Fujifilm film simulation settings

Fujifilm X100V Film Simulation Recipe: Black & White Infrared

Posted on 15 Hours Ago by Ritchie Roesch

Stop Here on Infrared – Yellowstone NP, WY – Fujifilm X100V – “Black & White Infrared”

Infrared photographing is capturing light beyond the visible spectrum. It requires special film, or a digital sensor that has had the infrared filter removed. Any digital camera has the potential to be infrared sensitive, but the process isn’t easy or cheap. Full spectrum photography is similar to infrared, but also includes ultraviolet and visible light (not just infrared light). With full spectrum photography you can choose by the use of filters which light you want to capture. You can use filters with infrared, too, to control what light comes through, but not to the extent of full-spectrum. A characteristic of both infrared and full-spectrum in black-and-white is deep contrast, with dark skies and white foliage. One of my favorite photographers is Mitch Dobrowner, who converted his Canon cameras to full-spectrum for dramatic monochrome storm photography.

When I purchased my Fujifilm X-T1, I had the intentions of converting it to full-spectrum, but the cost of the conversion has prevented me from doing it. I still hope to do so, maybe later this year or perhaps next year. We’ll see. But I figured out a way to simulate something that’s in the neighborhood of infrared or full-spectrum on my Fujifilm X100V without any conversions. In the right light and with the right subject, it can be quite convincing! Even though you are only using the visible spectrum of light, it can appear as though you are actually doing infrared photography. Amazing!

Even in situations where this recipe doesn’t resemble infrared or full-spectrum, it will still produce a dramatic, high-contrast look that you might find appealing. Those who have said that Acros+R doesn’t actually resemble the use of a red filter on black-and-white film will appreciate these settings. Many landscape photographers, including Ansel Adams, employed a red filter to achieve a dark sky (for example, Moonrise Over Hernandez).

White Tree Black Sky – West Valley City, UT – Fujifilm X100V – “Black & White Infrared”

The trick is to use a low Kelvin white balance in conjunction with a dramatic white balance shift when using Acros+R. I got the idea from Fuji X Weekly reader James Clinich, who uses between 3800K and 4500K with a 0 Red & +8 shift to achieve a darker sky, which is something you can apply to other B&W recipes if you’d like to better mimic the use of a red filter. I just took his idea a step further to make it even more dramatic for this recipe.

My Black & White Infrared film simulation recipe can be difficult to use. I find that it doesn’t always work well. It can be very tough to gauge the best exposure, and I’ve had to go anywhere from -1 to +3 on the exposure compensation dial to get it right. It’s one of the more difficult to use recipes that I’ve created, yet it is highly rewarding. If you like dramatic black and white photographs, you’ll want to give this one a try! As of this writing, it’s only compatible with the Fujifilm X100V, X-Pro3 and X-T4 cameras.

Acros+R
Dynamic Range: DR200
Highlight: +4
Shadow: +3
B&W Toning: 0
Noise Reduction: -4
Sharpening: -4
Clarity: +5
Grain Effect: Strong, Large
Color Chrome Effect: Off
Color Chrome Effect Blue: Off
White Balance: 2750K, -5 Red & +9 Blue
ISO: Auto, up to ISO 6400

Example photographs, all camera-made JPEGs using this Black & White Infrared film simulation recipe on my Fujifilm X100V:

Crafts & Hobbies – West Valley City, UT – Fujifilm X100V

Cloud Above The Wall – Draper, UT – Fujifilm X100V

Flags Over IKEA Infrared – Draper, UT – Fujifilm X100V

Pinnacle – Farmington, UT – Fujifilm X100V

Suburban Abstract – Farmington, UT – Fujifilm X100V

Suites – West Valley City, UT – Fujifilm X100V

Paved Paradise – West Valley City, UT – Fujifilm X100V

Accessible Parking – West Valley City, UT – Fujifilm X100V

Done Shopping – West Valley City, UT – Fujifilm X100V

Soda Glass – West Valley City, UT – Fujifilm X100V

Couch Stripes – Farmington, UT – Fujifilm X100V

Flowers in the Sky – Big Sky, MT – Fujifilm X100V

Grey Hills – Red Rock Lakes NWR, MT – Fujifilm X100V

Abandoned Dream Infrared – Red Rock Lakes NWR, MT – Fujifilm X100V

Abandoned House by the Hill IR – Red Rock Lakes NWR, MT – Fujifilm X100V

Henry’s Fork River – Island Park, ID – Fujifilm X100V

Upper Red Rock Lake IR – Red Rock Lakes NWR, MT – Fujifilm X100V

Red Rock Road Monochrome – Red Rock Lakes NWR, MT – Fujifilm X100V

Aspen Leaves Infrared – Farmington, UT – Fujifilm X100V

Illuminated Tree – West Valley City, UT – Fujifilm X100V

Infrared Tree – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Kodak Ektar 100

Posted on 1 Day Ago by Ritchie Roesch

Dock Light – Flathead Lake, MT – Fujifilm X100V – “Kodak Ektar 100”

I already have a Kodak Ektar film simulation recipe that I published a little over two years ago, but I’ve been wanting to revisit it for awhile. In the article that I published for that recipe, I wrote, “I’m actually a little hesitant to call this film simulation recipe Kodak Ektar 100 because it’s not quite right. It’s close, but a little off. The color palette is slightly askew.” That’s a true statement. My original Ektar recipe is close but no cigar. Since that time Fujifilm has added more JPEG options to their cameras, so would it be possible to get closer to real Ektar on my X100V?

Kodak introduced Ektar in 1989. It has been made in ISO 25, 100, 125, 400 and 1000 versions at one time or another. Kodak discontinued Ektar in 1997, but they brought it back in 2008 with an updated emulsion. I’ve shot the old Ektar but never the new Ektar. It’s my understanding that they’re similar but not exactly the same.

This new film simulation recipe will be controversial. To achieve a more correct color palette, this recipe is based off of Classic Chrome instead of Astia. The reason that I used Astia in the original recipe is because “Classic Chrome isn’t vibrant enough, even with Color set to +4.” That’s still true, although Color Chrome Effect does help a little. Honestly, if +6 was an option, that’s what I’d set Color to. Unfortunately that’s not an option, so we have a slightly undersaturated recipe. Another issue is that Ektar can have several different looks, depending on how it’s shot, developed, and printed or scanned, just like any film; however, with Ektar, even a 1/3 stop over or under exposure can noticeably effect the aesthetics of the picture.

Peach Sun – Farmington, UT – Fujifilm X100V – “Kodak Ektar 100”

Fuji X Weekly reader Thomas Schwab helped me immensely with this recipe. He’s had a hand in several recipes, and even created one from scratch that’s quite popular: Urban Vintage Chrome. Thomas captured a bunch of pictures with actual Ektar film, and made several similar exposures with his X-Trans IV cameras. He showed me examples of both, applying my original Ektar recipe to the pictures captured with his Fujifilm cameras. Then we began to create a new Kodak Ektar 100 film simulation recipe based on his Ektar pictures, hoping to achieve something closer to the film than the original recipe.

We discovered very quickly that Ektar is impossible to faithfully recreate on Fujifilm cameras, because only Classic Chrome has the correct color palette, and it’s not vibrant enough. We tried Astia, Provia, Velvia, and PRO Neg. Hi, and of those Astia was the closest, but none of them were right. We settled on Classic Chrome despite it not being vibrant enough. We went back-and-forth on different settings, but especially the white balance. There were several times that we said, “This is it,” only to modify something the next day.

A problem we encountered is that Ektar can have several different looks, even from the same roll of film. There was a discussion about creating as many as three different recipes, depending on the exact aesthetic we wanted to recreate, but decided to go with just one recipe, modeled after our favorite pictures from Thomas’ Ektar film. After even more back-and-forth we finished with this recipe here. We feel confident that it is as close as we could get to actual Ektar film, acknowledging that it’s very close but not exactly right.

Boat in the Bay – Flathead Lake, MT – Fujifilm X100V – “Kodak Ektar 100”

The original Ektar recipe isn’t an exact match to the film, and I believe that this new recipe is closer. The two recipes each produce a different look, and perhaps they both have a place, depending on what exact aesthetic you are after. This new recipe was a collaborative effort, and I want to give a special “thank you” to Thomas Schwab for all of the time and effort he put into making this a reality. It’s much appreciated!

This Kodak Ektar 100 film simulation recipe is intended for and only compatible with (as of this writing) the Fujifilm X100V, X-Pro3 and X-T4. It uses Clarity, which slows down the camera considerably. I just allow the pause to slow myself down. Another option, which is what Fujifilm recommends, is to add Clarity later by reprocessing the RAW file in-camera or with X RAW Studio.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: +1
Shadow: -2
Color: +4
Noise Reduction: -4
Sharpening: 0
Clarity: +3
Grain Effect: Off
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: 6050K, +3 Red & 0 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this new Kodak Ektar 100 film simulation recipe on my Fujifilm X100V:

Daisies by the Dock – Flathead Lake, MT – Fujifilm X100V

Henry’s Fork – Island Park, ID – Fujifilm X100V

Johnny Sack Cabin – Island Park, ID – Fujifilm X100V

North Shore of Island – Wild Horse Island State Park, MT – Fujifilm X100V

Butters – Roy, UT – Fujifilm X100V

Mustang Evening – Farmington, UT – Fujifilm X100V

Roofline Sky – Farmington, UT – Fujifilm X100V

Finding Clues – Farmington, UT – Fujifilm X100V

Golden Boy – Farmington, UT – Fujifilm X100V

Rocket Launching – Farmington, UT – Fujifilm X100V

Yellow Lady – Layton, UT – Fujifilm X100V

Light Too Bright – Farmington, UT – Fujifilm X100V

Lawnmower Handle & Shadow – Farmington, UT – Fujifilm X100V

Air Pump – Farmington, UT – Fujifilm X100V

Blossom Red – Farmington, UT – Fujifilm X100V

Flower Garden Blossom – Farmington, UT – Fujifilm X100V

Bug Hiding on a Flower – Farmington, UT – Fujifilm X100V

Rose Fence – Farmington, UT – Fujifilm X100V

Marsh Reeds – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Kodak Ultramax 400

Posted on 2 Days Ago by Ritchie Roesch

Empty Outdoor Seating – Farmington, UT – Fujifilm X100V – “Kodak Ultramax 400”

Ultramax 400 is Kodak’s consumer grade ISO 400 color negative film. Kodak has sold Ultramax 400 under many different names, beginning in 1987 with Kodacolor VR-G 400, rebranded Gold 400 one year later, called simply GC at one point, and finally, in 1997, Kodak settled on Ultramax 400. Kodak still sells Ultramax 400, although it’s not the same film as Kodacolor VR-G 400. This film has been tweaked and updated at least nine times over the years; however, the overall aesthetic is still substantially similar between all variations.

This recipe is a happy accident. I was actually working on a different Kodak film simulation recipe, and this was a failed attempt. But I liked how this one looked, so I made a minor adjustment, and created this recipe, which I determined looked a heck-of-a-lot like Ultramax 400. I didn’t intentionally create an Ultramax 400 recipe, but nonetheless here it is! Sometimes it’s better to be lucky than good.

Colorful Store Decor – Layton, UT – Fujifilm X100V – “Kodak Ultramax 400”

For some of you this new recipe will be an instant favorite. I really love how it looks and plan to use it frequently. This one might be right up there with Kodachrome 64 and Portra 400 for favorite Kodak presets. A word of caution: it does require Clarity, which slows down the camera considerably. This film simulation recipe (as of this writing) is only compatible with the Fujifilm X100V, X-Pro3 and X-T4 cameras.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: +1
Shadow: +1
Color: +4
Noise Reduction: -4
Sharpening: 0
Clarity: +3
Grain Effect: Strong, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: Auto, +1 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this new Kodak Ultramax 400 film simulation recipe on my Fujifilm X100V:

Road Construction – Clearfield, UT – Fujifilm X100V

Store Closing – Farmington, UT – Fujifilm X100V

Urban Roses – Farmington, UT – Fujifilm X100V

Summer Fruit Tree – Farmington, UT – Fujifilm X100V

Ripening Peaches – Farmington, UT – Fujifilm X100V

Wood Barrel – Layton, UT – Fujifilm X100V

Table & Chair – Farmington, UT – Fujifilm X100V

Library Lights – Farmington, UT – Fujifilm X100V

Contemplation – Farmington, UT – Fujifilm X100V

Blackberry Boy – Farmington, UT – Fujifilm X100V

End Table Succulent – Farmington, UT – Fujifilm X100V

Math Books on a Table – Farmington, UT – Fujifilm X100V

Kitchen Tools – Farmington, UT – Fujifilm X100V

Quality Goods – Layton, UT – Fujifilm X100V

75 – Layton, UT – Fujifilm X100V

Table Bloom – Layton, UT – Fujifilm X100V

Fake Tulips – Layton, UT – Fujifilm X100V

Fake Flowers in Window Light – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Film Simulation Recipe Compatibility: Bayer, X-Trans I & II

Posted on 9 Days Ago by Ritchie Roesch

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Fuji X Weekly reader Gustavo Potenza sifted through all of the film simulation recipes on this website and organized them by sensor and camera compatibility. Whoa! That was a tall task, but he knocked it out in a matter of minutes. I wanted to share this information with you, but also separate it into multiple posts so that you can quickly find the recipes you’re looking for. I’ll link this article to the recipe page for easy access, and I’ll keep it updated as I make new recipes. Thank you, Gustavo, for doing the hard work on this!

The first list, which are recipes compatible with Fujifilm Bayer and X-Trans I sensors, is very short. I really need to make it longer by adding more recipes. I hope to do that eventually. If you have a Fujifilm camera with a Bayer sensor or X-Trans I sensor, these are the recipes that you can use. The Classic Chrome recipe is only compatible with those cameras that have the Classic Chrome film simulation. At the bottom is the X-Trans II list, which is much longer.

Bayer & X-Trans I

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Velvia, Classic Chrome, & Monochrome
Sepia

The above recipes are intended for the Fujifilm X-A1, X-A2, X-A3, X-A5, X-A7, X-A10, XF10, X-T100, X-T200, X100, X100S, X-PRO1, X-E1, and X-M1 (I hope I didn’t miss any). Some of the X-Trans II recipes below might also work on your Bayer or X-Trans I camera, although results might vary slightly, and it will depend if your camera has the film simulation that the recipe requires.

X-Trans II

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The film simulation recipes below are compatible with X-Trans II cameras. A few X-Trans II cameras don’t have all of the different film simulations required, so some of these recipes might not work on your camera.

Kodachrome 64
Kodachrome II
Ektachrome 100SW
Portra 160
Kodacolor
Eterna
Agfa Optima
Velvia, Classic Chrome & Monochrome
Faded Monochrome
Sepia
Lomography Color 100
Cross Process
Kodachrome Without Classic Chrome

The above recipes are intended for the Fujifilm X100T, X-E2, X-E2S, X-T1, X-T10, X70, X20, X30, XQ1, and XQ2 (I hope that I didn’t miss any). Not all of the recipes will be compatible with every X-Trans II camera. Some of them might even be compatible with Bayer and X-Trans I cameras with varying results, so feel free to try.

X-Trans III
X-Trans IV coming soon!

Fujifilm XQ1 (X-Trans II) Film Simulation Recipe: Kodachrome Without Classic Chrome

Posted on 10 Days Ago by Ritchie Roesch

Red Greens – Kaysville, UT – Fujifilm XQ1 – “Kodachrome”

I’ve made a lot of Kodachrome film simulation recipes for Fujifilm cameras (click here, here, here, here, here and here), and they’re very popular. Kodachrome was an iconic slide film made by Kodak for many, many years, so it’s no surprise that people want to get that look out of their Fujifilm camera. All of my Kodachrome recipes use Classic Chrome because it has a Kodak-esque slide film aesthetic, but some cameras don’t have Classic Chrome, such as the Fujifilm XQ1. Yes, the XQ1 is an X-Trans II camera, and most X-Trans II cameras have Classic Chrome, but this one doesn’t, only Provia, Velvia, and Astia for color images.

I created this recipe by capturing an image on my X-T1 using my Kodachrome 64 recipe for that camera, and then as best as possible recreated the look not using Classic Chrome. While I tried Velvia and Astia, I ended up using Provia. It’s a surprisingly close match, although not exact. I think you’ll like this Kodachrome recipe if your camera doesn’t have Classic Chrome.

!!! Ride !!! – Salt Lake City, UT – Fujifilm XQ1 – “Kodachrome”

Provia
Dynamic Range: DR200
Highlight: +2 (Hard)
Shadow: +1 (Medium-Hard)
Color: -2 (Low)
Sharpness: 0 (Standard)
Noise Reduction: -2 (Low)
White Balance: Daylight (Fujifilm calls it “Fine” for some reason), -1 Red & -4 Blue
ISO: Auto, up to ISO 1600
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs made using this “Kodachrome Without Classic Chrome” film simulation recipe on a Fujifilm XQ1:

Lights & Reflections – Kaysville, UT – Fujifilm XQ1

Flag Poles – Farmington, UT – Fujifilm XQ1

Drive Thru Gas & Wash – Kaysville, UT – Fujifilm XQ1

Flowers in a Pot on Concrete – Kaysville, UT – Fujifilm XQ1

Horse Ranch – Salt Lake City, UT – Fujifilm XQ1

Closed Umbrella, Threatening Clouds – Farmington, UT – Fujifilm XQ1

Drawing Jonathan – Farmington, UT – Fujifilm XQ1

Breakfast – Farmington, UT – Fujifilm XQ1

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 800

Posted on 15 Days Ago by Ritchie Roesch

Flags of IKEA – Draper, UT – Fujifilm X100V – “Fujicolor Superia 800”

One of the earliest film simulation recipes I created that was intended to mimic a specific film was Fujicolor Superia 800, which I made on a Fujifilm X100F about two-and-a-half years ago. This is a recipe that I’ve used often; I especially like it on overcast days. When I published the Superia 800 recipe, I stated, “It’s not a 100% match [to the film], but I feel like it’s convincing enough….” I think that’s a true statement, but with the new tools available on the X100V, could I create a closer match, one that might be even more convincing?

Classic Negative needed to be the starting point for a new Fujicolor Superia 800 recipe since this new film simulation is “modeled after” Fujicolor Superia with “Superia-like” colors. I incorporated the new Clarity and Color Chrome Effect Blue features into this recipe. Unfortunately, Clarity slows down the camera considerably, so you’ll either have to accept the slow speed (which is what I do) or add Clarity later by reprocessing the RAW file. I think this new recipe is indeed a closer match to actual Superia 800—in fact, you could likely convince people that you shot film!

Horse Boarding – Salt Lake City, UT – Fujifilm X100V

I think this recipe might be my favorite of the Superia recipes that I’ve created thus far. If you like my Superia 100, Reala 100, and Superia 1600 recipes, you’ll certainly like this one, too! It has a great analog aesthetic. It’s pretty amazing that you can get this look straight out of camera. This Fujicolor Superia 800 recipe is (as of this writing) only compatible with the Fujifilm X100V, X-Pro3 and X-T4.

Classic Negative
Dynamic Range: DR400
Highlight: -1
Shadow: +1
Color: -1
Noise Reduction: -4
Sharpening: -1
Clarity: -4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Daylight, -1 Red & -3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Fujicolor Superia 800 film simulation recipe on my Fujifilm X100V:

Line Begins Here – Draper, UT – Fujifilm X100V

Fire Suppression – Draper, UT – Fujifilm X100V

Trash – Draper, UT – Fujifilm X100V

Family Friendly Parking – Draper, UT – Fujifilm X100V

Waiting for Hope? – Draper, UT – Fujifilm X100V

Waiting to Enter – Draper, UT – Fujifilm X100V

Waiting Reflection – Draper, UT – Fujifilm X100V

Keeper of the Door – Draper, UT – Fujifilm X100V

Entrance – Draper, UT – Fujifilm X100V

Cloud Above Yellow Wall – Draper, UT – Fujifilm X100V

Two Flag Poles – Draper, UT – Fujifilm X100V

Home Furnishings – Draper, UT – Fujifilm X100V

Upplaga – Draper, UT – Fujifilm X100V

Track Closed – Salt Lake City, UT – Fujifilm X100V

Artificial – Draper, UT – Fujifilm X100V

Hanging Patio Lights – Draper, UT – Fujifilm X100V

Two Step – Draper, UT – Fujifilm X100V

Red Light – Draper, UT – Fujifilm X100V

Rainbow Spirit – Farmington, UT – Fujifilm X100V

Chair Back – Farmington, UT – Fujifilm X100V

Joshua Eating – Farmington, UT – Fujifilm X100V

Brother & Sister on the Couch – Farmington, UT – Fujifilm X100V

Balcony Railing – Farmington, UT – Fujifilm X100V

Umbrella Unopened – Farmington, UT – Fujifilm X100V

Sunlight Sky & Green Leaves – Farmington, UT – Fujifilm X100V

Ripening Soon – Farmington, UT – Fujifilm X100V

Fallen Log in the Forest – Monte Cristo, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Fujifilm XQ1 (X-Trans II) Film Simulation Recipe: Lomography Color 100

Posted on 20 Days Ago by Ritchie Roesch

Backlit Backyard Leaves – Farmington, UT – Fujifilm XQ1 – “Lomography 100”

My second attempt at a film simulation recipe for the Fujifilm XQ1, which has an X-Trans II sensor, was Lomography Color 100. I have a recipe for this film for X-Trans IV cameras, such as my X-T30, and this is a conversion of that recipe for X-Trans II cameras. Honestly, this version isn’t quite as good as the X-Trans IV version (because the newer cameras have more JPEG options), but it’s still a good all-around, everyday film simulation recipe.

As I explained in my X-Trans IV recipe, there are three and perhaps four different emulsions that have been sold under the Lomography Color 100 name. Making a recipe that matches the film is impossible for that reason. Besides, people who use this film also often use alternative techniques, such as push-processing. Lomography Color 100 can have many, many different looks; despite that, this recipe is in the general ballpark of the film.

Velvia
Dynamic Range: DR400
Highlight: +2 (Hard)
Shadow: 0 (Standard)
Color: -2 (Low)
Sharpness: 0 (Standard)
Noise Reduction: -2 (Low)
White Balance: Cloudy/Shade, -3 Red & +7 Blue
ISO: Auto, up to ISO 1600
Exposure Compensation: 0 to +1/3 (typically)

Example photographs, all camera-made JPEGs made using this Lomography 100 film simulation recipe on a Fujifilm XQ1:

Green Leaves & Blue Sky – Farmington, UT – Fujifilm XQ1

Rooster Roof – Farmington, UT – Fujifilm XQ1

Promenade – Salt Lake City, UT – Fujifilm XQ1

Towing – Salt Lake City, UT – Fujifilm XQ1

Yellow Hitch – Salt Lake City, UT – Fujifilm XQ1

Rusty Ford – Salt Lake City, UT – Fujifilm XQ1

Camper Special – Salt Lake City, UT – Fujifilm XQ1

Grate Airport Bus – Salt Lake City, UT – Fujifilm XQ1

Major Award – Salt Lake City, UT – Fujifilm XQ1

Abandoned Truck Trailers – Salt Lake City, UT – Fujifilm XQ1

Graffiti Truck – Salt Lake City, UT – Fujifilm XQ1

Yucca Leaves – Salt Lake City, UT – Fujifilm XQ1

Sunlight Through The Green Tree – Salt Lake City, UT – Fujifilm XQ1

Evening Tree & Reeds – Farmington, UT – Fujifilm XQ1

Red Berries – Farmington, UT – Fujifilm XQ1

Irrigation Cover – Farmington, UT – Fujifilm XQ1

White Thistle – Farmington, UT – Fujifilm XQ1

Rocky Landscape – Farmington, UT – Fujifilm XQ1

Single Reed – Farmington, UT – Fujifilm XQ1

Reeds Reaching To The Sky – Farmington, UT – Fujifilm XQ1

Jonathan Outside – Farmington, UT – Fujifilm XQ1

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Fujifilm XQ1 (X-Trans II) Film Simulation Recipe: Cross Process

Posted on 22 Days Ago by Ritchie Roesch

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A Fuji X Weekly reader sent me his camera, a Fujifilm XQ1, so that I might create some film simulation recipes for it. For those who don’t know, the XQ1 is a premium compact-zoom that Fujifilm made six or seven years ago, and it has a 2/3″ 12-megapixel X-Trans II sensor. While the sensor is much smaller than APS-C, it has the same processor and software as other X-Trans II cameras, although it is missing some options (Classic Chrome, PRO Neg. Hi and PRO Neg. Std, for instance). I discovered that some of the X-Trans II recipes I’ve created, such as Ektachrome 100SW, Agfa Optima, Velvia and Monochrome, all work great on the XQ1. My intentions are to create some more recipes that will work on this camera, and, really, all X-Trans II cameras.

The first film simulation recipe that I created for the XQ1 (and, again, it’s compatible with all X-Trans II cameras) is Cross Process. I have a couple Cross Process recipes that I’ve created for newer camera models (here and here), but never for older models. This one was rather easy to make, and so that’s why I started with it. While I set the maximum ISO to 1600, if you are using an APS-C X-Trans II camera, I’d go as high as ISO 3200. Feel free to try this recipe on X-Trans I or Bayer cameras, if you have one of those, and see how it turns out.

Summer Evening Dream – Salt Lake City, UT – Fujifilm XQ1 – “Cross Process”

Cross processing is a technique where you develop a film in chemicals intended for another film. For example, the most common cross process is to develop color transparencies, which require the E-6 process, using color negative film chemicals, which is known as C-41 process. For slide film, the photographs typically increase in contrast and grain and the colors shift dramatically. There are other types of cross processing, as well. I’ve done cross processing before, and the results can be fun. Different films will look different when they are cross processed. Overexposing or underexposing or even how the development is handled can effect how the image is rendered. The aesthetic can vary significantly, but usually you can spot a cross processed photograph when you see it.

Provia
Dynamic Range: DR200
Highlight: +2 (Hard)
Shadow: +2 (Hard)
Color: +2 (High)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: Auto, -3 Red & -9 Blue
ISO: Auto, up to ISO 1600
Exposure Compensation: +1/3 (typically)

Example photographs, all camera-made JPEGs made using this Cross Process film simulation recipe on a Fujifilm XQ1:

SkyWest Sunset – Salt Lake City, UT – Fujifilm XQ1

Eagle TT-12 – Salt Lake City, UT – Fujifilm XQ1

SkyWest Carts – Salt Lake City, UT – Fujifilm XQ1

Ford Truck – Salt Lake City, UT – Fujifilm XQ1

Ranger – Salt Lake City, UT – Fujifilm XQ1

Warehouse Deliveries – Salt Lake City, UT – Fujifilm XQ1

Stop! – Farmington, UT – Fujifilm XQ1

Cross Process Red Roses – Farmington, UT – Fujifilm XQ1

Yellow Stump – Salt Lake City, UT – Fujifilm XQ1

Sand Toys Without Sand – Farmington, UT – Fujifilm XQ1

Spirit of Photography – Farmington, UT – Fujifilm XQ1

Blessed – Farmington, UT – Fujifilm XQ1

Message From Space – Farmington, UT – Fujifilm XQ1

Green Leaves – Farmington, UT – Fujifilm XQ1

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: The Rockwell (Velvia)

Posted on 24 Days Ago by Ritchie Roesch

Abandoned Dream – Red Rock Lakes NWR, MT – Fujifilm X100V – “The Rockwell”

Ken Rockwell likes to say that Fujifilm cameras aren’t good for landscape photography because the JPEG colors aren’t “wild” enough for him. Even on his review of the X100V, he says, “The as-shot JPG color palette and contrasts are quite sedate,” and, “the X100V won’t amp-up colors if they aren’t strong to begin with.” He adds, “The Velvia film simulation modes don’t look any better; certainly not like real Velvia.” He’s entitled to his opinion, but I think he just hasn’t used the “right” recipe, and he might change his mind if he did. This recipe is one that Ken Rockwell might approve of, as it’s inspired by him, and that’s why I call it The Rockwell.

Ken mentions that the Velvia film simulation isn’t like real Velvia, and he means Velvia 50. There are, in fact, a few different films that share the Velvia name. Straight out of the box, the film simulation differs a little from the film. My X-T30 Velvia recipe is intended to get the film simulation closer to actual Velvia 50 film. “The Rockwell” recipe is also in the ballpark of Velvia 50 film, although it might actually exceed it. I’ve heard it said that Fujifilm’s short lived Fortia film (which Color Chrome Effect and Color Chrome Effect Blue are inspired by), which is like Velvia 50 on steroids, was a mistake. Supposedly it (or at least the original Fortia 50) was a botched Velvia run, but instead of trashing it Fujifilm sold it as a new film. This recipe isn’t as crazy as Fortia, but it’s every bit as crazy as Velvia 50 and perhaps slightly more. Another film that is in the general vicinity of this aesthetic is Kodak’s Ektachrome 100VS, which was essentially Kodak’s closest film to Velvia, but this recipe is a little off from that film. No, “The Rockwell” isn’t an exact match to any film, it’s just a recipe that Ken might use on his X100V if he ever read this article.

Gibbon Falls – Yellowstone NP, WY – Fujifilm X100V – “The Rockwell”

This film simulation recipe is definitely not for everyone. Just like the person it was named after, it’s bold yet sometimes over-the-top. Many of you will find it to be much too much for your photography. But some of you are going to love it. In the right situations, this recipe is stunning! It uses Clarity, which slows down the camera considerably, but this is a recipe that you might want to work slow with anyway, so it should be alright. This recipe is only compatible (as if this writing) with the X100V, X-Pro3 and X-T4.

Velvia
Dynamic Range: DR200
Highlight: -1
Shadow: -1
Color: +4
Noise Reduction: -4
Sharpening: +4
Clarity: +5
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “The Rockwell” film simulation recipe on my Fujifilm X100V:

Lake McDonald Shore Trees – Glacier National Park, MT – Fujifilm X100V

Driftwood Shore – Glacier National Park, MT – Fujifilm X100V

McDonald Lake & Rocks – Glacier National Park, MT – Fujifilm X100V

Lake McDonald – Glacier National Park, MT – Fujifilm X100V

Flathead Lake – Flathead Lake, MT – Fujifilm X100V

Clear Blue Water – Glacier National Park, MT – Fujifilm X100V

Tree & Snake River – Idaho Falls, ID – Fujifilm X100V

McDonald Creek Behind Pines – Glacier National Park, MT – Fujifilm X100V

Trees Obscuring the River – Glacier National Park, MT – Fujifilm X100V

McDonald Creek – Glacier National Park, MT – Fujifilm X100V

Green Trees – Glacier National Park, MT – Fujifilm X100V

Forest Flowers – Glacier National Park, MT – Fujifilm X100V

Lake Daisies – Flathead Lake, MT – Fujifilm X100V

Blossomed Bush by the Lake – Flathead Lake, MT – Fujifilm X100V

Upper Red Rock Lake – Red Rock Lakes NWR, MT – Fujifilm X100V

Red Lake Light – Flathead Lake, MT – Fujifilm X100V

Morning Rays – Canyon Ferry Lake, MT – Fujifilm X100V

Sunset Through The Trees – Island Park, ID – Fujifilm X100V

Aspen Sunstar – Island Park, ID – Fujifilm X100V

Johnny Sack Cabin – Island Park, ID – Fujifilm X100V

Hanging Flower Pot – Big Sky, MT – Fujifilm X100V

Mountain Wildflowers 1 – Red Rock Lakes NWR, MT – Fujifilm X100V

Mountain Wildflowers 2 – Red Rock Lakes NWR, MT – Fujifilm X100V

Rural Blossoms – Island Park, ID – Fujifilm X100V

Mountain Springtime – Island Park, ID – Fujifilm X100V

Blossom by the River – Island Park, ID – Fujifilm X100V

River Grass – Island Park, ID – Fujifilm X100V

Grassy Hills – Wild Horse Island State Park, MT – Fujifilm X100V

Pine in the Field – Wild Horse Island State Park, MT – Fujifilm X100V

Abandoned Rural Building – Wild Horse Island State Park, MT – Fujifilm X100V

Pop of Color Cabin – Polebridge, MT – Fujifilm X100V

Birdhouse Fence – Island Park, ID – Fujifilm X100V

Playground at the Edge of Nowhere – Island Park, ID – Fujifilm X100V

Hot Water – Yellowstone National Park, WY – Fujifilm X100V

Blue Eye – Yellowstone National Park, WY – Fujifilm X100V

Red Rock Turtle – Island Park, ID – Fujifilm X100V

Colorful Pallets – Bozeman, MT – Fujifilm X100V

Westfield – Idaho Falls, ID – Fujifilm X100V

Pink – Island Park, ID – Fujifilm X100V

Stop for the Pink Bus – Silos, MT – Fujifilm X100V

18 – Silos, MT – Fujifilm X100V

Stop Here – Yellowstone National Park, WY – Fujifilm X100V

Blue Trailer – Rexburg, ID – Fujifilm X100V

Grease Work – Rexburg, ID – Fujifilm X100V

See also: Film Simulation Recipes

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Fujifilm X100V Film Simulation Recipe: Bleach Bypass

Posted on July 8 by Ritchie Roesch

Rose on a Table – Farmington, UT – Fujifilm X100V – “Bleach Bypass”

The Fujifilm X-T4 has a new film simulation called Bleach Bypass. At this time, the X-T4 is the only camera that has it. It might come to the X-Pro3 and X100V at some point via a firmware update, but it’s difficult to know for sure if or when that will happen. Hopefully Fujifilm will add Bleach Bypass to the other cameras at some point.

Back in February I created a “Bleach Bypass” film simulation recipe for the X-T30 and X-T3 utilizing the double-exposure feature of the camera. The results are great, but the process is tricky, and the subject has to be completely still because it requires two exposures. The Fujifilm X100V and X-Pro3 cameras don’t (yet) have the new Bleach Bypass film simulation, but they do have the new Classic Negative film simulation, which makes a “bleach bypass” look possible with just one exposure.

Bleach bypass is a darkroom technique where you skip or limit the bleach during development of color film, which causes it to retain the silver. Results will vary greatly depending on the film used and exactly how you develop it, but generally speaking what you get with bleach bypass is a high-contrast, low-saturation, grainy picture that appears as if a black-and-white and color picture were combined together. This technique is more common for motion picture film than still photography, but some people do bleach bypass with C-41 film.

Thistle Color – Fruit Heights, UT – Fujifilm X100V – “Bleach Bypass”

I don’t know how accurate this recipe is to the Bleach Bypass film simulation that’s on the X-T4. I wasn’t trying to mimic that film simulation, but instead mimic actual bleach bypass film. I know some of you will really appreciate this look, but it’s certainly not going to be everyone’s cup of tea. You can use this recipe if you have a Fujifilm X100V, X-Pro3 or X-T4.

Classic Negative
Dynamic Range: DR100
Highlight: +2
Shadow: +4
Color: -4
Noise Reduction: -4
Sharpening: -1
Clarity: +3
Grain Effect: Strong, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Strong
White Balance: Daylight, -1 Red & +1 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)