined amount of time to your passion, and focus on accomplishing what you need regarding that passion within that time.

Sometimes things can spill over from one thing into another. For example, I love photography and I love my family, so I can sometimes photograph while I’m doing things with my family, or my family can become the subject of my photography. The caution here is to not let the camera interfere with family time, and not let family interfere with camera time. It’s important to set aside time that’s just for family and just for photography. There has to be a balance. It takes careful planning, but it is possible to accommodate a lot of different things in life.

Everyone should have passions and everyone should have dreams. Your passions will be the focus of your life. Where two (or more) passions meet is where you’ll do your best work. For example, if you love photography and also horses, you should combine the two passions and create your best work. Dream of what you could possibly create by photographing what you love!

34490458291_bb3fd50512_z

 

I think a lot of people photograph whatever it is that catches their eyes at any given moment. I know that I do this often, and there isn’t necessarily anything wrong with it, but it creates disjointed work. It’s better to focus one’s efforts onto refined ideas. The more specific you can be about what you photograph the better. You could call it specializing, but I don’t think you have to pick just one genre. I suggest focusing your attention on very specific photographic topics and create a cohesive body of work. If there is some subject, object, genre or style that you are particularly fascinated by, focus your efforts on that. I believe that the more specific you can be the more successful you are likely to be.

Richard Steinheimer once said something to the effect of, “Photography is about being in the right place at the right time, and that often means going places that others aren’t willing to go and at times that they’re not willing to be there.” In other words, a big part of photography is luck, but you can create your own luck through determination and preparation. Focus your energy into being in the right places at the right times to capture great photographs. This might entail extra research, it might entail going down the road less traveled (metaphorically and literally), it might entail getting out of bed and venturing out into the cold while everyone else is warm and comfortably sleeping. Whatever it means, you have to be determined to do it.

I find myself too often with metaphorically blurred vision. I feel that sometimes my efforts are going nowhere, that I’m just spinning my wheels. I need to focus better, and that includes my time, my dreams, my efforts, my subjects, my compositions and more. It’s about refining, which means removing the unnecessary stuff that just takes up time and space, and clearing away all of the useless distractions that abound each day. Focus more on the things that matter and less on the things that don’t.