Downtown SLC Street Photography with Fujifilm X-T30 & Vintage Super-Takumar Lenses

Downtown Salt Lake City Street Photography

Walking Next To The Trax – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

Earlier this week I was able to do some street and urban photography in downtown Salt Lake City, Utah, with my Fujifilm X-T30. I had two vintage Asahi-Pentax lenses with me: a Super-Takumar 28mm f/3.5 and a Super-Takumar 105mm f/2.8. I mostly used the 28mm lens, as its focal-length is more ideal for this type of photography. As you already know if you follow the Fuji X Weekly blog, I really love pairing vintage lenses with my Fujifilm cameras. They go together like peanut butter and jelly! I have so much fun with it, and for whatever reason using vintage lenses seems especially appropriate for street photography.

I used my Kodachrome II recipe, with Color set to +2 on some images, for the color pictures in this series. The black-and-white photographs are my Acros Push-Process recipe, except I set Grain to Weak, Dynamic Range to DR400, and Highlight to +3 or +2, depending on the picture. I like to say that you can “season to taste” my different film simulation recipes; it’s something that I do. If a scene requires something to be adjusted a little different in order to create a stronger picture, I will not hesitate to do so. While my different film simulation recipes work well as-is in many circumstances, sometimes they need an adjustment to best fit the scene.

Downtown Salt Lake City is a great location for street and urban photography. It’s pretty safe. Parking is easy. Getting around is easy. It typically has just enough going on for interesting pictures, but not too much where it feels crowded. It’s large enough that you can’t do it justice in just one visit, but not too large where you might get lost. There’s interesting architecture and art. There are interesting people. Downtown Salt Lake City might not be the most idealistic street photography location, but it is nonetheless ideal in many ways.

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Federal Traffic Signal – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Urban Sunshine – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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1st & 4th – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Man On Main – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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The Joy of Train Riding – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Rail Riders – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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35 Minute Parking – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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City Winter – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Urban Mailbox – SLC, UT – Fuji X-T30 & Asahi Super-Takumar 28mm f/3.5

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Every Style – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Table For One – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Old Business – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Urban American – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Planetarium Platform – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Climbing Aboard – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Electric City – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Tribune – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Gateway Living – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 105mm f/2.8

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Gateway – SLC, UT – Fujifilm X-T30 & Asahi Super-Takumar 105mm f/2.8

See also:
Downtown SLC Street Photography w/Fujifilm X-T30 & Fujinon 35mm f/2
Downtown SLC Street Photography w/Fujifilm X100F & Fujifilm XF10

Film Simulation Challenge –Roll 4: Classic Negative (with Ree Drummond)

Back in August I introduced the Film Simulation Challenge, which is where you pick one film simulation recipe and shoot either 24 or 36 frames before changing settings. It’s kind of like loading your camera with a roll of film, and you are stuck with whatever film you loaded until that roll is completely exposed. This challenge is the digital equivalent of that analog issue. I thought it would be a fun experiment to encourage photographic vision while sharing the joy of Fujifilm X cameras.

The “film” that I loaded into my Fujifilm X-T30 was a 36 exposure “roll” of my new “Classic Negative” film simulation recipe. This recipe is the closest that I could come to matching the new film simulation of the same name that’s on the X-Pro3, but I have to admit, it’s not a complete match. The Classic Negative film simulation changes depending on the light and how you expose it, which is different than the other film simulations. I don’t think it’s possible to create an exact match, but hopefully my “Classic Negative” recipe is at least in the general ballpark. Or, if it isn’t, I hope that some of you appreciate it nonetheless.

My wife, Amanda, is a big fan of Ree Drummond (also known as The Pioneer Woman). She’s a famous blogger, author and television personality best known for her cooking recipes. She has a store, restaurant and bakery in Oklahoma, which my wife and I visited two summers ago. Ree has a new cookbook, and she’s been traveling the country doing book signings. Amanda insisted that we go so that we could meet her, and so we did! We stood in line for almost an hour in order to have a thirty second conversation with her. It was a very quick meet-and-greet that seemed like it was over before it even began. What you might not know is that Ree’s a pretty good photographer, and I was able to suggest that she create a photojournal book of her ranch that features her black-and-white photographs. She replied that she needs to get the pictures off her SD Card first.

I made 36 exposures using my “Classic Negative” film simulation, and most were of this event, especially while waiting in line. The lighting inside the bookstore was terrible, with some crazy mixed artificial lights, and this recipe wasn’t a good choice for it. I did reprocess in-camera the RAW image of Ree Drummond, and I’ve included that at the bottom of this article. I used a Fujinon 35mm f/2 lens for these pictures. I hope that you enjoy!

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Frame 1: Pink Sleeve – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 2: Sunset 218 – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 3: Changing Nature – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 5: Sweetaly Gelato – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 7: King of Books – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 8: Waiting For The Bus – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 9: 15th Street – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 15: Brick Chimney – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 18: A Roof – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 19: Waiting In The Waning Sun – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 22: Rick – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 24: No Trucks – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 26: Salt Lake Neighborhood – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 28: Ree Drummond – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 30: Open – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 31: Happy Amanda – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 32: Bank On It – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 33: Brews – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

Reprocess of frame 28:

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Ree Drummond – Salt Lake City, UT – Fujifilm X-T30 – PRO Neg. Hi

See also:
Roll 1: Kodachrome 64
Roll 2: Kodacolor
Roll 3: Eterna

Video: Street Photography with a Fujifilm X-T30 & Eterna

Take a look at Street Photography with a Fujifilm X-T30 & Eterna, which is the latest video from Fuji X Weekly! Last Sunday I shared with you the first video that Amanda and I worked on together, which featured footage and photographs captured using my Kodacolor film simulation recipe. This new video features footage and photographs captured using my Eterna film simulation recipe. The point of this video series is to demonstrate different film simulation recipes for video and still photography, but in a way that’s hopefully entertaining and perhaps even inspirational.

Unlike the last video, which had Amanda behind the video camera, I captured all of the footage for this one. While I was doing it, I did my best to think, “How would Amanda record this shot?” I didn’t do a particularly good job, though, but I did record a lot of content in hopes that there would be something usable. I employed my Fujifilm X-T30 with a Rokinon 12mm lens for both the video and stills. Amanda took all of it into editing software and somehow made this great video. Honestly, I don’t know how she did it. She really did an incredible job!

If you haven’t done so already, please visit the Fuji X Weekly YouTube channel. I invite you to subscribe. Feel free to like, comment and share. Over the coming weeks and months you can expect more video content to be added, thanks to the talents of my wonderful wife, Amanda.

If you are interested in purchasing the gear used for this video, you’ll find my affiliate links below. If you make a purchase using my links I will be compensated a small amount for it.

Fujifilm X-T30 (Body Only)   B&H   Amazon
Fujifilm X-T30 w/15-45mm lens   B&H   Amazon
Fujifilm X-T30 w/18-55mm lens   B&H   Amazon
Rokinon 12mm f/2   B&H   Amazon

Salt Lake City Street Photography with a Fujifilm X-T30

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Antithesis – SLC, UT – Fujifilm X-T30

Last week I did a little photo walk in downtown Salt Lake City, Utah. I’ve been itching lately to do more street and urban photography. Salt Lake City is a very nice and relatively safe downtown, making it an excellent location for this type of picture adventure. It’s not all that far from where I live, so I really need to get there with a camera more frequently.

The particular day and time of my visit turned out to be quiet. Sometimes downtown Salt Lake City is bustling and busy, and sometimes it is nearly dead. This was definitely one of those nearly dead times. On one hand it feels like you can take things at a slower pace and just absorb the atmosphere, but on the other hand there seems to be fewer photographic opportunities for street pictures. There are pluses and minuses.

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Nearly Scraping – SLC, UT – Fujifilm X-T30

The number one subject that I encountered was the homeless. Like any urban area, there are homeless all over. It seems like Salt Lake City has more homeless than it should, but I think the generosity and compassion of folks in this region might make it seem favorable for those in that situation. I don’t want to dive too deeply into what could be a long rabbit hole regarding the homeless. I’ve talked with several. Had coffee with a couple. Given a car ride to one. It’s a sad problem with few, if any, good solutions. The status quo isn’t effective. There are people trying to help, and there is help for those who really want it. Some just don’t want help, even though they are clearly at rock bottom. I know that photographing the homeless is taboo for some. I would say that ignoring the plight isn’t helpful.

I used a Fujifilm X-T30 camera with a Fujinon 35mm f/2 lens attached to the front for these pictures. I’ve heard many people say that the 50mm-equivalent focal length of the lens isn’t ideal for street photography, but it all depends on how you use it. I appreciate that this setup is fairly small and lightweight, which does make it useful for this genre of picture-taking.

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I Suppose It All Depends – SLC, UT – Fujifilm X-T30

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Crossing Main – SLC, UT – Fujifilm X-T30

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Flowers On Main – SLC, UT – Fujifilm X-T30

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Dripping Fountain – SLC, UT – Fujifilm X-T30

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Co. – SLC, UT – Fujifilm X-T30

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Urban Bicycling – SLC, UT – Fujifilm X-T30

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Green – SLC, UT – Fujifilm X-T30