Fujifilm X100V & Kodak Portra 400

Fujifilm X100V – “Kodak Portra 400” (X-Trans III version)

Six months ago I turned my Fujifilm X100V into a monochrome-only camera, and just shot black-and-white Film Simulation Recipes with it, which was a lot of fun! I hope that someday Fujifilm makes a B&W-only model. Recently I started shooting color pictures on my X100V again, and the first three color recipes I programmed into the camera were Kodak Portra 400—three different versions of it!

My very first Kodak Portra 400 recipe is for Fujifilm X-Trans III cameras, which I published in May of 2018. It requires a hard-to-explain-and-get-right custom white balance measurement. I have had some luck in the past getting it “right” and at times not-so-much luck. I think this time I was able to get it pretty close but not exactly correct. I made three different attempts (using the three custom white balance slots), and went with the best of the three; however, I think the white balance should be slightly warmer than it is. It’s a tricky thing, and I wish it was more easily repeatable. To use this recipe on my X100V I set Grain size to Small, Color Chrome Effect to Off, Color Chrome FX Blue to Off, and Clarity to 0.

The next Kodak Portra 400 recipe is for the Fiujifilm X-T3 and X-T30, which I published in May of 2020. This one is easier to program (and probably more accurate to the film) than the X-Trans III version. To use it on my X100V I set Grain size to Small, Color Chrome FX Blue to Off, and Clarity to 0.

Fujifilm X100V – “Kodak Portra 400” (X-T3/X-T30 version)

The third Kodak Portra 400 recipe is for the “newer” X-Trans IV cameras, including the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, which I published in June of 2020. Of the three versions, this one is probably the most “accurate” to actual Portra 400 film, but it is extremely similar to the X-T3/X-T30 recipe—only very subtly different.

One film can produce a variety of looks depending on a whole host of factors, including (among other things) how it was shot, developed, and scanned—even the pH balance and temperature of the water can affect it. It’s not possible for one recipe replicate all possible aesthetics. Also, different Fujifilm cameras have different JPEG options, and different sensor generations have slight variances in rendering; even though one recipe might be more “accurate” to the film, it’s certainly not always so—the variables are pretty significant. What’s more important than accuracy is finding the recipe that works best for you and your photography.

I’ve published many other Portra recipes, including Kodak Portra 160 (X-Trans II), Kodak Portra 160 (X-T3/X-T30), Kodak Portra 400 v2 (X-T3/X-T30), Kodak Portra 400 v2 (X-Pro3 & newer), Kodak Portra 400 Warm (X-Pro3 & newer), Reggie’s Portra (X-Pro3 & newer), Portra-Style (X-Pro3 & newer), Kodak Portra 800 (X-Pro3 & newer), Kodak Portra 800 v2 (X-pro3 & newer), and Portra v2 (X-Trans II). There are others recipes that aren’t necessarily modeled specifically after Portra film, but have a Portra-like aesthetic nonetheless, such as Bright Summer, Bright Kodak, Jon’s Classic Chrome, and Classic Kodak Chrome. There are plenty to choose from!

Let’s take a look at some photographs that I captured with the three Kodak Portra 400 Film Simulation Recipes on my Fujifilm X100V.

Kodak Portra 400 (original recipe, for X-Trans III)

Kodak Portra 400 (2nd recipe, for X-T3/X-T30)

Kodak Portra 400 (3rd recipe, for X-Pro3 & newer X-Trans IV)

Comparison

“Kodak Portra 400” (X-Trans III version)
“Kodak Portra 400” (X-T3/X-T30 version)
“Kodak Portra 400” (X-Pro3 & newer version)

I hope that seeing these three Kodak Portra 400 Film Simulation Recipes together helps you decide which to try. Maybe one stands out more to you than the others. Perhaps the camera you own is more of a determining factor than the recipe itself. I personally like all three of them, and have enjoyed shooting with them on my (no-longer-B&W-only) X100V.

Also, as a reminder, these three Kodak Portra 400 recipes are the current SOOC recipes-of-the-month. Fujifilm X-Photographer Nathalie Boucry and I will conclude our discussion of these recipes in the next broadcast (be sure to watch the last episode if you missed it!), which will be live on October 20th. Upload your images (click here) captured with one (or more) of these Kodak Portra 400 recipes by October 18th to be included in the next show. I hope to see you then!

250 Film Simulation Recipes in the FXW App — Here are 10 of my Favorites!

Abandoned Farm House – McKinney, TX – Fujifilm X-E4 – “Fujicolor Natura 1600”

The Fuji X Weekly App has reached a significant milestone: 250 Film Simulation Recipes! That’s incredible! When the App launched in December 2020, it had “over 100” (123 to be exact), and now it has more than double that. Wow!

I published my first two recipe, simply called Classic Chrome and Acros, on August 27, 2017. Now, five years later, there are 250. Actually, there are more than that, because 1) none of the more complicated double-exposure recipes (here, here, here, here, here, here, and here) are in the App, and 2) it doesn’t include any of my Ricoh GR recipes or Nikon Z recipes (here, here, and here), nor any of the RitchieCam iPhone camera app filters.

I thought a fun way to celebrate the 250-recipes-in-the-App milestone would be to pick my favorite one from each block of 25. For some groups, I knew right away which recipe would represent it. For other groups, there were six or seven recipes that I strongly considered before making a decision—of course, that’s the trouble: there are way more than 10 Film Simulation Recipes that are my favorites! Half of these use Classic Chrome, three use Classic Negative, one uses Eterna, and one uses Acros.

1 – 25

26-50

51-75

76-100

101-125

126-150

151-175

176-200

201-225

226-250

Now it’s your turn. Which of these 10 recipes do you like best? Which recipes not in this list are your favorites? Let me know!

Don’t have the Fuji X Weekly App? Download it for free today! Become a Fuji X Weekly Patron to unlock the best App experience and support what I do.

Fujifilm X70 (X-Trans II) Film Simulation Recipe: Classic Kodak Chrome

Road Work Ahead – Glendale, AZ – Fujifilm X70 – “Classic Kodak Chrome”

Earlier this year I started a new Film Simulation Recipe series with the intention of customizing each film simulation to be optimized for the aesthetic that Fujifilm intended. In other words, make a nice-looking recipe that is similar to yet better than the stock look of a film simulation. The first recipe in this series is Standard Provia, the second is Improved Velvia, and the third is Everyday Astia. Now it’s time for Classic Chrome!

The problem with creating a Classic Chrome recipe for this series is there is already one that optimizes the aesthetic that Fujifilm intended. It already exists! So the challenge, of course, is to create something similar yet different, and hopefully every bit as good as the “old” recipe. Also, I thought to do it for X-Trans II cameras, which have thus far been left out of this series. I call this recipe “Classic Kodak Chrome” because the Classic Chrome film simulation is supposed to resemble a Kodak aesthetic, and this recipe definitely does. Fujifilm would never call the film simulation Kodak Chrome (even if they had the rights to use the brand name), but that doesn’t prevent me from including the Kodak name in my recipe.

Please, Dad—No More Pictures! – Buckeye, AZ – Fujifilm X70 – “Classic Kodak Chrome”

Most X-Trans II cameras have the Classic Chrome film simulation, but not all; this “Classic Kodak Chrome” Film Simulation Recipe is only compatible with those X-Trans II cameras with Classic Chrome, such as the X100T, X-E2, X-E2S, X-T1, X-T10, X30, X70, and XQ2 . Unfortunately, this recipe is not compatible with the X100S, X20, and XQ1, even though they are X-Trans II. Those with Bayer models with Classic Chrome can also use this recipe, although it will render slightly different on those cameras.

Classic Chrome
Dynamic Range: DR200
Highlight: -1 (Medium-Soft)
Shadow: 0 (Standard)
Color: +1 (Medium-High)
Sharpness: 0 (Standard)
Noise Reduction: -2 (Low)
White Balance: Auto, +2 Red & -2 Blue
ISO: Auto up to ISO 3200

Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured on my Fujifilm X70 using this “Classic Kodak Chrome” Film Simulation Recipe:

R2-D2 Junkyard – Buckeye, AZ – Fujifilm X70
Old School Diner – Glendale, AZ – Fujifilm X70
Three Scary Pumpkins – Buckeye, AZ – Fujifilm X70
Big Intersection – Glendale, AZ – Fujifilm X70
In Step – Glendale, AZ – Fujifilm X70
Old Garage – Glendale, AZ – Fujifilm X70
Yellow Building Behind White Fence – Glendale, AZ – Fujifilm X70
Small Neighborhood Flowers – Glendale, AZ – Fujifilm X70
Autumn Window – Glendale, AZ – Fujifilm X70
Doll & Toy Museum – Glendale, AZ – Fujifilm X70
Brick, Tree, Sun – Glendale, AZ – Fujifilm X70
Trees & Glass – Glandale, AZ – Fujifilm X70
Tree Tops & Cyan Sky – Buckeye, AZ – Fujifilm X70
Singular Garden Blossom – Buckeye, AZ – Fujifilm X70
Pink Summer Blossom – Buckeye, AZ – Fujifilm X70

Comparison

“Classic Kodak Chrome” recipe
Factory default Classic Chrome

Find this Film Simulation Recipe and 250 more on the Fuji X Weekly — Film Recipes App!

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New Fujifilm X-E4 (X-Trans IV) FXW App Patron Early-Access Film Simulation Recipe: Expired ECN-2 100T

Palm Trunk & Arches – Buckeye, AZ – Fujifilm X-E4 – “Expired ECN-2 100T”

The Fuji X Weekly App is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new Film Simulation Recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, many Early-Access Recipes have been publicly published on this blog and the App, so now everyone can use them! Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

Eastman Color Negative II 100T, which was also known as ECN-2 Type 5247/7247, was a 100 ASA Tungsten-balanced motion picture film made by Kodak between 1974 and 1983 (although, apparently, it could still be found and was used into the early 1990’s). A lot of iconic movies used this film for at least some shots, including Star Wars, Back to the Future, Raiders of the Lost Ark, and many more. This Film Simulation Recipe is intended to mimic the aesthetic of this film stock that’s expired and developed in C41 chemistry after having the Remjet layer removed. This recipe isn’t intended to look like the film as it’s seen in the movies, but expired film that’s been developed in C41 chemistry instead of the ECN-2 process.

Truck Tire – Buckeye, AZ – Fujifilm X-E4 – “Expired ECN-2 100T”

This “Expired ECN-2 100T” Patron Early-Access Recipe is compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. I believe it will also work on the X-H2 and X-H2s cameras, although I have not tried it myself to know for certain. If you are a Fuji X Weekly Patron, it’s available to you right now on the Fuji X Weekly App! If you don’t have the App, download it for free today. A side-note: this is the 250th Film Simulation Recipe in the App!

Example photographs, all camera-made JPEGs captured using this “Expired ECN-2 100T” film simulation recipe on my Fujifilm X-E4:

Saguaro Green – Buckeye, AZ – Fujifilm X-E4
Stop, All Ways – Buckeye, AZ – Fujifilm X-E4
Truck Mirror – Buckeye, AZ – Fujifilm X-E4
Lightning McQueen’s Home – Buckeye, AZ – Fujifilm X-E4
Truck – Buckeye, AZ – Fujifilm X-E4
Texting & Walking – Buckeye, AZ – Fujifilm X-E4
Bougainvillea Over Wall – Buckeye, AZ – Fujifilm X-E4
Backlit Bougainvillea & Lens Flare – Buckeye, AZ – Fujifilm X-E4
Light Pink Blooms – Buckeye, AZ – Fujifilm X-E4
Sunlit Trumpets – Buckeye, AZ – Fujifilm X-E4
Shaded Hummingbird Feeder – Buckeye, AZ – Fujifilm X-E4
Sidewalk Chalk & Red Bucket – Buckeye, AZ – Fujifilm X-E4
Red Soccer Ball – Buckeye, AZ – Fujifilm X-E4
Friendly Skeleton – Buckeye, AZ – Fujifilm X-E4
Kodak Instamatic Camera – Buckeye, AZ – Fujifilm X-E4

Fujifilm X-E4 Film Simulation Recipe: Analog Gold

Wood Shack – Farmington, UT – Fujifilm X-E4 – “Analog Gold”

This Film Simulation Recipe is called Analog Gold because it has a vintage film-like aesthetic with a golden color cast. It produces a warm, somewhat-muted look, and does well in both sunny and overcast conditions. While it’s not modeled after any specific film or process, it does convey an analog quality that’s easy to appreciate. I know that some of you will love this one!

I don’t recall much of the backstory of this recipe. I published it in January as a Patron Early-Access Recipe on the Fuji X Weekly App (which means a new Early-Access Recipe has replaced it, so if you are a Fuji X Weekly App Patron, be sure to look out for that), but I didn’t give a lot of details, and nine months later I just don’t remember. I think it was just some experimentations that I was doing at the time. If you like vintage-analog aesthetics, be sure to give this one a try!

Kaysville Pond in January – Kaysville, UT – Fujifilm X-E4 – “Analog Gold”

This “Analog Gold” Film Simulation Recipe is compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras, but not the X-T3, X-T30, X-Pro3, or X100V cameras. It’s likely also compatible with the X-H2 and X-H2s, but I haven’t tried to know for sure. Those with newer GFX cameras can use it, too, although it will render slightly different.

Eterna Bleach Bypass
Dynamic Range: DR400
Highlight: -2
Shadow: +1.5
Color: +3
Noise Reduction: -4
Sharpening: -2
Clarity: -4
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Off
White Balance: Daylight, +4 Red & -9 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this “Analog Gold” film simulation recipe on my Fujifilm X-E4:

Sunny Day Suburb – Buckeye, AZ – Fujifilm X-E4
Small Sunlit Tree Leaves – Buckeye, AZ – Fujifilm X-E4
Weather Radar – Farmington, UT – Fujifilm X-E4
Dry Leaves & Red Berries – Kaysville, UT – Fujifilm X-E4
Rusty Fence Post – Farmington, UT – Fujifilm X-E4
Flowing Creek in Grass – Kaysville, UT – Fujifilm X-E4
Frozen Pond – Kaysville, UT – Fujifilm X-E4
Grass & Frozen Pond Water – Kaysville, UT – Fujifilm X-E4
Grass in the Ice – Kaysville, UT – Fujifilm X-E4
Dry Shrub – Kaysville, UT – Fujifilm X-E4
Helicopters Waiting to Fly – Kaysville, UT – Fujifilm X-E4
Statue & Sky – Kaysville, UT – Fujifilm X-E4

Find this Film Simulation Recipe and nearly 250 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: September Summer

Peak of Sunlight – Buckeye, AZ – Fujifilm X-E4 – “September Summer”

I get asked frequently to create Film Simulation Recipes that mimic various films, and occasionally the aesthetic of specific photographers. In the case of this recipe, someone wanted me to recreate the look of photographer Brian Chorski. While Brian’s images seem to have a cohesive style at first glance, upon closer inspection one can spot several subtle variations. After much research, I discovered that he primarily shoots film—both 35mm and medium-format—and he prefers Kodak emulsions, especially Portra 160, Portra 400, Portra 800, and Ektar 100. I believe that he uses a warming filter at least some of the time, perhaps most of the time. I think he tends to overexpose (a common color negative film technique), and (obviously) his scanning and post-editing play a role in the final outcome. Also, he shoots primarily in the warm summer months.

I believe that several already existing Film Simulation Recipes at times come close to Brian’s look (some more than others), including Kodak Portra 160, Kodak Portra 400 v2 (this one, too), Kodak Portra 400 Warm, Kodak Portra 800 v2, Kodak Ultramax 400, Kodak Max 800, Kodak Ektar 100, Vintage Vibes, Pacific Blues, Bright Summer, and Bright Kodak. I’m sure there are others, too. Still, some of Brian’s pictures don’t seem to match any of those recipes, so I came up with a new one. This recipe, which I’m calling September Summer, is intended to replicate the aesthetic of some of Brian Chorski’s photographs. It seems best suited for sunny conditions, producing warm images that will remind you of seemingly endless summer days (which are now waning).

Chill Vibes – Buckeye, AZ – Fujifilm X-E4 – “September Summer”

This “September Summer” Film Simulation Recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, but not the X-T3 and X-T30, unfortunately. I believe it is also fully compatible with the X-H2 and X-H2s, but I have not tried it to know for sure. Those with newer GFX cameras can use it, too, but it will render slightly different. I don’t think this is a recipe that most will use regularly, but I believe some of you will really appreciate it in the right conditions.

Classic Negative
Dynamic Range: DR400
Highlight: -1
Shadow: -1
Color: +1
Noise Reduction: -4
Sharpness: 0
Clarity: -4
Grain Effect: Weak, Small
Color Chrome Effect: Off
Color Chrome Effect Blue: Weak
White Balance: 5500K, +3 Red & -7 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs using this “September Summer” Film Simulation Recipe on a Fujifilm X-E4:

First Day of Fall – Buckeye, AZ – Fujifilm X-E4
Saguaro Among Trees – Buckeye, AZ – Fujifilm X-E4
Dead Agave – Buckeye, AZ – Fujifilm X-E4
Bougainvillea in the Light & Shadow – Buckeye, AZ – Fujifilm X-E4
Trumpets & Wall – Buckeye, AZ – Fujifilm X-E4
Empty Pot – Buckeye, AZ – Fujifilm X-E4
Summer Frog – Buckeye, AZ – Fujifilm X-E4
Intersection – Buckeye, AZ – Fujifilm X-E4
Little Leaves, Little Blooms – Buckeye, AZ – Fujifilm X-E4
Cluster of Bougainvillea – Buckeye, AZ – Fujifilm X-E4
Blossom, Hiding – Buckeye, AZ – Fujifilm X-E4
September Blossom – Buckeye, AZ – Fujifilm X-E4

Find this Film Simulation Recipe and nearly 250 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-H1 (X-Trans III + X-T3 & X-T30) Film Simulation Recipe: Everyday Astia

Urban Palm Leaves – Sun City West, AZ – Fujifilm X-H1 – “Everyday Astia”

Earlier this year I started a new Film Simulation Recipe series with the intention of customizing each film simulation to optimize the aesthetic that Fujifilm intended. In other words, make a nice-looking recipe that is similar to yet better than the stock look of a film simulation. The first one was called Standard Provia and the second was called Improved Velvia. And then I stopped. Life happened. I took a long road trip. Now I’m living in another state (Arizona instead of Utah), and I’m picking this series back up again, taking a look at Astia.

The Astia film simulation doesn’t much resemble real Astia film—it’s actually closer to Provia 100F, but not a particularly close match to that, either. Even so, it’s actually a nice film simulation that is sometimes a “Goldilocks” option: contrasty but not too contrasty, vibrant but not too vibrant, etc.. Still, it’s one of the film simulations that I least use. Why? In my experience, a lot of times it just seems to lack the classic analog feel that I love; perhaps it is technically excellent but lacking soul. So I set out to give it some soul without significantly changing the overall aesthetic.

Partially Green – Sun City West, AZ – Fujifilm X-H1 – “Everyday Astia”

I call this recipe “Everyday Astia” because it is good for everyday photography. It’s great for sunshine and does well in the shade. It’s a good option for portraits. You can use it for street, landscape, or even artificial light photography—it’s highly versatile! This recipe is fully compatible with X-Trans III cameras plus the X-T3 and X-T30. To use it on newer X-Trans IV cameras (plus X-Trans V), set Color Chrome FX Blue to Off, Clarity to 0, and Grain size to Small.

Astia
Dynamic Range: DR400
Highlight: +1
Shadow: +1
Color: -1

Color Chrome Effect: N/A (X-Trans III) or Off (X-T3/X-T30)
Sharpness: -1
Noise Reduction: -4
Grain: Weak
White Balance: Auto, -1 Red & -2 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Everyday Astia” Film Simulation Recipe on my Fujifilm X-H1:

Architecture Abstract – Sun City West, AZ – Fujifilm X-H1
Striped Directory – Sun City West, AZ – Fujifilm X-H1
Fading Bloom – Sun City West, AZ – Fujifilm X-H1
Reaching Pink Flowers – Sun City West, AZ – Fujifilm X-H1
Empty Patio Chairs – Sun City West, AZ – Fujifilm X-H1
Welcome Courtyard – Sun City West, AZ – Fujifilm X-H1
Late Summer Leaves – Buckeye, AZ – Fujifilm X-H1
10:30 Moon – Sun City West, AZ – Fujifilm X-H1
Tiny Tower – Sun City West, AZ – Fujifilm X-H1
Palms & Building – Sun City West, AZ – Fujifilm X-H1
Architectural Stripes – Sun City West, AZ – Fujifilm X-H1
Mirror Mirrored – Sun City West, AZ – Fujifilm X-H1
Headlights – Sun City West, AZ – Fujifilm X-H1
Aged to Perfection – Sun City West, AZ – Fujifilm X-H1
Trike Tire – Buckeye, AZ – Fujifilm X-H1
Backlit Joy – Buckeye, AZ – Fujifilm X-H1
Happy Jon – Buckeye, AZ – Fujifilm X-H1
Building Storm Clouds – Buckeye, AZ – Fujifilm X-H1

This “Everyday Astia” recipe compared to “stock” Astia (everything set to factory defaults):

“Everyday Astia” recipe
Astia with everything set to factory defaults

Find this Film Simulation Recipe and nearly 250 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X70 (X-Trans II) Film Simulation Recipe: Fujichrome Slide

Dying Garden Rose – Buckeye, AZ – Fujifilm X70 – “Fujichrome Slide”

Sometimes you can get interesting results when you change the film simulation that a Film Simulation Recipe calls for. In this case, the recipe was Monochrome Red, which calls for Monochrome+R, and the film simulation that I used instead was Provia. I actually don’t like the Provia film simulation as much as most of the others, I think because it doesn’t much resemble Provia film; however, I do like how this recipe renders images, so perhaps I’ve been a little too critical of the “standard” film simulation.

This recipe doesn’t match Fujichrome Provia 100F film, but it is much closer to the film than just using default Provia. If you are looking for an X-Trans II recipe that’s in the neighborhood of Fujichrome Provia 100F, and don’t mind that it’s not exactly right, this one’s for you! It has a good deal of contrast (but not too much), and has vibrant colors (but not too vibrant)—definitely a (non-Velvia) Fujifilm color reversal film vibe. If you like this recipe, you should also consider trying Provia Negative.

Fisherboy – Litchfield Park, AZ – Fujifilm X70 – “Fujichrome Slide”

This “Fujichrome Slide” Film Simulation Recipe is compatible with all X-Trans II cameras. Those with X-Trans I or Bayer models can use it, too; however, it will render slightly differently—I tried it on my X-Pro1 and the results were good; similar but not identical to my X70.

Provia/Std
Dynamic Range: DR400
Highlight: -1 (Medium-Soft)
Shadow: +2 (Hard)

Color: +2 (High)
Sharpness: +1 (Medium-Hard)
Noise Reduction: -2 (Low)
White Balance: Fluorescent 1, -4 Red & +7 Blue
ISO: Auto up to ISO 3200

Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured on my Fujifilm X70 using this “Fujichrome Slide” Film Simulation Recipe:

Beyond Orange – Goodyear, AZ – Fujifilm X70
Three Beams & Palm – Litchfield Park, AZ – Fujifilm X70
Palm Bush – Goodyear, AZ – Fujifilm X70
Shriveling Bloom – Buckeye, AZ – Fujifilm X70
Trumpet Vine – Buckeye, AZ – Fujifilm X70
A Yellow Trumpet Blossom – Buckeye, AZ – Fujifilm X70
Moth Wall – Buckeye, AZ – Fujifilm X70
Rose Palm Evening – Litchfield Park, AZ – Fujifilm X70
Fisher Jon – Litchfield Park, AZ – Fujifilm X70
Tree & Home Reflection – Litchfield Park, AZ – Fujifilm X70
Little Boat in the Little Lake – Litchfield Park, AZ – Fujifilm X70
Suburban Lake Reflection – Litchfield Park, AZ – Fujifilm X70

Find this Film Simulation Recipe and nearly 250 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Vintage Analog

Waterfront Homes – Litchfield Park, AZ – Fujifilm X-E4 – “Vintage Analog”

This Film Simulation Recipe was suggested to me by someone… and I’m sorry to say that I don’t remember who (if it was you, let me know in the comments!). This recipe is basically my Vintage Kodacolor recipe, but with a couple modifications: Classic Negative instead of Classic Chrome, plus Color Chrome FX Blue and Clarity. Sometimes when you use a different film simulation than what a recipe calls for, the results can be interesting. I programmed this recipe into my Fujifilm X-E4, noticed that it produced good results, and then I kind of forgot about it for awhile. I recently “rediscovered” it in my C1-C7, and used it for several days, enjoying the warm vintage-like images that this recipe produces.

Most of these pictures were captured through vintage glass, as I adapted some old lenses to my X-E4. The main one was a Helios 44-2, but a couple Asahi Takumars were used, too. Using old manual lenses is something that I enjoy doing, and this recipe pairs really well with them. I also used a 10% CineBloom filter on some of the pictures; diffusion filters help to take the “digital edge” off of images, and produce a more analog-esque aesthetic—I don’t use them all of the time, and I think subtlety is key.

Arch Over Bell Tower – Litchfield Park, AZ – Fujifilm X-E4 – “Vintage Analog”

Because this “Vintage Analog” Film Simulation Recipe use Classic Negative, Color Chrome FX Blue, and Clarity, it is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, but not the X-T3 or X-T30. Those with the X-H2s (and soon-to-be X-H2) can likely use it, too, but I haven’t tested it myself to know for sure. Why does this recipe use Color Chrome FX Blue and Clarity when the Vintage Kodacolor recipe that it is derived from doesn’t? I don’t know (and if I was told I don’t remember). But it looks good, so what can I say? I hope you enjoy it!

Classic Negative
Dynamic Range: DR200
Highlight: +2
Shadow: 0
Color: -4
Noise Reduction: -4
Sharpness: -1
Clarity: -2
Grain Effect: Strong, Small
Color Chrome Effect: Off
Color Chrome Effect Blue: Weak
White Balance: 9100K, -4 Red & +4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this “Vintage Analog” Film Simulation Recipe on a Fujifilm X-E4:

Red Rose of Summer – Litchfield Park, AZ – Fujifilm X-E4
Dock Post – Litchfield Park, AZ – Fujifilm X-E4
Duck Conversation – Litchfield Park, AZ – Fujifilm X-E4
Two Palm Sky – Litchfield Park, AZ – Fujifilm X-E4
Roof & Tiles – Buckeye, AZ – Fujifilm X-E4
Garden Bulb – Buckeye, AZ – Fujifilm X-E4
Summer Trumpets – Buckeye, AZ – Fujifilm X-E4
Approaching Storm Clouds – Buckeye, AZ – Fujifilm X-E4
Hoping to Catch – Litchfield Park, AZ – Fujifilm X-E4
Suburb Saguaro – Buckeye, AZ – Fujifilm X-E4
Dead Cactus Branch – Buckeye, AZ – Fujifilm X-E4
Hazy Desert – Buckeye, AZ – Fujifilm X-E4
Saguaro Storm – Buckeye, AZ – Fujifilm X-E4

Find this Film Simulation Recipe and nearly 250 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X70 (X-Trans II) Film Simulation Recipe: Monochrome Red

Houses, Reflected – Litchfield Park, AZ – Fujifilm X70 – “Monochrome Red”

Back when I shot black-and-white film, I usually used a color filter to manipulate the shades of grey, and for landscape photography the Red filter was my most-used option. You cannot use these filters on your Fujifilm camera, but Fujifilm does provide you with three faux filters: +Y, +R, & +G. These mimic the aesthetic of using a Yellow, Red, or Green filter (sort of). In my opinion, +R doesn’t actually replicate the use of a Red filter very well; it’s more like an Orange filter. This recipe is intended to produce a look more similar to a Red filter on black-and-white film, which means that it will darken blues and lighten reds.

I actually created this “Monochrome Red” Film Simulation Recipe several months back on my Fujifilm X-T1, but that camera has a dirty sensor in need of a cleaning, so I never shared the results. Then I moved, and the X-T1 got packed away for awhile. Just recently I purchased a different X-Trans II camera—an X70—so I plugged this recipe into it and began shooting. This is an excellent option if you are looking for a black-and-white recipe, and is especially good for landscape photography.

Sunlit Flowers – Litchfield Park, AZ – Fujifilm X70 – “Monochrome Red”

The “Monochrome Red” recipe is compatible with all X-Trans II cameras. If you have an X-Trans I or Bayer model, the results will be ever slightly different, but very similar, and you can definitely use it—if you have an X-Pro1 or X-T200 or anything like that, feel free to give this recipe a try.

Monochrome+R
Dynamic Range: DR400
Highlight: -1 (Medium-Soft)
Shadow: +2 (Hard)
Sharpness: +1 (Medium-Hard)
Noise Reduction: -2 (Low)
White Balance: Fluorescent 1, -4 Red & +7 Blue
ISO: Auto up to ISO 6400

Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs captured on my Fujifilm X70 using this “Monochrome Red” Film Simulation Recipe:

Josh Intently Gaming – Buckeye, AZ – Fujifilm X70
Jonathan with a Smile – Buckeye, AZ – Fujifilm X70
Backlit Jo – Litchfield Park, AZ – Fujifilm X70
Boy Fishing – Litchfield Park, AZ – Fujifilm X70
Dock Abstract – Litchfield Park, AZ – Fujifilm X70
Lock & Chain – Litchfield Park, AZ – Fujifilm X70
Pole & Chain – Litchfield Park, AZ – Fujifilm X70
Fishing Pole on Dock – Litchfield Park, AZ – Fujifilm X70
Young Boy Fishing – Litchfield Park, AZ – Fujifilm X70
Lakeside Tree – Litchfield Park, AZ – Fujifilm X70

Find this Film Simulation Recipe and nearly 250 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X70 (X-Trans II) Film Simulation Recipe: Kodak Color Negative

Bee on a Blossom – Buckeye, AZ – Fujifilm X70 – “Kodak Color Negative”

I’ve wanted a Fujifilm X70 ever since I learned of its existence. For those who don’t know, the X70 was essentially a smaller, more wide-angle, and less expensive X100T. Introduced in January 2016 and discontinued in December of that same year, you might think that the camera was a flop, but it wasn’t. Unfortunately, to Fujifilm’s surprise, shortly after the camera launched, Sony suddenly discontinued the 16-megapixel APS-C sensor that the X70 used, and Fujifilm had no choice but to fully move on to X-Trans III as quickly as possible. The X70 was a casualty of that situation. No successor was ever made, supposedly because heat dispersion was an issue with higher resolution sensors that couldn’t be remedied. Even though the camera is six years old now, people love their X70’s—you don’t see very many for sale, and when you do it’s usually for a similar price to, or even higher than, the original MSRP. I was fortunate to find one in excellent condition for “only” $600.

I’ve had this camera for just a few days. After unboxing the X70, I quickly programmed into it the latest recipe that I had been working on with my X-T1 (which is in need of a sensor cleaning), and busily shot with it. Already I love this little camera—not only is it very practical to carry around everywhere, it is so much fun to use! Fujifilm really needs to work hard an its successor, the X80—this should be a top priority, in my opinion.

Fujifilm X70 — captured with a Fujifilm X100V + GAF 500 recipe

For this “Kodak Color Negative” Film Simulation Recipe, I wanted to use the Incandescent White Balance. Why? Because you cannot program a White Balance Shift into the C1-C7 Custom Presets (only on X-Pro3 and newer models); however, the camera will remember one shift per white balance type. If each of your presets uses a different white balance type, then you don’t have to remember to adjust the shift when switching presets. Incandescent is a white balance option that I’d not yet used on X-Trans II, so it seemed like a logical place to start.

The aesthetic that I was hoping to achieve with this recipe was Kodak Portra 400. I don’t believe that I succeeded in faithfully mimicking that (sometimes there’s a similarity); however, it does seem to produce a Kodak-like color negative film look, perhaps more like Ultramax, but not exactly that, either. Whatever it does or doesn’t resemble, I personally really like the aesthetic produced by this recipe, and I hope that you do, too.

Johanna in Evening Light – Buckeye, AZ – Fujifilm X70 – “Kodak Color Negative”

This “Kodak Color Negative” recipe is compatible with all X-Trans II cameras that have Classic Chrome, including the X100T, X-E2, X-E2S, X-T10, X-T1, X30, X70, and XQ2. Unfortunately, the X100S, X20, and XQ1 don’t have Classic Chrome, despite being X-Trans II. Those with Bayer models that have Classic Chrome can also use this recipe, although it will render a little different on your camera.

Classic Chrome
Dynamic Range: DR200
Highlight: -2 (Soft)
Shadow: -1 (Medium-Soft)
Color: +2 (High)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: Incandescent, +6 Red & -7 Blue
ISO: Auto up to ISO 3200

Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured on my Fujifilm X70 using this “Kodak Color Negative” Film Simulation Recipe:

Sunlight Through The Grapevine – Surprise, AZ – Fujifilm X70
Grape Leaves – Surprise, AZ – Fujifilm X70
Backlit Leaf & Lens Flare – Surprise, AZ – Fujifilm X70
Is It Already Fall Y’all? – Surprise, AZ – Fujifilm X70
Hummingbird – Surprise, AZ – Fujifilm X70
Burgers & Rainbows – Phoenix, AZ – Fujifilm X70
Corner Table – Phoenix, AZ – Fujifilm X70
Morning Coffee – Glendale, AZ – Fujifilm X70
Mary, Jesus & Stinky Pete – Surprise, AZ – Fujifilm X70
Yellow Hanging Trumpets – Buckeye, AZ – Fujifilm X70
Backyard Blossoms – Buckeye, AZ – Fujifilm X70
Orange Trumpets & Lens Flare – Buckeye, AZ – Fujifilm X70
Singular Bougainvillea Branch – Buckeye, AZ – Fujifilm X70
Yellow Wall Flowers – Buckeye, AZ – Fujifilm X70
Garden Rose – Buckeye, AZ – Fujifilm X70
Leaf on the Ground – Buckeye, AZ – Fujifilm X70
Wet Suburbia Evening – Buckeye, AZ – Fujifilm X70
Wet Concrete Reflecting Sunset – Buckeye, AZ – Fujifilm X70
Sunset Veiled by House & Tree – Buckeye, AZ – Fujifilm X70

Find this Film Simulation Recipe and nearly 250 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: GAF 500

Urban Rhino – Phoenix, AZ – Fujifilm X-E4 – “GAF 500”

Hold onto your hats, because, for this Film Simulation Recipe, we’re going to dive deep into the obscure and practically forgotten history of a unique film called GAF 500. We’re going to explore the intriguing history of GAF, discover what made this film unique, and discuss how this new GAF 500 Film Simulation Recipe came to be. You are in for a treat today!

GAF actually began in 1886 as the Standard Paint Company of New Jersey. After acquiring a holding company in 1928 that had (among other things) majority ownership of AGFA, the company changed its name to General Aniline & Film—GAF for short. Also in 1928, AGFA merged with Ansco, so in addition to acquiring AGFA, GAF also got ownership of Ansco, which was founded in 1842. Originally named E. Anthony & Co., after merging with Scovill Manufacturing in 1901 it was renamed Ansco (“An” from Anthony and “sco” from Scovill). Ansco was headquartered in New York, and was Kodak’s biggest competitor for many decades. The merger with AGFA was intended to bring Ansco’s photography products to a global market, which would allow them to better compete against Kodak.

Then World War II happened, and in 1941 the U.S. government seized and took ownership of GAF and Ansco (separating it from AGFA, which was a German-owned business), and officially merged Ansco into GAF. The U.S. government retained ownership of GAF until 1965, when it sold all of its shares.

Morning Sunlight on a Curtain – Buckeye, AZ – Fujifilm X-E4 – “GAF 500”

In 1967 GAF introduced a revolutionary new film: GAF 500. It was a high-ISO 35mm color transparency (slide) film—the highest ISO color film during its time; the second-highest color ISO film (another GAF emulsion) was rated at ISO 200, so it was more than twice as “fast” (as they called it back then) as the second fastest. 30 years prior to the introduction of GAF 500, the highest ISO color film was rated at ISO 8, so having an ISO 500 option was unthinkable back then, and a lot of people wondered why anyone would need such a high-ISO film. While it was mostly sold under the brand name GAF, it was sometimes sold as Anscochrome 500. Was GAF/Anscochrome 500 any good?

From all accounts, you either loved GAF 500 or hated it. The grain was extremely pronounced. Colors were “good” yet muted (a.k.a. “neutral” or “natural”) and generally considered to be not as “nice” as Kodak’s. It didn’t push-process nearly as well as, it wasn’t quite as sharp as, and it didn’t pair with color correction filters as well as Kodachrome or Ektachrome. It was inferior to all other color emulsions except for one fact: it was fast! You could use it when other films wouldn’t work due to low light. If it was dark and you wanted to shoot color, GAF 500 was your best bet.

GAF 500 had a warm color cast—some described it as orange, some said red-orange, and others stated that it was red—not as warm as some Kodak emulsions, but warm nonetheless. The shadows tended to lean blue. If you pushed the film, it had a purple cast across the frame. Some people liked how it looked when shooting under fluorescent lights or stage lights, and was a popular choice for concert photography.

Illuminated Cat & Sleeping Child – Buckeye, AZ – Fujifilm X-E4 – “GAF 500”

What people seemed to like most about GAF 500 is that it was gritty yet soft. It was grainy, like a high-ISO black-and-white film, and it was contrasty with a very narrow exposure latitude—it was easy to blow out the whites or block up the blacks; however, it also had low color saturation (or was “more neutral” as some put it) , and the gradations were gentle. It was like a biker ballerina, if you will. Some people loved the aesthetic of GAF 500, and would use it even in bright-light situations just for the look that it produced. Many photographers steered clear of it just because there were “better” options, such as push-processing lower ISO films.

There was a time in the 1970’s that GAF was everywhere. It was the official film of Disneyland, and, for a time, was the only brand of film that you could purchase inside the park. Sears sold GAF cameras and film. Henry Fonda was the spokesman. Despite that, GAF struggled to be profitable competing against Kodak, Fujifilm, and other brands.

GAF made a few minor “improvements” to their ISO 500 film over the years, and (from what I read) it seemed to get “better” towards the mid-1970’s. In 1977, due to sluggish sales, GAF decided to get out of the photography business altogether. GAF/Anscochrome 500 was discontinued, along with all of the other GAF films. The Ansco brand name was licensed out to other companies for years to come, although it was largely used for rebranded films and not original emulsions. GAF 500 was gone forever.

Garden Spiderweb – Buckeye, AZ – Fujifilm X-E4 – “GAF 500”

Perhaps thanks to Alien Skin Exposure software, there’s been a renewed interest in GAF 500. Alien Skin has a GAF 500 preset that is supposed to allow you to mimic the aesthetic of the film with your digital images. I’ve used it before, and that’s the closest I’ve come to shooting GAF 500. It’s been awhile since I’ve used Exposure software, so I don’t recall too much about the preset (other than it was grainy). So, for this Film Simulation Recipe, I spent significant time studying whatever I could find on the film. There’s a lot of written information out there, but photographs were hard to come by. Still, I found some, and did my best to emulate the look with my Fujifilm X-E4.

Recreating GAF 500 on my Fujifilm camera was tricky for several reasons. First, I wouldn’t have considered Eterna as the best base (just because it lacks the necessary contrast to emulate a contrasty slide film), but after trying Classic Chrome, PRO Neg. Low, and Eterna Bleach Bypass, I decided to give Eterna a go. Bingo! This one had the right tonality (those “gentle gradations”); however, I do wish that Shadow could be set to +5 to get deeper blacks, but that’s not an option. Another tricky aspect was achieving the warm, reddish/orangish color cast that could still produce a hint of blue in the shadows. Fujifilm cameras aren’t capable of split-toning, so I did my best to approximate this with the white balance; I do wish the shadows were just a little more blue, but it’s not possible without sacrificing the overall warmth. Another challenge was replicating the grain. Fujifilm’s option of Grain Strong Large wasn’t nearly as pronounced as it needed to be, so I set out to supplement it with digital noise using high-ISO. But how high? ISO 1600 wasn’t nearly enough. ISO 3200 wasn’t enough, either. ISO 6400… much closer, but not quite there, either. Should I dare try ISO 12800? Yes, that’s it! More importantly, it looks good, which I had my doubts about.

With slide film, depending on the emulsion, you had to nail the exposure exactly, as the dynamic range was extraordinarily narrow. You didn’t know what you had until you got the film back from the lab (or developed it yourself at home); some frames would be underexposed, some frames would be overexposed, and some frames (hopefully) would be correctly exposed—I found examples of all three when searching for GAF 500 photographs. You can achieve similar aesthetics with this recipe if you want, by either dropping the exposure a little or increasing it a little—the exact look of this recipe will vary some depending on the exposure. While I couldn’t replicate every potential GAF 500 aesthetic with this one recipe, and no recipe will ever be 100% spot-on accurate (because of the limited tools available on the camera, and because the results of one film can vary significantly depending an a whole host of factors), I do believe that this recipe is pretty close to replicating the look and feel of GAF 500 film—at least from the perspective of someone who was born after the film was discontinued, so I never had a chance to use it myself.

Offroad Tricycle – Buckeye, AZ – Fujifilm X-E4 – “GAF 500”

Because this “GAF 500” recipe uses Clarity and Color Chrome FX Blue, it is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, and is not compatible with the X-T3 or X-T30. Those with X-Trans V cameras can also use it, and it should render identically, although I have no first-hand experience to verify that. Those with newer GFX cameras can use it, too, although it will render differently. Because of the ultra high-ISO that’s required, I recommend using your electronic shutter and a small aperture (like f/8, f/11, or even f/16) when shooting in bright light outdoors.

Eterna
Dynamic Range: DR100
Highlight: +2
Shadow: +4
Color: 0
Noise Reduction: -4
Sharpness: -3
Clarity: -2
Grain Effect: Strong, Large
Color Chrome Effect: Off
Color Chrome Effect Blue: Strong
White Balance: 2900K, +9 Red & -9 Blue
ISO: 12800
Exposure Compensation: -2/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “GAF 500” Film Simulation Recipe on my Fujifilm X-E4:

Eat – Phoenix, AZ – Fujifilm X-E4
Bird Scooters – Phoenix, AZ – Fujifilm X-E4
Orange Lighter & Abandoned Home – Phoenix, AZ – Fujifilm X-E4
FAO JUG – Phoenix, AZ – Fujifilm X-E4
Why Love? – Phoenix, AZ – Fujifilm X-E4
Twin Dumpsters – Phoenix, AZ – Fujifilm X-E4
Garfield – Phoenix, AZ – Fujifilm X-E4
Overhead Crane – Phoenix, AZ – Fujifilm X-E4
Oversized Load – Phoenix, AZ – Fujifilm X-E4
And So It Begins – Phoenix, AZ – Fujifilm X-E4
Air Garage & Graffiti – Phoenix, AZ – Fujifilm X-E4
Can in the Sage – Phoenix, AZ – Fujifilm X-E4
Suburban Barrel Cacti – Phoenix, AZ – Fujifilm X-E4
Double Peace – Buckeye, AZ – Fujifilm X-E4
Table Roses – Buckeye, AZ – Fujifilm X-E4
Sunlit Curtain – Buckeye, AZ – Fujifilm X-E4
Yellow Trumpets & Sunstar – Buckeye, AZ – Fujifilm X-E4
Bougainvillea Branch in the Blue – Buckeye, AZ – Fujifilm X-E4
Orange Trumpet Flower Blossoms – Buckeye, AZ – Fujifilm X-E4
Two Yellow Trumpets – Buckeye, AZ – Fujifilm X-E4
Joy – Buckeye, AZ – Fujifilm X-E4

Grain examples:

Big crop to show the “grain” in the image.
Big crop to show the “grain” in the image.
Big crop to show the “grain” in the image.

Find this Film Simulation Recipe and nearly 250 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-Trans IV + X-H1 FXW App Patron Early-Access Film Simulation Recipes: Vintage Eterna

Bougainville Branch Blossom – Buckeye, AZ – Fujifilm X-H1 – “Vintage Eterna”
Cactus Spikes – Buckeye, AZ – Fujifilm X-E4 – “Vintage Eterna”

The Fuji X Weekly App is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is that you get early access to some new Film Simulation Recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, many Early-Access Recipes have already been publicly published on this blog and the App, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

This new “Vintage Eterna” Early-Access Recipe is a bit unusual in that there are actually two recipes: one for the X-H1, X-T3, and X-T30, and another for newer models (X-Pro3 and newer). The premise was simple: what would the Vintage Kodachrome recipe look like if I used Eterna instead of Classic Chrome? As it turns out, it looks alright; however, after I made more modifications, it looks much better! I initially created this on my Fujifilm X-E4, but then I wanted a version for my X-H1, so I made a recipe compatible with that camera, and even used it on my X-T30. If you have an X-H1 or any X-Trans IV camera, you can use the “Vintage Eterna” recipe—just find the one that’s compatible with your model. For those with the X-H2s (or soon-to-be X-H2), you can use the version of this recipe that’s for the newer X-Trans IV cameras, and it should render pretty much identically on X-Trans V, but I haven’t tried it myself to know for certain. If you have a GFX camera, one of these two recipes will work on the model you have, but it will render slightly differently (try it anyway, though).

If you are a Fuji X Weekly Patron, it’s available to you right now on the App!

Fujifilm X-H1, X-T3, & X-T30 — “Vintage Eterna”

Cloud Above Roof – Buckeye, AZ – Fujifilm X-H1
Summer Blossoms – Buckeye, AZ – Fujifilm X-H1
Sky Vines – Buckeye, AZ – Fujifilm X-H1
Backlit Leaves of Summer – Fujifilm X-H1
Hummingbird Feeder – Buckeye, AZ – Fujifilm X-H1
Golden Trumpets – Buckeye, AZ – Fujifilm X-H1
Yellow Trumpet Flower – Buckeye, AZ – Fujifilm X-H1
Red Trumpet Flower – Buckeye, AZ – Fujifilm X-H1
Garden Wall Light – Buckeye, AZ – Fujifilm X-T30

Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, & X-T30 II — “Vintage Eterna”

Labyrinth – Litchfield Park, AZ – Fujifilm X-E4
Sky Dome – Litchfield Park, AZ – Fujifilm X-E4
Little Desert Berries – Buckeye, AZ – Fujifilm X-E4
Saguaro & Storm – Buckeye, AZ – Fujifilm X-E4
Birdie Footprints – Buckeye, AZ – Fujifilm X-E4
Distant Downtown – Buckeye, AZ – Fujifilm X-E4
Sky Rays – Buckeye, AZ – Fujifilm X-E4
Saguaro Silhouette – Buckeye, AZ – Fujifilm X-E4
Purple Plant – Buckeye, AZ – Fujifilm X-E4

Fujifilm X-Trans III + X-T3 & X-T30 Film Simulation Recipe: Vintage Kodacolor

Large Stone & Tall Grass – Farmington, UT – Fujifilm X-H1 – “Vintage Kodacolor”

This Film Simulation Recipe is called “Vintage Kodacolor” because I was inspired by some old Kodak Kodacolor puzzles that I stumbled across (did you know that Kodak made jigsaw puzzles?). I’m not completely certain which Kodacolor film was used for these puzzles—possibly Kodacolor II—or how much the printing process affected the aesthetic, or even how much the colors have faded and shifted over time. Whatever the case, this recipe does a pretty good job emulating it, and produces a warm vintage-like aesthetic that’s easy to appreciate. There’s some similarities between this and my Kodacolor II 126 recipe.

This recipe has been available on the Fuji X Weekly App as a Patron Early-Access Recipe since December; however, a different Early-Access Recipe has replaced it, so now this one is available to everyone! This isn’t a Film Simulation Recipe that is for every person or every situation, but some of you in the right situations will absolutely love it. I think it is especially good for achieving a vintage look on sunny days and during golden hour.

Pink Bougainvillea Flowers – Buckeye, AZ – Fujifilm X-T30 – “Vintage Kodacolor”

This “Vintage Kodacolor” recipe is fully compatible with all X-Trans III cameras, plus the Fujifilm X-T3 and X-T30. Those with newer X-Trans IV (and X-Trans V) cameras can use it, too, but you’ll have to decide on Clarity (I suggest 0, or maybe -2), Color Chrome FX Blue (I suggest Off), and Grain size (I would try Large).

Classic Chrome
Dynamic Range: DR200
Highlight: +2
Shadow: 0
Color: -4
Noise Reduction: -4
Sharpness: -1
Grain Effect: Strong
Color Chrome Effect: Off/NA
White Balance: 9100K, -4 Red & +4 Blue
ISO: Auto up to ISO 12800

Exposure Compensation: -1/3 to +1/3

Example photographs, all camera-made JPEGs captured using this “Vintage Kodacolor” Film Simulation Recipe on my Fujifilm X-H1 & X-T30:

Tree Behind – Buckeye, AZ – Fujifilm X-T30
Vintage Phragmites – Farmington, UT – Fujifilm X-H1
Evening Reeds and Sky – Farmington, UT – Fujifilm X-H1
Three Brown Leaves – Farmington, UT – Fujifilm X-H1
Don’t Approach the Great Blue Heron – Farmington, UT – Fujifilm X-H1
Safe Zone – Farmington, UT – Fujifilm X-H1
Sunset Through The Grass – Farmington, UT – Fujifilm X-H1
Evening Light on the Wood – Farmington, UT – Fujifilm X-H1
Flowers No More – Farmington, UT – Fujifilm X-H1
Metal Door – Farmington, UT – Fujifilm X-H1
Cool Dog – Buckeye, AZ – Fujifilm X-T30
Cardboard Architect – Farmington, UT – Fujifilm X-H1
Holiday Horse Rider – Farmington, UT – Fujifilm X-H1

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Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Kodak Max 800

Ice Cold Pepsi – Farmington, UT – Fujifilm X-E4 – “Kodak Max 800”

This Film Simulation Recipe is modeled after some prints I found in a box that I thought looked interesting. I didn’t initially know what film had been used, but after locating the negatives I discovered it was something called Kodak GT 800-3, and I had no idea what that was. After much sleuthing, I found out it was Kodak Max Zoom 800, also known as Max 800. The film was shot in 2006 (I believe by my wife), and it was the third and final iteration of the emulsion (this version was introduced in 2000). Max Zoom 800 was replaced in 2006 by the similar Max Versatility Plus 800 (which was around for five or six years before its discontinuation).

Kodak made Max 800 film for point-and-shoot and disposable cameras—specifically, they marketed it for point-and-shot cameras with a zoom lens, which exaggerated camera shake. It was a cheap high-ISO consumer color negative film intended for the novice. It had a large latitude for underexposure and (especially) overexposure, but color reproduction was a little different (some have said “bland” or “weird”) when compared to other Kodak films. Kodak intended the film to be printed on Ektacolor Edge paper, but my samples were printed on Fujicolor Crystal Archive paper (which certainly affects the aesthetic)—this recipe is modeled after my samples.

Winter Greenhouse – Farmington, UT – Fujifilm X-E4 – “Kodak Max 800”

This Kodak Max 800 recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. Because it uses the Classic Negative film simulation and Clarity, it is not compatible with the X-T3 and X-T30, unfortunately. For those with the X-H2s, it’s my understanding that this recipe is completely compatible and renders near identically, but I have not tested it to know for certain. Those with newer GFX cameras can use it, too, although it will render a little differently.

Classic Negative
Dynamic Range: DR400
Highlight: -2
Shadow: +1
Color: -1
Noise Reduction: -4
Sharpness: -2
Clarity: -4
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Off
White Balance: 7300K, -5 Red & -2 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Kodak Max 800” Film Simulation Recipe on my Fujifilm X-E4:

Frozen Ponds at a Bird Refuge – Farmington, UT – Fujifilm X-E4
Winter Gate – Farmington, UT – Fujifilm X-E4
Open Gate – Farmington, UT – Fujifilm X-E4
Icy Marshland – Farmington, UT – Fujifilm X-E4
What Remains of Summer – Farmington, UT – Fujifilm X-E4
Winter Water – Farmington, UT – Fujifilm X-E4
Frozen Marsh Pond – Farmington, UT – Fujifilm X-E4
Nature Trail – Farmington, UT – Fujifilm X-E4
Green Truck – Farmington, UT – Fujifilm X-E4
Santa’s Sled – Farmington, UT – Fujifilm X-E4
Neighborhood Path in Winter – Farmington, UT – Fujifilm X-E4
Trail Closed – Farmington, UT – Fujifilm X-E4
No Shooting Past the Fence – Farmington, UT – Fujifilm X-E4
Pallets – Farmington, UT – Fujifilm X-E4
Inside Abandoned Shed – Farmington, UT – Fujifilm X-E4
Walking Tunnel – Farmington, UT – Fujifilm X-E4
Farm in the City – Farmington, UT – Fujifilm X-E4
Barnes & Noble Window – Farmington, UT – Fujifilm X-E4
Building Top in Last Light – Farmington, UT – Fujifilm X-E4
Buildings & Palms – Buckeye, AZ – Fujifilm X-E4
Backyard Garden Trumpets – Buckeye, AZ – Fujifilm X-E4
Illuminated Desert Shrub – Buckeye, AZ – Fujifilm X-E4

Find this Film Simulation Recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-Trans IV FXW App Patron Early-Access Film Simulation Recipe: Vintage Print

Bell Tower – Litchfield Park, AZ – Fujifilm X-E4 – “Vintage Print”

The Fuji X Weekly App is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is that you get early access to some new Film Simulation Recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, many Early-Access Recipes have been publicly published on this blog and the App, so now everyone can use them! Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

This recipe began when my wife suggested that I should try to emulate a certain look that she found. I wasn’t successful, but in my efforts I discovered these settings, which I thought looked interesting nonetheless. They remind me of vintage color prints—not from any specific film or process, but just my “memory color” (as Fujifilm puts it) of some old prints that I’ve seen in the past. It has almost a classic magazine quality to it, or even a bit of a post-card resemblance. Whatever it may or may not look like, it definitely has a vintage-like look that some of you might really appreciate.

All of these pictures were captured using manual vintage lenses, including—actually, mostly—a Helios 44-2. I also used a 5% CineBloom or 10% CineBloom filter with around half of them. I did this to help achieve an analog aesthetic. The use of vintage glass and diffusion filters aren’t required for this recipe, but you are certainly welcome to do so if you want—I think they help a little to take the digital edge off of the pictures.

Suburban Saguaro – Buckeye, AZ – Fujifilm X-E4 – “Vintage Print”

This “Vintage Print” Early-Access Recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. Those with the X-H2s and newer GFX cameras can use it, too (results may vary, though). If you are a Fuji X Weekly App Patron, it’s available to you right now on the Fuji X Weekly App! If you don’t have the App, download it for free today.

Example photographs, all camera-made JPEGs captured using this “Vintage Print” Film Simulation Recipe on my Fujifilm X-E4:

Big Storm Looming in the Background – Buckeye, AZ – Fujifilm X-E4
Lake, House – Litchfield Park, AZ – Fujifilm X-E4
Jon Is Happy – Litchfield Park, AZ – Fujifilm X-E4
Labyrinth Church – Litchfield Park, AZ – Fujifilm X-E4
Saguaro & Dust – Buckeye, AZ – Fujifilm X-E4
Twin Saguaros – Buckeye, AZ – Fujifilm X-E4
Saguaro as Seen Through a Saguaro – Buckeye, AZ – Fujifilm X-E4
Teddy Bear Cholla – Buckeye, AZ – Fujifilm X-E4
Desert Spikes – Buckeye, AZ – Fujifilm X-E4
Desert Barrel – Buckeye, AZ – Fujifilm X-E4
Trumpets Down – Buckeye, AZ – Fujifilm X-E4
Bright Bougainvillea – Buckeye, AZ – Fujifilm X-E4

Fujifilm X100V (X-Trans IV) Film Simulation Recipe: Fujicolor Analog

Cotton On – Farmington, UT – Fujifilm X100V – “Fujicolor Analog”

I was asked to recreate the look of a certain photographer, and I noticed that a lot of their photographs had a Classic Negative aesthetic, so I thought it would be easy to mimic. It turns out that this person shoots a lot of film, including (but not limited to) Fujicolor C200 and various Superia emulsions, as well as digital (but not Fujifilm, as far as I can tell), using RNI and perhaps some other filters or presets. Nothing said what each picture had been captured with, so it became difficult to recreate. After a little frustration, I decided to select only pictures with a certain aesthetic to attempt to emulate—I believe they might have been captured on a Superia emulsion, but they might not have been—they might not even be film! I think I was able to create a pretty close facsimile to this person’s aesthetic… at least one of the many various (but still somewhat similar) looks that this photographer has.

One film can have many different looks, depending on how it was shot, developed, and printed or scanned. I do believe this “Fujicolor Analog” recipe mimics the aesthetic of a Fujifilm color negative film, but which exact film, and how handled, is uncertain. What is certain is that this is a very nice recipe that some of you will love! This Film Simulation Recipe was a Fuji X Weekly App Patron Early-Access Recipe; however, a different recipe has replaced it, and so now it’s available to everyone!

Noble Fir – Kaysville, UT – Fujifilm X100V

Because this recipe uses Classic Negative, Color Chrome FX Blue, and Clarity, it is only compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras (and likely the X-H2s, too, although I have not tested it). I believe those with newer GFX cameras can also use it, although it will likely render slightly different. Unfortunately, it is not compatible with the X-T3 and X-T30 or older cameras.

Classic Negative
Dynamic Range: DR400
Highlight: -1
Shadow: 0
Color: -3
Noise Reduction: -4
Sharpness: 0
Clarity: -3
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 6900K, -5 Red & +5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this “Fujicolor Analog” Film Simulation Recipe on my Fujifilm X100V & Fujifilm X-E4 cameras:

Main St Market – Buckeye, AZ – Fujifilm X-E4
Backlit Bougainvillea Flower – Buckeye, AZ – Fujifilm X-E4
Cloud Behind Trees – Buckeye, AZ – Fujifilm X-E4
Pine Trunk – Kaysville, UT – Fujifilm X100V
Burly Ladder – Kaysville, UT – Fujifilm X100V
Red Lights – Kaysville, UT – Fujifilm X100V
Utah Reeds – Farmington, UT – Fujifilm X100V
Pine in the Sky – Farmington, UT – Fujifilm X100V
Withering Blooms – Orem, UT – Fujifilm X100V
Peaks Above The Gap – Orem, UT – Fujifilm X100V
Arts – Draper, UT – Fujifilm X100V
Stop Spreading Germs – Draper, UT – Fujifilm X100V
Pharmacy Lift – Centerville, UT – Fujifilm X100V

Find this film simulation recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-E4 (X-Trans IV) FXW App Patron Early-Access Film Simulation Recipe: Eterna Bleach Bypass

Evening on Main – Buckeye, AZ – Fujifilm X-E4 – “Eterna Bleach Bypass”

The Fuji X Weekly App is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new Film Simulation Recipes. These early-access recipes will eventually become available free to everyone in time, including this new one. In fact, many early-access recipes have already been publicly published on this blog and the App, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

I was challenged by Thomas Schwab to create a Film Simulation Recipe that mimics the aesthetic of the picture in the background of Dan Bailey’s YouTube video discussing the Eterna Bleach Bypass film simulation. There were some challenges, including limited samples (which were viewed on a YouTube video), and the fact that I now live in Arizona and not Utah (no access to majestic snow-capped mountain scenes), but I do believe that I got in the ballpark. This is essentially a “black-and-white” recipe for color photography—capable of producing dramatic near-monochrome images.

Pacific Photographer – Pismo Beach, CA – Fujifilm X-E4

Because this “Eterna Bleach Bypass” recipe uses the Eterna Bleach Bypass film simulation, it is only compatible with those cameras that have it, which are the Fujifilm X-T4, X-S10, X-E4, and X-T30 II. I do believe that this recipe is fully compatible with X-Trans V (currently the X-H2s), but I have not tested it yet to know for certain. Those with newer GFX cameras can also use it, although it will likely render slightly different.

If you are a Fuji X Weekly Patron, this recipe is available to you right now on the App!

Example photographs, all camera-made JPEGs captured using this “Eterna Bleach Bypass” on my Fujifilm X-E4:

Suburban Roof Abstract – Buckeye, AZ – Fujifilm X-E4
CVS – Buckeye, AZ – Fujifilm X-E4
Climbing a Wall – Buckeye, AZ – Fujifilm X-E4
Wall Details – Buckeye, AZ – Fujifilm X-E4
Bougainvillea & Building Storm – Buckeye, AZ – Fujifilm X-E4
Clouds Above Mesa – St. George, UT – Fujifilm X-E4
Crashing Wave Along Coast – San Simeon, CA – Fujifilm X-E4
Backyard Garden Sunbeams – Buckeye, AZ – Fujifilm X-E4
Garden Trumpet – Buckeye, AZ – Fujifilm X-E4
Little Bug – Buckeye, AZ – Fujifilm X-E4
Saguaro Fingers – Buckeye, AZ – Fujifilm X-E4
Boardwalking – Pismo Beach, CA – Fujifilm X-E4

Fujifilm X-Trans III + X-T3/X-T30 Film Simulation Recipe: Melancholy Blue

Pops of Pink – Buckeye, AZ – Fujifilm X-H1 – “Melancholy Blue”

For this Film Simulation Recipe I wanted to combine the beautiful blues of the new Pacific Blues recipe with the dark moodiness of the Vintage Agfacolor recipe. The result is a slightly melancholic aesthetic that can also produce dramatic results in certain circumstances. It’s great for daylight photography—delivering interesting (yet quite dissimilar) results in both overcast and bright sunlight conditions, including Low Key photography—and it also seems like a good option for some artificial light situations. Despite its versatility, it’s not a recipe that everyone will love; however, I know that a few of you will really appreciate it.

Unless your camera is an X-Pro3 or newer, you cannot save a white balance shift with your C1-C7 custom presets; however, your camera will remember one shift per white balance type, so if each C1-C7 recipe uses a different white balance type, you won’t have to remember to change the shift when you change recipes. There aren’t very many recipes that use the Incandescent White Balance, but now you have another recipe option if you are using this method.

Enlightened Nature – Buckeye, AZ – Fujifilm X-T30 – “Melancholy Blue”

This “Melancholy Blue” Film Simulation Recipe is intended for Fujifilm X-Trans III cameras, plus the X-T3 and X-T30. I used it on my Fujifilm X-H1 and X-T30, and it did well on both. For newer X-Trans IV cameras, set Color Chrome FX Blue to Off, Clarity to 0, and Grain size to… either Small or Large, you’ll have to decide which you prefer.

Classic Chrome
Dynamic Range: DR200
Highlight: +3
Shadow: -1
Color: -2
Noise Reduction: -4
Sharpness: -1
Grain Effect: Weak
Color Chrome Effect: Off/NA
White Balance: Incandescent, +4 Red & -9 Blue
ISO: Auto up to ISO 6400

Exposure Compensation: -1/3 to -1 (typically)

Example photographs, all camera-made JPEGs captured using this “Melancholy Blue” Film Simulation Recipe on my Fujifilm X-T30 & Fujifilm X-H1 cameras:

Prickly Fruit – Buckeye, AZ – Fujifilm X-H1
Yellow on Top – Buckeye, AZ – Fujifilm X-H1
Dark Saguaro – Buckeye, AZ – Fujifilm X-H1
Buddies – Buckeye, AZ – Fujifilm X-H1
Lights Along A Wall – Buckeye, AZ – Fujifilm X-T30
Backyard Blooms – Buckeye, AZ – Fujifilm X-H1
Backlit Trumpets – Buckeye, AZ – Fujifilm X-H1
Twin Blooms – Buckeye, AZ – Fujifilm X-T30
Climbing Trumpets – Buckeye, AZ – Fujifilm X-T30
Bougainvillea Branch – Buckeye, AZ – Fujifilm X-H1
Block Wall Shadow – Buckeye, AZ – Fujifilm X-H1
Does Not Stop – Buckeye, AZ – Fujifilm X-H1
Roof Lines – Buckeye, AZ – Fujifilm X-T30

Find this Film Simulation Recipe and over 200 more on the Fuji X Weekly App!

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Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Pacific Blues

Coastal Blooms – San Simeon, CA – Fujifilm X-E4 – “Pacific Blues”

Sometimes—like “Arizona Analog“—Film Simulation Recipes come together quickly, and sometimes—like this recipe—they don’t. This particular recipe has been in the works for over a year! I’ve made several attempts, and I finally feel satisfied that it is right—or at least as “right” as I’m going to get it. But what is it?

I’ve had a few requests to mimic the aesthetic of Lucy Laucht‘s Spirit of Summer series, particularly the Positano Blues photographs. Lucy is most known for shooting with Leica cameras—both film and digital—but she also uses others, and I wasn’t sure what she employed for this project. Recently I discovered that Positano Blues was shot on film, but (as far as I’ve found) she doesn’t discuss which film. I did find a reference (not related to this specific project) that mentioned she has used Kodak Gold and Kodak Portra, and that she digitally edits the film scans to some degree. She mentions using VSCO with her digital images, and I wonder if she also utilizes it with her film, too. When I first saw the pictures in this series, I thought it had a Classic Negative vibe—a film simulation that emulates Fujicolor Superia film. Lucy’s pictures are warmer than Superia typically is, but so much depends on how a film is shot, developed, scanned, etc., on how exactly it looks, and she certainly could have used warming filter. No matter the film and process used by Lucy, there’s a certain “look” to the Positano Blues photographs that is recognizable and beautiful—no wonder why people want to emulate it!

Coast Blue – San Simeon, CA – Fujifilm X-E4 – “Pacific Blues”

While Lucy Laucht’s pictures have a recognizable aesthetic, there are subtle differences between the images. Once you study them closely, you realize that some are warmer and some are cooler. Colors are rendered slightly different in some pictures. In past attempts, I felt like I’d get it “right” for one picture but “wrong” for others; however, with this final attempt, I feel like it’s possible to get close to the “look” of most of the Positano Blues photos. I’m very satisfied with how this one turned out, and I know that many of you will appreciate it, too. Obviously it is intended for a summer day at the beach, but it will do well in many different daylight situations. This “Pacific Blues” Film Simulation Recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. I assume that it will also work on the X-H2s and newer GFX cameras, but I haven’t tried it to know for sure.

Classic Negative
Dynamic Range: DR400
Highlight: -2
Shadow: +3
Color: +4
Noise Reduction: -4
Sharpness: -2
Clarity: -3
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 5800K, +1 Red & -3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this “Pacific Blues” Film Simulation Recipe on a Fujifilm X-E4:

Pier Feet – Avila Beach, CA – Fujifilm X-E4
Water Taxi – Avila Beach, CA – Fujifilm X-E4
Harford Pier – Avila Beach, CA – Fujifilm X-E4
Bird & Boats – Avila Beach, CA – Fujifilm X-E4
Bird ‘Bout To Get Wet – San Simeon, CA – Fujifilm X-E4
Ocean Post – San Simeon, CA – Fujifilm X-E4
Pacific Plants – San Simeon, CA – Fujifilm X-E4
Rocks in the Water – San Simeon, CA – Fujifilm X-E4
Central California Coast – San Simeon, CA – Fujifilm X-E4
Grass in the Sand – Pismo Beach, CA – Fujifilm X-E4
Beach Frisbee – Pismo Beach, CA – Fujifilm X-E4
Sax at the Beach – Pismo Beach, CA – Fujifilm X-E4
Surf Rider – Pismo Beach, CA – Fujifilm X-E4
Lone Rider – Pismo Beach, CA – Fujifilm X-E4
Two on the Wave – Pismo Beach, CA – Fujifilm X-E4
Evening Wave – Pismo Beach, CA – Fujifilm X-E4

Find this film simulation recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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