FUJI X WEEKLY

A Classic Chrome based Recipe for X-Trans IV cameras that is the long-time most popular Film Simulation Recipe for Fujifilm cameras. This is the king of Recipes!

#2:

Vibrant Arizona

A Wes Anderson inspired Recipe based on Classic Chrome for X-Trans IV and X-Trans V cameras. It was ranked #5 for March.

#3:

A Classic Chrome based Recipe for X-Trans IV cameras that is almost always number two in these types of lists, but fell to #3 for April.

#4:

Reggie’s Portra

Another popular Classic Chrome based Recipe for X-Trans IV cameras. Its ranking stayed the same.

#5:

Reala Ace

Reala Ace is the most popular Classic Negative based Recipe. It was ranked number three in March.

#6:

Fujicolor 100 Industrial

Typically, Classic Chrome dominates these lists, Classic Negative makes a few appearances, and Acros will occupy one spot, as well as some other film sim sometimes, such as PRO Neg. Std. The new Reala Ace film sim makes two appearances this time, and Fujicolor 100 Industrial takes the lead among them. Right now, this Recipe is only compatible with the X100VI, so #6 is incredibly (and surprisingly) high, all things considered.

#7:

This version of Kodak Portra 400 was commonly the third most popular Film Simulation Recipe on Fuji X Weekly for a long time. It moved up one spot from March.

#8:

Classic Color

This is a newly-published Recipe that uses Classic Chrome, and has similarities to Kodak Portra. It’s compatible with both X-Trans IV and X-Trans V.

#9:

Kodak Portra 800 v3

A somewhat recently published Classic Chrome based Recipe for X-Trans IV and X-Trans V cameras. It fell three spots compared to last month.

#10:

This is a newly published Eterna-based X-Trans V CineStill 800T Recipe; however, it’s simply an adaptation of the X-Trans IV version that has been around awhile. Eterna makes two surprise appearances this month, and this one ranks the highest, just reaching the Top 10.

#11:

Vintage Kodachrome

Vintage Kodachrome, which is based on Classic Chrome, is one of the older Film Simulation Recipes on Fuji X Weekly, and is compatible with X-Trans III cameras. It was ranked #15 last month; oftentimes it’s in the Top 10.

#12:

PRO Negative 160C

This is a fairly recently published Recipe, and the very first to use the new Reala Ace film simulation. At the moment, it is only compatible with the Fujifilm X100VI. In March it ranked #22.

#13:

Eterna Summer

A newly-published Recipe that uses Eterna. It’s compatible with X-Trans IV and X-Trans V cameras.

#14:

This is the X-Trans V version of Kodak Portra 400 v2. It was ranked #10 in March.

#15:

McCurry Kodachrome

This is a somewhat new Recipe, published in January of 2024. It is based on Classic Chrome, and is compatible with X-Trans IV cameras. Last month it was ranked one spot lower.

#16:

Pacific Blues

Pacific Blues used to be the highest-ranked Classic Negative based Recipe, but Reala Ace has left it in the dust. This particular one is compatible with X-Trans IV models, but there is an X-Trans V version. In March it was ranked #12.

#17:

Kodak Tri-X 400

By far the most popular B&W Recipe, Kodak Tri-X 400 is based on the Acros film simulation, and has compatibility X-Trans III, X-Trans IV, and X-Trans V models. It was ranked #11 last month.

#18:

This is the X-Trans V version of Kodachrome 64. It fell five spots compared to last month.

#19:

Another Classic Chrome based Recipe, for use on X-Trans III models, plus the X-T3/X-T30. There has been no change in ranking since February.

#20:

This is the X-Trans V version of Kodak Gold 200. It is also in the same spot compared to last month.

#21:

Classic Chrome

The very first Film Simulation Recipe on Fuji X Weekly, it is compatible with X-Trans III cameras. This is another one that didn’t move positions.

#22:

Provia Slide

Provia Slide is a newly published Recipe, and the first in awhile to reach the Top 25 that uses the Provia film sim. It’s compatible with X-Trans III cameras, plus the X-T3 & X-T30.

#23:

Bright Summer

Bright Summer—another Classic Chrome based Recipe for X-Trans IV—is sometimes called Preetra 400, because it is modeled after Preet’s aesthetic (Preet himself is the one who gave it that nickname, btw). It doesn’t usually crack the Top 25, but in March it suddenly jumped to #9, and for April fell to #23.

#24:

Kodachrome II

Kodachrome II is an older Recipe made for X-Trans III cameras. It used to often be in the Top 10, but has been falling for awhile. Last month it didn’t even crack the Top 25, so I’m happy to see it return.

#25:

Fujicolor Super HG v2

A Classic Negative based Recipe that’s compatible with X-Trans V cameras (there’s also an X-Trans IV version). It ranked #18 last month.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Nostalgic Americana — Fujifilm X-T5 (X-Trans V) Film Simulation Recipe

Posted on 12 Days Ago by Ritchie Roesch

*On Top of a Desert Hill* – Tucson, AZ – Fujifilm X-T5 – Nostalgic Americana

If you are a Fuji X Weekly regular, you probably know that I like to read vintage issues of Arizona Highways. For those unfamiliar, Arizona Highways is a photo-centric magazine that has been around for a hundred years. Many decades ago, Ansel Adams was a regular contributor, as were Barry Goldwater, Ray Manley, Chuck Abbott, Ester Henderson, David and Josef Muench, and Ed Ellinger, among many others. It’s a great resource for photographic inspiration!

I have a stack of these magazines in my office that I like to browse from time-to-time. This particular Film Simulation Recipe was influenced by many different pictures found in the pages of Arizona Highways issues from the 1960’s and ’70’s. This was during the American New Color movement. Sometimes extensive details were given about the photographs in the magazine, and sometimes not much at all; the pictures that inspired this Recipe were likely captured on first and second era Kodachrome, as well as E3 and E4 Ektachrome. I believe the printing process, as well as the aging of the magazines, play a roll in the aesthetic. This Nostalgic Americana Film Simulation Recipe replicates the look of those pictures, and produces an obvious retro rendering.

*Old Yellow Truck* – Bisbee, AZ – Fujifilm X-T5 – Nostalgic Americana

Because this Nostalgic Americana Recipe uses the Nostalgic Neg. film simulation, it is only compatible with fifth-generation X-Trans models, which (as of this writing) are the Fujifilm X-H2s, X-H2, X-T5, X-S20, and X100VI. I’m sure it can also be used with newer GFX models, but I’ve not tested it, and it will likely render very slightly differently (try it anyway, though). Nostalgic Americana works best in sunny daylight situations.

Film Simulation: Nostalgic Neg.
Dynamic Range: DR200
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome FX Blue: Off
White Balance: 5800K, -2 Red & -4 Blue
Highlight: -1
Shadow: -1.5
Color: -2
Sharpness: -2
High ISO NR: -4
Clarity: -3
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this Nostalgic Americana Film Simulation Recipe on my Fujifilm X-T5:

*White Brick* – Bisbee, AZ – Fujifilm X-T5

*White Dome* – Tumacacori, AZ – Fujifilm X-T5

*Old Spanish Mission* – Tumacacori, AZ – Fujifilm X-T5

*Horses on Allen Street* – Tombstone, AZ – Fujifilm X-T5

*Studebaker Bells* – Bisbee, AZ – Fujifilm X-T5

*No Parking Vines* – Bisbee, AZ – Fujifilm X-T5

*The Road is Closed* – Bisbee, AZ – Fujifilm X-T5

*No Parking Garage* – Bisbee, AZ – Fujifilm X-T5

*Various Textures* – Bisbee, AZ – Fujifilm X-T5

*Reaching Down* – Bisbee, AZ – Fujifilm X-T5

*Fake Flowers in a Window Box* – Bisbee, AZ – Fujifilm X-T5

*Star Spangled Dress* – Buckeye, AZ – Fujifilm X-T5

*Final Sale* – Buckeye, AZ – Fujifilm X-T5

*Mustang* – Tombstone, AZ – Fujifilm X-T5

*Se Renta Especio* – Buckeye, AZ – Fujifilm X-T5

*Space for Rent* – Buckeye, AZ – Fujifilm X-T5

*Restrooms* – Casa Grande, AZ – Fujifilm X-T5

*Mule Pass Tunnel* – Bisbee, AZ – Fujifilm X-T5

*Hall’s Trailer* – Arlington, AZ – Fujifilm X-T5

*Sign for Abandoned Mall* – Casa Grande, AZ – Fujifilm X-T5

*Caution: Desert Ahead* – Litchfield Park, AZ – Fujifilm X-T5

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X-T5 in silver:
Amazon, B&H, Moment, Wex, Nuzira

Find this Film Simulation Recipe and nearly 350 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

My 5 Favorite Film Simulation Recipes that use Eterna Bleach Bypass

Posted on 16 Days Ago by Ritchie Roesch

*Low Sun over Tetons* – Grand Teton NP, WY – Fujifilm X-E4 – Ferrania Solaris FG 400

Provia — Velvia — Astia — Classic Chrome — PRO Neg. Hi — PRO Neg. Std — Classic Negative — Nostalgic Neg. — Eterna — Acros

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. The new Reala Ace film simulation will be excluded from this because there aren’t many Recipes available for it yet. Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Eterna Bleach Bypass film simulation is an approximation of Eterna motion picture film that has had the bleach stage of development skipped, or at least reduced. Think Saving Private Ryan. It has harsh tonality, and is the least saturated of all the color film simulations. While you can make a fairly close facsimile using Eterna (by increasing Highlight and Shadow and lowering Color), Eterna Bleach Bypass has its own unique look. Fujifilm introduced this film sim on the X-T4, so only “newer” models have it.

*Golden Light on Water* – Buckeye, AZ – Fujifilm X-T5 – Ferrania Solaris FG 400

Eterna Bleach Bypass produces stunning results sometimes. It requires the right subject and lighting, which varies from Recipe-to-Recipe. It can be challenging to use, so I think a lot of people avoid it, and consequently it is probably the least-utilized film simulation, aside from Sepia. Personally, I like Eterna Bleach Bypass, and hope that it catches on more in the future.

The five Film Simulation Recipes below are my favorites that use Eterna Bleach Bypass as the base. Everyone has different tastes, so you might like other ones more. I count 16 Recipes in the Fuji X Weekly App that use Eterna Bleach Bypass, so you have some choices. But, if you are unsure which Eterna Bleach Bypass Recipe to try, let me suggest picking one from my list below.

#1:

Ferrania Solaris FG 400

This is, by far, my favorite Eterna Bleach Bypass Recipe. I’ve used it in a variety of locations and have had good success with it. Ferrania Solaris FG 400 is best for sunny daylight situations, but I have had some good results in overcast, shade, and natural light indoors. This Recipe is for X-Trans IV cameras, specifically the Fujifilm X-T4, X-S10, X-E4, and X-T30 II; for use on X-Trans V, set Color Chrome FX Blue to Off.

#2:

LomoChrome Metropolis

This is the most popular Eterna Bleach Bypass Recipe. Best in sunny daylight; however, works fairly well in most light situations. LomoChrome Metropolis is compatible with X-Trans IV cameras, specifically the Fujifilm X-T4, X-S10, X-E4, and X-T30 II; for use on X-Trans V, set Color Chrome FX Blue to Weak.

#3:

Ektachrome 320T

This is one of my favorite Film Simulation Recipes for nighttime photography, but it can also be fun to use in daylight occasionally. Ektachrome 320T is for X-Trans IV cameras, specifically the Fujifilm X-T4, X-S10, X-E4, and X-T30 II; for use on X-Trans V, set Color Chrome FX Blue to Weak.

#4:

Pushed CineStill 800T

The Pushed CineStill 800T Recipe was intended for daytime photography, but is actually most well suited for nighttime situations. This one is compatible with X-Trans V cameras; for “newer” X-Trans IV (Fujifilm X-T4, X-S10, X-E4 & X-T30 II) use this version, and for the X-Pro3 and X100V use this one that has Eterna as the base.

#5:

Kodachrome Blue

Kodachrome Blue is currently a Fuji X Weekly App Patron Early-Access Recipe, so only App Patrons have access to it right now. It mimics the look of improperly color-corrected scans of Kodachrome film. While it does best in sunny daylight, it has some versatility, and works well in a lot of different light situations. Kodachrome Blue is for X-Trans IV cameras, specifically the Fujifilm X-T4, X-S10, X-E4, and X-T30 II; for use on X-Trans V, set Color Chrome FX Blue to Weak.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Classic Color — Fujifilm X-T5 (X-Trans V) and X-E4 (X-Trans IV) Film Simulation Recipe

Posted on 19 Days Ago by Ritchie Roesch

*Bell Tower* – Tumacacori, AZ – Fujifilm X-T5 – Classic Color

This Film Simulation Recipe has a fascinating story behind it… but I can’t get into all of the details of it yet. When the time is right, I will explaining everything to you. What I can say in the meantime is that I was hired to capture some photos, and to use a Film Simulation Recipe for those images, but the Recipe name shouldn’t include a brand name. Ideally for this project, because of the subject matter and light, I would have chosen my Kodak Portra 400 v2 Film Simulation Recipe, but I couldn’t because of the name of the Recipe. Instead, I created a very similar look, with an attempt to fine-tune it slightly for this specific project.

The aesthetic of this Classic Color Film Simulation Recipe is bright and warm, with a Kodak-like color negative film rendering. It could be thought of as Kodak Portra 400 v3, as it has a strong Portra 400 resemblance, perhaps more similar to the old Portra 400 VC that was discontinued in 2010. This Recipe is best for sunny daylight situations, but it can sometimes produce good results in other light scenarios, too.

*Birds on the Lake* – Tempe, AZ – Fujifilm X-E4 – Classic Color

This Classic Color Film Simulation Recipe is compatible with all fifth-generation X-Trans cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, and X100VI, as well as “newer” fourth-generation X-Trans models: X-T4, X-S10, X-E4, and X-T30 II. Just make sure that you are using the correct Color Chrome FX Blue setting for your camera. I’m sure it can also be used on newer GFX cameras, too, but I have not personally tried, and I’m certain that it will render slightly different (but try it anyway).

Film Simulation: Classic Chrome
Dynamic Range: DR400
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Strong (X-Trans IV), Weak (X-Trans V)
White Balance: 5300K, 0 Red & -6 Blue
Highlight: -0.5
Shadow: -2
Color: +3
Sharpness: -2
High ISO NR: -4
Clarity: -2
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this Classic Color Film Simulation Recipe on my Fujifilm X-E4:

*Gen Reflection* – Tempe, AZ – Fujifilm X-E4

*Water Under the Bridges* – Tempe, AZ – Fujifilm X-E4

*Tempe Lake* – Tempe, AZ – Fujifilm X-E4

*Reflected Sunset* – Tempe, AZ – Fujifilm X-E4

*Dam Sunset* – Tempe, AZ – Fujifilm X-E4

*Pedestrian Bridge* – Tempe, AZ – Fujifilm X-E4

*Spirited Away* – Tempe, AZ – Fujifilm X-E4

*Mirrored Night* – Tempe, AZ – Fujifilm X-E4

*Juggling Fire* – Tempe, AZ – Fujifilm X-E4

Example photographs, all camera-made JPEGs captured using this Classic Color Film Simulation Recipe on my Fujifilm X-T5 & X100VI:

*Sign on the Roof* – Gila Bend, AZ – Fujifilm X100VI

*Abandoned Filling Station* – Gila Bend, AZ – Fujifilm X-T5

*Unleaded Cash* – Gila Bend, AZ – Fujifilm X-T5

*Half Moon* – Tumacacori, AZ – Fujifilm X-T5

*Cross on a Dome* Tumacacori, AZ – Fujifilm X-T5

*Cross & Bell* Tumacacori, AZ – Fujifilm X-T5

*Church Steeple* – Bisbee, AZ – Fujifilm X-T5

*Old Industrial Lamp* – Palo Verde, AZ – Fujifilm X-T5

*Abandoned Window* – Arlington, AZ – Fujifilm X-T5

*Dilapidated Agricultural Structure* – Palo Verde, AZ – Fujifilm X-T5

*Cow & Reflection* – Mesa, AZ – Fujifilm X-T5

*Rock Reflected in the River* – Mesa, AZ – Fujifilm X-T5

*Stones in the Water* – Mesa, AZ – Fujifilm X-T5

*Yellow Flowers on the Rocks* – Saguaro National Park, AZ – Fujifilm X-T5

*Leaning Saguaro in the Desert* – Tucson, AZ – Fujifilm X-T5

*Yellow Flowers, White Fence* – Tumacacori, AZ – Fujifilm X-T5

*Hall’s* – Arlington, AZ – Fujifilm X-T5

*End of the Road?* – Litchfield Park, AZ – Fujifilm X-T5

*Music Box* – Bisbee, AZ – Fujifilm X-T5

*Lightning Strike* – Goodyear, AZ – Fujifilm X-T5

Comparison:

*Kodak Portra 400 v2 Film Simulation Recipe*

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X-T5 in silver:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X100VI in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X100VI in silver:
Amazon, B&H, Moment, Wex, Nuzira

Find this Film Simulation Recipe and nearly 350 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

CineStill 800T — Fujifilm X-Trans V Film Simulation Recipe

Posted on 25 Days Ago by Ritchie Roesch

*Quiet Corner* – Tempe, AZ – Fujifilm X-T5 – CineStill 800T

CineStill 800T is a motion picture color negative film with the Remjet layer removed so that it can be developed in standard C41 chemistry. It’s actually repackaged Kodak Vision3 500T, which requires the ECN-2 development process. The “T” in the name means that it’s Tungsten-balanced, and is intended for use in artificial light; in daylight, it has a strong blue cast (unless you pair it with a color correction filter, such as Type 85), so most people use it at night. Because the Remjet layer has been removed, it’s prone to a blooming effect around bright light sources, such as streetlights.

It’s really difficult to accurately replicate a CineStill 800T aesthetic because there’s only so much that can be done to approximate certain aspects of it on Fujifilm cameras. As with any film, it can produce a lot of different looks depending on a host of factors, including how shot, developed, and scanned and/or printed. I feel that this Recipe does a pretty good job considering those factors, but I’ll be the first to admit that it’s not perfect. This isn’t a new Film Simulation Recipe, but a slight modification of the X-Trans IV CineStill 800T Recipe for use on X-Trans V models. The only change is that Color Chrome FX Blue has been adjusted from Strong to Weak, since X-Trans V renders blue more deeply on certain film simulations.

*Ports Grill* – Tempe, AZ – Fujifilm X-T5 – CineStill 800T

This CineStill 800T Film Simulation Recipe is compatible with all fifth-generation X-Trans cameras, which, as of this writing, are the X-H2s, X-H2, X-T5, X-S20, and X100VI. I’m sure that it can also be used on newer GFX models, but I’ve not personally done so, and most likely it will render slightly different (try it anyway). This Recipe is a great option for after-dark photography, and it can sometimes produce interesting results in daylight situations, too.

Film Simulation: Eterna
Dynamic Range: DR400
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome FX Blue: Weak
White Balance: Fluorescent 3, -6 Red & -4 Blue
Highlight: 0
Shadow: +2
Color: +4
Sharpness: -3
High ISO NR: -4
Clarity: -5
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this CineStill 800T Film Simulation Recipe on my Fujifilm X-T5 & X100VI:

*Nightwalker* – Buckeye, AZ – Fujifilm X100VI

*GMC Van* – Buckeye, AZ – Fujifilm X100VI

*Street Lamp & Trees* – Buckeye, AZ – Fujifilm X100VI

*Corner Lamp* – Buckeye, AZ – Fujifilm X100VI

*Red Pill* – Buckeye, AZ – Fujifilm X100VI

*Lamplit Passage* – Buckeye, AZ – Fujifilm X100VI

*Arches in the Dark* – Buckeye, AZ – Fujifilm X100VI

*Red Means Stop* – Buckeye, AZ – Fujifilm X100VI

*Neighborhood Streetlamp* – Buckeye, AZ – Fujifilm X100VI

*Blue Water* – Buckeye, AZ – Fujifilm X100VI

*Lit Clocktower* – Buckeye, AZ – Fujifilm X100VI

*Misty Sidewalk* – Tempe, AZ – Fujifilm X-T5

*Sunrise Night* – Buckeye, AZ – Fujifilm X100VI

*White Building, Dark Night* – Buckeye, AZ – Fujifilm X100VI

*Mainstreet* – Buckeye, AZ – Fujifilm X100VI

*Hall Bench* – Buckeye, AZ – Fujifilm X100VI

*Shadow* – Buckeye, AZ – Fujifilm X100VI – Photo by Joy Roesch

*Bricks & Powerlines* – Bisbee, AZ – Fujifilm X-T5

*Twisted Flag* – Bisbee, AZ – Fujifilm X-T5

*Unexpected Prayer Flags* – Bisbee, AZ – Fujifilm X-T5

*Lake Grass* – Buckeye, AZ – Fujifilm X100VI

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Find this Film Simulation Recipe and nearly 350 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Provia Slide — Fujifilm X-Pro2 (X-Trans III) Film Simulation Recipe

Posted on 26 Days Ago by Ritchie Roesch

*Nature of Architecture* – Buckeye, AZ – Fujifilm X-Pro2 – Provia Slide

This Provia Slide Film Simulation Recipe doesn’t necessarily do a great job of replicating real Fujichrome Provia 100F or 400X color transparency film. I did find some examples that weren’t far off at all, but I believe it was more in how they were scanned and edited than anything else. One film can have many different looks based on a whole host of factors, and there is a by-chance resemblance to some Provia 100F pictures, but this Recipe is not a good facsimile for most Provia transparencies. I wasn’t attempting to replicate Provia film, so the similarities that do exist are merely a happy accident. I do believe it has an analog-like slide film aesthetic, even if it’s only a moderately good match for Provia 100F.

More simply, I was going for a Recipe that’s vibrant, based on the Provia film simulation, and uses the Fluorescent 3 White Balance. I chose Provia because I’d like to have more Recipes that are based on the Provia film simulation. I decided on the Fluorescent 3 White Balance because X-Trans III cameras cannot save a White Balance Shift within the C1-C7 Custom Presets, but they will remember one WB Shift per WB type; if each C1-C7 Recipe has a different WB type, then you don’t have to remember to adjust the WB Shift when changing to a different C1-C7 preset. Since there is only one Recipe that uses Fluorescent 3 for X-Trans III (and two for the X-T3/X-T30), I thought it would be good to have another option.

*Rainbow Bougainvillea* – Buckeye, AZ – Fujifilm X-Pro2 – Provia Slide

This Provia Slide Recipe is compatible with all X-Trans III cameras: Fujifilm X-Pro2, X100F, X-E3, X-T2, X-T20, and X-H1, as well as the Fujifilm X-T3 and X-T30 (simply set Color Chrome Effect to Off). I’m sure it can also be used on the GFX 50R and GFX 50S, although it will likely render slightly different.

Film Simulation: Provia/STD
Dynamic Range: DR200
Grain Effect: Weak
White Balance: Fluorescent 3, -1 Red & -8 Blue
Highlight: -1
Shadow: +1
Color: +3
Sharpness: -1
Noise Reduction: -4
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this Provia Slide Film Simulation Recipe on a Fujifilm X-Pro2:

*Patio Pot* – Buckeye, AZ – Fujifilm X-Pro2

*Dying Plant* – Buckeye, AZ – Fujifilm X-Pro2

*Spring Wildflowers & Dead Wood* – Buckeye, AZ – Fujifilm X-Pro2

*Suburban Bougainvillea Blossoms* – Buckeye, AZ – Fujifilm X-Pro2

*Closed Sidewalk* – Buckeye, AZ – Fujifilm X-Pro2

*Green Leaves & Rose Blossom* – Buckeye, AZ – Fujifilm X-Pro2

*Backlit Tree Leaves Abstract* – Buckeye, AZ – Fujifilm X-Pro2

*Bright Green Leaves* – Buckeye, AZ – Fujifilm X-Pro2

*Potted Green* – Buckeye, AZ – Fujifilm X-Pro2

*Peace & Happiness* – Goodyear, AZ – Fujifilm X-Pro2

*Water Fountain Rainbow* – Buckeye, AZ – Fujifilm X-pro2

*Vines in the Arches* – Buckeye, AZ – Fujifilm X-Pro2

*Dusk Pharmacy* – Buckeye, AZ – Fujifilm X-Pro2

Find this Film Simulation Recipe and nearly 350 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

My 10 Favorite Film Simulation Recipes that use Eterna

Posted on 26 Days Ago by Ritchie Roesch

*Orange Lamp* – Casa Grande, AZ – Fujifilm X-T5 – Eterna Summer

Provia — Velvia — Astia — Classic Chrome — PRO Neg. Hi — PRO Neg. Std — Classic Negative — Nostalgic Neg. — Eterna Bleach Bypass — Acros

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. The new Reala Ace film simulation will be excluded from this because there aren’t many Recipes available for it. Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Eterna film simulation is (somewhat loosely) modeled after Fujifilm’s line of motion picture films of the same name. It has the softest tonality of all the film sims, and second lowest saturation (only Eterna Bleach Bypass has less). As you might expect, it has a cinematic quality to it. It’s also the best color film simulation for high ISO photography. For cameras that don’t have Eterna, PRO Neg. Std is the next closest, and can be used to approximate Eterna. Also, there are some similarities between Eterna and Nostalgic Neg., so if your camera doesn’t have Nostalgic Neg., you can sometimes approximate it with Eterna.

*Windmill* – Prefumo Canyon, CA – Fujifilm X-E4 – Vintage Color

Eterna is one of my favorite film simulations; only Classic Chrome, Classic Negative, Nostalgic Neg., and Acros rank higher for me. I think it’s often overlooked by Fujifilm photographers, and is one of the less popular film sims, which is a shame because it’s really good. A few of my absolute favorite pictures were captured with an Eterna-based Recipe.

The 10 Film Simulation Recipes below are my favorites that use Eterna as the base. Everyone has different tastes, so you might like other ones more. I count 28 Recipes in the Fuji X Weekly App that use Eterna, so you have some good choices. But, if you are unsure which Eterna Recipe to try, let me suggest picking one from my list below.

#1:

Kodak Vision3 250D

This is, by far, my favorite Eterna-based Recipe. It’s best for sunny daylight, but can work surprisingly well in some other light situations. This one is for X-Trans IV cameras, specifically the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II. For the X-T3 and X-T30, use this version. For X-Trans V, there is a version that uses the Nostalgic Neg. film simulation.

#2:

Vintage Color

The Vintage Color Film Simulation Recipe is one that is kind of hit-or-miss; however, when it hits, it really hits! Some of my top favorite pictures of all time were captured with this Recipe. Vintage Color is compatible with X-Trans IV cameras (except the X-T3/X-T30); for X-Trans V, set Color Chrome FX Blue to Weak instead of Strong.

#3:

Eterna Summer

This is the newest Eterna-based Recipe, and it’s especially great for sunny daylight situations. It’s compatible for both “newer” X-Trans IV (X-T4, X-S10, X-E4 & X-T30 II) and X-Trans V cameras.

#4:

Timeless Negative

I shoot with the Timeless Negative Recipe a lot during the November and December holiday season. It’s highly versatile, and can be used for a large variety of subjects and light situations. This version is compatible with X-Trans IV cameras (except the X-T3/X-T30); there’s a version for X-Trans V that uses the Nostalgic Neg. film simulation.

#5:

Summer of ’59

Summer of ’59 is currently a Fuji X Weekly App Patron Early-Access Recipe, so only App Patrons have access to it right now. While it does best in sunny daylight, it has some versatility, and works well in a lot of different light situations.

#6:

This Recipe is specifically intended for nighttime photography, where it excels. It’s compatible with X-Trans IV cameras (except the X-T3/X-T30); for X-Trans V, set Color Chrome FX Blue to Weak instead of Strong.

#7:

Negative Print

A lovely film-like rendering. This Recipe is compatible with the Fujifilm X-H1, X-T3, and X-T30; for “newer” X-Trans IV cameras, set Color Chrome FX Blue to Off, Grain size Small, and Clarity to 0.

#8:

SantaColor

The SantaColor Film Simulation Recipe is best for sunny daylight. It’s compatible with X-Trans IV cameras (except the X-T3/X-T30).

#9:

Cinematic Negative

Great for replicating a motion picture aesthetic. This Recipe is compatible with the X-T3 and X-T30; for “newer” X-Trans IV cameras, set Color Chrome FX Blue to Off, Grain size to Small, and Clarity to 0.

#10:

GAF 500

My favorite color Recipe for high-ISO photography. Compatible with X-Trans IV cameras (except the X-T3/X-T30); for X-Trans V, set Color Chrome FX Blue to Weak instead of Strong.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Reminiscent Print — Fujifilm X-M1 (X-Trans I) Film Simulation Recipe

Posted on April 3 by Ritchie Roesch

*Bougainvillea Day* – Buckeye, AZ – Fujifilm X-M1 – “Reminiscent Print”

This Film Simulation Recipe came about as an experiment after reading that film photographers weren’t meant to like the Provia film simulation because they’d find it to be too hard. So, I thought, maybe that’s true, and perhaps I can make it less hard, and more like something that film photographers might find to be “just right” (as Fujifilm put it). It took some trial-and-error, but I do believe that I have succeeded! This is a much, much better “standard” setting than default Provia, and, if you have a background in film photography, you’ll appreciate this recipe.

I find this new recipe to be reminiscent of cheap color negative film shot in point-‘n’-shoot cameras and printed at a one-hour lab, probably on Fujicolor Crystal Archive paper. It’s not intended to resemble that, but to me it does. I’m reminded of the 4″ x 6″ prints from 20+ years ago that are sitting in a box in the closet, or are carefully arranged in a photo album at my parent’s house. That’s why I call it Reminiscent Print.

*Classic Car Denim* – Goodyear, AZ – Fujifilm X-M1 – “Reminiscent Print”

This Reminiscent Print Film Simulation Recipe is compatible the Fujifilm X-Pro1, X-E1, and X-M1 cameras. Those with X-Trans II and Bayer cameras can also use it, although the results will be just a little different. This was a Fuji X Weekly App Patron Early Access Recipe, but now it’s available to everyone.

Provia
Dynamic Range: DR400
Highlight: -2 (Low)
Shadow: -2 (Low)
Color: +1 (Medium-High)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: Auto, -4 Red & -1 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this Reminiscent Print Film Simulation Recipe on my Fujifilm X-M1:

*Pier Post* – Litchfield Park, AZ – Fujifilm X-M1 – Photo by Jonathan Roesch

*Light & Water* – Litchfield Park, AZ – Fujifilm X-M1 – Photo by Jonathan Roesch

*Fine Morning for Fishing* – Litchfield Park, AZ – Fujifilm X-M1 – Photo by Jonathan Roesch

*Line in the Lake* – Litchfield Park, AZ – Fujifilm X-M1 – Photo by Jonathan Roesch

*Pier Reflections* – Litchfield Park, AZ – Fujifilm X-M1 – Photo by Jonathan Roesch

*Better Days Behind* – Litchfield Park, AZ – Fujifilm X-M1

*Church Bells* – Litchfield Park, AZ – Fujifilm X-M1

*Unlit Canopy* – Buckeye, AZ – Fujifilm X-M1

*Red Bougainvillea Blossoms* – Buckeye, AZ – Fujifilm X-M1

*Backyard Bougainvillea* – Buckeye, AZ – Fujifilm X-M1

*Autumn Orange* – Litchfield Park, AZ – Fujifilm X-M1

*Oranges* – Litchfield Park, AZ – Fujifilm X-M1

*Bucket Blossom* – Buckeye, AZ – Fujifilm X-M1

*Pink Rose Bud* – Buckeye, AZ – Fujifilm X-M1

*Peace & Minecraft* – Buckeye, AZ – Fujifilm X-M1

*Ball Toss* – Buckeye, AZ – Fujifilm X-M1

*All the World’s a Stage* – Buckeye, AZ – Fujifilm X-M1

*Steps* – Litchfield Park, AZ – Fujifilm X-M1

*Outside Tables* – Buckeye, AZ – Fujifilm X-M1

*Made With Passion* – Buckeye, AZ – Fujifilm X-M1

*Duster Headlamp* – Goodyear, AZ – Fujifilm X-M1

*Radial G/T* – Goodyear, AZ – Fujifilm X-M1

*Rear Duster* – Goodyear, AZ – Fujifilm X-M1

Find this Film Simulation Recipe and over 300 more on the Fuji X Weekly — Film Recipes App!

Top 25 Most Popular Film Simulation Recipes in March 2024

Posted on April 2 by Ritchie Roesch

Most of the time these lists are pretty predictable. Those with Kodak brand names in the title—Kodachrome, Portra, Gold, Tri-X, etc., etc.—are the most popular. Classic Chrome is the king of film simulations, as the majority of the most-viewed Recipes are based on that film simulation—in fact, 17 of the 25 below are Classic Chrome Recipes. X-Trans IV Recipes, especially for the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, tend to be the most popular, although I see a spike in interest in X-Trans V.

*Reflection of a Broken Door* – Litchfield Park, AZ – Fujifilm X-E4 – Fujicolor 100 Gold

For the month of March, there weren’t too many surprises, but there were a few. Fujicolor Natura 1600 jumped right up into the Top 10 despite being new; Bright Summer doesn’t usually rank high enough to make these lists, but suddenly jumped all the way to number nine. Some Recipes dropped—for example, McCurry Kodachrome fell from number four to number sixteen. As usual, the rankings moved around compared to the previous month.

Without any further delay, below are the most popular Recipes of last month!

Top 25 Most Popular Film Simulation Recipes of March 2024

#1:

A Classic Chrome based Recipe for X-Trans IV cameras that is the long-time most popular Film Simulation Recipe for Fujifilm cameras. In February it was number two—a rare occurrence—but now it is back in the top spot.

#2:

A Classic Chrome based Recipe for X-Trans IV cameras that is almost always number two in these types of lists. In February it briefly slipped to number three; however, for March it returned to its usual second place.

#3:

Reala Ace

Reala Ace is the most popular Classic Negative based Recipe, and the most popular Recipe for X-Trans V cameras. It was ranked number one in February, but slipped to third place for March.

#4:

Reggie’s Portra

Another popular Classic Chrome based Recipe for X-Trans IV cameras. It moved up one spot since February.

#5:

Vibrant Arizona

A Wes Anderson inspired Recipe based on Classic Chrome for X-Trans IV and X-Trans V cameras. It was ranked #8 for February.

#6:

Kodak Portra 800 v3

A fairly recently published Classic Chrome based Recipe for X-Trans IV and X-Trans V cameras. It stayed in the same place as last month.

#7:

Fujicolor Natura 1600

Published at the very end of February, Fujicolor Natura 1600 was quite surprisingly the second most popular Classic Negative based Recipe in March. This one is for X-Trans V models, but there is a version for X-Trans IV.

#8:

This version of Kodak Portra 400 was commonly the third most popular Film Simulation Recipe on Fuji X Weekly for a long time; however, it’s been slowly slipping over the last half a year or so. Last month it was ranked one spot higher.

#9:

Bright Summer

Bright Summer—another Classic Chrome based Recipe—is sometimes called Preetra 400, because it is modeled after Preet’s aesthetic (Preet himself is the one who gave it that nickname, btw). It doesn’t usually crack the Top 25, so it’s surprising that it is suddenly in the Top 10.

#10:

This is the X-Trans V version of Kodak Portra 400 v2. It was ranked #13 in February.

#11:

Kodak Tri-X 400

By far the most popular B&W Recipe, Kodak Tri-X 400 is based on the Acros film simulation, and has compatibility X-Trans III, X-Trans IV, and X-Trans V models. It was ranked number nine last month.

#12:

Pacific Blues

Pacific Blues used to be the highest-ranked Classic Negative based Recipe, but in March it was third. This particular one is compatible with X-Trans IV models, but there is an X-Trans V version. It fell one spot compared to February.

#13:

This is the X-Trans V version of Kodachrome 64. It fell one spot compared to last month.

#14:

Kodak Royal Gold 400

This had been an App Patron Early-Access Recipe for a long while, but in March it became available to everyone, and quickly shot up to number fourteen. It is the fourth most popular Classic Negative based Recipe currently.

#15:

Vintage Kodachrome

Vintage Kodachrome, which is based on Classic Chrome, is one of the older Film Simulation Recipes on Fuji X Weekly, and is compatible with X-Trans III cameras. It was ranked #10 last month—this is the first time that I remember it not being in the Top 10.

#16:

McCurry Kodachrome

This is a fairly new Recipe, published in January of 2024. It is based on Classic Chrome, and is compatible with X-Trans IV cameras. Last month it was ranked #4, so it fell quite a bit in March.

#17:

This is the original Kodak Portra 400 Recipe, and is compatible with X-Trans III cameras. This used to be commonly in the Top 10, but has been very slowly falling over the last year. It was number fourteen in February.

#18:

Fujicolor Super HG v2

A Classic Negative based Recipe that’s compatible with X-Trans V cameras (there’s also an X-Trans IV version). It was ranked #21 last month, and has been slowly rising.

#19:

Another Classic Chrome based Recipe for use on X-Trans III models, plus the X-T3/X-T30. There was no change in ranking from February to March.

#20:

This is the X-Trans V version of Kodak Gold 200. This is the first time it cracked the Top 25.

#21:

Classic Chrome

This was the very first Film Simulation Recipe on Fuji X Weekly, and is compatible with X-Trans III cameras. It was ranked #15 last month.

#22:

PRO Negative 160C

A brand-new Recipe, and the very first to use the new Reala Ace film simulation. At this moment, it is only compatible with the Fujifilm X100VI.

#23:

Kodak Portra 160

Another Classic Chrome based Recipe, Kodak Portra 160 is compatible with X-Trans IV cameras. Last month it was ranked #16.

#24:

Fujicolor 100 Gold

A lovely and warm Classic Negative based Recipe for X-Trans IV cameras that doesn’t often make these types of lists.

#25:

The original CineStill 800T Recipe, intended for X-Trans III cameras. It is based on the PRO Neg. Std film simulation, and was ranked #18 last month.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

My 5 Favorite Film Simulation Recipes that use Nostalgic Neg.

Posted on March 27 by Ritchie Roesch

*Duck Pond* – Tempe, AZ – Fujifilm X-T5 – 1970’s Summer

Provia — Velvia — Astia — Classic Chrome — PRO Neg. Hi —PRO Neg. Std — Classic Negative — Eterna — Eterna Bleach Bypass — Acros

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. So far I only have one Recipe that uses the new Reala Ace film simulation, so that one will be excluded from this. Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Nostalgic Neg. film simulation (sometimes called Nostalgic Negative) is modeled after 1970’s American New Color photographic prints by famed photographers William Eggleston, Stephen Shore, Joel Sternfeld, and Richard Misrach. Obviously there are quite a few differences between the aesthetics of those photographers, and even from the same photographer there can be some significant variances; however, Fujifilm found some commonalities, and used that to make a film simulation. Nostalgic Neg. is fairly new, and only fifth-generation X-Trans cameras (as of this writing: X-H2s, X-H2, X-T5, X-S20, and X100VI) and some GFX models have it.

*Cold Rim, Warm Light* – Grand Canyon NP, AZ – Fujifilm X-T5 – Kodak Vision3 250D v2

Nostalgic Neg. is one of my favorite film sims, along with Classic Chrome, Classic Negative, Acros, and Eterna. There are some resemblances between Eterna and Nostalgic Neg., so if your camera doesn’t have NN but does have Eterna, you can sometimes achieve a similar look using that. Because Nostalgic Neg. is fairly new, I have only a limited number of Film Simulation Recipes that use it, but many of these have become personal favorites of mine, and it was difficult to pick only five for this article.

The five Film Simulation Recipes below are my favorites that use Nostalgic Neg. as the base. Everyone has different tastes, so you might like other ones more. I count 15 Recipes in the Fuji X Weekly App that use Nostalgic Neg., so you have some good choices. But, if you are unsure which Recipe to try, let me suggest picking one from my list below.

#1:

1970’s Summer

This is a warm Recipe that has a retro analog aesthetic, and is my top choice for Nostalgic Neg.. Use on sunny days for best results.

#2:

Kodak Vision3 250D v2

The Kodak Vision3 250D v2 Recipe replicates one look of a daylight motion picture film. Best for sunny daylight, but decent for other situations, too. There’s also a version for the X-T3 and X-T30 that uses Eterna, plus another for the other X-Trans IV cameras.

#3:

1976 Kodak

A versatile Recipe that mimics one of Joel Meyerowitz’s aesthetics.

#4:

Agfa Ultra 100 v2

Agfa Ultra 100 v2 is a lovely Recipe that produces an obvious analog-like look. While it is best for sunny daylight, it is decent for other situations, too.

#5:

Timeless Negative

A versatile Recipe that is a modification of Fujifilm’s recommended Nostalgic Neg. settings. I use this one a lot around the Thanksgiving and Christmas timeframe. I also have a version for X-Trans IV that uses Eterna.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

My 15 Favorite Film Simulation Recipes that use Classic Negative

Posted on March 20 by Ritchie Roesch

*Bench with a View* – Prefumo Canyon, CA – Fujifilm X-E4 – Pacific Blues

Provia — Velvia — Astia — Classic Chrome — PRO Neg. Hi — PRO Neg. Std — Nostalgic Neg. — Eterna — Eterna Bleach Bypass — Acros

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this. Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Classic Negative film simulation is closely modeled after Fujifilm’s Superia line of films. I’m not sure why they didn’t use the Superia brand name for the film sim, because that’s what it resembles. If you want a Superia look—or, really, any Fujicolor film that has their 4th-layer technology—your best bet is to use Classic Negative as the base. It was introduced on the X-Pro3, so cameras that are older don’t have this film simulation.

Classic Negative is one of my absolute favorite film simulations, and, as far as I can tell, it is the second most popular, trailing only Classic Chrome. I had a really difficult time narrowing down my favorite Classic Negative Recipes, and even though I tripled the number from five to 15 (like I did for Classic Chrome), there were a lot of tough cuts that I would have loved to include in this list. I could have doubled the length of it, and I still would have had some hard decisions. If you like Classic Negative, there are a bunch of excellent options to choose from.

The 15 Film Simulation Recipes below are my favorites that use Classic Negative as the base. Everyone has different tastes, so you might like other ones more. I count 53 Recipes in the Fuji X Weekly App that use Classic Negative, so you have plenty of choices. But, if you are unsure which Classic Negative Recipe to try, let me suggest picking one from my list below.

#1:

Reala Ace

A highly versatile Film Simulation Recipe that uses Classic Negative to replicate the aesthetic of the new Reala Ace film sim. Compatible with X-Trans V cameras.

#2:

Pacific Blues

Perfect for a sunny day at the beach, but surprisingly great for many other scenarios, too. This is the X-Trans IV (except X-T3/X-T30) version; click here for X-Trans V.

#3:

Fujicolor NPS 160 Pulled

This is the Classic Negative Recipe that I personally use the most. Highly versatile, and is especially great for artificial light situations. Compatible with X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V, set Color Chrome FX Blue to Weak.

#4:

Fujicolor Natura 1600

An excellent option for sunny daylight situations. This is the X-Trans IV (except X-T3/X-T30) version; click here for X-Trans V.

#5:

Fujicolor Superia 1600

This Recipe, which is great for sunny daylight, is similar to Fujicolor Natura 1600. This is the X-Trans IV (except X-T3/X-T30) version; click here for X-Trans V.

#6:

Fujicolor Super HG v2

A versatile Recipe that works well anytime of the day or night. Compatible with X-Trans V cameras; click here for X-Trans IV (except for the X-T3/X-T30).

#7:

Fujicolor Superia 100

An excellent Recipe for sunny daylight photography. This is the X-Trans IV (except X-T3/X-T30) version; click here for X-Trans V.

#8:

Fujicolor Reala 100

Similar to the Reala Ace Recipe, but not as versatile. Compatible with X-Trans IV (except X-T3/X-T30) camera; click here for X-Trans V.

#9:

Fujicolor 100 Gold

Great for sunny daylight photography. This Recipe is compatible with X-Trans IV cameras, except the X-T3 and X-T30.

#10:

Superia Premium 400

Another option that’s great for sunny daylight. This Recipe is for X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V set Color Chrome FX Blue to Off.

#11:

Kodak Max 800

This is the only Kodak-like Recipe to make this list. It’s for X-Trans IV cameras, except for the X-T3 and X-T30.

#12:

Fujicolor Pro 400H

Like the film, this Recipe can produce a few different looks depending on how much exposure you give it. It’s for X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V set Color Chrome FX Blue to Off.

#13:

Fujicolor Superia 800

Another Superia-like Recipe that is best for sunny daylight situations. Compatible with X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V set Color Chrome FX Blue to Off.

#14:

AgfaChrome RS 100

This is the only Recipe to make this list modeled after an Agfa film stock. Thanks to its slightly cool cast, it’s surprisingly versatile. Compatible with X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V set Color Chrome FX Blue to Weak.

#15:

Xpro ’62

This is an unusual option that does really well in the right circumstances. Compatible with X-Trans IV cameras (except the X-T3/X-T30); for X-Trans V, set Color Chrome FX Blue to Weak.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

My 5 Favorite Film Simulation Recipes that use PRO Neg. Std

Posted on March 16 by Ritchie Roesch

*Urban Binding* – Salt Lake City, UT – Fujifilm X-T30 – Fujicolor 100 Industrial

Provia — Velvia — Astia — Classic Chrome — PRO Neg. Hi — Classic Negative — Nostalgic Neg. — Eterna — Eterna Bleach Bypass — Acros

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this. Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The PRO Neg. Std film simulation was inspired by, but not specifically modeled after, Fujifilm’s PRO line of films, such as PRO 400H and the various PRO 160 emulsions. It’s not exactly like any of those films, but is, generally speaking, similar. It’s specifically intended for portrait photography with a faithful color reproduction. This film sim has noticeably less contrast and slightly decreased vibrancy compared to PRO Neg. Hi, but otherwise the two are identical; personally, I prefer Std over Hi. Also, PRO Neg. Std has some similarities to the Eterna film sim, and can be a fairly convincing facsimile for cameras that don’t have Eterna.

*Purple Flowers by Lake* – Culleoka, TX – Fujifilm X-E4 – Fujicolor Superia 800

I like the PRO Neg. Std film simulation, but I find myself using it much more often on the “older” models (X-Trans III and prior) than on the newer ones. I think, in a way, both Eterna and Classic Negative have replaced this film sim for me. Even so, I do like PRO Neg. Std, and appreciate it for night photography in particular.

The five Film Simulation Recipes below are my favorites that use PRO Neg. Std as the base. Everyone has different tastes, so you might like other ones more. I count 30 Recipes in the Fuji X Weekly App that use PRO Neg. Std, so you have plenty of choices. But, if you are unsure which Recipe to try, let me suggest picking one from my list below.

#1:

This is an X-Trans II Film Simulation Recipe, and my personal favorite that mimics CineStill 800T film. Those with a compatible camera should definitely give this one a try for nighttime photography.

#2:

This is the X-Trans III version of CineStill 800T. It’s compatible with the X-T3 and X-T30 simply by setting Color Chrome FX Blue to Off; for newer cameras, additionally set Color Chrome FX Blue to Off, Grain size Large, and Clarity to 0 (or -2, if you prefer). There is also a CineStill 800T Recipe that uses Eterna.

#3:

Fujicolor 100 Industrial

This is probably one of my Top 10 Film Simulation Recipes for the X-T3 and X-T30 cameras. For newer models, set Color Chrome FX Blue to Off, Grain size to Small, and Clarity to 0.

#4:

Nostalgic Print

Reminiscent of some old color prints, this Recipe is best for sunny daylight photography, but can be decent in other conditions, too. Compatible with X-Trans IV (except the X-T3/X-T30) and X-Trans V cameras.

#5:

Fujicolor Superia 800

Fujicolor Superia 800, which is for X-Trans III cameras, was my first attempt at a Superia-like Film Simulation Recipe. It’s especially great for rainy days. For use on the X-T3 and X-T30, simply set Color Chrome Effect to Off; for newer cameras, additionally set Color Chrome FX Blue to Off, Grain size Small, and Clarity to 0. There is also a Fujicolor Superia 800 Recipe that uses Classic Negative (for X-Trans V set Color Chrome FX Blue to Off).

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

My 5 Favorite Film Simulation Recipes that use PRO Neg. Hi

Posted on March 15 by Ritchie Roesch

*Wet Glass Bokeh* – Salt Lake City, UT – Fujifilm X-T30 – Jeff Davenport Night

Provia — Velvia — Astia — Classic Chrome — PRO Neg. Std — Classic Negative — Nostalgic Neg. — Eterna — Eterna Bleach Bypass — Acros

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this (for now, anyway). Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The PRO Neg. Hi film simulation was inspired by, but not specifically modeled after, Fujifilm’s PRO line of films, such as PRO 400H and the various PRO 160 emulsions. It’s not exactly like any of those films, but is, generally speaking, similar. It’s specifically intended for portrait photography with a faithful color reproduction. PRO Neg. Hi is comparable with Astia; definitely not identical, but surprisingly similar in certain ways. This film sim has noticeably more contrast and slightly increased vibrancy over PRO Neg. Std, but otherwise the two are identical; personally, I prefer Std over Hi.

*Orange Flower* – Farmington, UT – Fujifilm X-T30 – Fujicolor Pro 160NS

I don’t dislike PRO Neg. Hi, but I rarely ever use it. I think it can be quite good sometimes, especially for portraits. I’ve had positive experiences with it at night. Perhaps I should use it more often than I have lately, as I feel like I’ve unfairly ignored it.

The five Film Simulation Recipes below are my favorites that use PRO Neg. Hi as the base. Everyone has different tastes, so you might like other ones more. I count seven Recipes in the Fuji X Weekly App that use PRO Neg. Hi, so there are only a couple of others to choose from. If you are unsure which PRO Neg. Hi Recipe to try, let me suggest picking one from my list below.

#1:

Jeff Davenport Night

This is one of my favorite Film Simulation Recipes for nighttime photography. It’s only compatible with the X-T3 and X-T30; however, for use on newer cameras, simply set Color Chrome FX Blue to Off, choose Grain size Small, and set Clarity to 0 (or even -2).

#2:

Fujicolor Pro 160NS

This Film Simulation Recipe is actually seven different Recipes! It’s a unique approach, so you’ll definitely want to read the article if you’re curious about it. Fujicolor Pro 160NS is compatible with X-Trans III cameras, plus the X-T3 and X-T30; for use on newer cameras, set Color Chrome FX Blue to Off, choose Grain size Small, and set Clarity to 0.

#3:

Fujicolor Pro 400H

Like #2, this Film Simulation Recipe is also seven different Recipes. Fujicolor Pro 400H is only compatible with the X-T3 and X-T30; for use on newer cameras, set Color Chrome FX Blue to Off, choose Grain size Small, and set Clarity to 0.

#4:

PRO Neg. Hi

Probably my favorite everyday portrait Recipe. Compatible with X-Trans III cameras. For the X-T3 and X-T30, simply set Color Chrome Effect to Off; for newer cameras, additionally set Color Chrome FX Blue to Off, choose Grain size Small, and set Clarity to 0.

#5:

Pro Film

This is probably one of my Top 5 favorite X-Trans II Film Simulation Recipes. Great for sunny daylight photography.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

My 15 Favorite Film Simulation Recipes that use Classic Chrome

Posted on March 11 by Ritchie Roesch

*Sunset Photography* – Laguna Beach, CA – Fujifilm X100V – Kodak Portra 400 v2

Provia — Velvia — Astia — PRO Neg. Hi — PRO Neg. Std — Classic Negative — Nostalgic Neg. — Eterna — Eterna Bleach Bypass — Acros

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this (for now, anyway). Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Classic Chrome film simulation is not modeled after any specific emulsion, although it does have a strong Kodak palette, with obvious similarities to some of their classic slide films. Fujifilm won’t ever say “Kodak” because, you know, that’s a long-time competitor, and it would require some licensing, I’m sure. If you are after a Kodak look, Classic Chrome is your film simulation. I believe that Classic Chrome is the most widely used film sim of them all, as Film Simulation Recipes that are based on it are often the most popular. Kodak was the largest film manufacturer, so it shouldn’t surprise anyone that the film simulation that mimics those emulsions is so popular.

*Two Caballeros* – Culleoka, TX – Fujifilm X-E4 – Kodachrome 64

Classic Chrome is one of my absolute favorite film simulations—many of my most-loved pictures were captured with a Film Simulation Recipe that uses it. I had a really difficult time narrowing down my favorite Classic Chrome Recipes, and even though I tripled the number from five to 15 for this article, there were a lot of tough cuts that I would have loved to include in this list. I could have doubled the length of this list, and I still would have had some hard decisions. I also had a difficult time picking the order, aside from the first two, which are my personal clear-cut Top 2. If you like Classic Chrome, there are a bunch of excellent options to choose from.

The 15 Film Simulation Recipes below are my favorites that use Classic Chrome as the base. Everyone has different tastes, so you might like other ones more. I count 85 Recipes in the Fuji X Weekly App that use Classic Chrome, so you have plenty of choices. But, if you are unsure which Classic Chrome Recipe to try, let me suggest picking one from my list below.

#1:

Great for sunny daylight and especially golden hour photography. Compatible with X-Trans IV (except for the X-T3/X-T30); for X-Trans V cameras use this one, and for the X-T3 and X-T30 use this one.

#2:

Kodachrome 64, which mimics the unmistakable colors of the iconic slide film, is perfect for sunny daylight photography. This is the X-Trans V version; for X-Trans IV (except for the X-T3/X-T30) click here, for the X-T3 and X-T30 click here, and for X-Trans II click here.

#3:

Reminiscent of the quintessential Kodak color negative film, this Recipe is great for sunny daylight photography. Compatible with X-Trans V cameras; for X-Trans IV (except the X-T3/X-T30), set Color Chrome FX Blue to Weak. For X-Trans III cameras, plus the X-T3 and X-T30, click here.

#4:

Kodak Ultramax 400

A versatile Film Simulation Recipe that is great for most situations and subjects. This is for X-Trans V; for X-Trans IV (except the X-T3/X-T30) click here, and for X-Trans III, plus the X-T3 and X-T30, click here.

#5:

Kodak Portra 160 v2

A facsimile of a Kodak Portra 160 aesthetic, this Recipe is a solid choice for sunny daylight photography. It’s for X-Trans V cameras, but to use it on X-Trans IV (except the X-T3/X-T30), simply set Color Chrome FX Blue to Strong. Click here for a version of Kodak Portra 160 for X-Trans IV (except the X-T3/X-T30), for X-Trans III, plus the X-T3 and X-T30, click here, and for X-Trans II click here.

#6:

Reggie’s Portra

Reggie’s Portra is a versatile Recipe that’s excellent for many subjects and situations. Compatible with X-Trans IV (except for the X-T3/X-T30); for use on X-Trans V cameras, set Color Chrome FX Blue to Off.

#7:

Vibrant Arizona

This Film Simulation Recipe is reminiscent of Wes Anderson, and is intended for sunny daylight, but is also surprisingly good for blue-hour photography. Compatible with X-Trans IV (except for the X-T3/X-T30) and X-Trans V cameras.

#8: