Report: Fujifilm X-Pro3 Successor Coming in 2027

According to Fujirumors, Fujifilm plans to launch the long-anticipated X-Pro3 successor sometime in 2027. I have two conflicting opinions regarding the timing: it’s way late, and it’s coming just at the right time. Let me explain.

First, people have been waiting at the edge of their seats for the next X-Pro ever since the X-Pro3 was surprisingly discontinued in late-2022. Many thought that the next X-Pro was going to come in 2023, and when that didn’t happen, they expected 2024. When 2024 came-and-went, surely it would be announced in 2025, right? Well, here we are in 2026, and the camera isn’t coming until next year. That’s a lot of waiting and being disappointed. Will the next X-Pro ever come? And what’s taking so long, anyway?

At the same time, I think that camera manufacturers release new models much too quickly. Why do we need a new iteration every two or three years? For most models, I would like to see seven or eight years become the normal cycle for digital camera succession. Since the X-Pro3 was introduced in late-2019, the next iteration should be released sometime between late-2026 and late-2027, which sounds like what will happen. This should be typical, and not the rare exception. And at one time—before the digital age—it wasn’t uncommon for a camera to be manufactured for seven or eight years, and some wen’t for much longer (the Zenit-E had a 21-year run). Let’s get back to that.

What makes this difficult to appreciate, though, is that Fujifilm discontinued the X-Pro3 over three years ago. By the time the next one comes, it will have been four years or longer, which, according to historical release trends, means that a whole different X-Pro could have existed between the X-Pro3 and its successor. Fujifilm should have continued to manufacture and sell the X-Pro3 for another couple of years; however, a well-documented faulty ribbon cable sacked it. If you could have purchased a brand-new X-Pro3 as recently as last year, the fact that the next version isn’t coming until 2027 wouldn’t seem so bad. But I also understand why one would not continuing to sell a camera with a known fault. That’s the rock and hard place that Fujifilm found itself between regarding this line—they couldn’t keep making the X-Pro3, but they weren’t anywhere near ready for the X-Pro4.

Fujifilm has had plenty of time to come up with something really good (and hopefully well-tested). It will be interesting to see what exactly the camera will be. Once it’s released, nobody will continue talking about how long it took; instead, the focus will be that it’s here now. I look forward to that, whenever that happens in 2027.

See also: Fujifilm X-Pro2 — The camera that got away (again)

Fujifilm Recipes vs Standard Film Simulations

Herbie on Route 66 – Antares, AZ – Fujifilm GFX100RF – 1-Hour Photo

There are 20 Film Simulations on the latest Fujifilm cameras. These Film Simulations are good on their own; however, they can be made even better by adjusting the various JPEG parameters into a Fujifilm Recipe, which are the factory-default JPEG settings fine-tuned in conjunction with a Film Simulation to form a new picture aesthetic. You can do this on most any camera from any brand, but Fujifilm’s JPEG processing engine is (in my opinion) the best in the industry. What you can do with it is more than with most brands, and what people have done is far and away more than any other brand. I’ve published more than 400 Recipes, which you can find on this website and in the Fuji X Weekly App.

But are Recipes actually better than the standard unmodified Film Simulations? Are they all that much different? Are the Film Simulations doing the heavy lifting, and all the other setting adjustments just minor tweaks? Should you use the factory-default settings in conjunction with the Film Simulations? Or is it better to find a good Recipe? That’s the subject of this article.

Roaring Fork – Great Smoky Mountains NP, TN – Fujifilm X-E5 – Vivid Velvia

To clarify, Film Simulations cannot be modified. They are hard-set. You can’t increase or decrease their intensity. What can be modified are the other JPEG parameters, like Tone Curve (Highlight/Shadow), Color Chrome Effect, Grain, White Balance, etc., etc., etc.. When you change those settings—whether a little or a lot—to something other than factory-default (which is 0, Off, or Auto) and combine it with a Film Simulation, that’s a Recipe. I hope that all makes sense.

Fujifilm Recipes can produce a very subtle change to the picture aesthetic, or a very drastic one, or anything in-between. A lot of them tend to lean warm because most Fujifilm Recipes are modeled after film stocks—Kodak was by far the most prominent film manufacturer, and many of their emulsions had a warm cast. Aside from that, in the film era, it was quite common for photographers to use warming filters, further increasing the warmth. So it shouldn’t be surprising that many Recipes also tend to be warm; however, there’s a massive variety of looks possible with Recipes. There’s something for everyone if you look hard enough for it.

Above left: Factory-default Provia/STD Film Simulation (no Recipe); Above right: Provia 400 Film Simulation Recipe.

Above left: Factory-default Classic Chrome Film Simulation (no Recipe); Above right: Kodak Ektar 100 Film Simulation Recipe.

Above left: Factory-default Nostalgic Negative Film Simulation (no Recipe); Above right: Nostalgic Americana Film Simulation Recipe.

As you can see in the examples above, the difference between using a Recipe and not using a Recipe is pretty noticeable. The standard Film Simulations (no Recipe) don’t look bad at all, but the Recipes are definitely divergent, and (in my opinion) better. Of course, this is all quite subjective—there’s no right or wrong way to use Fujifilm cameras, Film Simulations, or Recipes. It’s about finding what works for you and your photography.

The best way to think about all this might be to consider a Film Simulation as the foundation, basement, and first floor of a building. Sometimes that’s all you need—for example, that’s perfect for a quick lube oil change business. Adjusting the settings to something other than factory-default (a.k.a. Recipes) is constructing the third, fourth, fifth, etc., floors into a high rise. When you look at a downtown cityscape, think of all those skyscrapers as Recipes. Some of the buildings are quite tall, some are ornate, some are unusual, others are fairly ordinary, and many are hidden in the shadows. Recipes take a Film Simulation to new heights.

Rainbow over Hoboken – Hoboken, NJ – Fujifilm X-T50 – Pushed Analog

To illustrate how one Film Simulation can produce many different looks, below are eight photos, each made with a different Classic Negative-based Recipe. Each one has its own character. Each produces its own unique picture aesthetic. I could repeat this with all of the Film Simulations. Perhaps one is perfect for you, perhaps none of them are. I simply want to show that one Film Simulation can make a variety of looks depending on the settings (Recipe). Maybe warm, neutral, or cool. Maybe high contrast, maybe low contrast. Maybe colorful or muted. Whatever look you are after, there’s a pretty good chance that a Recipe exists that will deliver that aesthetic. You just have to find it.

Above, clockwise from top-left: Classic Amber Recipe, Pacific Blues Recipe, Fujicolor Blue Recipe, AgfaChrome RS 100 Recipe, Agfa Vista 100 Recipe, Xpro ’62 Recipe, Fujicolor NPS 160 Pulled Recipe, and Expired Velvia Recipe.

See also:
Fujifilm Recipe Starter Pack — 7 Recipes to Try First on Your X-Trans V Camera
7 Fujifilm Recipes for Midday Retro Americana Photography
15 Fujifilm Recipes for Travel Photography
12 Fujifilm Recipes for Rainy Days
26 Fujifilm Recipes to try in 2026

Recipe of the Month (March 2026) & Fujifilm Recipe Roundup

Aspen Gold – Flagstaff, AZ – Fujifilm X100V – CineStill 400D v2

Let’s try something new: Recipe of the Month. The idea is to encourage you to try a Fujifilm Recipe that maybe has gone a bit under-the-radar, that isn’t necessarily popular, but is really good. You could consider this a challenge. Use this Recipe just once to see what it does, or use it exclusively throughout March to truly get acquainted with it, or anything in-between. That’s the idea, anyway.

For the very first Recipe of the Month, I selected CineStill 400D v2. This is an Astia-based Recipe that’s compatible with fourth-generation (except the X-T3/X-T30) and fifth-generation cameras, as well as newer GFX models (for those keeping score, that’s the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, X-T30 II, X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-TM5, X-E5, X-T30 III, GFX100S, GFX100 II, GFX100S II, and GFX100RF). It was collaboratively created by Nestor Pool and myself, and published three years ago. This Recipe is good in a lot of scenarios, but I especially love it for golden-hour photography—if you are just giving it a quick test drive, make sure that you use it during sunrise or sunset, because it’s especially good for that. CineStill 400D v2 is one of my favorite Recipes that use the Astia Film Simulation, and I think many of you will like it, too.

Above: Two pictures I made this morning using the CineStill 400D v2 Recipe on my Fujifilm X-E5.

If you do happen to use this Recipe during the next 31 days, and should you post the pictures to Instagram, feel free to tag me. I may or may not see it (I’m not on social media all the time, and I get tagged in a lot of pictures), but I would love the chance to view some of them. It would be a great way to spread the love for this Recipe, and hopefully introduce even more Fujifilm photographers to it.

If you are looking for a Fujifilm Recipe to try, let me recommend to you CineStill 400D v2. If you want to attempt the full Recipe of the Month challenge, starting today and continuing through March 31st, see what pictures you can create using this Recipe. If you simply want to kick the tires, program it into your camera and capture a few frames during golden-hour light, and see if you like it—you might find it to be your new favorite option. If you don’t like it, well, there will be a new Recipe of the Month in April.

My plan for the Recipe of the Month articles is to include some sort of Recipe roundup with it. In other words, it will be both Recipe of the Month plus Recipe Roundup altogether in one post. I’m not sure what exactly that will look like and if it will be the same formula for each month, or if I’ll change up what it is from month-to-month, but there will be a second (or maybe even third) section to the articles. For March, I thought I’d do a quick recap of the Top 25 most popular Recipes of February 2026 (based on website page view statistics), in order of most-to-least popular. There are certainly a few surprises!

Top 25 Most Popular Recipes of February

Reggie’s Portra
Kodachrome 64 (X-Trans IV)
Kodak Tri-X 400
Vibrant Arizona
Kodachrome 64 (X-Trans V)
Kodak Gold 200 (X-Trans V)
CineStill 800T (X-Trans V)
Universal Negative
Kodak Portra 400 v2 (X-Trans V)
Kodak Portra 400 v2 (X-Trans IV)
Fujifilm Negative
Kodak Portra 800 v3
Pacific Blues (X-Trans V)
Pacific Blues (X-Trans IV)
PRO Negative 160C
Kodak Portra 400
California Summer
Reala Ace
Film Dial
Kodak Gold 200 (X-T3/X-T30 + X-Trans III)
1970’s Summer
Easy Reala Ace
Kodak Vericolor III 160
McCurry Kodachrome
Vintage Kodachrome

To finish up this article, below are the 10 most recently published Fujifilm Recipes on Fuji X Weekly, ordered from newest-to-oldest.

Agfa Scala (X-Trans V)
Kodak Vericolor III 160
1-Hour Photo
BewareMyVelvia
Astia Negative
Kodak Farbwelt 200 Expired
FRGMT B&W
Classic Amber
Vivid Velvia
Kodak Plus-X 125

Find these Film Simulation Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

See also:
Fujifilm Recipe Starter Pack — 7 Recipes to Try First on Your X-Trans V Camera
Top 25 Most Popular Film Simulation Recipes of 2025
10 Underrated Film Simulation Recipes You Probably Skipped (but should try)