My Fujifilm X-T30 Redscale Film Simulation Recipe

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Red Hill – South Weber, UT – Fujifilm X-T30 – “Redscale”

Redscale is a photographic technique where you shoot film backwards. Instead of shooting the film through the front, you shoot it through the backside. In order to do this, one must load the film into the canister backwards, or buy film that’s already been purposefully loaded backwards. Normally, in color negative film, the red layer is exposed last, for the light has passed through other layers and filters before it reaches it. When you shoot from the wrong side, light hits the red layer first. The results can be quite unique!

What’s interesting about Redscale photography is that the results can vary greatly, depending on the film, exposure and development. Most commonly, Redscale images have a strong maroon, red, orange or yellow color cast. Sometimes the color cast can be extraordinarily bold and sometimes it can be quite subtle. Even one roll of film can produce different looks depending on the light and how it was shot. Generally speaking, darker images tend to be more red and brighter images tend to be more yellow, but there are certainly exceptions to that. A Redscale image is easy to spot when you see one, but it can be difficult to strictly define the aesthetic.

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Peach Morning – South Weber, UT – Fujifilm X-T30 – “Redscale”

I was asked by Fuji X Weekly reader Aycan Gonenc to create a Redscale film simulation. He had developed one already and shared his settings with me, but was hoping that I might make some improvements. I made some changes and adjustments and the results are this recipe, so it is a collaborative effort. What I will say is that the settings can be adjusted considerably, and one can still achieve a Redscale look. Simply change the film simulation from Astia to something else and you will create a different Redscale look. The white balance can be dropped to as low as 7700K, and the shift can have blue added or subtracted. Any of the settings can be adjusted to taste. These settings are only what I felt would produce a good Redscale facsimile, and I believe it does that.

Astia
Dynamic Range: DR200
Highlight: +1
Shadow: +2
Color: -2
Noise Reduction: -4
Sharpening: -2
Grain Effect: Strong
Color Chrome Effect: Strong
White Balance: 10000K, +9 Red & 0 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs captured using my Redscale film simulation recipe on a Fujifilm X-T30:

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Building Sky – South Weber, UT – Fujifilm X-T30

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Cloud Around The Ridge – South Weber, UT – Fujifilm X-T30

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Red Mountain – South Weber, UT – Fujifilm X-T30

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Overcast Ridge – South Weber, UT – Fujifilm X-T30

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Clouds Floating Above The Mountain – South Weber, UT – Fujifilm X-T30

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Orange Hill Under Red Sky – South Weber, UT – Fujifilm X-T30

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Westbound I-84 – Peterson, UT – Fujifilm X-T30

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Evening Freight – Henefer, UT – Fujifilm X-T30

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Wood Fence Roses – South Weber, Utah – Fujifilm X-T30

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Red Rose Fence – South Weber, UT – Fujifilm X-T30

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Really Red Rose – South Weber, UT – Fujifilm X-T30

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Pink Bud – South Weber, UT – Fujifilm X-T30

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Floral Red – Ogden, UT – Fujifilm X-T30

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Yellow Rose Gold – Ogden, UT – Fujifilm X-T30

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Daisy Red – South Weber, UT – Fujifilm X-T30

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Small Wild Blossoms – South Weber, UT – Fujifilm X-T30

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Corner Trunk – South Weber, UT – Fujifilm X-T30

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T is for Tree – Ogden, UT – Fujifilm X-T30

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An American Home – South Weber, UT – Fujifilm X-T30

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299 – Coalville, UT – Fujifilm X-T30

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Red Engineer – South Weber, UT – Fujifilm X-T30

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Continental Bike Tire – Ogden, UT – Fujifilm X-T30

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Red Window – South Weber, Utah – Fujifilm X-T30

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Night Window – South Weber, UT – Fujifilm X-T30

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Red Cross – Layton, UT – Fujifilm X-T30

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Tree Top – South Weber, UT – Fujifilm X-T30

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Sunlit Leaf – South Weber, UT – Fujifilm X-T30

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Russian Red – South Weber, UT – Fujifilm X-T30

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Bolsey Orange – South Weber, UT – Fujifilm X-T30

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Red Birds – South Weber, UT – Fujifilm X-T30

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Red Eye Horse – South Weber, UT – Fujifilm X-T30

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Girl & Hungry Horse – South Weber, UT – Fujifilm X-T30

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Cat Cone – South Weber, UT – Fujifilm X-T30

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Tractor Mirror – South Weber, UT – Fujifilm X-T30

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Stucco Lamp – South Ogden, UT – Fujifilm X-T30

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Iced Coffee Cups – South Weber, UT – Fujifilm X-T30

My Fujifilm X-T30 Faded Monochrome Film Simulation Recipe

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All Aboard Boy – Ogden, UT – Fujifilm X-T30 – “Faded Monochrome”

I love the results of my Faded Color recipe, so creating a Faded Monochrome recipe was a natural next step. This film simulation recipe requires the use of the double-exposure feature of the camera. The first exposure is a normal photo, and the second exposure is of something plain white. I’ve tried different things, but for me a 4″ x 6″ plain white index card works well. No need for the second exposure to be in focus. It’s a simple idea that I wish I had thought of earlier. I think I’ve just scratched the surface of what can be created using this technique.

In film photography, you could achieve a similar look by printing with a low-contrast filter. You could also develop the film for low contrast by adjusting any number of things in the lab. You might also get this look by accident if you reused the fixer one too many times. Sometimes underexposed pushed-processed film has a very similar aesthetic. It’s possible for negatives to fade over time, especially if not stored correctly, and that, too, might create a similar look. While “faded” is in the title of this recipe, the look isn’t so much faded as it is low-contrast with “milky” blacks. It works especially well for high-contrast scenes.

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Morning Coffee – South Weber, UT – Fujifilm X-T30 – “Faded Monochrome”

To use this recipe, you will create two exposures using the double-exposure feature of your camera. The first exposure is the main image, and the second exposure is of something plain white, such as a 4″ x 6″ plain white index card. There is no need for the second exposure to be in focus. The exposure compensation for the second exposure can vary greatly depending on how bright the white is and how you want the picture to look. You will have to play around with it to figure out what works for you. The good news is that your camera will give you a preview of the finished image and will allow do-overs.

Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: DR100
Highlight: +4
Shadow: +4
Noise Reduction: -4
Sharpening: +2
Grain Effect: Strong
Color Chrome Effect: Strong
Toning: 0 (Neutral)
ISO: Auto up to ISO 12800
Exposure Compensation: +1/3 to +1 (main exposure), 0 to -2 (second exposure)

Example photographs, all camera-made JPEGs using my Faded Monochrome recipe on a Fujifilm X-T30:

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Grey Rose – SLC, UT – Fujifilm X-T30

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Grey Lake – East Canyon SP, UT – Fujifilm X-T30

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Lake Boat – Willard Bay SP, UT – Fujifilm X-T30

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Tree Limbs – SLC, UT – Fujifilm X-T30

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Well – SLC, UT – Fujifilm X-T30

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Don’t Give – SLC, UT – Fujifilm X-T30

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Urban Escape – SLC, UT – Fujifilm X-T30

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Big Brick Buildings – SLC, UT – Fujifilm X-T30

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Center Reflection – SLC, UT – Fujifilm X-T30

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Urbanscape Monochrome – SLC, UT – Fujifilm X-T30

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Less Is More – SLC, UT – Fujifilm X-T30

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Urban Leaves – SLC, UT – Fujifilm X-T30

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Small Flower In The Big City – SLC, UT – Fujifilm X-T30

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Park Bench – Ogden, UT – Fujifilm X-T30

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Joshua Monochrome – Ogden, UT – Fujifilm X-T30

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Happy Girl – Ogden, UT – Fujifilm X-T30

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Children On A Park Slide – Ogden, UT – Fujifilm X-T30

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Instax Photographer – SLC, UT – Fujifilm X-T30

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Joy In The City – SLC, UT – Fujifilm X-T30

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Bank Time – SLC, UT – Fujifilm X-T30

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Water On The Glass – SLC, UT – Fujifilm X-T30

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Club – Ogden, UT – Fujifilm X-T30

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Stepping By – Ogden, UT – Fujifilm X-T30

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Vibes – Ogden, UT – Fujifilm X-T30

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Quiet – SLC, UT – Fujifilm X-T30

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Urban Cloud – SLC, UT – Fujifilm X-T30

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Angles & Lines – SLC, UT – Fujifilm X-T30

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Utah Artist – SLC, UT – Fujifilm X-T30

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Treading Lightly – SLC, UT – Fujifilm X-T30

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Marlboro Man – SLC, UT – Fujifilm X-T30

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Come Inside – SLC, UT – Fujifilm X-T30

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Mono Chrome – SLC, UT – Fujifilm X-T30

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Stop In Ogden – Ogden, UT – Fujifilm X-T30

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UTA Station – Layton, UT – Fujifilm X-T30

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Train Ride Abstract – Kaysville, UT – Fujifilm X-T30

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Empty Train Seats – Farmington, UT – Fujifilm X-T30

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Train Passenger – Roy, UT – Fujifilm X-T30

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Passenger Window – Layton, UT – Fujifilm X-T30

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Train 19 – Farmington, UT – Fujifilm X-T30

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UTA 19 – Ogden, UT – Fujifilm X-T30

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Train Host – Ogden, UT – Fujifilm X-T30

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Hungry Traveler – Ogden, UT – Fujifilm X-T30

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Caboose Steps Monochrome – Ogden, UT – Fujifilm X-T30

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Caboose Display – Ogden, UT – Fujifilm X-T30

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Industrial Sunlight – Ogden, UT – Fujifilm X-T30

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Ladder Climb – Ogden, UT – Fujifilm X-T30

My Fujifilm X-T30 Faded Color Film Simulation Recipe

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Fading Memories – Ogden, UT – Fujifilm X-T30 – “Faded Color”

This recipe is a failure. More accurately, it’s a failed attempt at a certain aesthetic. It doesn’t look like what I was hoping it would look like. It’s close, but no cigar. What it does look like are faded color photographs from perhaps the 1950’s through 1970’s. I have some old issues of Arizona Highways magazine from the 1950’s, and these pictures have a similar look to what’s found in those magazines. You might have some old family photos that have faded over time and perhaps look like the pictures that this recipe creates. You can also achieve this washed-out “milky” look through darkroom techniques. Even though this recipe doesn’t look like what I was trying to create, it looks really amazing, and I am astonished that this look can be achieved in-camera.

What I was trying to create was a certain cinematic characteristic. I was asked by a Fuji X Weekly reader to create a film simulation recipe that produces a look similar to the aesthetic of the Wong Kar Wai movie Chungking Express. I had never seen this movie, so I had to do much research, and thankfully a lot of great information was easily found online. I discovered that the motion picture film used in the movie was Agfa XT320, and that it was often (but not always) push-processed, sometimes one stop and sometimes two. A technique called flashing was used a number of times in the movie, which involves flashing the film with light to give it a smoky, atmospheric, or faded feel, lowering contrast. It’s a type of double exposure, except that the second exposure is nothing more than a little light. Another technique that was used in the movie was to give different scenes a certain color cast using gels. Wong Kar Wai likes to create scenes with one predominant color, and so you will find elements in the scene that are the same color as the color cast. He used a slow shutter speed in the movie to blur motion. There were a ton of different techniques used, and so you can probably understand the difficulty of the task. You cannot incorporate everything into one recipe, so I had to make some choices and create a plan to try to achieve something that looks similar to the movie.

My idea was to attempt a recipe that resembled push-processed Agfa XT320 that has been flashed and has a color cast. I decided to use the double-exposure feature on my Fujifilm X-T30 and white balance shift to achieve this. For the second exposure, which needed to be white, I tried a number of things, including a miniature portable studio, but after some trial-and-error, I settled on a plain white 4″ x 6″ index card. I would hold it a few inches in front of the lens and make the second exposure. Auto-focus would never lock onto it, and I figured that a blurry exposure might actually be preferable. For the color cast, I found that one exposure should not have a shifted white balance and the other should. Initially I was adding the color cast to the main exposure and not the white exposure, but then I switched that and liked the results better for some reason. I used the 16:9 aspect ratio to make it a more cinematic shape. Unfortunately, I could never get the results to look quite right for Chungking Express. I think I was in the general ballpark, but not as close as I was hoping. Fortunately, what I did create was pretty interesting, so I kept shooting with it, except I used the 3:2 aspect ratio.

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Main Motion – SLC, UT – Fujifilm X-T30 – “Faded Color”

To use this recipe, you must set the camera to double-exposure, which on the X-T30 is found on a knob on the top. You capture the main exposure, then you must make some adjustments for the second exposure. The white balance must be shifted and the exposure compensation must be adjusted. For the white balance shift, I found going almost to the extremes works well. For a yellow cast, choose 0 Red & -8 Blue. For an orange cast, choose +8 Red & -8 Blue. For a red cast, choose +8 Red and 0 Blue. For a purple cast, choose +8 Red & +8 Blue. For a blue cast, choose 0 Red and +8 Blue. For a cyan cast, choose -8 Red and +8 Blue. For a green cast, choose -8 Red & 0 Blue. For green-yellow cast, choose -8 Red & -8 Blue. The exposure compensation for the white exposure is a little tricky. A lot depends on how bright the white is (whether it has direct light on it or if it is in shade) and how faded you want the image to look. It takes a little practice, but the good news is that the camera shows you exactly what the results are going to be, and even allows you do-overs if you don’t like it. I found that sometimes 0 was good, I found that sometimes -2 was good, and often -2/3 or -1 was a good choice. Each picture should get individual consideration. The second exposure is a picture of something white, such as the blank index card that I already described, although you could certainly try other things if you find something that might work better for you. This creates a faded look that almost seems unbelievable that it came out of the camera unedited.

Classic Chrome
Dynamic Range: DR100
Highlight: +3
Shadow: +4
Color: +4
Color Chrome Effect: Strong
Sharpening: +2
Noise Reduction: -4
Grain Effect: Strong
White Balance: Auto (use a shift on the second exposure)
ISO: Auto up to ISO 12800
Exposure Compensation: +1/3 to +1 (main exposure), 0 to -2 (second exposure)

Example photographs, all camera-made JPEGs using my Faded Color recipe on a Fujifilm X-T30:

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Good Life – Ogden, UT – Fujifilm X-T30

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Or Another – Ogden, UT – Fujifilm X-T30

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Summer Santa – Ogden, UT – Fujifilm X-T30

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Makeup – South Weber, UT – Fujifilm X-T30

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Walking Without Wondering – Ogden, UT – Fujifilm X-T30

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Bike Repair – South Weber, UT – Fujifilm X-T30

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Transit Train Transportation – SLC, UT – Fujifilm X-T30

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Kid Bowling – Kaysville, UT – Fujifilm X-T30

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Instax Girl – South Weber, UT – Fujifilm X-T30

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Guitar Cat – Farmington, UT – Fujifilm X-T30

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Cracked Eggs – South Weber, UT – Fujifilm X-T30

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Good Vibes – South Weber, UT – Fujifilm X-T30

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Steps & Vines – Ogden, UT – Fujifilm X-T30

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Lake Grass – Willard Bay SP, UT – Fujifilm X-T30

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Faded Daisies – South Weber, UT – Fujifilm X-T30

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Soft Rose – South Weber, UT – Fujifilm X-T30

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Summer Roses – South Weber, UT – Fujifilm X-T30

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Red Rose Faded – Ogden, UT – Fujifilm X-T30

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Dark Rose – South Weber, UT – Fujifilm X-T30

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Big Red Ball Catching – South Weber, UT – Fujifilm X-T30

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Tona – Ogden, UT – Fujifilm X-T30

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Hanging Bulbs – Ogden, UT – Fujifilm X-T30

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Wet Bloom – SLC, UT – Fujifilm X-T30

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Caboose Steps – Ogden, UT – Fujifilm X-T30

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Breakboy – Ogden, UT – Fujifilm X-T30

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Lake Boy – East Canyon SP, UP – Fujifilm X-T30

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Springtime Lake – East Canyon SP, UT – Fujifilm X-T30

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East Canyon Reservoir – East Canyon SP, UT – Fujifilm X-T30

My Fujifilm X-T30 Fujicolor 100 Industrial Film Simulation Recipe

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Urban Binding – SLC, UT – Fujifilm X-T30 – “Fujicolor 100 Industrial”

I get asked frequently to create different film simulation recipes, and I always put some consideration into those requests. I don’t get around to attempting all of them, although I do attempt many, but I at least think about how I might create a certain look. Even if I do attempt it, I’m not usually successful, as it just doesn’t look right quite often, so I go back to the drawing board when time and inspiration allows. On rare occasions I’m able to create a certain aesthetic quickly and easily. This recipe falls into the latter category.

I have to be honest, when I was asked to create a recipe to mimic the look of Fujicolor 100 Industrial film, I had never heard of it and knew absolutely nothing about it. I had to do some research on this film, and I found lots of good and helpful information. As it turns out, Fujicolor 100 Industrial is a negative film only sold in bulk in Japan, although you can purchase it from some camera stores who sell it individually. It’s actually re-branded Fujicolor 100, well, the Japanese version of Fujicolor 100, which is not the same film as Fujicolor 100 in America, although they’re similar to each other. Something interesting about Fujicolor 100 Industrial (and Fujicolor 100 Japan, which is the same film) is that it has a Tungsten emulsion (with a Kelvin temperature of 3200), but it is daylight balanced because the dye colors have been shifted to account for the cooler temperature. Weird, huh? Well, it turns out that you can do the same thing in your Fujifilm camera using white balance shift, and it creates a similar aesthetic.

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Backyard Daisy – South Weber, UT – Fujifilm X-T30 – “Fujicolor 100 Industrial”

I find that this recipe is especially good in higher-contrast scenes, although it can still deliver interesting results in lower-contrast scenes. It’s a milder recipe that doesn’t have a lot of saturation, although sometimes just the right amount, and it handles shadows and highlights well. It creates lovely pictures that are soft and not bold. It needs the right subject and light to stand out, but it can look really great in the right situations. It definitely has a low-ISO print-film quality to it, and resembles Fujicolor 100 Industrial film surprisingly well.

PRO Neg. Std
Dynamic Range: DR400
Highlight: +1
Shadow: +2
Color: +1
Color Chrome Effect: Weak
Sharpening: +2
Noise Reduction: -4
Grain Effect: Weak
White Balance: 3200K, +8 Red & -8 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Sample photographs, all camera-made JPEGs, captured with a Fujifilm X-T30 using this Fujicolor 100 Industrial recipe:

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US Bike Lane – SLC, UT – Fujifilm X-T30

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Twilight Temple – SLC, UT – Fujifilm X-T30

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Broadway Me – SLC, UT – Fujifilm X-T30

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Three Stories – SLC, UT – Fujifilm X-T30

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Boston Building Reflection – SLC, UT – Fujifilm X-T30

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The Corporate Ladder – SLC, UT – Fujifilm X-T30

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Their Bank – SLC, UT – Fujifilm X-T30

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Urban Sunset – SLC, UT – Fujifilm X-T30

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Partial Loaf – SLC, UT – Fujifilm X-T30

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Purple Zebra – SLC, UT – Fujifilm X-T30

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Leaves In The Sky – South Weber, UT – Fujifilm X-T30

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Partly Cloudy – South Weber, UT – Fujifilm X-T30

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Rosebud Sky – South Weber, UT – Fujifilm X-T30

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In Case of Fire – South Weber, UT – Fujifilm X-T30

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Watching Television – South Weber, UT – Fujifilm X-T30

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Little Feet – South Weber, UT – Fujifilm X-T30

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Donut Eater – South Weber, UT – Fujifilm X-T30

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Plastic Hand – SLC, UT – Fujifilm X-T30

Weekly Photo Project, Week 43

I immensely enjoyed attaching a vintage Asahi-Pentax Auto-Takumar 55mm f/2.2 lens to my Fujifilm X-T30 during this week. It’s easy to forget that it’s such a great lens, even though it’s older than I am. It pairs especially well with the two film simulation recipes that I created during these days: Ilford HP5 Plus 400 Push-Process and Expired Eterna. The combination of film simulation recipes that produce an analog aesthetic and vintage glass can be a magical experience.

Sunday, May 26, 2019

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Lilac – South Weber, UT – Fujifilm X-T30 & 50-230mm @162mm – 1/2700, f/10, ISO 640

Monday, May 27, 2019

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Fresh Spring Snow – South Weber, UT – Fujifilm X-T30 & Asahi Auto-Takumar 55mm f/2.2 – 1/1700, aperture unknown, ISO 640

Tuesday, May 28, 2019

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Grey Flowers – South Weber, UT – Fujifilm X-T30 & Asahi Auto-Takumar 55mm f/2.2 – 1/32000, aperture unknown, ISO 51200

Wednesday, May 29, 2019

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Dark Cloud Over The Dark Mountain – South Weber, UT – Fujifilm X-T30 & Asahi Auto-Takumar 55mm f/2.2 – 1/32000, aperture unknown, ISO 25600

Thursday, May 30, 2019

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Established 2003 – South Weber, UT – Fujifilm X-T30 & Asahi Auto-Takumar 55mm f/2.2 – 1/170, aperture unknown, ISO 25600

Friday, May 31, 2019

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Boots on the Carpet – South Weber, UT – Fujifilm X-T30 & Asahi Auto-Takumar 55mm f/2.2 – 1/220, aperture unknown, ISO 25600

Saturday, June 1, 2019

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Purple Bloom – South Weber, UT – Fujifilm X-T30 & Asahi Auto-Takumar 55mm f/2.2 – 1/220, aperture unknown, ISO 160

Week 42  Week 44

My Fujifilm X-T30 Expired Eterna Film Simulation Recipe

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Red Tricycle – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

I used to shoot film. I don’t much anymore, but I was one of those crazy holdouts that refused to go digital when it seemed as though everyone else had. Eventually I succumbed, and I’ve been shooting digitally for awhile now. One thing that I appreciate about Fujifilm cameras is that they produce images that are a little more film-like and a little less digital-esque than other camera brands. This shouldn’t surprise anyone as Fujifilm started out as a film company. On Fujifilm cameras one will find many great film simulation options. The most recent addition is Eterna, which is modeled after their motion picture films, but it can be made to resemble color negative film. What I appreciate about film is it has character that’s often lacking in digital cameras.

While Eterna was a motion picture film, it was also made and sold in limited quantities for still photography. A Fuji X Weekly reader recently purchased and used an expired roll of Eterna and shared one of the pictures. Using expired film is always an interesting endeavor because you don’t know exactly what you’ll get. Depending on the film, how long it has been expired and how it was stored, the results can vary significantly. The picture that the Fuji X Weekly reader shared had a purple color cast, which is a common trait of expired film.

There are many reasons why an analog picture might have a purple color cast, not just because the film expired. If the film was exposed to too much heat (such as left in a hot car) the pictures might have a purple cast. If a print or slide isn’t stored correctly it could turn purple over time. I’ve seen cross-processed film produce a purple color cast. You can even buy purple film. While I’ve called this recipe “Expired Eterna,” it’s not necessarily meant to exactly mimic expired Eterna film, but to produce an analog film look that could have turned purple for any number of reasons, including but not limited to being expired.

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American Debt – Layton, UT – Fujifilm X-T30 – “Expired Eterna”

You might notice that I didn’t include an ISO setting in this recipe, and that’s because you can use any ISO you’d like. I got interesting results all the way up to ISO 25600. In fact, you might use an ultra-high ISO on purpose to get a certain look that you can’t get at a lower ISO. Trying this recipe at different ISOs is a fun experiment. It’s also interesting to see the results you get from different exposures, whether slightly overexposed or underexposed. Expired Eterna is a fun recipe to play around with, and I enjoyed pairing it with vintage lenses.

Eterna
Dynamic Range: DR100
Highlight: +4
Shadow: +4
Color: +4
Noise Reduction: -4
Sharpening: -2
Grain Effect: Strong
Color Chrome Effect: Weak
White Balance: Auto, +5 Red & +5 Blue
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this recipe on my Fujifilm X-T30:

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Bloom Purple – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Pink Paper Flower – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Sunlight Through The Tree – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Backlit Leaf – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Rural Evening – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Country Trees – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Cottonwood Trunk – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Little Flowers & Stone – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Rosebud – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Country Foot Bridge – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Boy Behind Chain-Link – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Orange Cones – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Reaching Rosebud – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Sycamore Leaf – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Dusk Mountain – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Mountain View Evening – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Spring Sky Mountain – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Sunset Whisper – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Dramatic Sky Behind Tree – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Bright Storm Clouds – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Grey Tree – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Disk Girl – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Jo In A Hat – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Wearing Grandpa’s Hat – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Lady’s Sun Hat – Ogden, UT – Fujifilm X-T30 – “Expired Eterna”

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Girl Climbing Bleachers – Ogden, UT – Fujifilm X-T30 – “Expired Eterna”

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Number of Intersecting Lines – Ogden, UT – Fujifilm X-T30 – “Expired Eterna”

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One Through Six – Ogden, UT – Fujifilm X-T30 – “Expired Eterna”

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Parked RV – Layton, UT – Fujifilm X-T30 – “Expired Eterna”

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American Suburb – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Light Flag – Layton, UT – Fujifilm X-T30 – “Expired Eterna”

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Green Spray Bottle – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Curious Kitchen Curios – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

High ISO:

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Cirrus Clouds – South Weber, UT – Fujifilm X-T30 – “Expired Eterna” – ISO 12800

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Sycamore Sky – South Weber, UT – Fujifilm X-T30 – “Expired Eterna” – ISO 12800

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Cottonwood – South Weber, UT – Fujifilm X-T30 – “Expired Eterna” – ISO 12800

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Cottonwood Cotton – South Weber, UT – Fujifilm X-T30 – “Expired Eterna” – ISO 25600

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Old Wheelbarrow – South Weber, UT – Fujifilm X-T30 – “Expired Eterna” – ISO 25600

“Expired Eterna” for X-Trans III:

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Bottle Vases – South Weber, UT – Fujifilm X-T30 – “Expired Eterna”

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Alternate recipe using PRO Neg. Std instead of Eterna.

I know that not every Fujifilm camera has the Eterna film simulation. Right now Eterna can only be found on the X-T3, X-T30, X-H1 and the GFX line. For those who don’t have it, I’ve made an alternative recipe that produces similar results using PRO Neg. Std. I found that Shadow set to 0 isn’t quite strong enough, but +1 is too strong, so pick whichever you like better. While the results aren’t 100% identical, it’s still a pretty close match. You do have to drop the exposure by about 1/3 stop compared to using Eterna. I hope that this is useful for some of you.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +1
Shadow: 0
Color: 0
Noise Reduction: -4
Sharpening: -2
Grain Effect: Strong
White Balance: Auto, +5 Red & +5 Blue
Exposure Compensation: -2/3 to 0

Weekly Photo Project, Week 42

Do any of you ever visit Ken Rockwell’s website? If you don’t know who that is, he’s very popular, I think mainly because he was one of the very first photography bloggers and he has strong opinions. I visit his page every now and then. Anyway, he likes to say that Fujifilm cameras are great for people pictures, but not good for other types of photography because Fujifilm cameras don’t produce vivid colors. I think if he tried my X-T30 Velvia recipe, he might change his mind on that. Fujifilm cameras are very much capable of delivering vivid color photographs right out of camera. Anyway, I hope that you enjoy this set of color images.

Sunday, May 19, 2019

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Rainy Day Rose – Meridian, ID – Fujifilm X-T30 & 35mm – 1/200, f/8, ISO 2000

Monday, May 20, 2019

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Treeline Impressions – Eagle Island SP, ID – Fujifilm X-T30 & 35mm – 1/900, f/8, ISO 640

Tuesday, May 21, 2019

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Snake River Through Twin Falls – Twin Falls, ID – Fujifilm X-T30 & 35mm – 1/1100, f/9, ISO 640

Wednesday, May 22, 2019

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Spring Green, Winter White – South Weber, UT – Fujifilm X-T30 & 90mm – 1/7500, f/5.6, ISO 640

Thursday, May 23, 2019

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Jo’s Breakfast – South Weber, UT – Fujifilm X-T30 & 90mm – 1/170, f/2.8, ISO 6400

Friday, May 24, 2019

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Yellow Mountain – South Weber, UT – Fujifilm X-T30 & 90mm – 1/900, f/4.5, ISO 640

Saturday, May 25, 2019

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Blue Sky Flag – South Ogden, UT – Fujifilm X-T30 & 35mm – 1/1000, f/11, ISO 320

Week 41  

Photoessay: An Arizona Spring in Color

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Colorful Cactus Blooms – Phoenix, AZ – Fujifilm X-T30 & 35mm

When most people think of Arizona, they picture dry dusty deserts and sprawling cities. It’s hot. It’s brown. It’s inhospitable. There are endless rows of look-alike stucco homes. Many people might be unaware that the desert bursts with color in the spring. Arizona isn’t just brown, there are vibrant greens, blues, reds, yellows, purples and other colors, especially in the spring, which is my favorite season in the state.

Arizona isn’t all desert, either. While it may be best known for the Grand Canyon, you might be surprised to learn that the largest ponderosa pine forest in the world is in Arizona. There are tall mountains and even winter skiing. The state is full of surprises. It’s one reason why I love Arizona and appreciate visiting whenever I can.

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Yellow Palo Verde – Black Canyon, AZ – Fujifilm X-T30 & 35mm

I used to live in Arizona. Back when I was barely an adult, the Air Force sent me to live in Arizona. I met my wife there. My first two kids were born there. I have a deep fondness for the state. I would love to live there again someday. It’s a wonderful place for photography. I highly recommend grabbing a subscription to Arizona Highways magazine to see many wonderful pictures of the state. A fact that you might be surprised to learn is that Ansel Adams was frequently published in that magazine back in the day. Many great photographers were, and still are.

The photographs in this article were captured a few weeks ago. I used my Fujifilm X-T30 camera with a Fujinon 35mm f/2 lens and a Fujinon 90mm f/2 lens, which are both excellent examples of Fujifilm’s great glass that they’ve become renown for. I hope that you enjoy this variety of photographs that demonstrate there’s more color in Arizona than one might initially think.

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Pine In The Sky – Flagstaff, AZ – Fujifilm X-T30 & 90mm

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Green Leaves – Surprise, AZ – Fujifilm X-T30 & 35mm

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Agave Green – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Cactus & Blue Sky – Surprise, AZ – Fujifilm X-T30 & 90mm

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Palo Verde In The Windy Blue – Surprise, AZ – Fujifilm X-T30 & 90mm

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Palm – Surprise, AZ – Fujifilm X-T30 & 90mm

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Vultures In A Tree – Wickenburg, AZ – Fujifilm X-T30 & 90mm

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Wildflowers & Stone – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Impatient? Stop & Smell – Sedona, AZ – Fujifilm X-T30 & 90mm

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Yellow Rose of Arizona – Phoenix, AZ – Fujifilm X-T30 & 90mm

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Little Bloom Design – Phoenix, AZ – Fujifilm X-T30 & 90mm

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Yellow Blossom Flowers – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Splash of Red Among Green – Surprise, AZ – Fujifilm X-T30 & 90mm

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Bougainvillea Bloom – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Bloom In The Rocks – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Blooming Cactus Landscape – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Red Prickly Pears – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Beginning To Blossom Red – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Desert Landscape – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Spring Saguaro – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Yucca Bloom – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Cactus Blooming Red – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Red Ball Fruit – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Barrel Cactus – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Cactiscape – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Prickled – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Pops of Yellow – Black Canyon, AZ – Fujifilm X-T30 & 35mm

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Yellow Desert – Black Canyon, AZ – Fujifilm X-T30 & 35mm

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One Barrel Cactus Bloom – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Red Spiky Blooms – Phoenix, AZ – Fujifilm X-T30 & 35mm

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Red & Purple Desert Blossoms – Phoenix, AZ – Fujifilm X-T30 & 35mm

Street & Urban Photography – Downtown Boise, ID, with a Fujifilm X-T30

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Bicycles Exempt – Boise, ID – Fujifilm X-T30 & 35mm

I found myself last week in Boise, Idaho. I’d passed through Boise a couple of times before, staying overnight in a hotel traveling between Salt Lake City and Seattle. I’d seen very little of the city. This visit to Boise included a little longer stay and a chance to actually see the place, at least a little.

One thing I discovered is that downtown Boise is a very nice place! I had no idea. It’s colorful, clean and lively. It’s not as large as Salt Lake City’s downtown, which is no surprise as Boise is a smaller city, yet it feels large enough. There are interesting structures, green spaces, restaurants and local stores. It has plenty of character. It feels a little like a miniature Portland, minus some of the weirdness. It’s probably safer than Portland, too. This is to say that downtown Boise is much more interesting than I expected, and it was a pleasant visit.

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Principal Property Pinnacle – Boise, ID – Fujifilm X-T30 & 35mm

Unfortunately, I only had the opportunity to walk around a few blocks. I wanted to explore more, but I just didn’t have the time. Downtown Boise seems like a place where one could come to over and over for street and urban photographs. There seems to be plenty of photographic opportunities. Who would have thought? Not me. Even though it was a short visit, I’m glad that I discovered this unexpected gem. I hope to return soon for more photography.

I used a Fujifilm X-T30 and Fujinon 35mm f/2 lens for these photographs. Some people might say that the 50mm-equivalent focal length of the 35mm lens is not good for this type of photography, that a wide-angle lens is a much better choice. While I do like wide-angle lenses for street photography, the nifty-fifty can still be used effectively. Use what you have to the best of your abilities and you’ll be surprised at what you create.

B&W:

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We Recycle – Boise, ID – Fujifilm X-T30 & 35mm

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Steunenburg Statue – Boise, ID – Fujifilm X-T30 & 35mm

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The Hart of Downtown – Boise, ID – Fujifilm X-T30 & 35mm

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Divergent Textures – Boise, ID – Fujifilm X-T30 & 35mm

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Aloft Windows – Boise, ID – Fujifilm X-T30 & 35mm

Color:

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Hidden Dome – Boise, ID – Fujifilm X-T30 & 35mm

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Capital Dome – Boise, ID – Fujifilm X-T30 & 35mm

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Colorful Alley – Boise, ID – Fujifilm X-T30 & 35mm

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Alley Trash – Boise, ID – Fujifilm X-T30 & 35mm

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Strolling Alone – Boise, ID – Fujifilm X-T30 & 35mm

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Boise Idaho – Boise, ID – Fujifilm X-T30 & 35mm

My Fujifilm X-T30 Ilford HP5 Plus 400 Push-Process Film Simulation Recipe

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It’s better to be lucky than good.

This film simulation recipe was a mistake. I discovered it when I accidentally chose ISO 51200 instead of Auto-3 ISO. In my hurry, I scrolled down one too far, which took me from the bottom to the top, and I didn’t notice that I had inadvertently selected the highest possible ISO. I wouldn’t normally, or really ever, use ISO 51200. Even on most full-frame cameras, that high of an ISO is pushing the capabilities of the camera. It’s beyond what most would ever think of using on an APS-C camera. I’ve often wondered why Fujifilm even made it an option. Yet on Memorial Day I made a few exposures with it, not even realizing it.

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Memorials – South Ogden, UT – Fujifilm X-T30 – ISO 51200

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Little Flags – South Ogden, UT – Fujifilm X-T30 – ISO 51200

When I reviewed the images that I had captured, I was reminded of some photographs I made four years ago when I pushed a roll of Ilford HP5 Plus 400 film by one stop. Push-processing is a technique where you underexpose film and increase the development time to make up for it. You are essentially increasing the exposure in the lab using chemicals. The result is a higher-contrast image with more pronounced grain. Sometimes you would do this because the ISO of the film wasn’t high enough to make a good exposure, and sometimes you’d do this just for the aesthetics of it. Different films respond differently to push-processing, and different films have different tolerances to how much they can be pushed. While HP5 Plus is a good film, it’s not typically considered one of the best for push-processing, but the results can still be good, especially if you don’t push it too much.

Here are some push-processed Ilford HP5 Plus 400 pictures that I captured several years back:

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Whiskey Pete’s – Primm, NV – FED 5c – Ilford HP5 Plus 400 Pushed 1 Stop

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Grand View – Las Vegas, NV – FED 5c – Ilford HP5 Plus 400 Pushed 1 Stop

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I-15 Travelers – Las Vegas, NV – Ilford HP5 Plus 400 Pushed 1 Stop

After seeing the ISO 51200 results from my Fujifilm X-T30, I decided to make some more ultra-high ISO black-and-white pictures. What I discovered is that for contrasty and grainy B&W pictures, ISO 51200 on the X-T30 is not only usable, but it can produce film-like results that are similar to push-processed Ilford HP5 Plus 400 film. A negative aspect of ISO 51200 is that it can sometimes produce “smudgy” results, especially in grass. It doesn’t always do that, but it sometimes does, so I would say that this maximum ISO should be used with care. Taking the ISO down one stop to 25600 seems to remedy this, and delivers similar results to the higher ISO images. ISO 12800 is almost not grainy or contrasty enough, but it’s very close and is also usable for this recipe should you need to drop the ISO.

You might notice that this recipe is quite similar to my Tri-X Push Process recipe, mostly just a higher ISO and added grain. I like that recipe a lot and I think it also delivers analog-like results. Even though it’s based on the same film, there are several differences between this recipe and my original Ilford HP5 Plus recipe. This one is much less “clean” and is fun to pair with vintage lenses. Also, this recipe can be used on X-Trans III cameras, except (obviously) you ignore Color Chrome Effect. I tried it on an X-T20 and it looked good, even at ISO 51200 (see the very top picture in this article).

Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: N/A
Highlight: +3
Shadow: +4
Noise Reduction: -4
Sharpening: -2
Grain Effect: Strong
Color Chrome Effect: Strong
Toning: 0 (off)
ISO: 25600 or 51200
Exposure Compensation: +1/3 (typically)

Example photographs, all camera-made JPEGs captured using my Ilford HP5 Plus 400 Push-Process Film Simulation recipe:

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Home Builder – South Weber, UT – Fujifilm X-T30

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Crop from the above ISO 51200 image.

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Exchanging Money – South Weber, UT – Fujifilm X-T30

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Crop from the above ISO 51200 image.

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Can Money Buy Happiness? – South Weber, UT – Fujifilm X-T30

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Girl Playing A Game – South Weber, Utah

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Chance Taker – South Weber, UT – Fujifilm X-T30

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Thinker – South Weber, UT – Fujifilm X-T30

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Birds In The Kitchen – South Weber, UT – Fujifilm X-T30

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River Tree – Layton, UT – Fujifilm X-T30

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Riverbank – Layton, UT – Fujifilm X-T30

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Grey Flowers – South Weber, UT – Fujifilm X-T30

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Hiding Grey Flowers – South Weber, UT – Fujifilm X-T30

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White Bloom – Layton, UT – Fujifilm X-T30

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Dark Cloud Over The Dark Mountain – South Weber, UT – Fujifilm X-T30

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Bulldog – Uintah, UT – Fujifilm X-T30

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Oil Change – Uintah, UT – Fujifilm X-T30

See also: My Film Simulation Recipes