
I made this Classic Amber Film Simulation Recipe before leaving on my trip to Tennessee last month, with the intention of using it on that adventure. I had in mind a warm and contrasty negative film rendering that would pair well with autumn colors. It turned out that I was a little early for the peak fall display, and only found pops of color here-and-there; however, this Recipe ended up being absolutely perfect for the early morning forest, which was still shadowed despite being past sunrise. I also liked it in some other situations, such as sunrise, daytime, and even for concert photography. It works most ideally in low-contrast situations with cool light. This Recipe can easily be too warm and too contrasty, so it’s not for every subject or situation—you may have to use it cautiously. When it works, it really works; when it doesn’t, it really doesn’t.
I didn’t model this Recipe after any specific film. Interestingly enough, after I returned home I researched what it might be closest to, and I was surprised by what I found. This Classic Amber Recipe seems to be the most similar to Kodak Portra 400 that’s been push processed by one stop, and scanned with a Noritsu. I would add that maybe the use of a warming filter with the film, such as an 81B, might help solidify the similarities. If you Google search “Portra 400 push process” you’ll find a number of examples that are surprisingly similar to this Recipe (but, like with any film, you’ll also find many non-similar examples). If push-processed Kodak Portra 400 (perhaps with a warming filter) is the look you’re after, this Recipe (unintentionally) is a good facsimile of it. In the right situations, it’s easy to love the results.

The Classic Amber Film Simulation Recipe is compatible with all fifth-generation X-Trans cameras, which are the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. It’s also compatible with the GFX100 II, GFX100S II, and GFX100RF. While you can technically use it on some fourth-generation X-Trans cameras (X-T4, X-S10, X-E4, and X-T30 II), it will render slightly different (try it anyway, though, and see if you like the results).
Film Simulation: Classic Negative
Dynamic Range: DR400
Grain Effect: Weak, Large
Color Chrome Effect: Strong
Color Chrome FX Blue: Strong
White Balance: Fluorescent 1, +1 Red & -6 Blue
Highlight: -1.5
Shadow: +2.5
Color: +4
Sharpness: -2
High ISO NR: -4
Clarity: -3
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)
Example photographs, all camera-made JPEGs captured using this Classic Amber Film Simulation Recipe on my Fujifilm X-T5:




























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Fujifilm X-T5 in black:
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Fujifilm X-T5 in silver:
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Interesting one. Fully see the point.
Neutralise the excessive blues in mid Winter shade / overcast?
Think a filthy January day.
Will try this one.
Malcolm.