7 Must-Try Recipes for the Fujifilm X-T3 & X-T30

Vintage Sunset – Ogden, UT – Fujifilm X-T30 – Kodacolor

Part 1: 5th-Gen, Part 1: 4th-Gen

This is Part 3 of what will be a five-part series exploring Fujifilm Recipes for each generation of cameras. Beginning with the latest models, we will work our way back towards the older cameras. For each article, I will suggest seven Recipes to try. This is intended for those new to the whole Recipe thing, who haven’t tried them before (or perhaps only a few Recipes so far). The intention is to provide you with a list of seven that you can program into your C1-C7 Custom Setting presets.

The list below, which are the seven Recipes for Part 3, is specifically for the Fujifilm X-T3 and X-T30 cameras, the first two X-Trans IV cameras, which are in a category of their own. If you have one of those two cameras, these are the correct Recipes for you. This is far from an exhaustive list of fourth-generation Recipes, it’s only seven really good ones to get you started. Something to note is that with the X-T3 & X-T30, you cannot save a White Balance Shift within C1-C7; however, the camera will remember one WB Shift per WB type. With that in mind, each of these use a different WB type so that you don’t have to remember to adjust the WB Shift when going from one Custom Setting preset to another. If you are unsure which Fujifilm Recipes to begin with, these are ones that I highly recommend.

Kodak Portra 400 v2

Window to the City – Salt Lake City, UT – Fujifilm X-T30 – Kodak Portra 400 v2

Kodak Portra 400 v2 does well anytime the sun is out, but especially for “golden hour” near sunrise and sunset. As the name suggests, it’s a good option for portrait photography, but it’s excellent for many other genres, too. This Recipe uses the Daylight White Balance.

Classic Kodak

Split Saguaro – Buckeye, AZ – Fujifilm X-T30 – Classic Kodak

While Classic Kodak can be used anytime the sun is out, it is a great options for middle-of-the-day situations. This Recipe uses the Shade White Balance.

Kodak Ultramax

Street Lamp Sunset – Farmington, UT – Fujifilm X-T30 – Kodak Ultramax

I like to have at least one Recipe programmed into my camera that’s highly versatile and can be used no matter the situation. One of my personal favorites is Kodak Ultramax, which uses Auto White Balance.

Kodak Vision3 250D

Ice Cream Trailer – Farmington, UT – Fujifilm X-T30 – Kodak Vision3 250D

Although each of the first four Recipes have a Kodak-negative-like look, Kodak Vision3 250D produces a notably divergent aesthetic than the three above. This Recipe uses the Fluorescent 1 White Balance.

Fujichrome Sensia 100

Sunrise Lamp – Buckeye, AZ – Fujifilm X-T30 – Fujichrome Sensia 100

Fujichrome Sensia 100 offers a notably different look than the options above. It’s one of my favorite Recipes for sunrise and sunset colors when the sky is pink and purple, but is good for a lot of other situations, too. It uses the Fluorescent 2 White Balance.

Jeff Davenport Night

Wet Glass Bokeh – Salt Lake City, UT – Fujifilm X-T30 – Jeff Davenport Night

If it’s between dusk and dawn, especially if there are city lights, Jeff Davenport Night is the recipe to use on your X-T3 and X-T30 cameras. Period. It uses a Kelvin White Balance.

Analog Monochrome

Minolta SRT303b – Farmington, UT – Fujifilm X-H1 – Analog Monochrome

Filling out the last slot was tricky because most of the White Balance types have already been used. There are basically three options: choose an X-Trans III Recipe—which are fully compatible with the X-T3 and X-T30—that uses a different WB type (that’s what I’ve done here, as Analog Monochrome utilizes Incandescent); use an Auto WB Recipe—perhaps Ilford Delta Push Process—and disregard the WB Shift, and accept the results for what they are (which will be nearly the same, but not exactly the same); or use a Daylight WB Recipe—perhaps Kodak Tri-X 400—and substitute Daylight with Underwater, which is similar enough that you’re unlikely to notice the difference.

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AI Can’t Match the Aesthetic Correctly

Bike Bags – Copenhagen, Denmark – Fujifilm X-E5 – Provia Positive

Someone told me, “When I want a Recipe for a certain look, I just ask AI to make it for me.” I’ve heard a similar sentiment a few times. In fact, there are a couple of website and apps that will do it for you. Just upload a picture, and AI will create a Recipe that supposedly matches the picture. ChatGPT and other AI programs can do it, too. But is it any good?

It’s an easy test, actually. Use a photo that was made using a Recipe, and see if it comes up with the same or similar settings. If not, then it doesn’t do a good job. Test it again using a photo made using that same Recipe, and see if it gives you the same or similar settings as the first time. If it doesn’t, then it’s inconsistent and can’t be trusted. In order for AI to be a useful tool for this, it needs to be both accurate and consistent; if neither are true, it’s not a good tool.

If you upload a photo to AI and ask it to create a Fujifilm Recipe, you hope that it’s going to produce reasonably similar results to the photo you uploaded. If not, then what’s the point? You might as well just use random settings, or let darts or dice determine what to program into your camera. Someone once told me that AI is better than a complete novice, but not as good as an expert. I think there’s a lot of truth to that, but when it comes to creating Recipes, AI might actually be worse than the novice.

For example, I uploaded the image at the top, Bike Bags, which was made using my Provia Positive Recipe, and asked ChatGPT to make a Recipe from that photo. You can see my chat with AI below:

I noticed two things immediately. First, it has a lot of similarities to Reggie’s Portra. Certainly not 100% (and for sure it’s not as good), but there some obvious parallels. Second, it says to use base ISO 160 and also DR200; since the Dynamic Range settings are ISO dependent, you can’t use DR200 at ISO 160. A minor grievance, but it illustrates that AI isn’t fully versed in Fujifilm settings. This is how Provia Positive compares to AI’s “Nordic Harbor” (a.k.a. Reggie’s Portra tweak):

Provia Positive Recipe
ChatGPT’s “Nordic Harbor” Recipe

The results are pretty divergent. You might like the AI version (it’s basically Reggie’s Portra with a slight green cast), but you can’t say that it’s a good facsimile of the Recipe it’s suppose to look like. Using the same account, I started a new chat and asked ChatGPT again to make a Recipe using the same photo, but I worded the question slightly different. It basically gave the same Recipe but with four changes: Reala Ace instead of Classic Chrome, Color 0 instead of +1, Shadow -2 instead of -1, and WB Shift +1 Red & -3 Blue instead of -2 Red & -4 Blue. Let’s take a look:

Provia Positive Recipe
ChatGPT’s Reala Ace version of its “Nordic Harbor” Recipe

After this, I used a separate ChatGPT account and repeated step one precisely, and got even different results (this time it suggested Velvia). I then tried using different photos made with the same Provia Positive Recipe, and each time it gave me a different Recipe, and none were very close to my Recipe. Between the two accounts, I asked ChatGPT to make a Recipe based on a Provia Positive photo a total of 10 times. Even if it had given an accurate result once (which it didn’t), how could you trust it with divergent suggestions each time? How could you ever know which one would be most correct?

Provia Positive Recipe
ChatGPT’s third attempt, this time with Velvia

I then tried other AI programs and apps, and repeated the test. Interestingly enough, on my first attempt with Claude, it gave a Reggie’s Portra like Recipe (just like ChatGPT), but with an even stronger green cast than ChatGPT’s iteration. Gemini also chose Classic Chrome on the first attempt, but played it safe and didn’t venture very far from factory-defaults. After 10 tries with these other AI apps and programs, plus the 10 I did with ChatGPT, I had a total of 20 results. Three things shocked me. First, Classic Chrome was chosen nine times, far more than any other film simulations. I assume this is because Classic Chrome is by far the most popular film sim for those who use Recipes, and that’s influencing AI’s answers. Second, Provia wasn’t picked even once. Not one time did AI choose the correct film simulation—not Provia, the “standard” option. Even on the programs specifically intended for making Fujifilm Recipes from photos, it got it wrong. If I had picked at complete random, most likely I would have chosen Provia at least one time (there are 20 film sims, and I made 20 attempts, but nine of them are monochromatic and not color). Third, one time Acros was given for the film simulation. One of the AI’s thought that Acros—a B&W film simulation—was the most correct! Wow.

This article is already way too long, so let me wrap this up. Yes, AI can make a Recipe that is based on a photo that you upload to it. Anytime you ask AI to do something, it will give you an answer. But is that answer any good? When it comes to Fujifilm Recipes, probably not. First, as you can see above, AI couldn’t figure it out. It also gave a different answer each time, and sometimes very nonsensical ones. Both the inaccuracies and inconsistencies are major red flags, and demonstrate that it’s not a trustworthy source for this particular task. It’ll probably get there someday, but it’s not there today. This is a very easy test, one that you can do yourself. If you ever wonder if any AI program or app can make a Recipe that matches the aesthetic of a picture that you upload to it, simply use an image that you already know the parameters of; if it can’t match it—or at least be in the general ballpark of it—then it’s not a good resource. You might actually be better off throwing darts, rolling dice, or picking the settings out of a hat at random.

Upcoming: July Travel Photography Classes & Photowalks

Fujifilm is presenting a number of summer seminars on travel lenses and travel photography across America. They’ve asked me to lead two of them: one in Austin, Texas, on July 8th, and one in Oklahoma City, Oklahoma, on July 25th. If you live in or near those two cities, mark your calendars now and be sure join in on the fun.

The Austin class and photowalk will be at Precision Camera & Video, located at 2438 W. Anderson Lane, on Wednesday, July 8th. The class will begin at 5 pm, afterwards—about 6:30 pm—we will head over to the Austin Public Library to walk around downtown with our cameras. The fee is $5, and you do need to register (click here). It’s going to be a great time of learning, community, and photography. If you live anywhere near central Texas, I hope to see you there!

Betsy the Burgundy Bullet – Austin, TX – Fujifilm X100VI – Eterna Summer

Later in the month, on July 25th, I’ll be at Bedford Camera & Video in Oklahoma City. The full details are still being worked out, but it should be along the lines of an afternoon class followed by a photowalk. As soon as it’s all finalized, I’ll get the details out to you. If you live in or near Oklahoma City, be sure to check back periodically so that you don’t miss out.

I don’t have details on the other locations, so if you live outside of Texas and Oklahoma, check with your local camera stores to see if they have any events going on. It’s possible that they are hosting one of these summer seminars, and, if so, you’ll want to join in on it. If you live in Austin or Oklahoma City, I hope to see you this July!

Eterna Bleach Bypass is an Underrated Film Simulation

Low Sun over Tetons – Grand Teton NP, WY – Fujifilm X-E4 – Ferrania Solaris FG 400

Among Fujifilm’s 20 Film Simulations, Eterna Bleach Bypass might be the second least popular, only ahead of Sepia. In my opinion, it is the most underrated and under-appreciated option. Introduced on the Fujifilm X-T4 in 2020, Eterna Bleach Bypass remains exclusive to newer-generation cameras, so those with older models don’t have it available to them. Of the recent Film Simulations—Reala Ace, Classic Negative, Nostalgic Negative, Eterna, and Eterna Bleach Bypass—this one seems to get the least love, which I think is a bit unfair.

To understand the Eterna Bleach Bypass Film Simulation, it helps to first understand what it’s trying to replicate. Bleach bypass is a film processing technique in which the bleach stage is reduced or skipped during development, leaving silver in the emulsion along with the color dyes. The result is an image with higher contrast, muted colors, and a gritty, dramatic tonality—almost as if a black-and-white and color frame were combined together into one. It’s a more common darkroom technique for motion pictures than still photography, but it has been used for both. If you have ever watched the movie Saving Private Ryan, you’ve seen actual bleach bypass. Fujifilm’s Eterna Bleach Bypass Film Simulation is essentially an approximation of their Eterna motion picture film processed this way. It has strong contrast and is the lowest saturated of all the color Film Simulations.

Tilted Saguaro – Tucson, AZ – Fujifilm X-T5 – 1960 Chrome

Eterna Bleach Bypass is not a “works for everything” type of Film Simulation like Classic Chrome, Reala Ace, etc.. It’s more for when the subject and situation are “right” for it. Because of that, many never try it, or if they do, it’s once or twice and never again. When used intentionally, it can create cinematic images with a moody character. If you want to add drama to urban environments, partially cloudy or overcast sky, mountain scenes, and much more, this Film Simulation will do it.

Technically, you can get pretty close to factory-default Eterna Bleach Bypass by using the Eterna Film Simulation and increasing both Highlight and Shadow while also lowering Color and making a WB Shift adjustment. But there are straight-out-of-camera aesthetics that are only possible with the Eterna Bleach Bypass Film Simulation. It has its own look that’s immediately recognizable once you become familiar with it. Eterna Bleach Bypass is way underrated and deserves more fanfare. If you’ve never tried it, below are seven really good Fujifilm Recipes that use Eterna Bleach Bypass. I invite you to try one today!

1960 Chrome

Bell & Cross – Tumacacori, AZ – Fujifilm X-T5 – 1960 Chrome

The aesthetic of the 1960 Chrome Recipe comes from several photographs in various 1960’s issues of Arizona Highways magazine (I collect old copies of Arizona Highways, there’s so much great photography inside), so it has a vintage feel to it. This Recipe has compatibility with fourth and fifth generation models.

Ferrania Solaris FG 400

Golden Light on Water – Buckeye, AZ – Fujifilm X-T5 – Ferrania Solaris FG 400

The Ferrania Solaris FG 400 Recipe is simply Kodak Portra 400 v2 with Eterna Bleach Bypass instead of Classic Chrome. Most Recipes don’t look particularly good when you change the Film Simulation, but in this case it does. This Recipe is compatible with “newer” X-Trans IV cameras (X-T4, X-S10, X-E4, and X-T30 II); for fifth-generation models, set Color Chrome FX Blue to Off.

LomoChrome Metropolis

Winter Blooms – Buckeye, AZ – Fujifilm X-T5 – LomoChrome Metropolis

The very first Recipe that I created using the Eterna Bleach Bypass Film Simulation was LomoChrome Metropolis. This Recipe is compatible with “newer” X-Trans IV cameras (X-T4, X-S10, X-E4, and X-T30 II); for fifth-generation models, set Color Chrome FX Blue to Weak.

Eterna Bleach Bypass

Boardwalking – Pismo Beach, CA – Fujifilm X-E4 – Eterna Bleach Bypass

“Essentially black-and-white for color photography,” is how I described the Eterna Bleach Bypass Recipe. It’s compatible with “newer” X-Trans IV cameras (X-T4, X-S10, X-E4, and X-T30 II); for fifth-generation models, set Color Chrome FX Blue to Weak.

Chrome City

Raindrops on a Pond – Peoria, AZ – Fujifilm X100VI – Chrome City

Chrome City is found in the Universal Negative Recipe set, and is one of my favorite Recipes for dreary, rainy days. It’s intended for fifth-generation cameras.

Kodachrome Blue

American Paint Horse – Litchfield Park, AZ – Fujifilm X-E4 – Kodachrome Blue

The Kodachrome Blue Recipe mimics improperly scanned Kodachrome slides. Due to its unique design, Kodachrome is the most difficult slide film to accurately scan, so there are a lot of examples of the film with a blue cast, including some of my own that the lab did a poor job scanning. This Recipe is compatible with “newer” X-Trans IV cameras (X-T4, X-S10, X-E4, and X-T30 II); for fifth-generation models, set Color Chrome FX Blue to Weak.

Pushed CineStill 800T

Mellow Mushroom – Tempe, AZ – Fujifilm X-T5 – Pushed CineStill 800T

The Pushed CineStill 800T Recipe was intended for daytime photography, but is actually most well suited for nighttime situations. This one is compatible with X-Trans V cameras; for “newer” X-Trans IV (Fujifilm X-T4, X-S10, X-E4 & X-T30 II) use this version, and for the X-Pro3 and X100V use this one that has Eterna as the base.

Find these Fujifilm Recipes and many more in the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

7 Must-Try Recipes for 4th-Gen Fujifilm Cameras

Yellow Rose – Litchfield Park, AZ – Fujifilm X-E4 – Pacific Blues

Part 1: 5th-Gen

This is Part 2 of what will be a five-part series exploring Fujifilm Recipes for each generation of cameras. Beginning with the latest models, we will work our way back towards the older cameras. For each article, I will suggest seven Recipes to try. This is intended for those new to the whole Recipe thing, who haven’t tried them before (or perhaps only a few Recipes so far). The intention is to provide you with a list of seven that you can program into your C1-C7 Custom Setting presets. For those with only C1-C6, you’ll have to choose one to exclude; for those with only C1-C4, you’ll have to cut three out.

The list below, which are the seven Recipes for Part 2, is specifically for fourth-generation Fujifilm cameras, which is to say X-Trans IV, but it’s a little more complicated than that. The fourth-generation cameras that this set is specifically for are the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, X-T30 II, and GFX100S. If you have one of those cameras, these are the correct Recipes for you. This is far from an exhaustive list of fourth-generation Recipes, it’s only seven really good ones to get you started. If you are unsure which Fujifilm Recipes to begin with, these are ones that I highly recommend.

Kodachrome 64

Two Caballeros – Culleoka, TX – Fujifilm X-E4 – Kodachrome 64

Kodachrome was the most iconic film, so it stands to reason that we should begin this list with the Kodachrome 64 Recipe. It’s intended for sunny daylight photography, but can sometimes be good in other scenarios, too, just depending on the subject and lighting. I feel like Kodachrome 64 is an essential Recipe to try.

Kodak Portra 400 v2

Evening Charge – Santa Rosa, NM – Fujifilm X-E4 – Kodak Portra 400 v2

Kodak Portra 400 v2 does well anytime the sun is out, but especially for “golden hour” near sunrise and sunset. As the name suggests, it’s a good option for portrait photography, but it’s excellent for many other genres, too.

Reggie’s Portra

Mountain Sunset – Flagstaff, AZ – Fujifilm X100V – Reggie’s Portra

I like to have at least one Recipe programmed into my camera that’s highly versatile. There are several excellent options, but a personal favorite is Reggie’s Portra, which works in almost any light situation.

Pacific Blues

White Bridge across Pond – Charleston, SC – Fujifilm X-E4 – Pacific Blues

The Pacific Blues Recipe is intended for a sunny summer day at the beach; however, I have found it works wonderfully well on foggy or dreary days, too. It’s more dramatic and significantly different than the options above, so it offers a good alternative aesthetic that’s still film-like. This is one of my personal favorite Recipes.

The Rockwell

Abandoned Dream – Red Rock Lakes NWR, MT – Fujifilm X100V – The Rockwell

This list wouldn’t be complete without a Velvia-based Recipe. When the situation calls for something bold, The Rockwell will accomplish that, delivering vibrant and sharp results.

Serr’s 500T

Quiet Corner – Tempe, AZ – Fujifilm X-T5 – CineStill 800T

Most Recipes are intended for sunny daylight; while some can still do well at night, there are Recipes specifically intended for night photography. Of those, Serr’s 500T is one of my favorites.

Kodak Tri-X 400

Round Window – Pismo Beach, CA – Fujifilm X100V – Kodak Tri-X 400

No C1-C7 would be complete without at least one B&W Recipe, and Kodak Tri-X 400 is my go-to option. I love monochromatic photography, and you’ll be hard-pressed to find a better Recipe than this.

Part 3: X-T3/X-T30

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7 Must-Try Recipes for 5th-Gen Fujifilm Cameras

Sailboat at Nyhavn – Copenhagen, Denmark – Fujifilm GFX100RF – Vivid Velvia

This is Part 1 of what will be a five-part series exploring Fujifilm Recipes for each generation of cameras. We will begin with the latest models, and work our way back towards the older cameras. For each article, I will suggest seven Recipes to try on your Fujifilm camera. This is intended for those new to the whole Recipe thing, who haven’t tried them before (or perhaps only a few Recipes so far). The intention is to provide you with a list of seven that you can program into your C1-C7 Custom Setting presets. For those with only C1-C6, you’ll have to choose one to exclude; for those with only C1-C4, you’ll have to cut three out.

The list below, which are the seven Recipes for Part 1, is specifically for fifth-generation Fujifilm cameras, which is to say X-Trans V, but it’s a little more complicated than that. Fifth-generation cameras are: X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, X-T30 III, GFX100 II, GFX100S II, and GFX100RF. If you have one of those cameras, these are the correct Recipes for you. This is far from an exhaustive list of fifth-generation Recipes, it’s only seven really good ones to get you started. If you are unsure which Fujifilm Recipes to begin with, these are ones that I highly recommend.

Kodachrome 64

Red Barn – Ronks, PA – Fujifilm GFX100S II – Kodachrome 64

Kodachrome was the most iconic film, so it stands to reason that we should begin this list with the Kodachrome 64 Recipe. It’s intended for sunny daylight photography, but can sometimes be good in other scenarios, too, just depending on the subject and lighting. I feel like Kodachrome 64 is an essential Recipe to try.

Kodak Gold 200

Spinning – Anaheim, CA – Fujifilm X100VI – Kodak Gold 200

This is a classic Recipe that’s always popular. Kodak Gold 200 produces warm photos, and is intended for use in sunny daylight situations. It’s especially good for golden hour, including sunrises and sunsets.

Pacific Blues

Misty Saguaro – Buckeye, AZ – Fujifilm X-T5 – Pacific Blues

The Pacific Blues Recipe is intended for a sunny summer day at the beach; however, I have found it works wonderfully well on foggy or dreary days, too. It’s more dramatic and significantly different than the two options above, so it offers a good alternative aesthetic that’s still film-like. This is one of my personal favorite Recipes.

Reala Ace

Mountain Pines at Sunset – Flagstaff, AZ – Fujifilm X-T5 – Reala Ace

The Reala Ace Recipe predates the Reala Ace Film Simulation release, and is based on Classic Negative. It’s more like the actual film of the same name than the Reala Ace Film Simulation, which is more like Fujicolor PRO 160C. This is a highly versatile Recipe that can be used anytime of the day or night.

Vivid Velvia

Roaring Fork – Great Smoky Mountains NP, TN – Fujifilm X-E5 – Vivid Velvia

Boldly colorful, Vivid Velvia is intended for landscape photography where you want the scene to pop. It’s fairly versatile, but probably not the best option for portraits. If you are primarily a landscape photographer, you might find yourself using this one the most.

CineStill 800T

Quiet Corner – Tempe, AZ – Fujifilm X-T5 – CineStill 800T

While some of the other Recipes will do well for nighttime photography, CineStill 800T is specifically intended for photographing after dark. You can use it during the day if you should desire a cool blueish cast, but for the most part you’ll want to save it for after sunset. This Recipe pairs well with a weak diffusion filter, like 5% or 10% CineBloom or 1/8 or 1/4 Pro Mist.

Agfa Scala

Welcome RT 66 – Williams, AZ – Fujifilm X-T5 – Agfa Scala

Agfa Scala is a new adaptation of an old Recipe. I’ve loved the Agfa Scala Recipe for a long-time, and an update for the latest cameras was long-overdue. This is one of my current favorite B&W options.

Part 2: 4th-Gen, Part 3: X-T3/X-T30

Find these Film Simulation Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

7 Fujifilm Recipes to Replace RAW Editing

Sailboat at Nyhavn – Copenhagen, Denmark – Fujifilm GFX100RF – Vivid Velvia

By moving the creative process from the computer to the camera, Fujifilm Recipes can effectively replace RAW editing for many photographers. Instead of spending hours adjusting curves and sliders after the fact, you make the aesthetic decisions before even pressing the shutter. The colors, contrast, grain, white balance, and overall mood become part of the act of photography itself. Some people—gatekeepers—insist that RAW editing is the only serious path because it offers maximum flexibility, but maximum flexibility isn’t always the best path. Sometimes, limitations improve art.

One of the great benefits of Recipes is freedom—freedom from the computer and Lightroom (or other RAW editing software), freedom from indecisive aesthetic choices, freedom from unfinished work (such as RAW files just sitting around waiting to be edited). Most photographs that are created using Recipes are finished the moment that they’re made, making the journey from vision to finished image dramatically shorter. Perhaps the greatest freedom that Recipes bring is time.

Low Clouds Over Manhattan – New York City, NY – Fujifilm X100VI – Kodak Tri-X 400

Another benefit of using Recipes is that it aligns with how a large number of people actually want to do photography. Not everyone desires photography to be half-camera and half-computer. Some simply want to capture meaningful moments, compelling scenes, and beautiful light without turning every outing into a post-processing project. There is no rule that says a photographer must shoot RAW and edit in Lightroom to be legitimate. If a Recipe delivers the look you want straight-out-of-camera, then you’ve already reached the destination. This is not to say that RAW has no place, only that it isn’t a prerequisite or requirement. There’s no right or wrong way to do photography, only whatever works best for you. That could be JPEGs, that could be RAW, it could be film, it could be all of those at different times, or something else entirely. Do whatever is best for you and your photography.

If you are looking for some Fujifilm Recipes to try that might convince you to stop editing RAW, I’ve picked seven that I think could do just that. Of course everyone has their own tastes and styles. You might like some of these and not others, or all of them, or none of them. The Recipes that could become your favorites might not even be in this list. But, if you are looking for some great ones to try, these are seven that I highly recommend.

Kodachrome 64

Red Barn – Ronks, PA – Fujifilm GFX100S II – Kodachrome 64

The Kodachrome 64 Recipe is modeled after the iconic film. It’s intended for sunny daylight photography, so it works best in those conditions, although I have had good results in some other situations, too. This particular version of the Kodachrome 64 Recipe is for fifth-generation Fujifilm cameras, which are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, X-T30 II, GFX100 II, GFX100S II, and GFX100RF. There’s also a version for fourth-generation models, one for the X-T3 and X-T30, as well as an X-Trans II iteration. You might also appreciate the McCurry Kodachrome Recipe.

Kodak Portra 160 v2

Vista View of Grand Canyon Station – Grand Canyon NP, AZ – Fujifilm X-T5 – Kodak Portra 160 v2

Kodak Portra 160 V2 is another Recipe intended for sunny daylight conditions. Interestingly, a photographer recently loaded a roll of Portra 160 into his film camera and used this Recipe on his Fujifilm camera, and shot them side-by-side. The results? The images were nearly identical, difficult to distinguish from each other. This Recipe, which is a modification by Thomas Schwab of my old Kodak Portra 160 Recipe (which was made with some help of Piotr Skrzypek), is for fifth-generation Fujifilm cameras, which are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, X-T30 III, GFX100 II, GFX100S II, and GFX100RF. Also, those with fourth-generation cameras should try my Kodak Portra 160 Recipe.

Pacific Blues

Misty Saguaro – Buckeye, AZ – Fujifilm X-T5 – Pacific Blues

While intended for a sunny day at the beach, the Pacific Blues Recipe is surprisingly excellent in a variety of conditions and for diverse subjects. It’s one of my all-time favorites. This particular version is for fifth-generation Fujifilm cameras, which are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, X-T30 III, GFX100 II, GFX100S II, and GFX100RF. There is also a version for fourth-generation models. Another Recipe to consider is Fujicolor 100 Gold.

Copenhagen Negative

Canal at Sunset – Copenhagen, Denmark – Fujifilm GFX100RF – Copenhagen Negative (XPan ratio)

Copenhagen Negative is one of the newest Recipes on Fuji X Weekly, and it’s already one of my favorites. This is for fifth-generation Fujifilm cameras, which are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, X-T30 III, GFX100 II, GFX100S II, and GFX100RF. You might also appreciate the 1-Hour Photo Recipe.

Fujicolor PRO 160C Warm

Service – Bisbee, AZ – Fujifilm X-T5 – Fujicolor PRO 160C Warm

A part of the Film Dial Recipe set, Fujicolor PRO 160C Warm is highly versatile, and can be used anytime of the day or night. This is for fifth-generation Fujifilm cameras, which are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, X-T30 III, GFX100 II, GFX100S II, and GFX100RF. An alternative to consider is the PRO Negative 160C Recipe.

Vivid Velvia

Roaring Fork – Great Smoky Mountains NP, TN – Fujifilm X-E5 – Vivid Velvia

Vivid Velvia is a bold Recipe for vibrant pictures. It’s best for landscape photography, or anytime you want to emphasize vivid colors. This Recipe is for fifth-generation Fujifilm cameras, which are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, X-T30 III, GFX100 II, GFX100S II, and GFX100RF, as well as some fourth-generation models: X-T4, X-S10, X-E4, X-T30 II, and GFX100S. You might also like The Rockwell Recipe.

Kodak Tri-X 400

Pool Remnant – Rodanthe, NC – Fujifilm GFX100S II – Kodak Tri-X 400

Last but far from least is Kodak Tri-X 400, the only black-and-white Recipe in this list. Created by Anders Lindborg, this is my all-time favorite B&W option. It can be used with any fourth or fifth-generation camera. Agfa Scala is another Recipe to consider.

Find these Fujifilm Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

See also:
Fujifilm Recipe Starter Pack — 7 Recipes to Try First on Your X-Trans V Camera
The first 7 Film Simulation Recipes to use in your Fujifilm X100VI
7 Fujifilm Recipes for Midday Retro Americana Photography
10 Fujifilm Recipes for a 1970’s Aesthetic
10 Grainy Fujifilm Recipes

Your Camera’s Warranty Might Be Voided

According to Fujifilm, using any non-licensed program (including Fujifilm’s own SDK) “to connect to, or control, any compatible Fujifilm camera, will void the camera’s limited product warranty.” I spoke with Fujifilm and confirmed this to be true. I was also told that they only give licenses to large corporations “like Adobe.” I bring this up because more and more, there are programs and apps that can connect to your Fujifilm camera, to remote control it or push Recipes to it, and so forth. Very few of these seem to tell you that doing so voids your camera’s warranty. I was also told by someone at Fujifilm that each time you connect, a marker is left in the camera, which Fujifilm could find to prove that a non-licensed program was connected to the camera.

Personally, I would be extremely cautious connecting any Fujifilm model that is still under warranty to any non-licensed software or app (anything that’s not officially from or supported by Fujifilm). Depending on your country, X-series gear can have up to a three year warranty, and GFX up to five year. You may want to look into the specifics of your camera and country to determine the exact length of your manufacturer warranty; for a lot of people, it will be just one year.

I bring this up because most of these programs and apps don’t tell you this. The developers are well aware (or at least should be) that if you connect your camera to their software it will void your warranty, but I think they’re afraid that if you knew the risk, you’d be less inclined to use their program, and they’d be less profitable. They’d rather be a bit shady than lose potential customers. The risk that they themselves are taking is that if your warranty gets denied and they didn’t disclose to you that using their app would void the warranty, you could hold them accountable (although good luck with that). My guess is that thousands (maybe tens of thousands) of Fujifilm photographers have unknowingly voided their warranty—they are completely unaware, and might be learning about it for the first time right now. That’s terrible, and it should be unacceptable.

With some of these programs, it’s even more shady than that. For example, many of them aggregate Recipes; however, some of the creators of those Recipes have no idea that their Recipes are even in the apps, and much of the time they are not even given credit, which is a shame. Worse, many photographers (who create Recipes) have their photos in these apps without permission or even credit (in other words, illegally). Someone who doesn’t even make Recipes is profiting off of those who do, including off of their photos. You’ll find tons of my Recipes, and when I’ve asked them to be removed, I have been told that there’s nothing technically illegal about it, so pound sand. That might be true (there could be a strong plagiarism argument), but it’s not cool in the least to do so. Someone who doesn’t even make Recipes shouldn’t be profiting off of those who do. With regards to my photos, that’s a daily (and uphill) battle to get them removed. If you’ve ever created and published a Recipe anywhere on the internet, there’s a good chance you’ll find it in at least one of these programs, and maybe your photos, too.

My Fujicolor 100 Gold Recipe and my photo used without permission or even credit in someone else’s app.

I’ve hesitated to say anything because some will take this as sour grapes. They will think that I’m just upset over competition. Look, there are legitimate creators doing wonderful things for the community, and I’ve happily pointed them out and linked to their websites or channels many times on Fuji X Weekly over the years. I’m for the community, and I think it’s great that so many are not only using Recipes, but are creating them, too. It’s a wonderful thing, and I never imagined that all of this would grow and grow and grow so much. It’s truly an honor to have a front-row seat. What I’m saying is: does that non-official-Fujifilm program that connects to your camera, whether software or app, tell you that by doing so your warranty will be voided? If not, that’s a big problem. You should be made aware, and from there you can make an educated decision to connect or not connect. If it’s hidden in the fine print, that’s an issue, too, because few actually read the fine print, yet it absolves the developer of responsibility.

Of course, Fujifilm themselves deserve some blame. You should be able to push Recipes into the Custom Settings presets (C1-C7 for most cameras, C-C6 or C1-C4 for others) right from the X App. You can do it from X RAW Studio, but it isn’t obvious. For that matter, there should be a mobile version of X RAW Studio. There’s a lot more that Fujifilm could and should do to make adding Recipes to your camera easier (something I’ve encouraged them to do, and even offered my assistance with). And maybe it’s a bit my own fault, too, because I’ve spent more than a year trying to go about all of this “the right way” by attempting to work with Fujifilm on something that was highly unlikely to ever work out, and ultimately didn’t. Because of this, my own implementation of a similar feature has been delayed and delayed and delayed. I desperately want to avoid voiding your warranty. If I did make something that would void your warranty, I would make everyone very well aware and not hide it, so that you could make whatever informed decision that you’re comfortable with.

Anyway, I need to end this post. I truly hope nobody gets hosed by an unknowingly voided warranty. Make whatever choice that you want, but I do think it’s beyond time for someone to say something publicly, so at least you know the potential consequences of the choice that you are making. I’m sorry that it has to come from me, I’d rather not be the messenger. I’ve put this off for a very long time hoping that something would change, but it seems to only have gotten worse with time.

Edit: I want to add a few quick things. First, you should learn the warranty laws that are specific to your country and state/region. Some places have stronger protections than others, some of which may prevent your warranty from automatically being voided just because you connect to an unlicensed program. Second, just because technically speaking your warranty has been voided, that doesn’t mean that Fujifilm won’t still honor it. They may or may not—in my estimation, depending on exactly what the problem is, there is a good chance that they will honor it. Third, even if they don’t, you might still have legal options (I’m not an attorney, nor am I an expert in warranty laws). I am only trying to make people aware of the potential risk, because they should absolutely be aware that there is a risk.

Fujifilm Recipe: Provia Positive

Baltic Sea – Greve, Denmark – Fujifilm X-T5 – Provia Positive Recipe

About a month-and-a-half ago, Dan Allen sent a Recipe for me to try. It was based on Provia and was specifically intended for spring blossoms, so he called it Spring Provia. When I had the opportunity, I loaded it into my camera and tried it out. I didn’t get to use it a lot, but I did like the results. Fast forward to Fujikina Copenhagen. There was a Magnum exhibit that had a light table wall with hundreds of color transparencies displayed. It was really cool! I noticed one group of slides—I couldn’t tell you who the photographer was or what film was used or any technical information—that was reminiscent of Dan’s Recipe. I found the images I had made using his Recipe on the SD card in my X-E5, and reprocessed them in-camera to better match the slides. While I don’t think I got it completely perfect, I was very happy with the results. Then I continued to use the Recipe—a variant of Dan’s Recipe—while in Copenhagen.

My modified version, which I’ve called Provia Positive, is highly versatile. It’s hands-down my favorite Provia Recipe of all-time. As many of you may know, Provia is not my favorite Film Simulation, and I don’t personally use it often. This Recipe gave me a new appreciation for it, and is one I could see myself using regularly. It’s highly versatile, great for most subjects and situations. While portraits are probably hit-or-miss, it’s excellent for landscapes, still-life, street photography, etc., etc..

For Dan’s original Recipe—Spring Provia—use Provia, DR400, Grain Effect Off, Color Chrome Effect Strong, Color Chrome FX Blue Off, White Balance Daylight, WB Shift +1 Red & -1 Blue, Highlight -1, Shadow +1, Color +3, Sharpness 0, High ISO NR -4, and Clarity 0. I invite you to try Dan’s Recipe, it’s pretty good. My variant adds Grain (because grain was visible in the slides, and I like it personally), Color Chrome FX Blue Strong (to mimic the blue sky in some of the slides, perhaps the photographer used a polarizer filter), Auto White Priority (some of the pictures in the group were in different light situations, and Daylight didn’t match those), WB Shift +2 Red & -3 Blue (I went back-and-forth between +1 and +2 Red… +1.5 Red would have probably been most appropriate if it was possible, so I settled on +2), Color +4, Sharpness -1, and Clarity +2. I made quite a few small changes, but the core idea of Dan’s Recipe remains, so I want to give him credit for the original concept.

Studio Ghibli Scene – Copenhagen, Denmark – Fujifilm X-E5 – Provia Positive Recipe

This Provia Positive Fujifilm Recipe is compatible with “newer” fourth-generation models—X-T4, X-S10, X-E4, and X-T30 II—as well as all fifth-generation cameras—X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III—and “newer” GFX models, like the GFX100S, GFX100 II, GFX100S II, and GFX100RF. For the X-Pro3 and X100V, simply use Auto WB instead of Auto White Priority (outside of artificial light scenarios, it will look the same). For the X-T3 and X-T30, try Dan’s Spring Provia Recipe, which is compatible with those cameras.

Film Simulation: Provia/STD
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Strong
White Balance: Auto White Priority, +2 Red & -3 Blue
Dynamic Range: DR400
Highlight: -1
Shadow: +1
Color: +4
Sharpness: -1

High ISO NR: -4
Clarity: +2
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Provia Positive Film Simulation Recipe on a Fujifilm X-E5, X-T5, and GFX100RF:

M/S Garde – Copenhagen, Denmark – Fujifilm X-E5
Yellow Bike, Yellow Wall – Copenhagen, Denmark – Fujifilm GFX100RF
Front Bike Tire – Copenhagen, Denmark – Fujifilm X-T5
Promenade – Copenhagen, Denmark – Fujifilm GFX100RF
Red Wall, Yellow Wall – Copenhagen, Denmark – Fujifilm X-E5
Red Building at Kastellet – Copenhagen, Denmark – Fujifilm X-E5
Red Cafe – Copenhagen, Denmark – Fujifilm X-E5
Bike Bags – Copenhagen, Denmark – Fujifilm X-E5
Bikes at the Bay – Copenhagen, Denmark – Fujifilm X-E5
North Atlantic Shore – Copenhagen, Denmark – Fujifilm X-E5
Bicyclist through Arch – Copenhagen, Denmark – Fujifilm X-E5
Boat Captain in Red – Copenhagen, Denmark – Fujifilm X-E5
Oskar Swan – Copenhagen, Denmark – Fujifilm X-E5
Hidden Kitesurfer – Copenhagen, Denmark – Fujifilm X-T5
Paddling the Canal – Copenhagen, Denmark – Fujifilm GFX100RF
Canal Tour – Copenhagen, Denmark – Fujifilm GFX100RF
Canal View – Copenhagen, Denmark – Fujifilm GFX100RF
Boat Dash – Copenhagen, Denmark – Fujifilm GFX100RF
Fence Between Blossoms – Copenhagen, Denmark – Fujifilm GFX100RF
Sisters on a Bench – Copenhagen, Denmark – Fujifilm GFX100RF
Closed Tulip – Copenhagen, Denmark – Fujifilm GFX100RF
Wet Tulip – Copenhagen, Denmark – Fujifilm X-T5
Little Blossoms Along Fence – Copenhagen, Denmark – Fujifilm X-E5
Blooming Wall – Copenhagen, Denmark – Fujifilm X-E5
Peace, Love & Ice Cream – Copenhagen, Denmark – Fujifilm X-E5
End of the Fence – Copenhagen, Denmark – Fujifilm X-E5
Gran Torino – Copenhagen, Denmark – Fujifilm X-E5
Red & Purple Flowers – Copenhagen, Denmark – Fujifilm X-E5
Amusement – Copenhagen, Denmark – Fujifilm X-E5
Mismatched Towers – Copenhagen, Denmark – Fujifilm X-E5
Kastelsmøllen – Copenhagen, Denmark – Fujifilm X-E5
Accordion Player – Copenhagen, Denmark – Fujifilm X-T5
PLH Sunset – Copenhagen, Denmark – Fujifilm X-E5
Lunch Behind Glass – Copenhagen, Denmark – Fujifilm X-E5
Coffee – Copenhagen, Denmark – Fujifilm X-E5
NEMAR – Copenhagen, Denmark – Fujifilm X-E5
Rainbow Stairs – Copenhagen, Denmark – Fujifilm GFX100RF
Sunset From Lille Langebro – Copenhagen, Denmark – Fujifilm GFX100RF

Find this Fujifilm Recipe and over 400 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Comparing Three Fujifilm Recipes for European Travel Photography

White Boat at Nyhavn – Copenhagen, Denmark – Fujifilm GFX100RF – Copenhagen Negative

Early this year Fujifilm asked if I would make a brand-new Film Simulation Recipe to be unveiled at Fujikina Copenhagen. I created three Recipes that I thought could be good candidates, but only one would be selected to be the very first Fujifilm Recipe to be introduced at a Fujikina event. I used all three extensively on an adventure through southern California, and, after reviewing the pictures, one emerged as the obvious winner. That Recipe, which I called Copenhagen Negative, was first revealed a week-and-a-half ago (on my birthday!) in Copenhagen. After returning home, I published it on this website and added it to the Fuji X Weekly App.

The other two Recipes—the ones that didn’t win—are also very good. I published them already, well before Fujikina. Even though I like one best (and used it a ton), I also had the other two—Avalon Ace and Vivid Chrome—programmed into my cameras, and used them occasionally, too. If I had never invented Copenhagen Negative, and it was between Avalon Ace and Vivid Chrome, I would have been happy unveiling either at the event, but between those two, I would have gone with Avalon Ace. In other words, Avalon Ace placed second and Vivid Chrome placed third, but they are all good in their own way.

Red Boat in Nyhavn Canal – Copenhagen, Denmark – Fujifilm GFX100RF – Avalon Ace
Nyhavn Canal – Copenhagen, Denmark – Fujifilm GFX100RF – Vivid Chrome

I thought it would be fun to compare the three Recipes that were intended for use in Copenhagen—Copenhagen Negative, Avalon Ace, and Vivid Chrome—using images that were created in Denmark. Did I choose the winning Recipe wisely? Was Copenhagen Negative actually the best of the three options for European travel photography? Let’s find out!

The three pictures above were captured using each individual Recipe, while the examples below were reprocessed in-camera to show all three Recipes using the same exposure. I chose three very different light situations to better gage how the Recipes perform: bright midday sun, evening sun peeking through overcast sky, and sunset. Take a look:

Copenhagen Negative
Avalon Ace
Vivid Chrome
Copenhagen Negative
Avalon Ace
Vivid Chrome
Copenhagen Negative
Avalon Ace
Vivid Chrome

In the first set above (the windmill photo), all three Recipes do a great job. Each brings its own character to the image, and I’m happy with each. It’s difficult for me to choose a winner, but I’d give a slight edge to Avalon Ace. In the second set (Kultorvet from a second-floor window), Copenhagen Negative has the right character for my tastes (and is the winner), but Avalon Ace is really good, too; however, Vivid Chrome is clearly third. In the last set (the bridge photo), it’s a tough call between Copenhagen Negative and Avalon Ace, but I’m leaning towards Avalon Ace, while Vivd Chrome is in a close third. What do you think? Which of the three pictures in each set above do you prefer?

Of all the photos that I made of my trip to Denmark, I used the Copenhagen Negative Recipe by far the most, and I’m really happy with how those images turned out. If I had used Avalon Ace instead, I think I would have been happy, too. Vivid Chrome seems to work really well in some situations and only so-so in others, so it’s more of a now-and-then type Recipe rather than for every picture.

Left: Vivid Chrome Recipe; Top Right: Avalon Ace Recipe; Bottom Right: Copenhagen Negative Recipe

Interestingly, each of these three Recipes has a film-like character to them, but they each have a different aesthetic. Vivid Chrome is in the general ballpark of Fujichrome Velvia 100 (although not a faithful facsimile), so it’s more like slide film. Avalon Ace was inspired by some film scans of Kodak Gold and Portra that were captured in Denmark (by a different photographer), so it has a negative feel. Copenhagen Negative is a variant of Avalon Ace, but with more of a Fujicolor Superia aesthetic. None are a perfect match for a specific emulsion, but the analog aesthetics of each are easy to appreciate.

If I were traveling to Europe again, I would consider programming all three of these Recipes into my C1-C7 Custom Settings presets. That leaves four other slots available for other Recipes. Actually, on my Fujifilm X-E5, I had these set to FS1, FS2, and FS3, which meant that each C1-C7 slot was available for other Recipes. These three are great options for many subjects and situations, so you don’t need a lot more—perhaps a B&W Recipe like Kodak Tri-X 400, a nighttime option like CineStill 800T, and fill in the rest with whatever are your go-to favorites.

Find these Fujifilm Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Copenhagen Negative — A Fujifilm Recipe for Fifth-Generation Cameras

Baltic View – Greve, Denmark – Fujifilm X-E5 – Copenhagen Negative

A few months back, Fujifilm invited me to Fujikina Copenhagen. They wanted me to lead a couple of photowalks, give a brief presentation on Film Simulations and Fujifilm Recipes, and to display six of my photos on a wall at the event. They also asked if I could create a brand-new Recipe made for Copenhagen, which would be revealed at Fujikina. Of course I said yes! It was an incredible honor to be at Fujikina. It was a great experience, and I loved meeting a number of you in-person. I just got back home, and I wanted to get this Recipe published right away.

After some research and experiments, I narrowed it down to three options: one that was especially vibrant, one that matched some film scans someone made in Denmark, and one that was a variant of the middle option. I tested and refined each of them, and tested and refined some more. Then I put all three to a larger test. After reviewing the results, I knew right away the winner, which is this Recipe (the third option). I named it Copenhagen Negative in honor of the city that it is intended for. This Recipe has become one of my favorites, and I know that many of you will love it, too.

Docked Boats – Avalon, CA – Fujifilm GFX100RF – Copenhagen Negative

The two Fujifilm Recipes that Copenhagen Negative beat out have already been published. The vibrant one is called Vivid Chrome, and the middle option is called Avalon Ace. I really like those Recipes, too, and used both of them in Copenhagen. They would have been good choices for this project, but Copenhagen Negative edged them out, so it has the honor of being the only Recipe to ever be unveiled at a Fujikina event. Those who attended Fujikina Copenhagen have already had access to this Recipe for over a week.

Copenhagen Negative is great for sunny daylight, cloudy days, fog, natural light indoors, and golden hour. It’s not a good option for artificial light, though, so I would avoid it for nighttime photography. It works well for landscapes, urban scenes, street photography, still-life, portraits, and I’m sure many other genres. I have enjoyed using this Recipe over the last couple of months—in fact, even though I included a ton of sample pictures in this article, I left a whole bunch out that I would have liked to include, just because there were way too many pictures.

Graffiti Wall – Copenhagen, Denmark – Fujifilm X-E5 – Copenhagen Negative

This Copenhagen Negative Recipe is compatible with all fifth-generation X-series cameras, which are the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. It works well on the latest GFX cameras, like the GFX100 II, GFX100S II, and GFX100RF. You can use it on “newer” fourth-generation cameras like the X-T4, X-S10, X-E4, and X-T30 II; however, it will render slightly different (don’t be afraid to try it, though). This Recipe works great with a little underexposure. Keep an eye out on the highlights, being careful not to blow them out.

Film Simulation: Classic Negative
Grain Effect: Strong, Small
Color Chrome Effect: Weak
Color Chrome FX Blue: Strong
White Balance: 5700K, +1 Red & +1 Blue
Dynamic Range: DR400
Highlight: +2.5
Shadow: -2
Color: +4
Sharpness: -2

High ISO NR: -4
Clarity: -3
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to -2/3 (typically)

Example photographs, all camera-made JPEGs using this Copenhagen Negative Film Simulation Recipe on a Fujifilm X-E5, GFX100RF, and GFX100S II:

Red Boat at Nyhavn – Copenhagen, Denmark – Fujifilm GFX100RF
Tour Boat – Copenhagen, Denmark – Fujifilm GFX100RF
Strolling Nyhavn – Copenhagen, Denmark – Fujifilm GFX100RF
Nyhavn – Copenhagen, Denmark – Fujifilm GFX100RF
Yellow Tricycle – Avalon, CA – Fujifilm GFX100S II
Houses on a Hill – Avalon, CA – Fujifilm GFX100S II
House on a Foggy Hill – Avalon, CA – Fujifilm GFX100S II
Light Pouring through Lifting Fog – Avalon, CA – Fujifilm X-E5
Fogbow – Avalon, CA – Fujifilm GFX100RF
Shoreboats – Avalon, CA – Fujifilm X-E5
Waterfront – Avalon, CA – Fujifilm GFX100RF
Seaweed – Greve, Copenhagen – Fujifilm X-E5
Pond – Greve, Denmark – Fujifilm X-E5
Path in the Grass – Greve, Denmark – Fujifilm X-E5
Spiral Stairs – Copenhagen, Denmark – Fujifilm X-E5
Light Pouring Over Graffiti – Copenhagen, Denmark – Fujifilm X-E5
Smoker – Copenhagen, Denmark – Fujifilm X-E5
Nicklas – Copenhagen, Denmark – Fujifilm GFX100RF
QuickSnap Panorama – Copenhagen, Denmark – Fujifilm GFX100RF
Serving Chicken – Copenhagen, Denmark – Fujifilm X-E5
Bicycles – Copenhagen, Denmark – Fujifilm X-E5
Vibe – Copenhagen, Denmark – Fujifilm GFX100RF
Fujikina Posters – Copenhagen, Denmark – Fujifilm X-E5
Doorway & Windows – Copenhagen, Denmark – Fujifilm X-E5
Window Seats – Copenhagen, Denmark – Fujifilm X-E5
Window Shopping – Copenhagen, Denmark – Fujifilm X-E5
Studio Space – Copenhagen, Denmark – Fujifilm X-E5
Red Windows Behind Fence – Copenhagen, Denmark – Fujifilm X-E5
Yellow Bike – Copenhagen, Denmark – Fujifilm X-E5
Kiosk – Copenhagen, Denmark – Fujifilm X-E5
Round Tower Replica – Solvang, CA – Fujifilm GFX100S II
Rooflines – Solvang, CA – Fujifilm GFX100S II
Rooftop Sunset – Solvang, CA – Fujifilm GFX100S II
Hamlet Square – Solvang, CA – Fujifilm GFX100RF
Spring Flower Garden – Solvang, CA – Fujifilm GFX100RF
Red Blossoming Flower – Avalon, CA – Fujifilm GFX100RF
Field of Blossomed Flowers – Buellton, CA – Fujifilm GFX100S II
Tree & Golden Light – Copenhagen, Denmark – Fujifilm X-E5
Sunstar Over Urban Tree – Copenhagen, Denmark – Fujifilm X-E5
Sunlight Through the Ceiling – Greve, Denmark – Fujifilm X-E5
White Bicycle – Copenhagen, Denmark – Fujifilm X-E5
Boyz B2 Bike – Copenhagen, Denmark – Fujifilm X-E5
Spray Painted Van – Denmark, Copenhagen – Fujifilm X-E5
Redeye – Copenhagen, Denmark – Fujifilm X-E5
Bike Path – Copenhagen, Denmark – Fujifilm GFX100RF
Gasoline Grill – Copenhagen, Denmark – Fujifilm GFX100RF
Canal at Sunset – Copenhagen, Denmark – Fujifilm GFX100RF

Find this Fujifilm Recipe and over 400 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Correcting My Mistakes

Let me apologize right off the start here. I made two significant mistakes when I published the eight Video Recipes last Saturday. Someone pointed it out to me this morning, and I fixed it right away. Somehow, other than the Film Simulation, I had mixed up the Chrome Color and Reala Color Recipe parameters. In other words, the Chrome Color Recipe had the Reala Color parameters (other than the Film Sim), and the Reala Color Recipe had the Chrome Color parameters (other than the Film Sim). This was just on the website, it has always been correct in the Fuji X Weekly App. I’m really sorry for this mistake, and I really hope it didn’t cause too much trouble. I checked the other six Recipes, and they are all correct.

When I published the Video Recipes, that was wild. It required eight articles for the Recipes themselves, plus an article to announce it all, plus two posts for the two Early-Access Recipes that were replaced and become public (Kodak Emulsion and Summer of ’59), plus a new landing page for the Video Recipes. Altogether I published 12 things, which was by far the most for any one day. In the last nearly 10 years that I’ve been running Fuji X Weekly, I’ve not come anywhere close to that. I’m not sure what the previous record was, but it was not more than five or six. That’s why I had apologized in advance for inundating you with content.

I’m truly sorry for the mistakes that I made. I wish that I had triple-checked everything before going live, and not just double-checked, because I would likely have discovered it. It was all a bit overwhelming. I don’t plan to publish so much at once ever again, because that was really crazy. It’s all been fixed now. Please accept my apology.

I have seen some of you post clips on Instagram using the new Video Recipes. That’s awesome! I have enjoyed seeing those, and can’t wait to see what else you create with these Recipes.

Introducing Video Recipes for Fujifilm Cameras!

I’m thrilled to finally release an exciting project that has been in the works for over a year: Video Recipes for Fujifilm cameras! This has taken tremendous effort to complete. Even though there are significantly fewer settings available for video than for stills, I found that creating Recipes for video to be much more difficult. A lot of care went into them. I’m extremely happy to share these new Recipes with you today.

Any Fujifilm Recipe can be used for video, but there are some caveats. First, not all of the options that are available for still photography are available for video (and, to a much lesser degree, vice versa). Also, the various Film Simulations look very subtly divergent for video than stills, simply because the pipeline is different for color sampling, curves, sharpening, and noise reduction—the output is nearly the same, but there are some small inherent variations, with some Film Simulations affected more than others. All of this is to say that Recipes intended for still photography will work for cinematography if you ignore the settings that aren’t available in movie mode, but the outcome will not be 100% exactly the same. Aside from that, what works well for still photography does not always work well for video (and vice versa)—that’s why film manufacturers have some emulsions specifically for photographs and some specifically for motion pictures. With that in mind, I decided to create Fujifilm Recipes that are specifically designed for cinematography.

I just published eight brand-new video Recipes. All of them are compatible with fifth-generation cameras (Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III), while some can also be used with fourth-generation models. Additionally, these Recipes are compatible with newer GFX cameras, like the GFX100 II, GFX100S II, GFX100RF, and Eterna 55. If you are a video content creator who wants to take advantage of Fujifilm’s excellent colors and spend less time—or even eliminate—color grading, these Video Recipes are for you!

All of the footage in the sample videos are straight-out-of-camera, completely unedited other than length (and sometimes cropped and/or stabilized). The clips were not color graded or manipulated. If you were to use these Recipes for your cinematography, you can expect the same type of results. What you see is what you’ll get.

This Video Recipe project was a team effort. I developed the Recipes myself with input and feedback from my lovely wife, Amanda. The footage in the sample videos were made by several creators, who I’ll introduce in just a moment. Amanda edited all of clips into YouTube videos. The Fuji X Weekly App had to be modified, made possible by the talents of my app developer, Sahand Nayebaziz.

Now, let’s take a look at the six Video Recipes!

Chrome Color

The Chrome Color Video Recipe is warm and subtly colorful, with a strong Kodak-like aesthetic. It’s great for a summertime vibe. While it’s especially good for sunny daylight situations, it’s also quite versatile, and can be used anytime of the day or night.

Reala Color

The Reala Color Video Recipe is warm, light, and vibrant—yet somehow true-to-life—with an analog feel. It’s quite versatile, and can be used anytime of the day or night.

Nostalgic Color

The Nostalgic Color Video Recipe is soft, warm, and slightly muted—an aesthetic that feels like a memory. This Recipe evokes nostalgia, and is quite versatile.

Natural Negative

The Natural Negative Video Recipe is soft, light, and warm, yet true-to-life. It has a strong cinematic feel. This Recipe is extremely versatile, great for day or night or any other light situation.

Retro Fujicolor

The Retro Fujicolor Video Recipe is muted and contrasty, with a vintage Fujicolor look reminiscent of the ’80’s and ’90’s. The Recipe is highly versatile, and can be used anytime of the day or night.

Vivid Fujichrome

The Vivid Fujichrome Video Recipe is vibrant and leans warm; slightly contrasty with deep blacks. This is a bold Recipe for colorful subjects, and has a distinctive Velvia quality. It’s specifically intended for sunny daylight, but it can sometimes produce good results in other light situations. It’s especially great for sunset and blue hour.

Retro Cinematic

The Retro Cinematic Video Recipe emphasizes both warm and cool tones. In the right light, it almost has a split-tone effect. Depending on the situation, it can appear to have a warm cast or a cool cast. While this Recipe is intended for use in sunny daylight, it’s great for showcasing the blues of twilight and for emphasizing the warmth of artificial light.

Vision Daylight

The Vision Daylight Video Recipe is warm, somewhat contrasty (yet with great tonality), and subtly colorful—very summer-like—with a cinematic feel. It has a strong Kodak-esque motion picture aesthetic. This Recipe is specifically intended for sunny daylight situations, but can be interesting in other light, too.

Now let’s meet the cinematographers! I want to give a big shoutout and thank you to them, as they each played an important role in this project. Also, I want to give a special acknowledgement to my wife, Amanda, who produced the sample videos above, and was instrumental in this whole project—without her, none of this would have happened.

Kyler Steele

A New York City-based travel photographer and videographer, Kyler’s content evokes a feeling of nostalgia through his use of color and composition. He has collaborated with Hasselblad, Leica, and Fujifilm. His reviews, guides, newsletter, and educational content are popular on Instagram and YouTube.

AV

Austin, also known as AV and AVdidit, is a New York City-based landscape and travel photographer and videographer who aims to capture the emotion or atmosphere of a scene rather than strict realism. He has worked with B&H, Fujifilm, OM Systems, Cruise America, and more. You can find him on Instagram and YouTube.

Dave Geffin

A New York City-based photographer and cinematographer, Dave has worked with Fujifilm, Adidas, Amazon, Phase One, Elle, Harpers Bazaar, Cosmopolitan, and many, many more. Dave has extensive experience with fashion, commercial, and editorial clients around the world.

B.Monét

B.Monét is an award-winning writer and director, who’s various short films have screened in dozens of film festivals and streamed on BET, Hulu, and Max. She has worked with Levi’s, Estée Lauder, Disney, Uber, and more.

Sahand Nayebaziz

Sahand is a Los Angeles-based portrait photographer and filmmaker since 2011. He’s also an app developer, and a vital part of the Fuji X Weekly team for over six years.

Jeffrey Sun

Jeffrey is an up-and-coming New York City-based photographer, content creator, and YouTuber who specializes in street and travel images. He has worked with various musicians, events, and brands, including Fujifilm.

Chrome Color — A Video Recipe for Fujifilm Cameras

Any Fujifilm Recipe can be used for video, but there are some caveats. First, not all of the options that are available for still photography are available for video (and, to a much lesser degree, vice versa). Also, the various Film Simulations look very subtly divergent for video than stills, simply because the pipeline is different for color sampling, curves, sharpening, and noise reduction—the output is nearly the same, but there are some small inherent variations, with some Film Simulations affected more than others. All of this is to say that Recipes intended for still photography will work for cinematography if you ignore the settings that aren’t available in movie mode, but the outcome will not be exactly the same. Aside from that, what works well for still photography does not always work well for video (and vice versa)—that’s why film manufacturers have some emulsions specifically for photographs and some specifically for motion pictures. With that in mind, I decided to create Fujifilm Recipes that are specifically designed for cinematography.

Even though there are significantly fewer settings available for video than for stills, I found that creating Recipes for video to be much more difficult. I began this project over a year ago, and only now am I publishing the results. It’s been a lot of fun, but also very challenging. The YouTube video that I’ve embedded below is a good sampling of what the Chrome Color Recipe looks like. I would describe it as warm and subtly colorful, with a strong Kodak-like aesthetic. It’s great for a summertime vibe. While it’s especially good for sunny daylight situations, it’s also quite versatile, and can be used anytime of the day or night.

Chrome Color is a video Recipe, and is not intended for still photography; however, you can use it for stills by choosing a Grain size (either Off or Weak/Small), setting Color Chrome Effect and Color Chrome FX Blue to Off, and set Clarity to 0. I did not include a “typical exposure compensation” because you’ll want to carefully consider the exposure for each individual scene, and whether it should be brighter or darker will depend on the exact light situation and desired mood. This Chrome Color Recipe is compatible with some fourth-generation Fujifilm cameras—X-T4, X-S10, X-E4, and X-T30 II—as well as all fifth-generation cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. You can also use this with newer GFX cameras, too.

***Update: The Chrome Color Recipe was initially published on this website with incorrect parameters (however, it was correct in the Fuji X Weekly App). It has now been fixed below. I apologize for this mistake.***

Film Simulation: Classic Chrome
White Balance: Auto, +2 Red & -4 Blue
Dynamic Range: DR400
Highlight: 0
Shadow: -1.5
Color: +3
Sharpness: 0

High ISO NR: -4
Interframe NR: Auto
ISO: up to ISO 6400

The stills below are from the video above. The video footage was captured using a Fujifilm X-H2s, X-S20, and GFX100 II. No color grading, just straight-out-of-camera clips. Footage by AV, Sahand Nayebaziz, and Jeffrey Sun.

Click here to find more Video Recipes!

Find this Fujifilm Recipe and hundreds more in the Fuji X Weekly App. Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Reala Color — A Video Recipe for Fujifilm Cameras

Any Fujifilm Recipe can be used for video, but there are some caveats. First, not all of the options that are available for still photography are available for video (and, to a much lesser degree, vice versa). Also, the various Film Simulations look very subtly divergent for video than stills, simply because the pipeline is different for color sampling, curves, sharpening, and noise reduction—the output is nearly the same, but there are some small inherent variations, with some Film Simulations affected more than others. All of this is to say that Recipes intended for still photography will work for cinematography if you ignore the settings that aren’t available in movie mode, but the outcome will not be exactly the same. Aside from that, what works well for still photography does not always work well for video (and vice versa)—that’s why film manufacturers have some emulsions specifically for photographs and some specifically for motion pictures. With that in mind, I decided to create Fujifilm Recipes that are specifically designed for cinematography.

Even though there are significantly fewer settings available for video than for stills, I found that creating Recipes for video to be much more difficult. I began this project over a year ago, and only now am I publishing the results. It’s been a lot of fun, but also very challenging. The YouTube video that I’ve embedded below is a good sampling of what the Reala Color Recipe looks like. I would describe it as warm, light, and vibrant—yet somehow true-to-life—with an analog feel. It’s quite versatile, and can be used anytime of the day or night.

Reala Color is a video Recipe, and is not intended for still photography; however, you can use it for stills by choosing a Grain size (either Off or Weak/Small), setting Color Chrome Effect and Color Chrome FX Blue to Off, and set Clarity to 0. I did not include a “typical exposure compensation” because you’ll want to carefully consider the exposure for each individual scene, and whether it should be brighter or darker will depend on the exact light situation and desired mood. This Reala Color Recipe is compatible with all fifth-generation cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. You can also use this with newer GFX cameras, too.

***Update: The Chrome Color Recipe was initially published on this website with incorrect parameters (however, it was correct in the Fuji X Weekly App). It has now been fixed below. I apologize for this mistake.***

Film Simulation: Reala Ace
White Balance: Auto, 0 Red & -3 Blue
Dynamic Range: DR400
Highlight: +1
Shadow: -1
Color: +3
Sharpness: -1

High ISO NR: -4
Interframe NR: Auto
ISO: up to ISO 6400

The stills below are from the video above. The video footage was captured using a Fujifilm X-H2s, X-S20, and GFX100 II. No color grading, just straight-out-of-camera clips. Footage by AV, Dave Geffin, Sahand Nayebaziz, Kyler Steele, and Jeffrey Sun.

Click here to find more Video Recipes!

Find this Fujifilm Recipe and hundreds more in the Fuji X Weekly App. Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Nostalgic Color — A Video Recipe for Fujifilm Cameras

This is the Recipe that began the whole Video Recipe project. Early last year, my family and I participated in a 72-hour short film challenge. We had three days to write, record, edit, and submit a five minute short film. The overall theme (heroic), some dialog that must be included (“This better be useful”), and a prop that must be used (a sticky note) were not given until the very start of the 72 hours, so we couldn’t preplan much. The short film was a team effort—probably my biggest contribution was the Video Recipe. Prior to this, we primary used Reggie’s Portra for videography (ignoring the settings unavailable in Move Mode), but we wanted a softer, warmer, more muted aesthetic for this movie (something that seemed more like a memory), to better convey the intended feelings. There were nine contest entries, all of which were played in a local movie theater. To our surprise, we won Best Film (and several other trophies). If you are interested, it’s called Will You Play With Me? (click here to watch). Amanda recorded most of the clips, and all of it was filmed on an X-T5 using this Nostalgic Color Recipe.

From there, I was inspired to create even more Video Recipes for Fujifilm cameras. Nostalgic Color was the first, so it has a special place in my heart. It’s quite versatile. The aesthetic of this Recipe evokes nostalgia. I can imagine a full-length documentary filmed with this someday—in fact, the inspiration for this Recipe came from some shots in the documentary American Symphony. The YouTube video that I’ve embedded below is a good sampling of what the Nostalgic Color Recipe looks like.

Nostalgic Color is a video Recipe, and is not intended for still photography; however, you can use it for stills by choosing a Grain size (either Off or Weak/Small), setting Color Chrome Effect and Color Chrome FX Blue to Off, and set Clarity to 0. I did not include a “typical exposure compensation” because you’ll want to carefully consider the exposure for each individual scene, and whether it should be brighter or darker will depend on the exact light situation and desired mood. This Nostalgic Color Recipe is compatible with all fifth-generation cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. You can also use this with newer GFX cameras, too.

Film Simulation: Nostalgic Neg.
White Balance: Auto Ambiance Priority, +3 Red & -3 Blue
Dynamic Range: DR400
Highlight: 0
Shadow: -1
Color: -2
Sharpness: 0

High ISO NR: -4
Interframe NR: Auto
ISO: up to ISO 6400

The stills below are from the video above. The video footage was captured using a Fujifilm X-H2s and X-S20. No color grading, just straight-out-of-camera clips. Footage by AV, Dave Geffin, B.Monét, and Jeffrey Sun.

Click here to find more Video Recipes!

Find this Fujifilm Recipe and hundreds more in the Fuji X Weekly App. Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Natural Negative — A Video Recipe for Fujifilm Cameras

Any Fujifilm Recipe can be used for video, but there are some caveats. First, not all of the options that are available for still photography are available for video (and, to a much lesser degree, vice versa). Also, the various Film Simulations look very subtly divergent for video than stills, simply because the pipeline is different for color sampling, curves, sharpening, and noise reduction—the output is nearly the same, but there are some small inherent variations, with some Film Simulations affected more than others. All of this is to say that Recipes intended for still photography will work for cinematography if you ignore the settings that aren’t available in movie mode, but the outcome will not be exactly the same. Aside from that, what works well for still photography does not always work well for video (and vice versa)—that’s why film manufacturers have some emulsions specifically for photographs and some specifically for motion pictures. With that in mind, I decided to create Fujifilm Recipes that are specifically designed for cinematography.

Even though there are significantly fewer settings available for video than for stills, I found that creating Recipes for video to be much more difficult. I began this project over a year ago, and only now am I publishing the results. It’s been a lot of fun, but also very challenging. The YouTube video that I’ve embedded below is a good sampling of what the Natural Negative Recipe looks like. I would describe it as soft, light, and warm, yet true-to-life. It has a strong cinematic feel. This Recipe is extremely versatile, great for day or night or any other light situation.

Natural Negative is a video Recipe, and is not intended for still photography; however, you can use it for stills by choosing a Grain size (either Off or Weak/Small), setting Color Chrome Effect and Color Chrome FX Blue to Off, and set Clarity to 0. I did not include a “typical exposure compensation” because you’ll want to carefully consider the exposure for each individual scene, and whether it should be brighter or darker will depend on the exact light situation and desired mood. This Natural Negative Recipe is compatible with some fourth-generation Fujifilm cameras—X-T4, X-S10, X-E4, and X-T30 II, as well as all fifth-generation cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. You can also use this with newer GFX cameras, too.

Film Simulation: Eterna
White Balance: Auto White Priority, +2 Red & -4 Blue
Dynamic Range: DR400
Highlight: 0
Shadow: +1
Color: +2
Sharpness: -1

High ISO NR: -4
Interframe NR: Auto
ISO: up to ISO 12800

The stills below are from the video above. The video footage was captured using a Fujifilm X-H2s and X-S20. No color grading, just straight-out-of-camera clips. Footage by AV, Dave Geffin, B.Monét, Kyler Steele, and Jeffrey Sun.

Click here to find more Video Recipes!

Find this Fujifilm Recipe and hundreds more in the Fuji X Weekly App. Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Retro Fujicolor — A Video Recipe for Fujifilm Cameras

Any Fujifilm Recipe can be used for video, but there are some caveats. First, not all of the options that are available for still photography are available for video (and, to a much lesser degree, vice versa). Also, the various Film Simulations look very subtly divergent for video than stills, simply because the pipeline is different for color sampling, curves, sharpening, and noise reduction—the output is nearly the same, but there are some small inherent variations, with some Film Simulations affected more than others. All of this is to say that Recipes intended for still photography will work for cinematography if you ignore the settings that aren’t available in movie mode, but the outcome will not be exactly the same. Aside from that, what works well for still photography does not always work well for video (and vice versa)—that’s why film manufacturers have some emulsions specifically for photographs and some specifically for motion pictures. With that in mind, I decided to create Fujifilm Recipes that are specifically designed for cinematography.

The Retro Fujicolor Video Recipe is my personal favorite for videography. My wife, Amanda, used this Recipe for two Fuji X Weekly YouTube videos last year: Fujifilm X-E5 + 11 Recipes — Roadtrip to the Oldest Building in Arizona and California Coast in Infrared — Fujifilm X-T4 ES & Aerochrome v2 Recipe. It was inspired by old television shows and commercials filmed on Fujifilm’s AX, A, and F motion picture films in the ’80’s and ’90’s. It has a muted and contrasty vintage Fujicolor look. I especially love how greens and blues are rendered. The YouTube video that I’ve embedded below is a good sampling of what the Retro Fujicolor Recipe looks like.

Retro Fujicolor is a video Recipe, and is not intended for still photography; however, you can use it for stills by choosing a Grain size (either Off or Weak/Small), setting Color Chrome Effect and Color Chrome FX Blue to Off, and set Clarity to 0. I did not include a “typical exposure compensation” because you’ll want to carefully consider the exposure for each individual scene, and whether it should be brighter or darker will depend on the exact light situation and desired mood. This Retro Fujicolor Recipe is compatible with some fourth-generation Fujifilm cameras—X-T4, X-S10, X-E4, and X-T30 II, as well as all fifth-generation cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. You can also use this with newer GFX cameras, too.

Film Simulation: Classic Negative
White Balance: Auto White Priority, -1 Red & -3 Blue
Dynamic Range: DR400
Highlight: -1.5
Shadow: -1.5
Color: -1
Sharpness: -2

High ISO NR: -4
Interframe NR: Auto
ISO: up to ISO 6400

The stills below are from the video above. The video footage was captured using a Fujifilm X-H2s, X-S20, and GFX100 II. No color grading, just straight-out-of-camera clips. Footage by AV, Sahand Nayebaziz, and Jeffrey Sun.

Click here to find more Video Recipes!

Find this Fujifilm Recipe and hundreds more in the Fuji X Weekly App. Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Vision Daylight — A FXW App Patron Early-Access Video Recipe for Fujifilm Cameras

Any Fujifilm Recipe can be used for video, but there are some caveats. First, not all of the options that are available for still photography are available for video (and, to a much lesser degree, vice versa). Also, the various Film Simulations look very subtly divergent for video than stills, simply because the pipeline is different for color sampling, curves, sharpening, and noise reduction—the output is nearly the same, but there are some small inherent variations, with some Film Simulations affected more than others. All of this is to say that Recipes intended for still photography will work for cinematography if you ignore the settings that aren’t available in movie mode, but the outcome will not be exactly the same. Aside from that, what works well for still photography does not always work well for video (and vice versa)—that’s why film manufacturers have some emulsions specifically for photographs and some specifically for motion pictures. With that in mind, I decided to create Fujifilm Recipes that are specifically designed for cinematography.

Even though there are significantly fewer settings available for video than for stills, I found that creating Recipes for video to be much more difficult. I began this project over a year ago, and only now am I publishing the results. It’s been a lot of fun, but also very challenging. The YouTube video that I’ve embedded below is a good sampling of what the Vision Daylight Recipe looks like. I would describe it as warm (with a hint of green), somewhat contrasty (yet with great tonality), and subtly colorful—very summer-like—with a cinematic feel. It has a strong Kodak-esque motion picture aesthetic. This Recipe is specifically intended for sunny daylight situations, but can be interesting in other light, too.

The Vision Daylight Video Recipe is a Fuji X Weekly App Patron Early-Access Recipe, which means that it is currently only available to App Patrons; however, in time it will be available to everyone. If you are a Fuji X Weekly App Patron subscriber, it’s available to you right now. This is a video Recipe, and is not intended for still photography; however, you can use it for stills by choosing a Grain size (either Off or Weak/Small), setting Color Chrome Effect and Color Chrome FX Blue to Off, and set Clarity to 0. I did not include a “typical exposure compensation” because you’ll want to carefully consider the exposure for each individual scene, and whether it should be brighter or darker will depend on the exact light situation and desired mood. This Vision Daylight Recipe is compatible with some fourth-generation Fujifilm cameras—X-T4, X-S10, X-E4, and X-T30 II—as well as all fifth-generation cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. You can also use this with newer GFX cameras, too.

The stills below are from the video above. The video footage was captured using a Fujifilm X-H2s, X-S20, and GFX100 II. No color grading, just straight-out-of-camera clips.Footage by AV, Dave Geffin, Sahand Nayebaziz, Kyler Steele, and Jeffrey Sun.

Click here to find more Video Recipes!

Find this Fujifilm Recipe and hundreds more in the Fuji X Weekly App. Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Retro Cinematic — A FXW App Patron Early-Access Video Recipe for Fujifilm Cameras

Any Fujifilm Recipe can be used for video, but there are some caveats. First, not all of the options that are available for still photography are available for video (and, to a much lesser degree, vice versa). Also, the various Film Simulations look very subtly divergent for video than stills, simply because the pipeline is different for color sampling, curves, sharpening, and noise reduction—the output is nearly the same, but there are some small inherent variations, with some Film Simulations affected more than others. All of this is to say that Recipes intended for still photography will work for cinematography if you ignore the settings that aren’t available in movie mode, but the outcome will not be exactly the same. Aside from that, what works well for still photography does not always work well for video (and vice versa)—that’s why film manufacturers have some emulsions specifically for photographs and some specifically for motion pictures. With that in mind, I decided to create Fujifilm Recipes that are specifically designed for cinematography.

What I love about the Retro Cinematic Video Recipe is that it emphasizes both warm and cool tones. In the right light, it almost has a split-tone effect. Depending on the situation, it can appear to have a warm cast or a cool cast. While this Recipe is intended for use in sunny daylight, it can also be great for showcasing the blues of twilight and for emphasizing the warmth of artificial light. The Retro Cinematic Video Recipe is a Fuji X Weekly App Patron Early-Access Recipe, which means that it is currently only available to App Patrons; however, in time it will be available to everyone. If you are a Fuji X Weekly App Patron subscriber, it’s available to you right now. The YouTube video that I’ve embedded below is a good sampling of what the Retro Cinematic Recipe looks like.

Retro Cinematic is a video Recipe, and is not intended for still photography; however, you can use it for stills by choosing a Grain size (either Off or Weak/Small), setting Color Chrome Effect and Color Chrome FX Blue to Off, and set Clarity to 0. I did not include a “typical exposure compensation” because you’ll want to carefully consider the exposure for each individual scene, and whether it should be brighter or darker will depend on the exact light situation and desired mood. This Retro Cinematic Recipe is compatible with all fifth-generation cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. You can also use this with newer GFX cameras, too.

The stills below are from the video above. The video footage was captured using a Fujifilm X-H2s and X-S20. No color grading, just straight-out-of-camera clips. Footage by AV, Dave Geffin, B.Monét, Kyler Steele, and Jeffrey Sun.

Click here to find more Video Recipes!

Find this Fujifilm Recipe and hundreds more in the Fuji X Weekly App. Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.