Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 800

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Flags of IKEA – Draper, UT – Fujifilm X100V – “Fujicolor Superia 800”

One of the earliest film simulation recipes I created that was intended to mimic a specific film was Fujicolor Superia 800, which I made on a Fujifilm X100F about two-and-a-half years ago. This is a recipe that I’ve used often; I especially like it on overcast days. When I published the Superia 800 recipe, I stated, “It’s not a 100% match [to the film], but I feel like it’s convincing enough….” I think that’s a true statement, but with the new tools available on the X100V, could I create a closer match, one that might be even more convincing?

Classic Negative needed to be the starting point for a new Fujicolor Superia 800 recipe since this new film simulation is “modeled after” Fujicolor Superia with “Superia-like” colors. I incorporated the new Clarity and Color Chrome Effect Blue features into this recipe. Unfortunately, Clarity slows down the camera considerably, so you’ll either have to accept the slow speed (which is what I do) or add Clarity later by reprocessing the RAW file. I think this new recipe is indeed a closer match to actual Superia 800—in fact, you could likely convince people that you shot film!

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Horse Boarding – Salt Lake City, UT – Fujifilm X100V

I think this recipe might be my favorite of the Superia recipes that I’ve created thus far. If you like my Superia 100, Reala 100, and Superia 1600 recipes, you’ll certainly like this one, too! It has a great analog aesthetic. It’s pretty amazing that you can get this look straight out of camera. This Fujicolor Superia 800 recipe is (as of this writing) only compatible with the Fujifilm X100V, X-Pro3 and X-T4.

Classic Negative
Dynamic Range: DR400
Highlight: -1
Shadow: +1
Color: -1
Noise Reduction: -4
Sharpening: -1
Clarity: -4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Daylight, -1 Red & -3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Fujicolor Superia 800 film simulation recipe on my Fujifilm X100V:

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Line Begins Here – Draper, UT – Fujifilm X100V

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Fire Suppression – Draper, UT – Fujifilm X100V

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Trash – Draper, UT – Fujifilm X100V

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Family Friendly Parking – Draper, UT – Fujifilm X100V

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Waiting for Hope? – Draper, UT – Fujifilm X100V

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Waiting to Enter – Draper, UT – Fujifilm X100V

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Waiting Reflection – Draper, UT – Fujifilm X100V

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Keeper of the Door – Draper, UT – Fujifilm X100V

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Entrance – Draper, UT – Fujifilm X100V

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Cloud Above Yellow Wall – Draper, UT – Fujifilm X100V

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Two Flag Poles – Draper, UT – Fujifilm X100V

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Home Furnishings – Draper, UT – Fujifilm X100V

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Upplaga – Draper, UT – Fujifilm X100V

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Track Closed – Salt Lake City, UT – Fujifilm X100V

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Artificial – Draper, UT – Fujifilm X100V

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Hanging Patio Lights – Draper, UT – Fujifilm X100V

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Two Step – Draper, UT – Fujifilm X100V

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Red Light – Draper, UT – Fujifilm X100V

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Rainbow Spirit – Farmington, UT – Fujifilm X100V

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Chair Back – Farmington, UT – Fujifilm X100V

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Joshua Eating – Farmington, UT – Fujifilm X100V

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Brother & Sister on the Couch – Farmington, UT – Fujifilm X100V

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Balcony Railing – Farmington, UT – Fujifilm X100V

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Umbrella Unopened – Farmington, UT – Fujifilm X100V

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Sunlight Sky & Green Leaves – Farmington, UT – Fujifilm X100V

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Ripening Soon – Farmington, UT – Fujifilm X100V

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Fallen Log in the Forest – Monte Cristo, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Traveling With Fujifilm, Part 2: Dirty Jobs & Failed Dreams in Rexburg

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Grease Work – Rexburg, ID – Fujifilm X100V – “The Rockwell”

Part 1

These photographs were all captured at the same place: a Jack-in-the-Box in Rexburg, Idaho. On the very first day of the road trip we stopped in Rexburg for lunch. You just never know when photographic opportunities are going to present themselves, so it’s a good habit to have a camera within easy reach. For me, that was the Fujifilm X100V. Surprisingly, that Jack-in-the-Box in Rexburg provided the chance to create some interesting pictures.

Rexburg is perhaps best known for being underwater when a dam broke 1976, which flooded the area. The town recovered. It’s the last city before Yellowstone, and seems like a nice enough place. Like everywhere, hard working people are what keeps things moving forward. It’s the thankless jobs that often go unnoticed, yet they’re critical to a functioning society. It’s the premise of the television show Dirty Jobs hosted by Mike Rowe. I encountered a couple of those important yet invisible people while in Rexburg.

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Blue Truck Trailer – Rexburg, ID – Fujifilm X100V – “The Rockwell”

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Drive Thru – Rexburg, ID – Fujifilm X100V – “The Rockwell”

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Out of Order – Rexburg, ID – Fujifilm X100V – “The Rockwell”

Right next to Jack-in-the-Box in the same parking lot was a closed and abandoned Wingers. According to the sign, it had been opened for 13 years. I’m not sure why it closed: lazy employees, poor management, mediocre food, bad location, current economic times? I can only speculate, but I’ll never know the answer—it doesn’t matter, anyway. What I found interesting is that just a few steps separated hard working yet invisible people from an empty building that had similar people in it, but no more. They’re gone. Their jobs are gone. They’ve moved on. The dream that inspired its opening failed, leaving only ghosts of the past behind, a haunting reminder of the fragility of it all. Invisible People and Ghost Dreams would be my alternative title to this post. Maybe we’re all ghosts. Maybe invisibility is a super power. Maybe I just inspired the next album for some indie rock band somewhere.

For the top four photographs I used my new “The Rockwell” film simulation recipe. In fact, these were some of the very first pictures that I captured with this recipe. The bottom four photographs were captured using my Fujicolor Superia 100 film simulation recipe. These two recipes are pretty much opposites of each other: one is boldly vibrant, while the other is rather dull in comparison. Juxtaposed recipes for juxtaposed subjects. One mundane stop in a rather ordinary town. You just never know when photographic opportunities will present themselves, so be ready.

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Available Building – Rexburg, ID – Fujifilm X100V – “Fujicolor Superia 100”

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Available – Rexburg, ID – Fujifilm X100V – “Fujicolor Superia 100”

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Thistles In The City – Rexburg, ID – Fujifilm X100V – “Fujicolor Superia 100”

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This Restaurant is Closed – Rexburg, ID – Fujifilm X100V – “Fujicolor Superia 100”

Part 3

Traveling With Fujifilm, Part 1: Introduction

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Sunrise & Travel Trailer – Farmington, UT – Fujifilm X100V – Fujicolor Superia 1600

I recently returned from a road trip across several U.S. states, which I photographed with a Fujifilm X100V and X-T30. The trip began in Farmington, Utah, which is where I live, and over a week-and-a-half my family and I pulled a travel trailer across Idaho, Wyoming (just a little), and Montana, and back to Utah. I visited two national parks. I saw incredible lakes and rivers. It was just a great road trip!

Upon returning, I was unsure how to best share the experience with you. I decided to break the trip into a series of articles called Traveling With Fujifilm. I’m not sure exactly how many parts there will be in all, but there will be many! This is Part 1. It won’t necessarily be in chronological order, but I hope in a logical order that makes some sort of sense.

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Rural Diner – Tremonton, UT – Fujifilm X100V – Fujicolor Superia 1600

The trip began on July 2nd right after sunrise. The trailer was already packed and ready, and already attached to the truck. We just had to load ourselves into the truck and leave. There are six of us: my wife and I, plus our four children. The truck seats six. It was a tight fit. We bonded (and occasionally not), as we spent significant stretches of time together on the open road.

The first day took us from our home in Utah to Island Park, Idaho. For the most part it’s rural country. We made a few stops for gas and food, but mostly pushed through to the destination. Island Park is amazingly beautiful! I’ll save that for another article, so you can look forward to it.

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Phillips 66 – Malad City, ID – Fujifilm X100V – Fujicolor Superia 100

The film simulation recipes that I used for these three pictures are Fujicolor Superia 100 and Fujicolor Superia 1600. I only used the Fujifilm X100V for this section of the trip. This camera is great for this type of photography. No need to carry a camera bag filled with lenses. One camera, one lens. In fact, I used the X100V for about 90% of the pictures on this trip. While this article has only a few photographs, most in this series will have many more.

Come along for the ride! Join me on this adventure by following this series. I hope that you’ll find it enjoyable, inspirational and perhaps even helpful to your photography.

Part 2  Part 3

Fujifilm X100V Film Simulation Recipe: The Rockwell (Velvia)

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Abandoned Dream – Red Rock Lakes NWR, MT – Fujifilm X100V – “The Rockwell”

Ken Rockwell likes to say that Fujifilm cameras aren’t good for landscape photography because the JPEG colors aren’t “wild” enough for him. Even on his review of the X100V, he says, “The as-shot JPG color palette and contrasts are quite sedate,” and, “the X100V won’t amp-up colors if they aren’t strong to begin with.” He adds, “The Velvia film simulation modes don’t look any better; certainly not like real Velvia.” He’s entitled to his opinion, but I think he just hasn’t used the “right” recipe, and he might change his mind if he did. This recipe is one that Ken Rockwell might approve of, as it’s inspired by him, and that’s why I call it The Rockwell.

Ken mentions that the Velvia film simulation isn’t like real Velvia, and he means Velvia 50. There are, in fact, a few different films that share the Velvia name. Straight out of the box, the film simulation differs a little from the film. My X-T30 Velvia recipe is intended to get the film simulation closer to actual Velvia 50 film. “The Rockwell” recipe is also in the ballpark of Velvia 50 film, although it might actually exceed it. I’ve heard it said that Fujifilm’s short lived Fortia film (which Color Chrome Effect and Color Chrome Effect Blue are inspired by), which is like Velvia 50 on steroids, was a mistake. Supposedly it (or at least the original Fortia 50) was a botched Velvia run, but instead of trashing it Fujifilm sold it as a new film. This recipe isn’t as crazy as Fortia, but it’s every bit as crazy as Velvia 50 and perhaps slightly more. Another film that is in the general vicinity of this aesthetic is Kodak’s Ektachrome 100VS, which was essentially Kodak’s closest film to Velvia, but this recipe is a little off from that film. No, “The Rockwell” isn’t an exact match to any film, it’s just a recipe that Ken might use on his X100V if he ever read this article.

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Gibbon Falls – Yellowstone NP, WY – Fujifilm X100V – “The Rockwell”

This film simulation recipe is definitely not for everyone. Just like the person it was named after, it’s bold yet sometimes over-the-top. Many of you will find it to be much too much for your photography. But some of you are going to love it. In the right situations, this recipe is stunning! It uses Clarity, which slows down the camera considerably, but this is a recipe that you might want to work slow with anyway, so it should be alright. This recipe is only compatible (as if this writing) with the X100V, X-Pro3 and X-T4.

Velvia
Dynamic Range: DR200
Highlight: -1
Shadow: -1
Color: +4
Noise Reduction: -4
Sharpening: +4
Clarity: +5
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “The Rockwell” film simulation recipe on my Fujifilm X100V:

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Lake McDonald Shore Trees – Glacier National Park, MT – Fujifilm X100V

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Driftwood Shore – Glacier National Park, MT – Fujifilm X100V

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McDonald Lake & Rocks – Glacier National Park, MT – Fujifilm X100V

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Lake McDonald – Glacier National Park, MT – Fujifilm X100V

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Flathead Lake – Flathead Lake, MT – Fujifilm X100V

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Clear Blue Water – Glacier National Park, MT – Fujifilm X100V

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Tree & Snake River – Idaho Falls, ID – Fujifilm X100V

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McDonald Creek Behind Pines – Glacier National Park, MT – Fujifilm X100V

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Trees Obscuring the River – Glacier National Park, MT – Fujifilm X100V

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McDonald Creek – Glacier National Park, MT – Fujifilm X100V

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Green Trees – Glacier National Park, MT – Fujifilm X100V

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Forest Flowers – Glacier National Park, MT – Fujifilm X100V

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Lake Daisies – Flathead Lake, MT – Fujifilm X100V

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Blossomed Bush by the Lake – Flathead Lake, MT – Fujifilm X100V

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Upper Red Rock Lake – Red Rock Lakes NWR, MT – Fujifilm X100V

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Red Lake Light – Flathead Lake, MT – Fujifilm X100V

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Morning Rays – Canyon Ferry Lake, MT – Fujifilm X100V

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Sunset Through The Trees – Island Park, ID – Fujifilm X100V

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Aspen Sunstar – Island Park, ID – Fujifilm X100V

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Johnny Sack Cabin – Island Park, ID – Fujifilm X100V

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Hanging Flower Pot – Big Sky, MT – Fujifilm X100V

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Mountain Wildflowers 1 – Red Rock Lakes NWR, MT – Fujifilm X100V

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Mountain Wildflowers 2 – Red Rock Lakes NWR, MT – Fujifilm X100V

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Rural Blossoms – Island Park, ID – Fujifilm X100V

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Mountain Springtime – Island Park, ID – Fujifilm X100V

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Blossom by the River – Island Park, ID – Fujifilm X100V

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River Grass – Island Park, ID – Fujifilm X100V

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Grassy Hills – Wild Horse Island State Park, MT – Fujifilm X100V

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Pine in the Field – Wild Horse Island State Park, MT – Fujifilm X100V

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Abandoned Rural Building – Wild Horse Island State Park, MT – Fujifilm X100V

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Pop of Color Cabin – Polebridge, MT – Fujifilm X100V

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Birdhouse Fence – Island Park, ID – Fujifilm X100V

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Playground at the Edge of Nowhere – Island Park, ID – Fujifilm X100V

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Hot Water – Yellowstone National Park, WY – Fujifilm X100V

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Blue Eye – Yellowstone National Park, WY – Fujifilm X100V

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Red Rock Turtle – Island Park, ID – Fujifilm X100V

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Colorful Pallets – Bozeman, MT – Fujifilm X100V

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Westfield – Idaho Falls, ID – Fujifilm X100V

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Pink – Island Park, ID – Fujifilm X100V

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Stop for the Pink Bus – Silos, MT – Fujifilm X100V

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18 – Silos, MT – Fujifilm X100V

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Stop Here – Yellowstone National Park, WY – Fujifilm X100V

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Blue Trailer – Rexburg, ID – Fujifilm X100V

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Grease Work – Rexburg, ID – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
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On Top of the World with a Fujifilm X100V: Driving Farmington Canyon to Francis Peak

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Francis Peak in Green – Francis Peak, UT – Fujifilm X100V

From my house I can see Farmington Canyon and Francis Peak in Utah. It’s an amazing view! But I had never been up the canyon or to the top of the mountain. There’s a narrow dirt road that snakes up the canyon side and leads to the peak. At the top is a radar site. Recently I grabbed my Fujifilm X100V and drove up the winding dirt road seeking adventures and vistas.

The road up the canyon turned out to be much too crowded with cars, UTVs, ATVs, bicyclists and even pedestrians. It’s not especially wide, sometimes not wide enough for two cars to pass. It’s a sketchy drive at times with steep drop-offs and rough sections. The difficult road rewarded me with beautiful scenes and incredible views.

I used three film simulation recipes on my Fujifilm X100V: Kodak Tri-X 400, Fujicolor Reala 100, and a new Velvia recipe that I’ve been working on (expect a modified version of this recipe to be published in the coming weeks). In a way this was like loading my camera with three rolls of film, but of course in the film days you could only have one roll loaded at a time. With the X100V (and most Fujifilm cameras) you can have up to seven! Amazing!

The view from the peak is nothing short of breathtaking! It feels like standing on top of the world. You can see for miles and miles and miles. I could even see my house way down at the bottom. I feel fortunate to live so close to this place. It’s great that I can make this journey again if I want, and I surely will!

Kodak Tri-X 400

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Bicycling Up – Farmington Canyon, UT – Fujifilm X100V

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Dirt Road – Farmington Canyon, UT – Fujifilm X100V

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Farmington From Above – Farmington Canyon, UT – Fujifilm X100V

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Valley Peek – Farmington Canyon, UT – Fujifilm X100V

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New Mexico – Farmington Canyon, UT – Fujifilm X100V

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Mountain Road – Francis Peak, UT – Fujifilm X100V

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Tough Tree in a Rough Place – Francis Peak, UT – Fujifilm X100V

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Family Above Everything – Francis Peak, UT – Fujifilm X100V

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Road Above the Valley Below – Francis Peak, UT – Fujifilm X100V

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Valley Below from High Above – Francis Peak, UT – Fujifilm X100V

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Salt Lake Valley from a Wasatch Peak – Francis Peak, UT – Fujifilm X100V

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Salt Lake Valley – Francis Peak, UT – Fujifilm X100V

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Wasatch Mountains Monochromatic – Francis Peak, UT – Fujifilm X100V

Fujifilm Fujicolor Reala 100

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Dusty Road – Farmington Canyon, UT – Fujifilm X100V

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Might As Well Jump – Francis Peak, UT – Fujifilm X100V

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ATVs – Francis Peak, UT – Fujifilm X100V

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High Voltage – Francis Peak, UT – Fujifilm X100V

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A Few Dead Trees – Francis Peak, UT – Fujifilm X100V

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Mountain Green – Francis Peak, UT – Fujifilm X100V

Fujifilm Velvia

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Spring Green – Farmington Canyon, UT – Fujifilm X100V

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Vibrant Green Hill – Farmington Canyon, UT – Fujifilm X100V

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Mountain Thistle – Farmington Canyon, UT – Fujifilm X100V

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Wasatch Green – Francis Peak, UT – Fujifilm X100V

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Mountain Vista – Francis Peak, UT – Fujifilm X100V

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Morgan Valley – Francis Peak, UT – Fujifilm X100V

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Mountain & Valley – Francis Peak, UT – Fujifilm X100V

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Trees at the Top – Francis Peak, UT – Fujifilm X100V

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Compass Rock – Francis Peak, UT – Fujifilm X100V

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View From the Top – Francis Peak, UT – Fujifilm X100V

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Salt Lake Valley From High Above – Francis Peak, UT – Fujifilm X100V

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Trail Down to the Valley – Francis Peak, UT – Fujifilm X100V

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Wasatch Mountains in Spring Green – Francis Peak, UT – Fujifilm X100V

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Fujifilm X100V Film Simulation Recipe: Bleach Bypass

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Rose on a Table – Farmington, UT – Fujifilm X100V – “Bleach Bypass”

The Fujifilm X-T4 has a new film simulation called Bleach Bypass. At this time, the X-T4 is the only camera that has it. It might come to the X-Pro3 and X100V at some point via a firmware update, but it’s difficult to know for sure if or when that will happen. Hopefully Fujifilm will add Bleach Bypass to the other cameras at some point.

Back in February I created a “Bleach Bypass” film simulation recipe for the X-T30 and X-T3 utilizing the double-exposure feature of the camera. The results are great, but the process is tricky, and the subject has to be completely still because it requires two exposures. The Fujifilm X100V and X-Pro3 cameras don’t (yet) have the new Bleach Bypass film simulation, but they do have the new Classic Negative film simulation, which makes a “bleach bypass” look possible with just one exposure.

Bleach bypass is a darkroom technique where you skip or limit the bleach during development of color film, which causes it to retain the silver. Results will vary greatly depending on the film used and exactly how you develop it, but generally speaking what you get with bleach bypass is a high-contrast, low-saturation, grainy picture that appears as if a black-and-white and color picture were combined together. This technique is more common for motion picture film than still photography, but some people do bleach bypass with C-41 film.

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Thistle Color – Fruit Heights, UT – Fujifilm X100V – “Bleach Bypass”

I don’t know how accurate this recipe is to the Bleach Bypass film simulation that’s on the X-T4. I wasn’t trying to mimic that film simulation, but instead mimic actual bleach bypass film. I know some of you will really appreciate this look, but it’s certainly not going to be everyone’s cup of tea. You can use this recipe if you have a Fujifilm X100V, X-Pro3 or X-T4.

Classic Negative
Dynamic Range: DR100
Highlight: +2
Shadow: +4
Color: -4
Noise Reduction: -4
Sharpening: -1
Clarity: +3
Grain Effect: Strong, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Strong
White Balance: Daylight, -1 Red & +1 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “Bleach Bypass” film simulation recipe on my Fujifilm X100V:

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Silver Aspen Leaves – Farmington, UT – Fujifilm X100V

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Greenberries – Farmington, UT – Fujifilm X100V

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Back Wall – Fruit Heights, UT – Fujifilm X100V

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Turkey – Farmington, UT – Fujifilm X100V

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Umbrella Below a Tree – Fruit Heights, UT – Fujifilm X100V

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Instamatic Light – Farmington, UT – Fujifilm X100V

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Kodak Instamatic Shelf – Farmington, UT – Fujifilm X100V

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Pronto Polaroid – Farmington, UT – Fujifilm X100V

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Dead Yellow Roses – Farmington, UT – Fujifilm X100V

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Coffee & Book – Farmington, UT – Fujifilm X100V

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Morning Time – Farmington, UT – Fujifilm X100V

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Vase on a Table – Farmington, UT – Fujifilm X100V

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Suburban Grey – Farmington, UT – Fujifilm X100V

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Leaf in the Wet Grass – Farmington, UT – Fujifilm X100V

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Water on a Red Slide – Farmington, UT – Fujifilm X100V

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Lavender Lily – Farmington, UT – Fujifilm X100V

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Sunlight in the Trees – Layton, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Fujifilm X100V New Feature: Color Chrome Effect Blue

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The Fujifilm X100V, X-Pro3 and X-T4 have a new feature called Color Chrome Effect Blue. This is very similar to a different feature, which has a nearly identical name, that’s also found on X-Trans IV cameras, such as my X-T30, called Color Chrome Effect. What does Color Chrome Effect Blue do to photographs? How is it different than Color Chrome Effect? Those are questions that I hope to answer in this article.

The original Color Chrome Effect takes vibrant colors (mostly reds, but also yellows and greens to a lessor extent) and deepens their tones to retain color gradation. Fujifilm says that a short-lived color slide film called Fortia inspired this setting. Color Chrome Effect Blue is essentially the same, but for blue. It makes blues in the picture a deeper shade. It’s a lot like using a polarizing filter. You have three options: Off, Weak and Strong.

Let’s take a look at the pictures below:

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Color Chrome Effect Blue Off

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Color Chrome Effect Blue Weak

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Color Chrome Effect Blue Strong

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Color Chrome Effect Blue Strong & Color Chrome Effect Weak

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Color Chrome Effect Blue Strong & Color Chrome Effect Strong

Color Chrome Effect Blue noticeably darkens the blue sky. There’s a difference between Off and Weak and Strong that’s not too hard to spot. I added Color Chrome Effect to the bottom two images, and it doesn’t affect the sky—it barely affects the warm building; it’s so subtle that it’s hard to tell the difference even upon close inspection. I believe that Color Chrome Effect Blue makes more of a difference in an image than Color Chrome Effect, but they manipulate different colors, so they have different purposes. Disappointingly, Color Chrome Effect Blue doesn’t seem to change black-and-white images much at all.

For color images where you want blues to be rendered deeper, such as blue sky, Color Chrome Effect Blue is great! It’s like using a polarizing filter. If you want reds to be rendered deeper, use the original Color Chrome Effect. I hope this helps explain what the new Color Chrome Effect Blue feature is, how it’s different than Color Chrome Effect, and when to use it.

See also:
Clarity
B&W Toning
HDR

Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 1600

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Red Rose – Farmington, UT – Fujifilm X100V – “Fujicolor Superia 1600”

For some of you, this new Fujicolor Superia 1600 film simulation recipe will be your favorite! It is so good! It’s very analog-esque, and does a great job of mimicking the film in a number of circumstances. If you love my Fujicolor Superia 100 and my Fujicolor Reala 100 recipes, you’re bound to love this one, too!

For high-ISO color photography, Superia 1600 film was your best bet if you needed to go faster than ISO 800. It has higher contrast and lower saturation than other Superia films, and is also more grainy, but with a very nice look. There are people who use Superia 1600 just for its aesthetic. Fujifilm discontinued Superia 1600 in 2016, but supposedly Fujicolor Natura 1600 and Press 1600 are the same film, just sold to different markets.

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Sephora – Farmington, UT – Fujifilm X100V – “Fujicolor Superia 1600”

I didn’t include a “typical” exposure compensation with this recipe because you can get some very interesting looks by underexposing and (especially) overexposing—don’t be afraid to try -1 all the way to +2! This recipe is only compatible with the Fujifilm X100V, X-Pro3 and X-T4 (hopefully someday the X-T3 and X-T30, too—Fujifilm, please!).

Classic Negative
Dynamic Range: DR400
Highlight: 0
Shadow: +2
Color: -3
Noise Reduction: -4
Sharpening: -1
Clarity: -4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Daylight, +3 Red & +1 Blue
ISO: 1600 to 6400

Example photographs, all camera-made JPEGs using this Fujicolor Superia 1600 film simulation recipe on my Fujifilm X100V:

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Electric Sunset – Kaysville, UT – Fujifilm X100V

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Evening Overlook – Farmington, UT – Fujifilm X100V

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Sunlight Tree – Farmington, UT – Fujifilm X100V

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Country Fence – Kaysville, UT – Fujifilm X100V

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Rose Bush Shadow – Farmington, UT – Fujifilm X100V

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Red Rose Bush – Farmington, UT – Fujifilm X100V

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Yellow Flower – South Ogden, UT – Fujifilm X100V

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Not Yet Blackberries – Farmington, UT – Fujifilm X100V

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Backyard Girl – Farmington, UT – Fujifilm X100V

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Evening Light Tunnel – Farmington, UT – Fujifilm X100V

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Building in Evening Light – Farmington, UT – Fujifilm X100V

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Head On Illusion – Farmington, UT – Fujifilm X100V

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Walking Reflection – Farmington, UT – Fujifilm X100V

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Indoor/Outdoor Restaurant – Farmington, UT – Fujifilm X100V

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Carbonaro – Farmington, UT – Fujifilm X100V

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Vegetables – Farmington, UT – Fujifilm X100V

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Dessert – Farmington, UT – Fujifilm X100V

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Willards – Layton, UT – Fujifilm X100V

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Thank You For You Patronage – South Ogden, UT – Fujifilm X100V

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Wall Pipes – South Ogden, UT – Fujifilm X100V

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Closed Gas Station Store – South Ogden, UT – Fujifilm X100V

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Abandoned Drive Thru Window – South Ogden, UT – Fujifilm X100V

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Abandoned Gas Station Overhang – South Ogden, UT – Fujifilm X100V

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Light at the Top – Farmington, UT – Fujifilm X100V

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Blue in the Middle – Farmington, UT – Fujifilm X100V

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Moon Above – Farmington, UT – Fujifilm X100V

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Suburban Sunstar – Farmington, UT – Fujifilm X100V

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Bike 48 – Farmington, UT – Fujifilm X100V

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Sunstar in the City – Farmington, UT – Fujifilm X100V

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Strength and Endurance – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Fujifilm X100V Film Simulation Recipe: Fujicolor Reala 100

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Amusement Poles – Farmington, UT – Fujifilm X100V – “Fujicolor Reala 100”

Fujicolor Reala 100 was Fujifilm’s first Superia film, even though initially it did not have Superia in the name. Superia films shared Fuji’s “4th layer technology” and Reala was the first to have it, but Reala was marketed towards “pro” photographers while Superia was marketed towards “consumer” photographers. Eventually Fujifilm added Superia to Reala’s name. There were several different versions of Reala manufactured, including a high-ISO Tungsten one made for motion pictures, but Reala 100 was the most popular.

The Classic Negative film simulation is “modeled after” Superia with “Superia-like” colors, so it’s the best starting point for a Reala recipe. Reala 100 was very similar to Superia 100, but Superia 100 was intended for “general purpose” photography while Reala 100 was intended for portrait photography (interestingly, my wedding photos were shot on Reala). Colors are rendered a little differently between the two films, especially blue, which is deeper and more saturated on Reala, despite Reala being overall slightly less saturated than Superia 100. You’ll find that this recipe and my Fujicolor Superia 100 recipe replicate these differences quite nicely. Reala film was discontinued in 2013.

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Tunnel & Fountain – Farmington, UT – Fujifilm X100V – “Fujicolor Reala 100”

This Fujicolor Reala 100 film simulation recipe is a great all-around option. It looks good under many circumstances. The aesthetic of this recipe is very close to my Superia 100 recipe, and I’m not sure which one I like better. This one is better for stronger blues, and the other is better for stronger reds, but they’re not far apart from each other. Unfortunately, as of this writing, this Reala recipe is only compatible with the Fujifilm X100V, X-Pro3 and X-T4 cameras.

Classic Negative
Dynamic Range: DR400
Highlight: -1
Shadow: -1
Color: +0
Noise Reduction: -4
Sharpening: -2
Clarity: -3
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Daylight, 0 Red & 0 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs using this Fujicolor Reala 100 film simulation recipe on my Fujifilm X100V:

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Ferris Wheel – Farmington, UT – Fujifilm X100V

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Ferris Wheel Through The Trees – Farmington, UT – Fujifilm X100V

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Hands Raised – Farmington, UT – Fujifilm X100V

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Blue Coaster – Farmington, UT – Fujifilm X100V

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Waterless Waterslides – Farmington, UT – Fujifilm X100V

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Umbrella Ride – Farmington, UT – Fujifilm X100V

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Green Trees, Blue Sky – Farmington, UT – Fujifilm X100V

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Cat Statue – Farmington, UT – Fujifilm X100V

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Ride Operator – Farmington, UT – Fujifilm X100V

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Waiting to Fly – Farmington, UT – Fujifilm X100V

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Sunstar Tree – Farmington, UT – Fujifilm X100V

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Backlit Fountain – Farmington, UT – Fujifilm X100V

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Flowerbed – Farmington, UT – Fujifilm X100V

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Field of Wildflowers – Farmington, UT – Fujifilm X100V

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Potted Blooms – Farmington, UT – Fujifilm X100V

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Flowers in a Garden – Farmington, UT – Fujifilm X100V

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Blossoms Along a Fence – Farmington, UT – Fujifilm X100V

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Red Blossoms – Farmington, UT – Fujifilm X100V

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Covered Wagon – Farmington, UT – Fujifilm X100V

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Man Waiting – Farmington, UT – Fujifilm X100V

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Standing, Waiting – Farmington, UT – Fujifilm X100V

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Corner – Farmington, UT – Fujifilm X100V

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Puddle Reflections – Farmington, UT – Fujifilm X100V

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Stroller – Farmington, UT – Fujifilm X100V

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Almost – Farmington, UT – Fujifilm X100V

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Please Unload Children – Farmington, UT – Fujifilm X100V

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Lying on a Bench – Farmington, UT – Fujifilm X100V

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Pink Hair Bow – Farmington, UT – Fujifilm X100V

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Backpack – Farmington, UT – Fujifilm X100V

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Josh Riding Carousel – Farmington, UT – Fujifilm X100V

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Happy Jon – Farmington, UT – Fujifilm X100V

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Map on a Fence – Farmington, UT – Fujifilm X100V

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Woodford, Iowa – Farmington, UT – Fujifilm X100V

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Forest Trees – Fruit Heights, UT – Fujifilm X100V

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Windshield Rain – Fruit Heights, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H

Fujifilm X100F Review Blog

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Making Color Pictures Using Acros, B&W Toning & Multiple Exposures

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This is a combination of 8 B&W Exposures with different color toning applied to each.

The Fujifilm X100V, X-Pro3 and X-T4 cameras have a new tool for toning black-and-white pictures in-camera. I mentioned in my article about this new toning feature that there’s the potential to get creative with it, especially when combined with multiple exposure photography. I thought that it might be possible to create color pictures using the Acros film simulation, B&W toning and multiple exposures. This is certainly an unusual use of those tools! A sturdy tripod is a requirement for this experiment.

On my X100V, there are 1,368 possible colors to tone B&W pictures, but I concentrated on the more bold options. To make this work, the best results are found in the +/- 15-18 range. My camera has four multiple exposure options: Additive, Average, Bright and Dark. Additive and Average won’t work for this project because it muddies the colors. Bright and Dark will work, and they work similarly. For Bright, the camera compares the exposures and chooses only the brightest pixel at each location; for Dark, it chooses the darkest pixel. I found that one option typically works better than the other, depending on the scene. You could get creative and adjust the exposure of each image to control which colors are chosen; however, I didn’t do that for these pictures.

At first I tried using just three exposures: one with Toning set to WC -18 MG 0 (Blue), one set to WC +18 MG -18 (Red), and the other set to WC 0 MG +18 (Green). This worked alright, but there are not any in-between colors. The transitions from one color to the next are harsh. Still, I was able to create color pictures this way.

After a little experimenting, I decided that eight exposures worked better (you can combine up to nine). In addition to the Toning described in the previous paragraph, I added one with WC 0 MG -18 (Magenta), WC -18 MG -18 (Purple), WC -18 MG +18 (Teal), WC +18 MG +18 (Yellow), and WC +18 MG 0 (Orange-Red). This made the color transitions a little less harsh, but it’s still not ideal. The pictures look strange and nothing like “normal” color photographs. I also tried reducing some colors to as low as +/- 15 (instead of 18) in an attempt to control the outcome a little, but it’s hard to know what you’ll get until you’ve made all eight exposures.

The results remind me of some cross processing experiments that I did a number of years ago. You can get weird results, depending on the film and process. The toned B&W multiple exposures on my X100V loosely resemble the “worst” cross-processing results from those analog experiments years ago. This isn’t something that I’d want to do all of the time, but it was fun nonetheless. Most people will never try this, but a few of you will. I can see someone doing an abstract photography project using this technique.

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I used three exposures for this picture.

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Another three exposure picture.

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This is an eight exposure image.

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Another eight exposure picture.

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I used eight exposures for this picture. 

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Another eight exposure picture.

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Eight exposures. The wind moved the grass between exposures.

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This is another eight exposure image.

I never really thought that I’d be creating color images from black-and-white in-camera. The results aren’t especially great, so it’s not really a practical thing, more gee-whiz. I do believe, with practice and experimentation, it’s possible to get better results. I hope that you found this article interesting, and perhaps even a few of you were inspired to do your own experiments.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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