Fujifilm X100V Film Simulation Recipe: Classic Monochrome

Signs, Poles & Wires – Farmington, UT – Fujifilm X100V – “Classic Monochrome”

For some reason, black-and-white film simulation recipes aren’t as popular as color, but Fujifilm cameras are capable of some great monochrome images straight-out-of-camera. This new “Classic Monochrome” recipe was made by Thomas Schwab (B&W Instagram), who has created several of the film simulation recipes on this website and collaborated on several others. He’s a friend of this blog, and I’m honored that he allows me to share his recipes here!

Thomas said that he started with one of the Ilford recipes, and this evolved from that. It’s called “Classic Monochrome” because it has a great old-school B&W print feel. The only change that I added was Toning, which is optional, but it seems to look nice with these settings. This recipe has quickly become one of my favorite black-and-white options! It’s most similar to Dramatic Monochrome, so if you like that recipe you’ll like this one, too. Thank you, Thomas!

Suburban Garages – Farmington, UT – Fujifilm X100V – “Classic Monochrome”

This recipe is contrasty and clean. It reminds me of Agfapan 25 printed using a high-contrast filter (maybe a #4, or even split-filtered). It’s not intended to look like it, but that’s what it reminds me of. It does have a limited dynamic range, and it’s easy to clip highlights, so the exposure should be carefully considered, or perhaps try DR-Auto if you are concerned. It’s compatible (as of this writing) with the Fujifilm X100V, X-T4, X-Pro3 and X-S10 cameras.

Monochrome (+Y, +R, +G)
Dynamic Range: DR100
Highlight: +4
Shadow: +2
Noise Reduction: -4
Sharpening: +1
Clarity: +4
Toning: WC +1, MG 0

Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Auto, 0 Red & 0 Blue
ISO: Auto, up to ISO 12800
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this Classic Monochrome film simulation recipe on my Fujifilm X100V:

Marks the Spot – Farmington, UT – Fujifilm X100V
Main Line Trail – Farmington, UT – Fujifilm X100V
Empty Box – Farmington, UT – Fujifilm X100V
Empty Bench – Farmington, UT – Fujifilm X100V
Joshua Biking – Farmington, UT – Fujifilm X100V
Girl & Bike – Farmington, UT – Fujifilm X100V
Horses & Ducks – Farmington, UT – Fujifilm X100V
Country Road Bus – Farmington, UT – Fujifilm X100V
No Motor Vehicles – Farmington, UT – Fujifilm X100V
Weed 1 – Farmington, UT – Fujifilm X100V
Weed 2 – Farmington, UT – Fujifilm X100V
Ice Abstract 1 – Farmington, UT – Fujifilm X100V
Ice Abstract 2 – Farmington, UT – Fujifilm X100V

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X100V Film Simulation Recipe: Kodak Portra 400 v2

Sage Sunset – Antelope Island SP, UT – Fujifilm X100V – “Kodak Portra 400 v2”

One film can have many different looks depending on how it’s shot, developed, scanned or printed. This new Portra 400 film simulation recipe, called Kodak Portra 400 v2, is an alternative aesthetic, created by studying examples of actual Portra 400 film (thanks to Julien Jarry). The “other” Fujifilm X100V Kodak Portra 400 recipe was also created by studying examples of actual film (thanks to Thomas Schwab). They’re both good options for achieving a Portra look, and neither is more “right” than the other.

This isn’t exactly a brand-new recipe. It was published as a Patron early-access recipe on the Fuji X Weekly App back on December 1st, and now another early-access recipe has replaced it, so this one is now available to everyone! You might remember that this Kodak Porta 400 v2 recipe was mentioned in the Kyle McDougall preset comparison article.

Ford Truck – Centerville, UT – Fujifilm X100V – “Kodak Portra 400 v2”

If you like my other Portra recipes, you’re sure to like this one, too. Because it uses Clarity, it slows down the camera considerably. I hope that Fujifilm speeds this up with a firmware update at some point, but in the meantime, if you can, my recommendation is to embrace the slowdown. This recipe is only compatible with the latest Fujifilm X cameras: the X-Pro3, X100V, X-T4 and X-S10.

Classic Chrome
Dynamic Range: DR400
Highlight: 0
Shadow: -2
Color: +2
Noise Reduction: -4
Sharpening: -2
Clarity: -2
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: 5200K, +1 Red & -6 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this new Kodak Portra 400 v2 film simulation recipe on my Fujifilm X100V:

Stacked Pallets – Farmington, UT – Fujifilm X100V
Now Hiring – Centerville, UT – Fujifilm X100V
Double-Double – Centerville, UT – Fujifilm X100V
Burger Roof – Centerville, UT – Fujifilm X100V
Julien Jarry with RED Camera – Antelope Island SP, UT – Fujifilm X100V
Julien Filming – Antelope Island SP, UT – Fujifilm X100V
Yellow Rabbitbrush – Antelope Island SP, UT – Fujifilm X100V
Frary Peak Peeking – Antelope Island SP, UT – Fujifilm X100V
Desert Brush – Antelope Island SP, UT – Fujifilm X100V
Light Log – Big Fork, MT – Fujifilm X100V
Sunlight Through the Forest Trees – Big Arm, MT – Fujifilm X100V
One Lane Bridge – Big Fork, MT – Fujifilm X100V
String of Lightbulbs – Flathead Lake, MT – Fujifilm X100V
Dock at Night – Flathead Lake, MT – Fujifilm X100V
Moon Over RV – Antelope Island SP, UT – Fujifilm X100V
Sunset RED – Antelope Island SP, UT – Fujifilm X100V
Buffalo Point Sunset – Antelope Island SP, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H

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Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm Changes Name of Noise Reduction on the X-T4

Those with the Fujifilm X-T4 (and also the X-S10) might have noticed that Noise Reduction is no longer in the menu. Instead, there’s something called High ISO NR. What’s the difference? Why the change?

Below is a screenshot of the X-T3 manual (top) and X-T4 manual (bottom):

Notice that they both say the same thing: Reduce noise in pictures taken at high sensitivities. This demonstrates that they’re actually the same thing, just renamed. The X-T4 manual adds a little more info about what Noise Reduction does to a picture, although vaguely.

I don’t know why Fujifilm renamed Noise Reduction to High ISO NR; perhaps it’s a more accurate name, but it seems to have created some confusion. I’ve received several messages from users asking about it. Just know that both are the same exact thing: High ISO NR is Noise Reduction.

A couple years ago I took a closer look at Noise Reduction (and also Sharpening), and concluded that, for the most part, it doesn’t matter what the Noise Reduction is set to unless you pixel peep or print large. My personal opinion is that I like Noise Reduction set to -2, -3 or -4, with the lower setting most preferable. Why? Because the digital noise from Fujifilm X-Trans cameras has a film-grain-like appearance, and doesn’t look like typical digital noise from other camera brands. I like film grain, and I like the digital noise from Fujifilm cameras. That’s just my preference. Besides that, Noise Reduction reduces sharpness and smudges fine details, at least a little—you’ll likely only notice if you look very, very closely. There’s no right or wrong setting—choose whatever you prefer—but I most often set Noise Reduction (or High ISO NR) to the lowest option available, which is -4 on X-Trans IV cameras like the Fujifilm X-T4.

Quick Eterna Bleach Bypass Experiments

LomoChrome Metropolis recipe, using the Eterna Bleach Bypass film simulation

My wife has a Fujifilm X-T4, and I was able to borrow it briefly for an experiment with the new Eterna Bleach Bypass film simulation. The X-T4 and the X-S10 are currently the only cameras that have this film simulation. My new LomoChrome Metropolis recipe, which is currently only found on the Fuji X Weekly App for iOS, uses Eterna Bleach Bypass.

I snapped the picture below of my daughter using the Fujifilm X-T4 and the Eterna Bleach Bypass film simulation. Highlight, Shadow and Color were set to 0, using Auto White Balance, and pretty much everything set to defaults.

Eterna Bleach Bypass

I reprocessed the RAW file in-camera, and tried to (in a short period of time) recreate Eterna Bleach Bypass using regular ol’ Eterna. I set Highlight to +4, Shadow to +3, Color to -4, and set a shift of -2 Red and -3 Blue to the Auto White Balance, which roughly gets you close. If I had more time I could get closer, but this was just a quick experiment. The takeaway is that Eterna Bleach Bypass is essentially Eterna but with more contrast and less color saturation, and some other small differences.

“Eterna Bleach Bypass” using Eterna

Below I reprocessed the RAW file in-camera using my Bleach Bypass film simulation recipe that uses Classic Negative. That recipe wasn’t intended to mimic the Eterna Bleach Bypass film simulation, but actual bleach bypassed film. It looks kind of like the new film simulation, but with more contrast and saturation.

“Bleach Bypass” using Classic Negative

There was an interview published recently in Japan where a couple of Fujifilm managers explained a bunch of different things about Fujifilm cameras. Between the translation and my interpretation of that translation, I mistakenly thought that it said a Bleach Bypass look could be achieved using the Provia film simulation with Highlight set to +1, Shadow set to +3 and Color set to -4, so I reprocessed the RAW file in-camera doing this, which is below.

“Bleach Bypass” using Provia?

Obviously that doesn’t look right, so I reread the quote, and realized what it actually said was that the Eterna Bleach Bypass film simulation recipe is intended to mimic cinematic film (for cinematic purposes) that’s skipped the bleach during development. Bleach bypass for still photography is (or often is) not the same—different film and/or different process. What was being said by those Fujifilm managers is to mimic bleach bypass for still photography, use the Eterna Bleach Bypass film simulation (not Provia) with Highlight set to +1, Shadow set to +3, and color Set to -4. An example of that is below.

Eterna Bleach Bypass with more contrast and less saturation

Bleach bypass is a darkroom technique where you skip or limit the bleach during development of color film, which causes it to retain the silver. Results will vary greatly depending on the film used and exactly how you develop it, but generally speaking what you get with bleach bypass is a high-contrast, low-saturation, grainy picture that appears as if a black-and-white and color picture were combined together. This technique is more common for motion picture film than still photography, but some people do bleach bypass with C-41 film.

There’s no one exact aesthetic for bleach bypass. The Eterna Bleach Bypass film simulation is a great starting point, and I plan to experiment more with it and create at least a few different film simulation recipes using it. Classic Negative can also be used, and maybe even Classic Chrome and PRO Neg. Hi (and perhaps others), just depending on the exact bleach bypass look you are after. While more complicated, you can use the double-exposure feature to create a bleach bypass look. There’s not necessarily a right or wrong way, or even a right or wrong look, which makes experimentation more fun. I invite you to pick a film simulation (whether or not your camera has the new Eterna Bleach Bypass film simulation), turn up the contrast and turn down the color saturation, and see what you can create!

Thank You, Fuji X Weekly App Patrons!

The Fuji X Weekly App for iOS has been out for one week! It really has been an amazing seven days.

I want to say Thank You to everyone who has downloaded the app! I hope that it’s a useful tool for your photography. I appreciate everyone who has shared it on their social media. I’m grateful for those who left such positive reviews in the app store! The feedback and suggestions that I’ve received are invaluable. You all are the best part of the Fujifilm community!

I want to give a very special Thank You to those who are Fuji X Weekly Patrons! There’s a little bit of an immediate reward you received because you unlocked some features that give you the best app experience. But, more importantly, is the reward that you don’t yet see! The Fuji X Weekly App, as it is now, is just the beginning. There’s so much more coming, and it’s only possible because of Patrons!

An Android version of the app is being worked on, and I’m concentrating my efforts on getting it out as quickly as possible. It’s coming! But the road is still long, and I can’t say when it will be ready. Because of Fuji X Weekly Patrons, this version of the app will be out more quickly than I originally anticipated. Yea!

Once that’s complete, we will begin working on some updates to the Fuji X Weekly App that will add new features, functionality and other improvements. There will be some really interesting changes, with additions to both the free and Patron sides. The app will become better, and more fun! I can’t give you the details yet, but I can say that you’ll love it and Patrons are the ones making it possible. Thank you!

If you have an iPhone or iPad and haven’t yet downloaded the Fuji X Weekly App, you should go to the app store now and do so! If you have the app and find it useful, let me know in the comments!

New Auto White Balance Options: White Priority & Ambience Priority

My wife, Amanda, upgraded her Fujifilm X-T20 to an X-T4! Video-wise, the X-T4 is a huge upgrade; stills-wise, the X-T20 is a solid camera, but the X-T4 is a little better. The picture above shows Amanda with her new camera, captured with my Fujifilm X100V using a new film simulation recipe that I will publish very soon! The Fujifilm X-T4 has two new Auto White Balance options: Auto White Priority and Auto Ambience Priority. What are these? What do they do to your pictures? Let’s take a look!

For Auto White Priority, the manual says, “Choose for whiter whites in scenes lit by incandescent bulbs.” And for Auto Ambience Priority, “Choose for warmer whites in scenes lit by incandescent bulbs.” Essentially, Auto White Priority is the same as Auto White Balance, except it has a cooler tone under artificial light, and Auto Ambience Priority is the same as Auto White Balance, except it has a warmer tone under artificial light. In natural light, all three are the same.

The pictures below show all three Auto White Balance options under natural light (using my Kodak Ultramax recipe). Can you tell which is Auto, Auto White Priority and Auto Ambience Priority?

Which is which? I have no idea! I can’t tell the difference. The three images look identical to me. Even when I closely examined the three full-resolution files, I couldn’t figure it out.

Under artificial light, the differences between Auto, Auto White Priority, and Auto Ambience Priority becomes much more obvious. You can see in the pictures below that Auto White Priority is cooler than standard Auto White Balance, and Auto Ambience Priority is warmer than standard Auto. Take a look!

Auto White Priority
Auto White Balance
Auto Ambience Priority

Of the two new Auto White Balance options, I’m most excited about Auto White Priority, although I think in some situations Auto Ambience Priority might produce nice results. The new LomoChrome Metropolis film simulation recipe that’s on the Fuji X Weekly App requires Auto White Priority, the first recipe to use one of the new White Balance options. I think there’s some good potential for incorporating these new options into new recipes to create different looks. Now if I can just convince my wife to let me borrow her new camera….

Fuji X Weekly App: Filtering by Camera or Sensor?

The Fuji X Weekly app has the ability, for Patrons, to filter by Camera or Sensor. It might seem most obvious to pick your camera, but that might not be the best choice. Why? Let me explain.

With each recipe, I only included the cameras that are 100% compatible with that recipe. There are many situations where a recipe is 99% compatible. For example, the Fujifilm X-T4, X100V, X-Pro3 and X-S10 aren’t 100% compatible with X-Trans IV recipes intended for the X-T3 and X-T30, despite having the same sensor. Why? Because the X-T3 and X-T30 models don’t have an option for Grain size, so you’ll have to decide for yourself if it should be Small or Large, and also B&W Toning is different. Because of this, recipes like Kodak Gold 200, Eterna, Kodacolor, and many, many, many more won’t show up if you filter by X-Pro3, for example. They will, however, show up if you filter by X-Trans IV sensor. If you have an X-Pro3, if you filter by Sensor instead of Camera, you’ll see a lot more recipes. In fact, you could filter by both X-Trans III and X-Trans IV!

It’s a similar story if you have, for example, a Fujifilm X-E2. X-Trans I and Bayer recipes will work on your camera, but they’ll look a little different. Those recipes won’t show up if you filter by Camera, but they will if you filter by X-Trans I, X-Trans II and Bayer.

If you have an X-Trans III camera, it makes more sense to filter by Camera because all of the recipes that are compatible will appear (including X-Trans IV recipes that are also compatible). If you have an X-Trans IV camera, it makes more sense to filter by Sensor; however, the X-T3 and X-T30 are an exception, and like X-Trans III, it makes more sense to filter by Camera if you have either of these models. X-Trans II is a mixed bag because not every camera has the same film simulations, so if your model doesn’t have Classic Chrome and the PRO Neg. options, it will be better to filter by Camera, but otherwise by Sensor so that you can also access the X-Trans I and Bayer sensors. X-Trans I and Bayer cameras have a similar limitation (not all models have all of the film simulations), so filtering by Camera will reveal what’s for certain compatible, and filtering by Sensor will reveal what may or might not be compatible.

I hope this isn’t too confusing. My recommendation is to try both filtering options, and decide what makes the most sense for you.

7 New Film Simulation Recipes – Patron Early Access!

The Fuji X Weekly app for iOS comes out on December 1st, which is just a couple of days away! The app is free, but Fuji X Weekly Patrons get early-access to some new film simulation recipes. What does this mean? How do you become a Patron? Read on to find out!

Advanced features on the app, such as Filtering and Favoriting, are unlocked for Fuji X Weekly Patrons. Patrons also get early-access to some new film simulation recipes—there are currently seven, which you’ll find below. As new early-access film simulation recipes are cycled into the app, these will eventually be made free for everyone, published on this blog and on the app, but right now only Patrons can view them. That’s a perk of being a Fuji X Weekly Patron! Not all new film simulation recipes will be made early-access.

How you become a Patron is through the Fuji X Weekly app. Once you download the app, if you click the Gear icon, click the filter option, or click an early-access recipe, you’ll see the option to become a Patron, which is $19.99 annually. Not only does this give you the best app experience and early-access to some new recipes, but it’s a great way to support Fuji X Weekly and to make the app even better!

Right now the Fuji X Weekly app is only for iOS—great for those with an iPhone or iPad, but not so great for those with Android devices. I’m sorry that I couldn’t release both Apple and Android versions at the same time. An app takes a lot of time and money to create, unfortunately. Getting this off the ground was no small task! Making an Android version of the Fuji X Weekly app is in the plans and one of my top priorities, but it will take a little while to get there.

The seven film simulation recipes below are on the Fuji X Weekly app, available as early-access recipes to Patrons!

Kodak Portra 400 v2

Sage & Sunset – Antelope Island SP, UT – Fujifilm X100V

This is a brand-new Portra 400 recipe for those with a Fujifilm X100V, X-Pro3, X-T4 and X-S10. This recipe doesn’t replace the “old” Portra 400 recipe, but is simply another Portra 400 look. Film can have several different aesthetics depending on how it’s shot, developed, scanned and/or printed, and viewed. Both Portra 400 recipes were created by studying actual Portra film.

Porto 200

Yellow Bike – Farmington, UT – Fujifilm X-T30

I’ve received a lot of positive feedback from my X-Trans II Porto 200 recipe, so I created a version for X-Trans III & X-Trans IV cameras. Surprisingly, I was not able to achieve a 100% match to the original recipe. I thought this would be quick to create, but it actually took a lot of time. Even though it doesn’t produce identical results to the X-Trans II version, it is still quite similar, and the results are very nice.

LomoChrome Metropolis

Stop No. 11 – Farmington, UT – Fujifilm X-T4

I’ve had so many requests to create a LomoChrome Metropolis recipe, but it’s not been possible, until now! The Fujifilm X-T4 and X-S10 cameras have the new Eterna Bleach Bypass film simulation, plus a new White Balance option, that are required to get this look. If you have an X-T4 or X-S10, this is a film simulation recipe that you just might love!

Fujicolor Negative

November Tree – Farmington, UT – Fujifilm X100V

This film simulation recipe began as an experiment to see if it was possible to create LomoChrome Metropolis using Classic Negative. It’s not possible, but the results were still interesting. It reminds me of Fujicolor C200, perhaps pushed a stop—it isn’t an exact match to that, just coincidentally similar. I think some of you are going to really appreciate this recipe.

CineStill 800T

Night Synergy – Centerville, UT – Fujifilm X-T1

This might be the best version of CineStill 800T that I’ve ever created! This is a recipe that might make you go out and buy a used X-Trans II camera, just so that you can shoot with it!

Classic Analog

Sticks & Dry Leaves – Farmington, UT – Fujifilm X-M1

This is a recipe I created for X-Trans I cameras. It started out as an attempt to get a Portra look using Provia, which didn’t really work, but the results were quite nice nonetheless.

Kodak Portra 400 v2

Walking on a Bridge – Farmington, UT – Fujifilm X-T30

Like the Portra 400 recipe at the top, this is a new version that doesn’t replace the old one, just simply supplements it for a slightly different Portra 400 look. This film simulation recipe is intended for the Fujifilm X-T3 and X-T30.

Which of these new film simulation recipe are you most excited for? Let me know in the comments!

Introducing the Fuji X Weekly App for iOS!

The Fuji X Weekly app is a mobile film simulation recipe library containing over 100 recipes for Fujifilm cameras! The film simulation recipes in the app are the same ones that you know and love from this website, but now take them with you on the go, and have them at your fingertips wherever you are!

The Fuji X Weekly app is free! No annoying ads. Get access to 100+ film simulation recipes, which can be sorted alphabetically or chronologically. Each recipe contains an assortment of sample images, as well as a list of compatible cameras. Within each recipe there’s a place where you can keep notes, a useful feature for many of you, no doubt. The app will work offline, so if you don’t have internet access but need to find a certain recipe, no problem! The Fuji X Weekly app is a handy tool for Fujifilm photographers, an essential app to accompany your X-series camera. This is my Christmas gift to you!

This app does have some advanced features that can be unlocked by becoming a Fuji X Weekly Patron! These advanced features include filtering by sensor or camera, as well as by film simulation or color/B&W, and the ability to favorite recipes for quick access. The best app experience is reserved for Patrons!

Fuji X Weekly Patrons also get early access to some new film simulation recipes. There are 7 brand-new film simulation recipes that only Patrons can view. These recipes will eventually be published on Fuji X Weekly—free to everyone—but right now they’re available only to Patrons. As new early-access recipes are cycled into the app for Patrons, the others will be made available on this website and on the app free to all, so no worries.

By becoming a Fuji X Weekly Patron, which is only $19.99 annually, you unlock the app’s full potential, you get early access to some new film simulation recipes, and you help support Fuji X Weekly! It’s a win-win!

So much time (and money) has gone into creating this app. I believe that it will be useful to many of you, and I also believe it can grow into so much more. I can’t do it without your support. I appreciate everyone who has helped in one way or another already. I appreciate everyone who becomes a Patron! The Fuji X Weekly audience (that’s you!) truly is the best!

The Fuji X Weekly app will be available in the iOS App Store on December 1st. Download it to your iPhone or iPad! If you have a Mac with an M1 chip, you’ll be able to download the app, too, which might be useful for those who use X RAW Studio (it should be available for all Mac computers in a future update). I hope that an Android version will come along sometime next year, but right now it’s only available for Apple (if you don’t have an iPhone and don’t want to miss out on the app, you can probably find a good deal on an iPad this holiday season). I know that you’ll love the Fuji X Weekly app, and I’m super excited for its release!

I want to give a shout-out to Sahand Nayebaziz, the app developer (and Fujifilm photographer) who turned this idea into a reality. Thank you for all your hard work, and for lending your skills to this project!

Look for the Fuji X Weekly app in the iOS App Store on 12/01/2020!

How To Add Film Simulation Recipes To Your Fujifilm Camera

I’ve published over 100 film simulation recipes for Fujifilm X cameras, but I’ve never explained how to program them—the practical side of entering the data into the gear. How do you add a recipe to your camera? If you don’t know how, this article is for you!

Most Fujifilm cameras allow you to store up to seven custom presets; however, some only allow you to have one. There are some variations between models and generations, but no matter your Fujifilm X camera, you should be able to program a recipe by the end of this article, because it’s actually pretty simple. I think it’s always a good idea to read the manual—Fujifilm has all of them available online, and a Google search will bring up your model’s manual quickly. It’s important to really familiarize yourself with your gear to get the most out of it.

Most of the settings that a film simulation recipe requires you to adjust are found in the IQ Menu set, which you access by pressing the Menu button on the camera. Things like Film Simulation, Highlight, Shadow, Color, Dynamic Range, etc., etc., are found in this menu. For those who have a model that can’t save custom presets (such as the Fujifilm X-T200), this is where you can enter in the required parameters of a recipe. You might find many of these settings in the Q-Menu, as well, or through various other buttons on your camera, but they’re pretty much all in one place in the IQ Menu. White Balance Shift is adjusted within the White Balance submenu.

For those with cameras that can save seven custom presets (which most Fujifilm cameras are able to), you can program these custom presets with different film simulation recipes. Find “Edit/Save Custom Settings” in the IQ Menu, or, more quickly, press the Q button to open the Q Menu, then press and hold the Q button, and the Edit/Save Custom Settings submenu will appear. Again, there’s some variations between models, but this should work with most Fujifilm cameras. Once there, select the custom slot you want to use, enter the parameters that the recipe requires, and hit the Back button to save. Many cameras, but not all, have the option to name the custom preset.

Only the latest models, the X-Pro3 and newer, allow you to save the White Balance Shift with a custom preset. For most cameras, you’ll have to manually adjust the WB Shift each time that you change recipes. Exposure Compensation (which is a suggested starting point and not a hard-and-fast rule) can’t be stored, either. For those with cameras that can name presets, one option is to use a recipe name format to remind yourself what these settings should be, so that you know what to set them to.

Once you have everything set, then you can access the seven custom presets through the Q button. Changing between recipes becomes quick and easy! My X100V can save the WB Shift, which is great; however, my other cameras cannot, so on those models I have a button custom set to quickly access White Balance. That way I can easily adjust the shift, since I have to manually adjust that parameter each time I change recipes.

You should now be well on your way to setting up a film simulation recipe on your camera. Once you’ve done it a couple of times, the process will become quick for you. That first time or two, where you’re not really sure how to do it, is the hardest, but with experience it becomes easy.

Fujifilm X100V Film Simulation Recipe: Superia Xtra 400

Red Leaf – Fruit Heights, UT – Fujifilm X100V – “Superia Xtra 400”

I’ve had a lot of requests for a Superia Xtra 400 film simulation recipe. Fujifilm introduced Superia Xtra 400, a consumer-grade color negative film, in 1998, replacing Super G Plus 400. This film has been updated a couple of times, first in 2003 and again in 2006. It’s been widely used, thanks to its low cost and versatility. I’ve shot several rolls of this film over the years.

Thomas Schwab, who has invented a few film simulation recipes, and who I’ve collaborated with on a number of others, created this Superia Xtra 400 recipe. He did this by capturing a roll of actual Superia Xtra 400 film with a film camera while capturing identical exposures with his Fujifilm cameras, then, using X RAW Studio, worked on the settings until he found a match. As you can imagine, he put a lot of time and effort into creating this! He shared with me some of his side-by-side pictures—comparing the film with this recipe—and it was tough to figure out which was which, they looked so close!

Creek Through Autumn Forest – Fruit Heights, UT – Fujifilm X100V – “Superia Xtra 400”

What I find interesting is that this recipe isn’t all that much different than Luis Costa’s Classic Negative recipe. I said of Luis’ recipe, “It reminds me a lot of Superia Xtra 400 with a warming filter, or maybe Superia 200 pushed one stop.” Turns out it was pretty darn close to Xtra 400. This recipe by Thomas is even closer! But, of course, with film, so much depends on how it’s shot, developed, and scanned or printed, and the aesthetic can vary significantly. So, really, both recipes mimic Xtra 400, but this one proudly carries the name, as it is a very close match to the film.

Thank you, Thomas, for creating this recipe and sharing it! I know that many of you will love it. I love it! This Superia Xtra 400 film simulation recipe is compatible with the Fujifilm X100V, X-Pro3, X-T4, and X-S10.

Classic Negative
Dynamic Range: DR400
Highlight: 0
Shadow: -1
Color: +4
Noise Reduction: -4
Sharpening: -1
Clarity: -2
Grain Effect: Strong, Small
Color Chrome Effect: Off
Color Chrome Effect Blue: Strong
White Balance: Auto, +3 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs using this Superia Xtra 400 film simulation recipe on my Fujifilm X100V:

Eats & Treats – Farmington, UT – Fujifilm X100V
Fireplace – Farmington, UT – Fujifilm X100V
Brick & Fire – Farmington, UT – Fujifilm X100V
Red & Yellow Fire Hydrant – Layton, UT – Fujifilm X100V
November Pumkin – Farmington, UT – Fujifilm X100V
Fall Leaf in a Forest – Fruit Heights, UT – Fujifilm X100V
Forest Creek – Fruit Heights, UT – Fujifilm X100V
Autumn Branch Over Creek – Fruit Heights, UT – Fujifilm X100V
Autumn Creek – Fruit Heights, UT – Fujifilm X100V
Golden Path – Fruit Heights, UT – Fujifilm X100V
Trail Through the Forest – Fruit Heights, UT – Fujifilm X100V
Three Leaves – Fruit Heights, UT – Fujifilm X100V

See also: X-Trans IV Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Recipe Custom Name Format

An issue that many people have found with the different film simulation recipes is knowing what to adjust the White Balance Shift to, as well as knowing what the exposure compensation should be, when changing recipes. Only the newest Fujifilm cameras (the X-Pro3 and newer) have the ability to save the WB Shift with the custom presets; unfortunately, most Fujifilm cameras cannot save WB Shift with custom presets, and that’s a problem when switching between different recipes. Since the camera can’t save certain settings, people have come up with different solutions to help remember what those settings should be. One of those solutions is to put the WB Shift into the custom preset name. Not all Fujifilm cameras have the ability to name the custom settings, but many of them do.

Fuji X Weekly reader Randy Kirk took this name solution to a new level! He designed an abbreviation format for recipe names as a solution to the problem, which he explains below.

“The format translates, from left to right, as follows:
Film Recipe Name, WB mode (auto, daylight, etc), WB Offset, exposure compensation, and finally ISO or misc notes.”

“I use these abbreviations for White Balance:
AU: Auto
TN: Tungsten
C1: Custom 1, etc
F1: Fluorescent 1
KV: Kelvin
CL: Cloud
… and so on. Most can also be abbreviated to one letter if I run out of space to type.”

Below are some examples.

Kodachrome 64 is named: K64 DY+2r-5b +2/3~ 
Translation: “Kodachrome 64, Daylight White Balance with a +2 Red & -5 Blue shift, exposure comp +2/3, plus or minus 1/3 of a stop. The squiggle after the fraction translates to ‘more or less’ and takes less space than typing the full range listed in the recipe.”

Portra 160 is named: P160 DY~+4r-5b +1~
Translation: “Here, the squiggle after DY lets me know I can mess around with the White Balance, and the exposure compensation translates to +2/3 to +1 1/3 stop.”

Tri-X 400 is named: TriX C1+9r-9B +2/3~ 1600+
Translation: “White balance is Custom 1, exposure compensation is +1/3 to +1 stop, and ISO 1600 and up is recommended.”

“Last, here’s one that condenses my cheat notes for two recipes into one preset name:
K2/E100 A+3r-4b +1/3+ C/V
It looks funky, but translates to:
Kodachrome II / Ektachrome 100SW, Auto WB (abbreviated to A), WB Shift, Exposure Comp +1/3 to +2/3 stop.. and the last note indicates Classic Chrome (for Kodachrome II) or Velvia (for E100SW).” 

“A plus sign *after* the exposure compensation indicates another 1/3 stop ‘up’ (for a range of +1/3 to +2/3). Or if a recipe calls for an exposure range of minus 1/3 to minus 2/3 stop, then it would simply read ‘-1/3-‘.”

If you are having trouble remembering what adjustments that you need to make to your camera when you switch between recipes, this system of abbreviations with your custom recipe names might be just what you need. I know that this will be helpful to many of you. Thank you, Randy Kirk, for designing these abbreviations and sharing them!

Film Simulation Recipe Cards, Part 2!

Part 1

Oleksii Prytuhin has done it again! He created 9 more Film Simulation Recipe Cards to add to your collection!

I cannot tell you just how incredibly popular these are! The first 12 Film Simulation Recipe Cards that Oleksii created have been downloaded over 20,000 times! Even Fujirumors shared it. It’s such a great idea! People are really loving the cards!

These are credit-card-sized cards with Oleskii’s favorite film simulation recipes printed on them. They can be kept in a wallet for quick and easy reference. He printed them 86x54mm on thick paper with matte lamination. Feel free to download them and print them yourself, or save it to your phone.

The nine film simulation recipes that are on these cards are: Velvia, PRO Neg. Hi, Fujicolor Pro 400H, Kodak Tri-X Push Process, Kodak Ektachrome 100SW, Kodak Ultramax, Kodak Ektar 100, Classic Chrome, and… Luis Costa’s X-Trans III Classic Chrome recipe that Oleksii slightly modified to his own liking. Try it out! These are all X-Trans III recipes, but they’re also compatible with X-Trans IV cameras.

Oleksii gave me permission to share the PDF with you. If you’re interested in printing these cards for yourself, click the download button below (it will open up the file, which you can download), and print them! There’s also a Word document that contains the individual JPEGs, if that works better for you. I want to give Oleksii a big “thank you” for creating these and sharing them, and I invite you to give him a thank you in the comments if you download them. I appreciate it, and I know the whole Fujifilm community appreciates it!

Camera Basics: Shutter Speed

Fujifilm X-T30 & Rokinon 12mm – 0.4 Second Shutter Speed

Let’s talk about shutter speed! What is it? What does it do to your pictures? How do you control it to get the images that you want? For many of you, this is something you already know very well, but for others this will be helpful information.

The quick and simple definition of shutter speed is this: the amount of time that the camera’s shutter curtain is open, allowing light to reach the camera’s sensor or film. A fast shutter speed allows very little light to expose the sensor or film, while a slow shutter speed allows a lot of light to expose the sensor or film. Shutter speed is one of three elements of the exposure triangle, with aperture and ISO being the other two.

Some examples of common shutter speeds are 1/15, 1/30, 1/60, 1/125, 1/250 and 1/500. There are, of course, many other shutter speeds, this is far from a comprehensive list. 1/15 is an example of a slow shutter speed, and 1/500 is an example of a quick shutter speed. You’ll note that these are fractions, as in fractions of a second. You’ll also note that they’re half or twice as long as the shutter speed on either side, which means that 1/60 lets in half as much light as 1/30, and 1/15 lets in twice as much light as as 1/30.

If the shutter speed is too slow, you’ll have blur from camera shake, unless you’re using a tripod. A rule of thumb for the slowest hand-held shutter speed (without the help of image stabilization) is this: whatever the focal-length of the lens is (or in the case of Fujifilm X, the 35mm-equivalent focal-length), the shutter speed should be a similar number. For example, if the lens is 12mm, which has a 35mm-equivalent focal-length of about 18mm, the slowest hand-held shutter speed is around 1/15 or 1/20. If the lens is 90mm, which has a 35mm-equivalent focal-length of 135mm, the slowest hand-held shutter speed is around 1/125. With good techniques, you can often get a sharp picture with even slower shutter speeds, but that takes practice. Otherwise, you’ll have to use a tripod.

Shutter speed is about motion, either freezing it or showing it. A slow shutter speed will show motion (such as the picture at the top of this article, where the water is blurred), while a fast shutter speed will freeze it (such as the picture directly below this paragraph, where the moving car is sharp). In the first picture below, which was captured with a 1/450 shutter speed, you’d never know that the car was zooming by, because the motion was frozen. The second picture below, which was captured with a 1/80 shutter speed, shows the motion through the car’s blur. The third picture below, which was captured with a 1/60 shutter speed, shows the motion through panning, where the car is sharp but the background blurred from the sweeping lens.

Fujifilm X-M1 & Fujinon 90mm – 1/450 shutter speed
Fujifilm X-M1 & Fujinon 90mm – 1/80 shutter speed
Fujifilm X-M1 & Fujinon 90mm – 1/60 shutter speed

You can show motion in a photograph using a slow shutter speed, and some of that motion might not be immediately obvious. In the first picture below, the firework is moving during the exposure, showing colorful light streaks. In the second picture, the earth’s rotation makes the stars streak. In the third picture, intentionally shaking the lens creates an abstract picture through the camera’s movement.

Fujifilm X100V – 20 second shutter speed
Fujifilm X-T30 & Fujinon 100-400mm – 30 second shutter speed
Fujifilm X-T20 & Fujinon 90mm – 1/15 shutter speed

A fast shutter speed will freeze motion. If there’s some fast-moving object that you want to capture still without blur, you need a quick shutter. This might be a car driving down the road, running kids or jumping pets. Just how fast the shutter needs to be depends on how fast the object is moving, how close it is to the lens, and the focal-length of the lens. The picture below is an example of freezing a moving object with a fast shutter speed.

Fujifilm X-T30 & Fujinon 90mm – 1/2000 shutter speed

It takes much practice to master the shutter, but with practice you’ll know exactly what shutter speed you need to get the picture that you want. There are many variables, so there’s no one-size-fits-all recommendation. Don’t be afraid to experiment. You might fail, but you’ll learn, which will lead to success. Be creative! Put the camera on a tripod and try some different slow shutter speeds. Try photographing your kids or pets using a fast shutter. Pretty soon you’ll be a master of the shutter, totally in control of your camera.

Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Porto 200

Hidden House – Farmington, UT – Fujifilm X-T1 – “Porto 200”

I was asked to make a film simulation recipe for Fujifilm X-Trans II cameras that mimics the aesthetic of photographer João Falcão (Instagram). I got pretty close to his look with this recipe, although perhaps not exact. Certainly if you like João’s aesthetic, you’ll appreciate these settings. It produces some really nice results! I call it Porto 200.

Why do I call this film simulation recipe Porto 200? After all, there’s no film called Porto 200. Well, Porto is the city in Portugal where João is from. While Porto means “port” I think it has a nice film-stock-like name, similar to “Portra” for example. So Porto 200 it is!

Moody Lake – Big Arm, MT – Fujifilm X-T1 – “Porto 200”

I really enjoy using this recipe on my X-T1! It has (at least for now) a permanent spot in the Q menu. It produces a look that might be kind of similar to ColorPlus 200. It’s not intended to be similar to that film, but to me it seems a little similar. Feel free to try it with +1 Color and/or Sharpness if you prefer, or -5 Blue if you think it’s too yellow. This recipe is intended for X-Trans II cameras, but it will work on X-Trans I and Bayer cameras, too, but with slightly different results.

PRO Neg. Std
Dynamic Range: DR400
Highlight: 0 (Std)
Shadow: +1 (Medium-Hard)
Color: 0 (Mid)
Sharpness: 0 (Std)
Noise Reduction: -2 (Low)

White Balance: Daylight/Fine, +2 Red & -6 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Porto 200 recipe on my Fujifilm X-T1:

Holiday Rain – Big Arm, MT – Fujifilm X-T1
Forest Ivy – Farmington, UT – Fujifilm X-T1
Fall Wall – Farmington, UT – Fujifilm X-T1
Forest Fence – Farmington, UT – Fujifilm X-T1
Dying Leaves – Farmington, UT – Fujifilm X-T1
Tree Leaves – Farmington, UT – Fujifilm X-T1
Hanging Leaves – Farmington, UT – Fujifilm X-T1
Little Red Berries – Farmington, UT – Fujifilm X-T1
Red Berries in a Tree – Farmington, UT – Fujifilm X-T1
Treescape – Farmington, UT – Fujifilm X-T1

See also: X-Trans II Film Simulation Recipes

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Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Vivid Color

Vibrant Autumn – Fruit Heights, UT – Fujifilm X-M1 – “Vivid Color”

The Fujifilm X-M1 doesn’t have nearly as many JPEG options as newer X-Series cameras have; however, that doesn’t mean that this camera can’t produce great-looking images straight-out-of-camera. This film simulation recipe is proof of that, as it simply looks great!

Many of you don’t have X-Trans I cameras, since there were only three models made: the X-M1, X-E1 and X-Pro1. Fujifilm quickly moved on to the X-Trans II sensor. I know that some of you still have your old X-Trans I camera, or have purchased one second-hand for cheap. For a long time I neglected creating recipes for these cameras, but no more! This is the second one for X-Trans I, and expect several more to be published in the coming months.

Fall Forest – Flathead Lake, MT – Fujifilm X-M1 – “Vivid Color”

Even though this film simulation recipe is intended for the X-M1, X-E1 and X-Pro1, if you have an X-Trans II or Bayer model, feel free to try this recipe on your camera. It won’t be exactly the same, but it will produce very similar results.

Velvia
Dynamic Range: DR200
Highlight: +1 (Medium-Hard)
Shadow: +2 (Hard)
Color: +2 (High)
Sharpness: +1 (Medium-Hard)
Noise Reduction: -2 (Low)
White Balance: Fluorescent 1 (“Daylight Fluorescent”), -5 Red & +5 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs made using this Vivid Color film simulation recipe on a Fujifilm X-M1:

Stinker – Idaho Falls, ID – Fujifilm X-M1
Leave the Light On – Farmington, UT – Fujifilm X-M1
Sunlight Through the Curtain – Farmington, UT – Fujifilm X-M1
Business Hours – Idaho Falls, ID – Fujifilm X-M1
Thrifty Nickel – Idaho Falls, ID – Fujifilm X-M1
Clothes Hangers – Farmington, UT – Fujifilm X-M1
H&M – Farmington, UT – Fujifilm X-M1
Autumn Forest Sunlight – Fruit Heights, UT – Fujifilm X-M1
Bright Autumn Leaves – Fruit Heights, UT – Fujifilm X-M1
Red Berries & Orange Leaves – Fruit Heights, UT – Fujifilm X-M1
Early Autumn Leaves – Fruit Heights, UT – Fujifilm X-M1
October Leaves – Fruit Heights, UT – Fujifilm X-M1
Leaves in a Dark Forest – Fruit Heights, UT – Fujifilm X-M1
Lit Autumn Leaves – Fruit Heights, UT – Fujifilm X-M1
Slowly Dying – Fruit Heights, UT – Fujifilm X-M1
Autumn Leaves & Green Weed – Missoula, MT – Fujifilm X-M1
Misty Mountain Morning – Farmington, UT – Fujifilm X-M1

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Nature Neon

Setting Sun Trees – Bountiful, UT – Fujifilm X100V – “Nature Neon”

This film simulation recipe isn’t mine. It was created by Fuji X Weekly reader Immanuel Sander, who has actually posted several different recipes on his Instagram account (@captn.look). Thomas Schwab was the one who tipped me off to this. There are several really nice recipes that Immanuel has shared, but this one is my personal favorite. I asked him if I could share it with you on this website, and he graciously agreed. Immanuel calls this recipe Captn Look Nature Neon.

I’m not sure what film this might most closely resemble. It’s kind of similar to my Golden Negative recipe (although not exactly), which is kind of similar to FPP Retrochrome (expired high-speed Ektachrome). It’s also almost redscale-ish, a little more subtly than my Redscale recipe. Cross processed film can sometimes have a red/orange color cast, particularly (non-Velvia) Fujifilm transparencies, but I don’t think these settings are especially close to that. Even if this recipe doesn’t look exactly like any particular film, it nonetheless produce very interesting results.

The Road Less Traveled – Antelope Island SP, UT – Fujifilm X100V – “Nature Neon”

It’s called “Nature Neon” in part because it uses the Fluorescent 1 white balance, which is also called Daylight Fluorescent or Neon Light. It gives a look as if a red neon light is illuminating the scene. The change that I made to Immanuel’s recipe is that I set Sharpness to -2; he had it set to -4. Thomas prefers it set to 0. Really, whatever Sharpness you prefer to use from -4 to 0 is acceptable.

This film simulation recipe is compatible with the Fujifilm X100V, X-Pro3 and X-T4. This article is a bit unusual in that it features example photographs from three photographers: Immanuel Sanders, Thomas Schwab, and myself. You can see how three different photographers used these settings. I want to give a big thank-you to Immanuel for creating and sharing this recipe, and to Thomas for showing it to me. Thank you, guys! I encourage you to check out their Instagram pages to see more of their pictures.

Classic Chrome
Dynamic Range: DR400
Highlight: 0
Shadow: +2
Color: +3
Noise Reduction: -4
Sharpness: -2
Clarity: -4
Grain Effect: Weak, Small
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: Fluorescent 1, +2 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Nature Neon film simulation recipe:

Immanuel Sanders

Photo by Immanuel Sander
Photo by Immanuel Sander
Photo by Immanuel Sander
Photo by Immanuel Sander
Photo by Immanuel Sander

Thomas Schwab

Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab

Ritchie Roesch

Salt Lake from Ladyfinger Point – Antelope Island SP, UT – Fujifilm X100V
Peeking Peak – Antelope Island SP, UT – Fujifilm X100V
Rocks & Shrubs – Antelope Island SP, UT – Fujifilm X100V
Bison in a Meadow – Antelope Island SP, UT – Fujifilm X100V
Lava Sunset – Antelope Island SP, UT – Fujifilm X100V

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H

Fujifilm X100V Film Simulation Recipe: Agfa Vista 100

Daisies at the Dock – Big Arm, MT – Fujifilm X100V – “Agfa Vista 100”

In the film era, Agfa was not as big as Fujifilm or especially Kodak, but they were popular nonetheless, particularly in Europe. Vista 100 was a general purpose color negative film made by Agfa between 2001 and 2005. It was preceded by Agfacolor HDC+ 100, which produced similar (but not identical) results. There were two films, AgfaPhoto Vista 100 and AgfaPhoto Vista Plus 100, that were manufactured for a time, neither of which are the same emulsion as Agfa Vista 100. Similar names, different films.

This Agfa Vista 100 film simulation recipe came about after someone asked for settings similar to an Agfa Vista 100 Lightroom preset. It was sample pictures from that preset that I most consulted for this recipe, but I did look at examples of the film that I found online. This recipe produces results similar to the film, but is closer to the preset than the film. This might be more similar to Agfa Vista 200, which had a bit more saturation, contrast and grain; really, it’s in the ballpark of both the ISO 100 and 200 versions of the film, as they’re both pretty close to each other.

Newstand – Polson, MT – Fujifilm X100V – “Agfa Vista 100”

Because this requires the Classic Negative film simulation, as well as Clarity (which will slow your camera down, unfortunately) and Color Chrome Effect Blue, this film simulation recipe is only compatible (as of this writing) with the Fujifilm X100V, X-T4 and X-Pro3. I think many of you are going to really appreciate this recipe and it will be an instant favorite for some of you.

Classic Negative
Dynamic Range: DR200
Highlight: +1
Shadow: -2
Color: +2
Noise Reduction: -4
Sharpening: -0
Clarity: +3
Grain Effect: Strong, Small
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: 5600K, -4 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Agfa Vista 100 film simulation recipe on my Fujifilm X100V:

Lake McDonald Driftwood – Glacier NP, MT – Fujifilm X100V
Vuja de – Big Arm, MT – Fujifilm X100V
Boy, Fishing – Big Arm, MT – Fujifilm X100V
Shore of Wild Horse Island – Flathead Lake, MT – Fujifilm X100V
Evening at the Lake – Big Arm, MT – Fujifilm X100V
Three Sailboats – Big Arm, MT – Fujifilm X100V
Yellow Kayak – Big Arm, MT – Fujifilm X100V
Green Canoe – Big Arm, MT – Fujifilm X100V
Lunch Date – Polson, MT – Fujifilm X100V
Man in the Hat – Polson, MT – Fujifilm X100V
Brick & Metal – Polson, MT – Fujifilm X100V
Bank Building – Butte, MT – Fujifilm X100V
Cafe Open – Butte, MT – Fujifilm X100V
Drinking Fountain – Layton, UT – Fujifilm X100V
Circle Slide – Layton, UT – Fujifilm X100V
Yard Sale – Layton, UT – Fujifilm X100V
If a Tree Falls in the Forest – Glacier NP, MT – Fujifilm X100V
Cabin Flowers – Polebridge, MT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
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Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X-T200 (Bayer) Film Simulation Recipe: Analog Cool

Squash Leaves – Sunset, UT – Fujifilm X-T200 – “Analog Cool”

This new film simulation recipe, which is for Fujifilm cameras with a Bayer sensor, isn’t meant to mimic any specific film. I wanted to create something with a cool color cast, perhaps similar to Tungsten film. Kind of the opposite of my Golden Negative recipe. I call it Analog Cool.

I can’t tell you how many requests I’ve had for recipes compatible with Fujifilm Bayer cameras, such as the X-T200, X-T100, X-A7, X-A5 and XF10, but it’s been a lot! I don’t have very many recipes for these cameras, partly because you cannot save custom presets like you can on X-Trans models. You more-or-less have to use one recipe for a period of time, and only switch occasionally. This recipe will work on X-Trans I & II cameras, but it won’t look exactly the same.

Leaves & Thistle – Fruit Heights, UT – Fujifilm X-T200 – “Analog Cool”

This “Analog Cool” film simulation recipe works well in warm light, because it balances with that lighting condition. I didn’t test it under artificial light or for night photography, but I imagine it would be good for those situations. In cool light conditions, it will produce a pronounced blue cast that is similar to using Tungsten film in daylight, which is something you can try for creative effect or avoid if you don’t like it. Overall this is a pretty good recipe that produces interesting results under the right conditions, and I think some of you are going to really appreciate it.

Provia
Dynamic Range: DR400
Highlight: +1
Shadow: -1
Color: +2
Noise Reduction: -2
Sharpening: 0
White Balance: 4200K, -2 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this “Analog Cool” film simulation recipe on a Fujifilm X-T200:

Thistle Alone – Fruit Heights, UT – Fujifilm X-T200
Green Forest Leaves – Fruit Heights, UT – Fujifilm X-T200
Better Days Behind – Fruit Heights, UT – Fujifilm X-T200
Suburban Sunflowers – Sunset, UT – Fujifilm X-T200
Red Fruit in a Green Tree – Fruit Heights, UT – Fujifilm X-T200
Pear Tree – Farmington, UT – Fujifilm X-T200
Wasatch Ridge & Contrail – Farmington, UT – Fujifilm X-T200
Summer Garage – Sunset, UT – Fujifilm X-T200
Signs – Layton, UT – Fujifilm X-T200
Pillow on a Chair – Farmington, UT – Fujifilm X-T200

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T200   Amazon   B&H

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X100V Film Simulation Recipe: Kodachrome 1

Kodak Blossoms – Farmington, UT – Fujifilm X100V – “Kodachrome 1”

Kodachrome
They give us those nice bright colors
They give us the greens of summer
Makes you think all the world’s a sunny day

Kodachrome is probably the most iconic photographic film ever made. It was legendary, and many people saw the world through its colors. Kodak produced Kodachrome film from 1935 through 2009, when it was suddenly discontinued.

The Kodachrome name has been used for many different films over the years. The first Kodachrome product was a two-glass-plate color negative that was introduced in 1915. Like all other color photography methods of its time, the results weren’t particularly good and the product not especially successful.

Forest Brooks – Fruit Heights, UT – Fujifilm X100V – “Kodachrome 1”

In 1935 Kodak released its next Kodachrome, which was a color transparency film with an ISO of 10. This Kodachrome was the first color film that produced reasonably accurate colors and was the first commercially successful color film. It became the standard film for color photography for a couple decades, and was even Ansel Adams’ preferred choice for color work. The December 1946 issue of Arizona Highways, which was the first all-color magazine in the world, featured Barry Goldwater’s Kodachrome images.

Kodak made significant improvements to Kodachrome, and in 1961 released Kodachrome II. This film boasted more accurate colors, sharper images, finer grain, and a faster ISO of 25. While it was still similar to the previous Kodachrome, it was better in pretty much every way. A year later Kodachrome-X was introduced, which had an ISO of 64.

Another generation of Kodachrome, which came out in 1974, saw Kodachrome II replaced by Kodachrome 25 and Kodachrome-X replaced by Kodachrome 64. The differences between this version and the previous weren’t huge with nearly identical image quality. The biggest change was going from the K-12 to the K-14 development process (which was a little less complex, but still complex). This generation of Kodachrome is what most people think of when they picture (pun intended) the film, gracing the pages of magazines like National Geographic.

CPI – Farmington, UT – Fujifilm X100V – “Kodachrome 1”

I personally have shot plenty of Kodachrome, mostly Kodachrome 64. It was a good general use film that produced sharp images and pleasing colors. I haven’t used it in more than a decade. Its days are gone. Even if you can find an old roll of the film, there are no labs in the world that will develop it.

This Kodachrome 1 film simulation recipe is meant to mimic that first era of Kodachrome. This isn’t your parent’s or grandparent’s Kodachrome, it’s your great-grandparent’s. This Kodachrome 1 recipe is actually an updated version of my Vintage Kodachrome recipe. Since the new Fujifilm cameras have more JPEG options, such as Clarity, Color Chrome Effect and Color Chrome Effect Blue, it’s possible to get more accurate or at least different looks out-of-camera. This recipe is very similar to the original version, but I hope this one is just a tad better. It’s only compatible with the X100V, X-Pro3 and X-T4 cameras; if you don’t have one of those cameras, give the Vintage Kodachrome recipe a try. Both the old and this new version have a great vintage analog look that I’m sure many of you will appreciate. I want to give a big “thank you” to Fuji X Weekly reader Thomas Schwab for his help with updating this recipe.

Classic Chrome
Dynamic Range: DR400
Highlight: +4
Shadow: -2
Color: +4
Noise Reduction: -4
Sharpening: -2
Clarity: +1
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Auto, +2 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to -1 (typically)

Example photographs, all camera-made JPEGs using this Kodachrome 1 film simulation recipe on my Fujifilm X100V:

Reel 2 Reel – Farmington, UT – Fujifilm X100V
Behind the Grocery Store – Farmington, UT – Fujifilm X100V
American Neighborhood – Farmington, UT – Fujifilm X100V
Open Window Blinds – Farmington, UT – Fujifilm X100V
Playing Cards – Farmington, UT – Fujifilm X100V
Summer Bloom – Farmington, UT – Fujifilm X100V
Forest Edge – Fruit Heights, UT – Fujifilm X100V
Dead Tree Trunk – Fruit Heights, UT – Fujifilm X100V
Trees of Life & Death – Fruit Heights, UT – Fujifilm X100V
Sunlight & Leaves – Fruit Heights, UT – Fujifilm X100V

See also: Film Simulation Recipes

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