My Favorite Fujifilm Film Simulations (The 1,000th Post!!!)

I captured this yesterday with my Fujifilm X-E4 using an upcoming recipe.

This is the 1,000th post!

I started the Fuji X Weekly blog on August 21, 2017, with the intention of writing one article per week. Initial this was a long-term review (or journal, as I called it) of the Fujifilm X100F, but (obviously) it morphed into something much different than that. Life has a way of taking you down roads you wouldn’t have considered or even thought possible. Here we are, four years and ten months later, and this website doesn’t much resemble its origins.

Firstly, Fuji X Weekly is no longer about one camera, but about all Fujifilm cameras. Secondly, its focus is no longer mere journalling; instead, the primary purpose of this page is JPEG camera settings, called Film Simulation Recipes, that allow you to achieve straight-out-of-camera results that look good—you don’t have to edit if you don’t want to. And, of course, there’s the Fuji X Weekly App, so you can take these recipes with you on the go—almost 250 of them!

Also captured yesterday with my X-E4 using an upcoming recipe.

I wanted to do something special for this important 1,000th article. I knew that it needed to be related to film simulations and recipes somehow, but I wasn’t sure how exactly. Like the time I didn’t know why the ball kept getting bigger, then it hit me (sorry for the bad joke…)—I figured it out: for this article, I would rate my favorite film simulations—from most liked to least liked—and also share my favorite Film Simulation Recipes for each. The new Nostalgic Negative film simulation isn’t in this list because I’ve never used it, so I have no idea how I would rank it, but I do believe it’s one that I would particularly appreciate.

Without further ado, here are my favorite Fujifilm film simulations, plus my favorite Film Simulation Recipes for each!

#1 Acros

Motel – Panguitch, UT – Fujifilm X100V – “Kodak Tri-X 400”

Love at first sight!

When I tried the Acros film simulation on my Fujifilm X100F for the first time, I was blown away by it, as it produced the most film-like results I’d ever seen straight-out-of-camera. It was a big reason why I decided to stop shooting RAW and rely on camera-made JPEGs instead. I’m a sucker for black-and-white (probably because I shot a lot of it in my early film days), and the Acros film simulation produces incredibly lovely monochrome pictures. Acros is found on all X-Trans III, IV & V cameras, as well as GFX.

Favorite recipes:

Kodak Tri-X 400
Agfa Scala
Acros Push-Process

#2 Classic Negative

Classic Mirror – Fort Worth, TX – Fujifilm X-E4 – “Fujicolor Natura 1600”

Modeled carefully after Superia film, Classic Negative is the closest film simulation to replicating the aesthetic of actual color negative film (albeit, Fujicolor film, not Kodak). It is programmed uniquely and beautifully—there’s so much to love about it! For color photography, I could shoot exclusively with Classic Negative and be happy. Unfortunately, this film simulation is only found on the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, as well as X-Trans V and GFX.

Favorite recipes:

Fujicolor Natura 1600
Fujicolor Superia 800
Xpro ’62

#3 Classic Chrome

Two Caballeros – Culleoka, TX – Fujifilm X-E4 – “Kodachrome 64”

Prior to the introduction of Classic Negative, Classic Chrome was my favorite color film simulation, with its distinctive Kodak color palette. While it’s third on this list for me, I bet that it’s number one for many of you, since the most popular Film Simulation Recipes are those that use it. Fujifilm introduced it in 2014 with the X30, and retroactively gave it to some of their prior X-Trans II cameras (although not all) via firmware updates. Most Fujifilm models have Classic Chrome, and all since 2014 do.

Favorite recipes:

Kodachrome 64
Kodak Portra 400 v2
Vintage Kodachrome

#4 Eterna

Sentinel & Merced – Yosemite NP, CA – Fujifilm X100V – “Vintage Color”

The Eterna film simulation has a uniquely soft tonality; while it can be somewhat mimicked with PRO Neg. Std, there’s nothing that can completely faithfully replicate it. Because its beauty is in its subtleness, it can be easily overlooked. Some might think it’s only for video (which it is good for, too), but it is great for still photography. It was introduced on the X-H1, but that’s the only X-Trans III camera with it; otherwise, Eterna can be found on X-Trans IV, V, and GFX.

Favorite recipes:

Vintage Color
Kodak Vision3 250D
Negative Print

#5 Monochrome

Haystack Driftwood – Cannon Beach, OR – Fujifilm X100V – “Ilford HP5 Plus 400”

While the Acros film simulation grabs the headlines, the Monochrome film simulation is itself a solid black-and-white option; however, because I liked Acros so much I basically ignored it for years, which is unfortunate. Monochrome has a different tonality than Acros and doesn’t have the built-in Grain, but it is still an excellent film simulation—one of the best, in fact. All Fujifilm cameras have the Monochrome film simulation.

Favorite recipes:

Ilford HP5 Plus 400
Ilford Pan F 50 Plus
Dramatic Monochrome

#6 Eterna Bleach Bypass

Low Sun over Tetons – Grand Teton NP, WY – Fujifilm X-E4 – “Ferrania Solaris FG 400“

This is Fujifilm’s latest film simulation (aside from Nostalgic Negative, which is currently only found on one GFX camera, but soon on X-Trans V), and it’s basically the Eterna film simulation but with lots more contrast and even more muted colors. Eterna Bleach Bypass can deliver stunning results that are definitely different than what’s possible with the other options. This film simulation is only found on the X-T4, X-S10, X-E4, X-T30 II, X-Trans V, and the newest GFX models.

Favorite recipes:

Ferrania Solaris FG 400
Lomochrome Metropolis
Ektachrome 320T

#7 PRO Neg. Std

Lakeside House & Road – Culleoka, TX – Fujifilm X-E4 – “Fujicolor Superia 800”

PRO Neg. Std used to be my third favorite film simulation, behind Acros and Classic Chrome. It has a subtle beauty with muted tones and contrast—similar to Eterna (although not quite as pronounced) but with more of a color negative feel than cinematic. Even though Fujifilm has introduced new film simulations that I like better, I still very much appreciate this one. Most Fujifilm models (with the exception of a few really old ones) have PRO Neg. Std.

Favorite recipes:

Fujicolor Superia 800
Fujicolor 100 Industrial
CineStill 800T

#8 Velvia

Hoodoos – Bryce Canyon NP, UT – Fujifilm X-E4 – “Vibrant Velvia”

Velvia 50 was my favorite color transparency film for landscape photography. While the Velvia film simulation isn’t a close approximation of that film straight out of the box, it can be made to look pretty similar with some adjustments. For vibrant landscapes, this is the film simulation to choose. Velvia can be found on all Fujifilm cameras.

Favorite recipes:

Vibrant Velvia
The Rockwell
Velvia v2

#9 PRO Neg. Hi

Wet Glass Bokeh – Salt Lake City, UT – Fujifilm X-T30 – “Jeff Davenport Night”

At this point we’ve moved into the film simulations that use far less frequently. PRO Neg. Hi is basically PRO Neg. Std but with more contrast and saturation. It’s not bad at all, and it used to be my go-to film simulation for portraits (which I think it’s particularly good for). Most Fujifilm models (with the exception of a few really old ones) have PRO Neg. Hi.

Favorite recipes:

Jeff Davenport Night
Fujicolor Pro 400H
PRO Neg. Hi

#10 Provia

Abandoned Ice Chest – Farmington, UT – Fujifilm X-Pro3 – “Standard Provia”

Fujifilm calls the Provia film simulation their “standard” profile, but I’ve never really liked it. Because of that, I usually only shoot with it when I force myself to do so, and sometimes some interesting things come from that. All Fujifilm cameras have the Provia film simulation.

Favorite recipes:

Standard Provia
Provia 400
Cross Process

#11 Astia

Wind from the West – Hammond, OR – Fujifilm X-E4 – “CineStill 50D”

The Astia film simulation is pretty close to PRO Neg. Hi in terms of contrast and saturation (although Astia is a bit more vibrant), but with a different tint that I think you either like or don’t like. I used to shoot with it a lot more more than I do now. It’s a good alternative for landscapes when Velvia is just too strong. Every Fujifilm camera has the Astia film simulation.

Favorite recipes:

CineStill 50D
Super HG Astia
Redscale

#12 Sepia

No Credit Tires – Bountiful, UT – Fujifilm X-T30 – “Sepia”

Last and least is Sepia, the often forgotten film simulation. For some reason every camera has it and almost nobody uses it.

Favorite recipes:

Sepia

It’s your turn! Which film simulation is your favorite? Which Film Simulation Recipe do you use most? What on this list was most surprising to you? Let me know in the comments!

Fujifilm X100V + X-Pro3 Film Simulation Recipe: Pushed CineStill

City Roses – Farmington, UT – Fujifilm X100V – “Pushed CineStill 800T”

This “Pushed CineStill 800T” Film Simulation Recipe came about after I stumbled across an amazing picture that was captured on CineStill 800T film during daytime with an overcast sky. It turned out that the film was push-processed, but I never learned by how many stops (I’m guessing one-stop). After some extensive Googling, I was able to find several more examples of push-processed CineStill 800T film shot in overcast daytime light. I then set out to mimic that aesthetic on my Fujifilm camera, and I figured it out; however, my first recipe was only compatible with the X-T4, X-S10, X-E4, and X-T30 II cameras, so I made this alternative version that works on the X-Pro3 and X100V (you can use it on those “newer” cameras, too, if you’d like).

Interestingly enough, even though this recipe is intended for daytime photography, it does quite well at night, too; however, I do believe it more faithfully mimics the film in cloudy daytime conditions. It does produce nice results in daylight or night, so feel free to use it anytime. Film can look different depending on how it is shot, developed, or scanned (among many other things). This recipe doesn’t replicate pushed CineStill 800T film under all circumstances, but in certain conditions it’s a good facsimile. I really like how this one looks, and I think some of you will really appreciate it, too!

Cigarettes – Reno, NV – Fujifilm X100V – “Pushed CineStill 800T”

This was a Fuji X Weekly App Patron Early-Access Recipe, so App Patrons have had access to it since October, but now it’s available to everyone! A new Early-Access Recipe replaced it—find it in the Fuji X Weekly App!

Eterna
Dynamic Range: DR400
Highlight: +3
Shadow: +1
Color: -2
Noise Reduction: -4
Sharpness: 0
Clarity: -3
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 7700K, -9 Red & +7 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Pushed CineStill 800T” film simulation recipe on my Fujifilm X100V & Fujifilm X-E4:

Gas Pumps at Night – Farmington, UT – Fujifilm X-E4
Nighttime Neighborhood – Farmington, UT – Fujifilm X-E4
Night Walkway – Farmington, UT – Fujifilm X-E4
Nighttime Flowerpot – Farmington, UT – Fujifilm X-E4
Potted Shrub – Farmington, UT – Fujifilm X-E4
Burger Boy – Reno, NV – Fujifilm X100V
Playground Girl – Farmington, UT – Fujifilm X-E4
Rose Garden – Farmington, UT – Fujifilm X-E4
Hoop – Farmington, UT – Fujifilm X-E4

Find this Film Simulation Recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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New: Fuji X Weekly App Update!!

I just published an update to the Fuji X Weekly App! If your device didn’t update the App automatically, be sure to manually do so right now.

What’s in this update?

First is Search. You now have the ability to search for Film Simulation Recipes! This new feature allows you to search for recipes by name to more quickly locate the exact one that you are looking for. If you are a Fuji X Weekly App Patron, the search feature works in conjunction with Filter, so (for example) if you Filter By Camera, only those recipes compatible with your camera will appear when you Search. In other words, all App users get Search, but this feature is even better for Patrons. The ability to search for recipes is a significant improvement⁠—it definitely makes the App more user friendly. On Apple, simply scroll up (drag the recipe list down) and Search will appear towards the top. On Android, tap the magnify glass icon at the top-right and Search will appear.

Next is Random Recipe selector. Not sure which Film Simulation Recipe to use? Let the Fuji X Weekly App decide for you! Tap the crossing arrows icon at the top-right, and the App will randomly select one for you to use. The Random Recipe selector also works in conjunction with Filter, so even though it’s available to everyone, it’s even better if you are an App Patron. This fun new feature is addicting! If you’re in a photographic rut, this might help you get out of it. If there are a couple of you out photographing together, you can make a game out of it. I personally have really enjoyed using the Random Recipe selector, and I think you will, too!

Last but not least, the recipe parameter order has been improved. Unfortunately, the order of settings is different depending on your camera model, and even on the same model the order can be different within the IQ menu vs Custom Settings menu, so it’s not possible for it to be perfect; however, I do believe that the new order will make it a bit easier to program recipes into your camera.

This Fuji X Weekly App update is intended to make recipes easier to find and program, plus add a little fun to the experience. I hope that you find it useful and enjoyable!

Don’t have the Fuji X Weekly App? Download it today!

Not a Fuji X Weekly App Patron? Consider subscribing to unlock the best App experience! Within the App, tap the Gear icon, then select Become A Patron.

New Fujifilm X-Trans IV FXW App Patron Early-Access Film Simulation Recipe: Expired Velvia

Red Blossom – Farmington, UT – Fujifilm X-E4 – “Expired Velvia”

The Fuji X Weekly App is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new Film Simulation Recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, many Early-Access Recipes have already been publicly published on this Blog and the App, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

This new “Expired Velvia” Fuji X Weekly App Patron Early-Access Film Simulation Recipe came about after a Fuji X Weekly reader shared with me some photographs that he had captured on long-expired Velvia 50 color reversal film. He didn’t have the lab adjust the development time for the expired film, so they were all underexposed; however, they turned out really interesting, with an aesthetic that leaned more towards Superia than Velvia. I think this recipe does a great job of mimicking that look. If you are searching for a Film Simulation Recipe that’s a little different, this is one to try! It’s definitely not for everyone, but some of you will love it. It’s compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras.

If you are a Fuji X Weekly App Patron, it’s available to you right now on the App!

Example photographs, all camera-made JPEGs captured using this “Expired Velvia” Film Simulation Recipe on my Fujifilm X-E4:

Light Post – Hot Springs, AR – Fujifilm X-E4
Hotel Door – Flagstaff, AZ – Fujifilm X-E4
Restaurant – Flagstaff, AZ – Fujifilm X-E4
Webs We Weave – Hot Springs, AR – Fujifilm X-E4
Outdoor Chair Cushion – Hot Springs, AR – Fujifilm X-E4
Jo Playing with Roly Polies – Hot Springs, AR – Fujifilm X-E4
A Boy & His Fishing Pole – Hot Springs, AR – Fujifilm X-E4
Covered Boat Dock – Hot Springs, AR – Fujifilm X-E4
Lake Houses – Hot Springs, AR – Fujifilm X-E4
‘Bout to Blossom – Farmington, UT – Fujifilm X-E4
Wet Rose – Ridgedale, MO – Fujifilm X-E4
Triangles – Hot Springs, AR – Fujifilm X-E4
Fenced Sun – Amarillo, TX – Fujifilm X-E4
A Whale of a Sunset – Branson, MO – Fujifilm X-E4

Fujifilm X-Trans I (X-E1 + X-Pro1) Film Simulation Recipe: Ektachrome

Diesel – Park City, UT – Fujifilm X-Pro1 – “Ektachrome”

Ektachrome is a line of color transparency film introduced by Kodak in the 1940’s. I did some research, and counted 40 different emulsions over the years that carried the Ektachrome name! Generally speaking, Ektachrome was less warm than Kodachrome (although it depends on which Ektachrome you’re referring to), and also less archival. While Kodachrome was discontinued in 2009, Ektachrome can still be purchased today. I’m not certain which (of the 40) Ektachrome films this recipe most closely resembles. It has more of a general Ektachrome feel rather than being an exact copy of a specific emulsion.

This was a Patron Early-Access recipe, but has been replaced by another, so it is now available to everyone! If you are a Fuji X Weekly App Patron, be sure to look for the recipe that replaced this one. This “Ektachrome” recipe is compatible with the Fujifilm X-E1 and X-Pro1 cameras. Unfortunately, even though the X-M1 is X-Trans I, this recipe is not compatible with that camera. I really like how this one looks, and I think some of you will really appreciate it, too!

Two Cans – Weber Canyon, UT – Fujifilm X-Pro1

Pro Neg. Std
Dynamic Range: DR400
Highlight: +1 (Medium-Hard)
Shadow: +2 (Hard)
Color: -1 (Medium-Low)
Sharpness: +2 (Hard)
Noise Reduction: -2 (Low)
White Balance: Daylight/Fine, -1 Red & +3 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Ektachrome” film simulation recipe on my Fujifilm X-Pro1:

House Flag – Farmington, UT – Fujifilm X-Pro1
Dead Wood – Farmington Bay, UT – Fujifilm X-Pro1
Cattails – Farmington Bay, UT – Fujifilm X-Pro1
Succulent Shelf – Farmington, UT – Fujifilm X-Pro1 – “Ektachrome”
Boy On Couch Watching TV – Farmington, UT – Fujifilm X-Pro1
Drinking Fountain – Weber Canyon, UT – Fujifilm X-Pro1
Two Trees – Farmington, UT – Fujifilm X-Pro1
Berries in a Tree – Farmington, UT – Fujifilm X-Pro1
Blackberry Bush – Farmington, UT – Fujifilm X-Pro1
Francis Peak Summer – Farmington, UT – Fujifilm X-Pro1

Find this Film Simulation Recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

New Fujifilm X-Trans IV Patron Early-Access Film Simulation Recipe: Fujichrome Provia 100F

Berry Behind the Baseball Diamond – Farmington, UT – Fujifilm X100V – “Fujichrome Provia 100F”

The Fuji X Weekly app is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new film simulation recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, all of the original Early-Access Recipes have been publicly published on this blog and the App, so everyone can now use them. Patrons help support Fuji X Weekly and, really, without them there would be no App, so I want to give a special “thank you” to all of the Patrons!

This new recipe is called “Fujichrome Provia 100F” after the film that it is intended to mimic. Fujifilm introduced Provia 100 in 1994, and replaced it with the much improved Provia 100F in 2001. I’ve only shot a couple of rolls of Provia 100F. I remember that it had a cool color cast (especially when compared to Kodak films), it had a fair amount of contrast, moderate saturation, and tended to render blues strongly. This recipe has been in the works for awhile, with a lot of failed attempts. I think it does pretty well at reproducing the aesthetic of the film, but there are definitely a few compromises—more of the “memory color” that Fujifilm talks about, than perhaps a 100% accurate rendition. Still, I believe that it turned out pretty well overall.

Actual Fujicolor Provia 100F 35mm film. Chicago, 2005.

If you are a Fuji X Weekly Patron, it’s available to you right now on the App!

Example photographs captured using this “Fujichrome Provia 100F” film simulation recipe on my Fujifilm X100V:

Wasatch Front – Farmington, UT – Fujifilm X100V
Blue Sky Reeds – Farmington, UT – Fujifilm X100V
Branch Berries – Farmington, UT – Fujifilm X100V
Baseball Sky – Farmington, UT – Fujifilm X100V
Windsock – Farmington, UT – Fujifilm X100V
Field 3 – Farmington, UT – Fujifilm X100V
Skateboard & Runner – Farmington, UT – Fujifilm X100V
Creek Under Branches – Farmington, UT – Fujifilm X100V
Trail Through the Trees – Farmington, UT – Fujifilm X100V
Fence Along Path – Farmington, UT – Fujifilm X100V
Josh at the Court – Farmington, UT – Fujifilm X100V

Top 25 Film Simulation Recipes of 2021

Cooking Up A Film Simulation Recipe – Fujifilm X-E4 – Fujicolor Super HG v2

By popular demand, I’ve compiled a list of the Top 25 Film Simulation Recipes of 2021! The methodology of determining which ones were most popular is simple: page views. The articles that were viewed the most throughout the entirety of 2021 were declared “most popular” for this list. It’s possible that, while the article was viewed a lot, the recipe wasn’t used all that much—I’m uncertain of a way to know which ones were the most used, so most viewed is the best method I’ve come up with. Also, it’s important to note that the recipes published in 2021 were at a disadvantage because they didn’t have a full year to be viewed, and this is especially true for those published towards the end of the year.

Last year I published Top 20 Most Popular Film Simulation Recipes of 2020, and, while there are some similarities, there are some interesting changes between the two years. The top most popular recipe of 2020 fell to Number 10 for 2021, while #2 in 2020 climbed to #1. Number 7 in 2020 didn’t make the 2021 Top 25 list at all. There’s plenty of other changes, too, yet also some recipes that stayed the same: Number 3 remained in the same place, as did Number 8.

Below you’ll find the Top 25 Film Simulation Recipes of 2021! I’d love to know which of these recipes are your favorites. If there’s a recipe in this list that surprises you, or if there’s a recipe that you’re surprised didn’t make the list, let me know in the comments!

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Find these film simulation recipe and many more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

Best Film Simulation Recipes for Cityscapes (Video)

In this “SoundBite” (as we’re calling it) from Episode 05 of SOOC, Fujifilm X-Photographer Nathalie Boucry and I discuss three film simulation recipes that are good for urban photography. This is a short snippet from the show, and it gives you an idea of the type of content that’s found in a SOOC broadcast. If you missed Episode 05 and/or Episode 06, I’ve included them below.

If you’ve never watched, SOOC is a monthly live video series that’s interactive. It’s a collaboration between Nathalie and I. We discuss film simulation recipes, camera settings, and answer your questions. Basically, we’re trying to help you master your Fujifilm camera, with a focus on simplifying your photographic workflow.

The three recipes discussed in this video are:
Kodachrome 64
Jeff Davenport Night
Fujicolor 100 Industrial

Also, if you don’t have the Fuji X Weekly App, be sure to download it for free today.

See also:
Noise & Grain Explained
Fujifilm In-Camera RAW Reprocessing

SOOC Season 01 Episode 05:

SOOC Season 01 Episode 06:

Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Kodak High Definition Plus 200

Evergreen Tops – Farmington, UT – Fujifilm X-E4 – “Kodak High Definition Plus 200”

This Kodak High Definition Plus 200 film simulation recipe was a fun one to make. My wife, Amanda, was looking through an old box of pictures when she came across a group of prints that she thought looked interesting, so she showed them to me. The images were captured in the Sierra Nevada mountains, largely in the Sequoia National Forest, in 2006. I had no idea what film I used, but after locating the negatives, I discovered it was Kodak High Definition Plus 200. The pictures were printed on Fujicolor Crystal Archive paper. Not surprisingly, Fujifilm paper produces a different aesthetic than Kodak paper, so if this film had been printed on Kodak paper the pictures would look a little different. Back then, the rule of thumb for best results was that Kodak negatives should be printed on Kodak paper, Fujifilm negatives should be printed on Fujifilm paper, etc., but obviously I broke that “rule” with these travel pictures.

Kodak High Definition Plus 200 was a color negative film that was also sold under the name Kodak Royal Supra 200. At the time, Kodak claimed that it was the sharpest and finest-grained ISO 200 color negative film on the market. Originally there were ISO 100, 200, 400 and 800 varieties, but since this film line was introduced right at the beginning of the decline of film, it didn’t take Kodak long to discontinue all but the ISO 200 and 400 versions, and even those didn’t last all that long. I shot a few rolls of the film, and after digging through that photo box, I found two sets of negatives, both exposed around that same timeframe. I honestly don’t remember all that much from the experience, but it was fun to rediscover these long-forgotten pictures and recreate the aesthetic on my Fujifilm X-E4 camera.

A picture of Kodak High Definition Plus negatives, captured with this recipe.
A picture of Kodak High Definition Plus 200 prints, captured with this recipe.
A poor quality scan of one of the prints. Sorry. I really need to buy a better scanner.

For ISO 200 color negative film, Kodak High Definition Plus 200 was indeed pretty sharp and fine-grained. It was moderately vibrant (just a little above “true to life”) and contrasty but not overly contrasty. From what I can tell, it didn’t have as large of an exposure latitude as some of Kodak’s other color negative films. It was warm, but seemed to lean more towards green than red when printed on Fujicolor paper. Obviously, how the film is shot, developed, printed and/or scanned will affect how it looks (I apologize for my poor quality scan above, which doesn’t do the picture justice whatsoever, but I wanted to share it anyway). This recipe mimics how I shot the film in 2006, printed on Fujicolor paper. It is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras.

Classic Chrome
Dynamic Range: DR400
Highlight: 0
Shadow: +1
Color: +2
Noise Reduction: -4
Sharpening: 0
Clarity: -3
Grain Effect: Weak, Small
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: 4800K, -2 Red & -7 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Kodak High Definition Plus 200 film simulation recipe on my Fujifilm X-E4 & Fujifilm X100V:

Walking Bridge – Farmington, UT – Fujifilm X-E4
Hollow Building – Bountiful, UT – Fujifilm X100V
Leaves that Left – Farmington, UT – Fujifilm X100V
Flag & Evergreen – Layton, UT – Fujifilm X-E4
Green Pine Needles – Farmington, UT – Fujifilm X100V
Red Roof – Farmington, UT – Fujifilm X-E4
Lonely Table – Orem, UT – Fujifilm X100V
Night Shopping Carts – Draper, UT – Fujifilm X100V
Pillow on Couch – Farmington, UT – Fujifilm X100V
Fake Succulent – Farmington, UT – Fujifilm X-E4
Evening Clouds Over Wasatch Mountains – Farmington, UT – Fujifilm X-E4
Disappearing Light on Francis Peak – Farmington, UT – Fujifilm X-E4

Find this film simulation recipe and many more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

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New Fujifilm X-Trans III App Patron Early-Access Film Simulation Recipe: Vintage Kodacolor

Large Stone & Tall Grass – Farmington, UT – Fujifilm X-H1 – “Vintage Kodacolor”

The Fuji X Weekly App is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new film simulation recipes. These early-access recipes will eventually become available free to everyone in time, including this new one. In fact, many early-access recipes have already been publicly published on this blog and the App, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

This new Patron early-access recipe is called Vintage Kodacolor. I was inspired by some old Kodacolor puzzles that I stumbled across (did you know that Kodak made jigsaw puzzles?). I’m not completely certain which Kodacolor film was used for these puzzles—possibly Kodacolor II—or how much the printing process affected the aesthetic, or even how much the colors have faded and shifted over time. Whatever the case, this recipe does a pretty good job emulating it, and produces a warm vintage-like aesthetic that’s easy to appreciate. There’s some similarities between this and my Kodacolor II 126 recipe. This “Vintage Kodacolor” recipe is fully compatible with all X-Trans III cameras, plus the Fujifilm X-T3 and X-T30. Those with newer X-Trans IV cameras can use it, too, but you’ll have to decide on Grain size.

If you are a Fuji X Weekly Patron, it’s available to you right now on the App!

Example photographs, all camera-made JPEGs captured using this “Vintage Kodacolor” film simulation recipe on my Fujifilm X-H1:

Vintage Phragmites – Farmington, UT – Fujifilm X-H1
Evening Reeds and Sky – Farmington, UT – Fujifilm X-H1
Three Brown Leaves – Farmington, UT – Fujifilm X-H1
Don’t Approach the Great Blue Heron – Farmington, UT – Fujifilm X-H1
Safe Zone – Farmington, UT – Fujifilm X-H1
Sunset Through The Grass – Farmington, UT – Fujifilm X-H1
Evening Light on the Wood – Farmington, UT – Fujifilm X-H1
Flowers No More – Farmington, UT – Fujifilm X-H1
Metal Door – Farmington, UT – Fujifilm X-H1
Cardboard Architect – Farmington, UT – Fujifilm X-H1
Holiday Horse Rider – Farmington, UT – Fujifilm X-H1

FXW App: Filter by White Balance — How To Use This New Feature

The Fuji X Weekly App was updated just yesterday, and I want to discuss one of the new features that I think will be heavily used: Filter by White Balance! This feature is unlocked by becoming a Fuji X Weekly App Patron.

Filter by White Balance will be a game-changer for many of you. The most obvious use is for finding recipes that match the lighting conditions. Is it sunny? Find a recipe that uses the Daylight White Balance. Is it indoors in mixed lighting? Maybe Auto White Balance would be good. But there’s another way to use Filter by White Balance, which I’ll discuss below, that will make your Fujifilm experience even better!

If your Fujifilm camera is older than the X-Pro3, you cannot save White Balance Shift within the C1-C7 Custom Presets, and each time you change Presets, you have to remember to adjust the WB Shift. It can be a little annoying. However, for each White Balance type, the camera will remember one WB Shift, so if each of your C1-C7 presets uses a different White Balance type, when you switch Presets, you won’t have to adjust the WB Shift. Amazing!

Let’s take a more practical look at this. If you have a Fujifilm X-T3 (for example), we’ll Filter by Camera and select the camera. For the X-T3, you’ll have over 70 recipes to choose from!

Let’s select one recipe to be our C1 in the Custom Settings menu. We’re now going to Filter by White Balance, and tap Auto—there are nearly 40 recipes to choose from! If you find more than one that requires the same WB Shift—Classic Chrome and Velvia both use +1R & -1B, and Velvia v2 and Dramatic Monochrome both use 0R & 0B, just as a couple examples—you can actually use multiple recipes from this White Balance type, and potentially program more than just C1. For this example we’re going to pick just one, perhaps Eterna v3 (interestingly, Agfa Optima 200 shares this same shift, and could be used, too), to be our C1 preset.

For C2 we’re going to select Daylight. There are 12 options to choose from. Kodak Portra 160, Kodak Portra 400, and Kodak Gold 200 all share the same WB Shift, so, in theory, you could program all three of these into your Custom Settings presets. For this, let’s go with Kodak Tri-X 400 to be our C2.

Next, for C3, let’s select Kelvin. You have 15 to choose from. Let’s choose maybe Jeff Davenport Night.

For C4 we’ll go with the Fluorescent 1 White Balance. There are just two options, and we’ll select Kodak Vision3 250D.

It’s the same story for Fluorescent 2: there are only two options. We’ll choose Ektachrome E100G to be our C5 preset.

For C6 we’ll select Incandescent. There’s just one recipe: Eterna Bleach Bypass, so we’ll program that one in.

Lastly, we have C7, and for that we’ll select Shade. There are three options, and we’ll go with Porto 200.

Now we have our C1-C7 Custom Settings presets programmed! C1 is Eterna v3. C2 is Kodak Tri-X 400. C3 is Jeff Davenport Night. C4 is Kodak Vision3 250D. C5 is Ektachrome E100G. C6 is Eterna Bleach Bypass. And C7 is Porto 200. That’s a pretty good set! Since each preset uses a different White Balance type, you won’t have to adjust the WB Shift when you switch presets. For those White Balance types that don’t have very many options, such as Fluorescent 1, Fluorescent 2, etc., if you didn’t like any of the choices, you could alternatively use two recipes that share both the same White Balance and WB Shift (such as the ones mentioned earlier).

You can come up with multiple combinations of these C1-C7 options, and keep track of them using the new colored Stars. Maybe use Green Stars for these seven recipes, and come up with another seven that can be used together and mark them with Blue Stars, and another seven that are marked with Purple Stars. Just an idea.

I hope this all makes sense. Filter by White Balance can be useful in more than one way. If your camera is older than the X-Pro3, this will make your Fujifilm experience more enjoyable, as you won’t have to remember to check the WB Shift each time you change presets. If you don’t have the Fuji X Weekly App, download it now. If you do have the App and it didn’t automatically update, be sure to visit the appropriate App Store and manually update it. If you are not a Fuji X Weekly App Patron, for the best App experience, consider becoming a Patron today!

Available Now: The Fuji X Weekly App Update!

The big Fuji X Weekly App update is available right now!

If your phone or tablet didn’t automatically update the App, be sure to manually update it right away. Depending on your device and how you have it configured, it’s possible that you might have to delete the App and reinstall, but most people shouldn’t have to do that in order to update it. Hopefully for most of you it happened automatically already, and you’re good to go. The App update is in both the Google Play Store for Android and the Apple App Store for iOS.

What’s in this “big” update? Plenty! Some of the things are for everyone, and some of the things are only for Fuji X Weekly App Patrons. Let’s talk about the improvements that are for everyone first, and then we will get to the good stuff that’s for Patrons.

View Sample Pictures Larger

Normal size pictures.
Tap to view pictures larger.

This is a pretty straightforward improvement: tap on a picture to view larger, and tap again to return to normal size. One request that I’ve received many times is the ability to enlarge the sample pictures in each recipe. Now you can! Of course, you can view them even larger (and see more of them) on the website—there’s a link at the bottom of each recipe.

Sort by A-Z, Z-A, Newest-to-Oldest, & Oldest-to-Newest

Before this update, you could only sort the recipes either alphabetically A-Z or chronologically Newest-to-Oldest. Now I’ve added Z-A or Oldest-to-Newest as options. If you know the name of the recipe and it begins on or after the letter N, sorting Z-A might make it quicker to locate. Or if you know that a recipe you are looking for was published awhile ago, sorting Oldest-to-Newest might make more sense. This should make it a little easier and quicker to locate what you are searching for.

Now, to the good stuff!

All of the improvements mentioned below are available for Fuji X Weekly App Patrons. The best App experienced is reserved for Patrons, so if you are not one, consider subscribing today! Simply tap the Gear icon in the App, and then select Become a Patron.

Filter by White Balance or Dynamic Range

There are two new Filter options: White Balance and Dynamic Range. Some users will benefit from Filter by Dynamic Range, but Filter by White Balance is huge! If your Fujifilm camera is older than the X-Pro3, you cannot save White Balance Shift within C1-C7 Custom Presets, and each time you change Presets, you have to remember to adjust the WB Shift. It can be a little annoying. However, for each White Balance type, the camera will remember one WB Shift, so if each of your C1-C7 presets uses a different White Balance type, when you switch Presets, you won’t have to adjust the WB Shift. For many, this is a game-changer!

Favorite with Colored Stars

One really great upgrade is Favoriting with colored Stars. Before, when you tapped the Star to Favorite a recipe, it came in one color (yellow). But now you can choose between five different colors: yellow, red, green, blue, and purple. The benefit of this is that you can use colored Stars to organize recipes. Maybe yellow represents the recipes currently loaded into your camera, red represents the recipes you want to try next, and green represents the ones you tried in the past and really liked. Or maybe yellow is your favorite portrait recipes, green your favorite landscape recipes, and blue your favorite street recipes. Use the colored Stars to categorize the recipes however is meaningful to you. This is a great organizational tool, and, for some, this makes the App a significantly better experience.

Blank Recipe Cards

If you’ve ever created your own film simulation recipe, or if you’ve found some elsewhere that you like (perhaps on the Fuji X Weekly Community Recipes page, such as AstiAmore in the example above), you can now add them to your App! A new feature is blank recipe cards that you fill out. You can even add your own pictures from your camera roll! At some point down the road the idea is that you’ll be able to export, import, and share these custom recipes; however, that ability isn’t in this update—with any luck it will come before summer. Several of you have asked for blank recipe cards, and now you have them! This is a great new feature that many of you will really appreciate.

There’s one other thing that I want to mention: if you tap the Gear icon in the top-left of the App and look way down at the bottom, you will see Shop The Latest Fujifilm Gear. These are affiliate links to B&H and Amazon. If you are shopping for some new gear and you happen to think about it, I’ll be compensated a small amount if you make a purchase using my links. It’s a simple way to support Fuji X Weekly that doesn’t cost you anything.

Below are even more images of the new and improved Fuji X Weekly App!

I want to give a special thanks to Sahand Nayebaziz for all his hard work on this App update! Without him, not only would the App not be nearly as good as it is, but there wouldn’t be a Fuji X Weekly App at all. Thank you so much, Sahand!

Sneak Peek: Fuji X Weekly App Update

The Fuji X Weekly App is a free mobile film simulation recipe library containing over 175 recipes for Fujifilm cameras! It’s available on both Apple and Android. This is an essential tool to accompany Fujifilm X cameras, so if you don’t have the App, you should go download it now.

Coming very soon is a large update to the Fuji X Weekly App, and I want to give you a sneak peek of what’s in store for you!

Before I begin, however, I want to talk briefly about the benefits of a becoming an App Patron. The Fuji X Weekly App is free, but advanced features are unlocked for Patrons, including Filtering, Favoriting, and early-access to some new recipes. The best App experience is reserved for Patrons.

There are two reasons why I bring this up. First, many of the App update improvements apply to Patron features, and those using the App for free won’t have access to these. The update is big for Patrons, and small for those who are not. Second, I’ve had several people tell me that I need to do a better job selling the Patron subscription because they were unaware of how much better the App is when you become a Patron. “I didn’t know what I was missing,” a couple people recently told me. If you want to get the most out of the Fuji X Weekly App, including the things we’re going to talk about below, you should become a Patron today!

That’s the entirety of my sales pitch (I’m a terrible salesman). Now to the App update sneak peek!

Favoriting & Filtering

One really great upgrade that’s coming is Favoriting on steroids. Before, when you tapped the Star to Favorite a recipe, it came in one color (yellow). But very soon you will be able to choose between five different colors: yellow, red, green, blue, and purple.

The benefit of this is that you can use colored Stars to organize recipes. Maybe yellow represents the recipes currently loaded into your camera, red represents the recipes you want to try next, and green represents the ones you tried in the past and really liked. Or maybe yellow is your favorite portrait recipes, green your favorite landscape recipes, and blue your favorite street recipes. Use the colored Stars to categorize the recipes however is meaningful to you. This will be a great organizational tool, and, for some, this is going to make the App a significantly better experience.

Another awesome App improvement that’s coming is Filter by White Balance. For many, this will be a game-changer. This is going to be the feature for some that makes the Patron subscription worthwhile! Why? Because if your Fujifilm camera is older than the X-Pro3, you cannot save White Balance Shift within C1-C7 Custom Presets, and each time you change Presets, you have to remember to adjust the WB Shift. It can be a little annoying. However, for each White Balance type, the camera will remember one WB Shift, so if each of your C1-C7 presets uses a different White Balance type, when you switch Presets, you won’t have to adjust the WB Shift.

In the App, select Filter by Camera and choose your model—let’s say you have an X-H1. Then Filter by White Balance. Start with Auto, and choose one of those recipes to be your C1 Custom Preset. There are a couple of these recipes that share the same WB Shift, so you could, if you wanted, use more than one, just as long as the WB Shift is the same. Then choose Daylight, and pick one of those recipes to be C2. Again, there are a couple that share the same WB Shift, so you could pick more than one, just as long as the WB Shift is the same. Next is Shade, and there’s just one recipe (right now, anyway) to choose from, so that could be C3. Then select Kelvin, and pick one of those recipes to be C4. Fluorescent 1 is next, and there’s only one recipe to choose from, so that could be C5. Same for Fluorescent 2, and that could be C6. Ditto for Incandescent, and that could be C7. If you picked two Auto and two Daylight recipes (that shared the same WB Shift), then you could skip two of the White Balance options that only have one recipe.

Using Filter by White Balance to help you select recipes for your C1-C7 Custom Presets will make your shooting experience more enjoyable because you won’t have to remember to adjust the WB Shift each time you change to a different Custom Preset.

Custom Recipe (Blank Recipe Cards)

If you’ve ever created your own film simulation recipe, or if you’ve found some elsewhere that you like (perhaps on the Fuji X Weekly Community Recipes page), you will soon be able to add them to your App! A new feature will be blank recipe cards that you fill out. You will even be able to add your own pictures from your camera roll! At some point down the road the idea is that you’ll be able to export, import, and share these custom recipes (that ability won’t be in this update). Several of you have asked for blank recipe cards, and soon you’ll have them! This will be a fun new feature that some of you will really appreciate.

There are, of course, a number of other smaller improvements that are coming with the App update—this is just a sneak peek at three of the bigger ones. With any luck, the update should be out before the end of the month. Oh, and we’ve already begun working on the following update (for sometime next year) that will include a number of other great new features and improvements.

The Current 10 FXW App Patron Early-Access Recipes!

One benefit of becoming a Fuji X Weekly App Patron is that you get early-access to some new film simulation recipes. There are, of course, a number of reasons why you should become a Fuji X Weekly Patron, including Early-Access Recipes—perhaps the best benefit might be the ability to quickly and easily find the recipes that are compatible with your camera. The best App experience is reserved for Patrons.

Currently there are 10 Early Access Recipes on the App. Right now these recipes are only available to Patrons, but they will eventually become free to everyone as new Early-Access Recipes replace them. Several are due to be replaced soon, so this list will probably look significantly different before the end of the year.

Let’s take a look at the current 10 Patron Early-Access Recipes!

Pushed CineStill 800T (X-T4, X-S10, X-E4, X-T30 II)

This recipe is intended to resemble CineStill 800T film, which is Tungsten balanced. Film can have many different aesthetics, depending on how it’s shot, developed, scanned or printed, and viewed, and this recipe is modeled after one particular look from this film. It’s good for night photography, but can produce interesting results in other light conditions.

Snow on the Stormy Mountain – Farmington, UT – Fujifilm X-E4
Empty Harmons Fuel Stop – Farmington, UT – Fujifilm X-E4
Ready To Go Nowhere – Farmington, UT – Fujifilm X-E4

Pushed CineStill 800T (X-Pro3, X100V)

This is essentially the same CineStill 800T recipe above, but adapted for use on the X-Pro3 and X100V cameras. They’re nearly identical, yet very subtly different. Those with an X-T4, X-S10, X-E4, and X-T30 II camera can use it, too, and you get to decide if you like this recipe or the one above better.

City Roses – Farmington, UT – Fujifilm X100V
Cigarettes – Reno, NV – Fujifilm X100V
Hoop – Farmington, UT – Fujifilm X-E4

Kodacolor VR (X-T3, X-T30)

This recipe resembles expired Kodacolor VR film. This film dates back to the early 1980’s, and is a predecessor to ColorPlus 200. A great option for a vintage analog aesthetic.

Inside City Creek – Salt Lake City, UT – Fujifilm X-T30
Stones & Glass Ceiling – Salt Lake City, UT – Fujifilm X-T30
Stoneground – Salt Lake City, UT – Fujifilm X-T30

Vintage Color (X-T4, X-S10, X-E4, X-T30 II)

I described this one as an “artist’s recipe” because it produces a look similar to famed Hudson River School painter Albert Bierstadt, particularly his Yosemite paintings. It’s one of my absolute favorites!

Sentinel & Merced – Yosemite NP, CA – Fujifilm X100V
Yosemite Creek – Yosemite NP, CA – Fujifilm X100V
El Cap & Merced – Yosemite NP, CA – Fujifilm X100V

Old Kodak (X-T4, X-S10, X-E4, X-T30 II)

This recipe is an alternate take on the very popular Vintage Kodachrome recipe. Definitely has an old Kodak feel to it.

Wet Radio Flyer – Farmington, UT – Fujifilm X-E4
Suburban Storm – Farmington, UT – Fujifilm X-E4
Gumby on a Table – Farmington, UT – Fujifilm X-E4

Fujicolor NPH (X-Pro3, X100V, X-T4, X-S10, X-E4, X-T30 II)

Fujicolor NPH was a predecessor to Fujicolor Pro 400H. This recipe produces a nice Fuji print-film aesthetic.

Winter Evergreens – Weber Canyon, UT – Fujifilm X100V
Weber River in Winter – Weber Canyon, UT – Fujifilm X100V
Stepping Into the Night Circle – Sunset, UT – Fujifilm X100V

Vintage Negative (X-Pro3, X100V, X-T4, X-S10, X-E4, X-T30 II)

This recipe was modeled after some old photographs that someone shared with me. In the right conditions it can produce incredibly excellent vintage results.

Vintage Berries – Farmington, UT – Fujifilm X100V
Water Tower – Salt Lake City, UT – Fujifilm X100V
Suburban Reed Evening – Farmington, UT – Fujifilm X100V

Porto 200 (X-Trans III + X-T3, X-T30)

The name is not a typo. Nor is there a film called “Porto 200.” But there is an X-Trans II recipe called Porto 200 (named after Porto, Portugal), and this is an adaptation of it for X-Trans III plus X-T3 and X-T30 cameras.

Yellow Bike – Farmington, UT – Fujifilm X-T30
Winter Trees – Layton, UT – Fujifilm X-T30
Night Train – Clinton, UT – Fujifilm X-T30

Ektachrome (X-Pro1, X-E1)

Loosely resembles Ektachrome film… at least one of the 40+ emulsions that carried the Ektachrome name.

Diesel – Park City, UT – Fujifilm X-Pro1
Two Cans – Weber Canyon, UT – Fujifilm X-Pro1
House Flag – Farmington, UT – Fujifilm X-Pro1

Color Negative Film (X-Trans II)

This recipe is an adaptation of the X-Trans I Color Negative Film recipe, but for X-Trans II cameras. Great for sunny days.

Yellow – Layton, UT – Fujifilm X-T1
No Swimming – Layton, UT – Fujifilm X-T1
Water Logged – Farmington, UT – Fujifilm X-T1 – Photo by Jon Roesch

Find these film simulation recipes and many more on the Fuji X Weekly App!

Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Kodacolor 200

Pumpkin – Farmington, UT – Fujifilm X-T1 – “Kodacolor 200”

For this recipe, I was attempting to recreate a Kodak Portra 400 NC aesthetic. A couple of decades ago, Portra (both the ISO 160 and ISO 400 emulsions) came in two versions: NC (“Neutral Color”) and VC (“Vivid Color”). Kodak later revised the film to be something in-between the two, which they simply called Portra 160 and Portra 400. This recipe is, I believe, in the general ballpark of Portra 400 NC, but not exactly right; however, I like the results anyway. So if this recipe is close to Kodak Portra 400 NC, why did I call it Kodacolor 200? Because I think it is actually a little closer to Kodacolor 200, which is a variety of Kodacolor VR, and related to ColorPlus 200. I wouldn’t call it an exact match to Kodacolor 200, but that’s the film this is most likely closest to. If you want a Portra 400 NC or Kodacolor 200 aesthetic, this recipe is relatively similar to both.

There’s a fair amount of contrast produced by this recipe, which looks really good in conditions without harsh light. In bright daylight, the contrast might be a little too much, perhaps more closely resembling push-processed film, or (to a lessor extent) even bleach-bypassed Portra. On bright days, you might consider dropping both Shadow and Highlight to +1 if you find it to be too contrasty. I believe this film simulation recipe produces its best results when the sun is a little obscured, but not heavy overcast; however, it’s possible to get good results in many different circumstances. If your X-Trans II camera has Classic Chrome, I invite you to give this recipe a try—it’s a great high-contrast, low saturation option.

Power Pole Cup – Farmington, UT – Fujifilm X-T1 – “Kodacolor 200”

Classic Chrome
Dynamic Range: DR200
Highlight: +2 (Hard)
Shadow: +2 (Hard)
Color: -2 (Low)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: 3200K, +8 Red & -8 Blue
ISO: Auto up to ISO 3200

Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured on my Fujifilm X-T1 using this Kodacolor 200 film simulation recipe:

Phragmites – Farmington, UT – Fujifilm X-T1
Touch of Red – Salt Lake City, UT – Fujifilm X-T1
Pumpkin Stem – Farmington, UT – Fujifilm X-T1
Autumn Shrub – Farmington, UT – Fujifilm X-T1
Ground Leaves – Farmington, UT – Fujifilm X-T1
Neighborhood Autumn Tree – Farmington, UT – Fujifilm X-T1
Creek Path in Autumn – Farmington, UT – Fujifilm X-T1
Narrow Path – Farmington, UT – Fujifilm X-T1
Old Mile Post – Farmington, UT – Fujifilm X-T1
Delicate Fibers – Farmington, UT – Fujifilm X-T1

Find this film simulation recipe and many more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

The Fuji X Weekly Story

Hair & Lips – Ogden, UT – Fujifilm X100F – “Classic Chrome” recipe – 2017

“What exactly is Fuji X Weekly?”
“What is your website about?”
“What is it that you do?”

I get these questions often. People I meet ask them. Photographers just trying to understand what this thing they keep hearing about ask them. Family and friends ask them. While these are common and seemingly straightforward inquiries, giving a good answer has not been easy. I’ve struggled with this, and I’ve concluded that I haven’t considered enough what the Fuji X Weekly story is. Why did I create this website? What has it evolved into? Why do you come here? This article is my attempt at articulating answers to these questions.

In the very first post on the Fuji X Weekly blog I stated, “I love to photograph and I love to write. Those are two things that I truly enjoy. So I decided to do just that, without profit or self-promotion as a driving force. If nobody ever reads this, I’m OK with that. I’m not looking for money or attention. I’m publishing this because that’s what I want to do.” I then added, “I’ve called this blog Fuji X Weekly because I plan to publish one article per week. Sometimes I might write more than that, sometimes less. The topic of choice is Fujifilm X cameras, specifically my Fujifilm X100F that I purchased four weeks ago. I’ll be talking about one camera. I’ll be writing about my personal experiences with this one camera. And that’s it! However, I purposely left the name of this site, Fuji X Weekly, a little more ambiguous in case that I decide in the future to expand to include other cameras. I didn’t want to make something that might become too limiting or obsolete in a few years.” I did eventually change the website to be all-things-Fujifilm instead of just about the X100F.

That’s a good origin story description, even if it is a little lengthy. I would summarize it like this: “I started Fuji X Weekly because I love to photograph and write, and I desired to share my journey with whoever wanted to come along for the ride, even if that was no one. Originally it was exclusively about the Fujifilm X100F camera, but I was open to someday expand it to Fujifilm in general, which eventually did happen. I committed to publishing at least one article per week.”

That’s how it began, but what is Fuji X Weekly today? How did it get there? Where is it going?

Onaqui Horses – Dugway, UT – Fujifilm X-T30 – “Vintage Kodachrome” recipe – 2019

I started Fuji X Weekly more than four years ago, and a lot has happened in the meantime. Early on I began to publish film simulation recipes—the first two were Acros and Classic Chrome. I didn’t realize the significance of this—in fact, I don’t even remember why I called them “recipes” (Did I coin it? Did I see someone else use it first? Honestly, I have no idea. However it came to be, the term has unquestionably become a part of the Fujifilm lexicon!)—by far these were the articles that people came to the website for. People wanted JPEG settings for their Fujifilm cameras. My fifth film simulation recipe, which I published nearly four years ago, was Vintage Kodachrome. To this day it is a fan-favorite—so far it is the fourth most viewed recipe in 2021, and stands as the number one most viewed recipe of all-time. It was a breakthrough for me because I realized that I could mimic specific films and aesthetics by being more bold and creative with the settings. This recipe required some settings adjustments that most people would not have dared to try on their own because they were pretty extreme, but the results were interesting, similar to the first era of Kodachrome film.

I began more-and-more to model new recipes after specific films and development processes. I’ve now published over 175 film simulation recipes, many of them modeled after film stocks. How was I able to do this?

The Fuji X Weekly story actually goes all the way back to the summer of 1998—the summer between high school and college—when I travelled to Vermont with some friends. I borrowed my dad’s 35mm Sears SLR and shot a whole bunch of rolls of film. When I returned home, I excitedly dropped off the film at a one-hour lab, and, when they were developed, the pictures were… absolutely awful! Many were blurry, most were significantly overexposed or underexposed (a difficult feat considering the exposure latitude of many films), and poorly composed. I was so disappointed. That fall, when I enrolled in college, I chose Photography 101 as an elective, because I wanted to be able to capture a decent picture. It wasn’t for a love of the camera that I enrolled, but out of determination born from failure; however, I discovered very quickly that I loved photography.

For the next year-and-a-half you’d often find me in the darkroom, with the strong scent of photographic chemicals in the air, developing and printing my pictures. I remember one day heading into the lab before sunrise and not finishing until after sunset—I had missed the entire daylight portion of the day! If I wasn’t in the darkroom, or in class, or at one of my two jobs, or doing homework, I was out with my camera, a Canon AE-1. That was my favorite part of photography: out on some adventure in search of something interesting to photograph. When I didn’t have access to a darkroom, I most often shot slides, which I could send off to a lab and get consistent results back.

Night Train – Plano, TX – Canon AE-1 & Kodachrome 64 – 1999

As is common in life, I was thrown a couple of curve balls, and I didn’t pursue photography as a career. I had an opportunity to work for JCPenney as a catalog photographer, which I turned down because I lacked the confidence in my own abilities and didn’t have the courage to take the risk. I went a whole different direction with my career, and photography was “just a hobby” for a long time. I continued to shoot film, resisting the move to digital because I didn’t like how digital photographs looked. I remember very proudly being able to tell if a picture was captured on film or digitally just by looking at it. Slowly it became harder and harder to tell, but I could still tell. It wasn’t until 2009 that I got my first digital camera, and I felt like I had to learn photography all over again because it was so much different.

I shot both film and digital for awhile. I preferred how film looked, but digital was more consistent, convenient, and cheaper (at least once the initial investment was made). I jumped from brand-to-brand, trying to find one that I liked, but was never completely happy with any. First I tried Pentax (because by this time I was shooting with a Pentax film camera, and those lenses were compatible with the digital camera), then Samsung (remember when they made interchangeable-lens mirrorless cameras?), then Sigma (oh, the much loved and hated Foveon sensor!), then Nikon, then Sony (with a Panasonic briefly thrown in for good measure), and finally Fujifilm. My first Fujifilm camera was an X-E1, which I loved, although a year later it was replaced by an X100F, which I loved even more!

When I setup my Fujifilm X-E1, I chose RAW+JPEG, but mostly used the RAW files. Occasionally I preferred the camera-made JPEGs. My JPEG settings were the factory defaults (I didn’t bother to adjust them), yet the results were sometimes quite nice. In those cases I’d use the JPEG over the RAW, and not bother with post-processing, or (perhaps more commonly) I would lightly edit the JPEGs. I began to realize during this time that Fujifilm’s JPEGs were higher quality than the other brands that I’d used, although I wasn’t completely convinced yet that I could rely on out-of-camera JPEGs. When I setup my X100F, I also chose RAW+JPEG, and I quickly discovered that the JPEGs were even better than those from the X-E1. The epiphany that I could rely on JPEGs (and not fiddle with RAW anymore) came after I edited some RAW files, and when I compared them to the straight-out-of-camera JPEGs they were very similar. My first thought was, “Why am I spending all this time editing RAW files only to get the same look as the JPEGs?” My second thought was, “If I adjust the JPEG settings, can I get even closer to my edited RAW files?” The first two recipes, Acros and Classic Chrome, came from this. They were my attempts to get my out-of-camera JPEGs to more closely match my edited RAW files.

Snake River Fog – Grand Teton NP, WY – Fujifilm X-E1 – Silver Efex – 2017

The advantages of shooting JPEGs are time, simplicity, and enjoyment. Because I was no longer editing RAW pictures, I suddenly had a lot more time. My rule-of-thumb was that every hour of photographing would require two-to-three hours of post-processing. With JPEGs I could “post-process” hours of photography in minutes. My workflow suddenly evolved into uploading the pictures from the camera to my iPhone, cropping and/or making very minor adjustments if needed (not usually needed) using the Photos App, and uploading the pictures to the Cloud for storage. That’s it. My production noticeably increased while simultaneously I had more time to spend with family and friends. It’s amazing how many hours and hours I had been spending for years in front of a computer monitor fiddling with pictures, and now I didn’t need to. This had a profound impact on my life, and that’s not hyperbole. The simplicity of this approach was freeing! I no longer needed RAW editing software, or any photo editing software, or even a computer if I didn’t want to have one. The process was more analog-like—more reminiscent of my film days—and I found it to be more enjoyable. Photography became even more fun for me! I began to realize that these JPEG settings were helping a lot of other people in the same ways that they were helping me. My recipes allowed them to save time, simplify their process, and make photography more enjoyable for them.

I would summarize this (very long) portion of the Fuji X Weekly story like this: “I used my experience as a film photographer to create JPEG settings, called film simulation recipes, that often mimic film stocks. These settings save time, simplify the photographic process, and make capturing pictures even more enjoyable.”

Photographers who were using these recipes began to spread the word—the popularity of Fuji X Weekly grew very organically. Experts would probably tell you that, from the very beginning, I did everything wrong to grow the audience. I did almost nothing—barely anything at all—for the first three years to promote the website. It was others, on their own accord, spreading the word to the photography community, because these recipes made a difference to their photography. There were just over one million page-views over the first two years combined, which I thought was a lot. Then Fujirumors picked up on the website, followed by Andrew & Denae, Vuhlandes, Omar Gonzalez, and many others, and traffic significantly jumped. The Fuji X Weekly audience continues to grow and grow, and much of that is still organic—just photographers telling other photographers about film simulation recipes, and how they’ve made a difference to their photography.

Rays Over Canyon Ferry – Townsend, MT – Fujifilm X100V – “Kodak Tri-X 400” recipe – 2020

About one year ago Sahand Nayebaziz, an app developer and photographer who shoots Fujifilm cameras and uses Fuji X Weekly recipes, reached out to me with a proposal: let’s make an app together. My wife, Amanda, had been telling me for awhile that these recipes needed to be in an app, but I didn’t have the knowledge, experience, or resources to do it. Sahand did, and he wanted to partner with me to make it happen. We worked very hard for a couple of months, and on December 1, 2020, the Fuji X Weekly App launched on iOS, and we continued to work hard, and on March 1, 2021 the app launched on Android. These were major accomplishments that just wouldn’t have happened without Sahand—frankly, there would be no Fuji X Weekly App without him.

There have been, of course, many other people who have helped Fuji X Weekly along the way: Thomas Schwab, Anders Lindborg, Daniele Petrarolo, Nathalie Boucry, Immanuel Sander, Luis Costa, Ryan, Piotr Skrzypek, K. Adam Christensen, George Coady, Manuel Sechi, Julien Jarry, and many, many others. My apologies for not including your name if you contributed something—I know that I’m forgetting several, as there have been so many over the years. This really has become a community, where we’re all helping each other, because we’re all journeying down this same path together. It’s a team effort, and you, the Fuji X Weekly reader, are a part of that team!

I would summarize this portion of the Fuji X Weekly story like this: “Fuji X Weekly grew in popularity very organically, largely spreading by word of mouth. A lot of people have helped in various ways, and, because of that, this has become much more than a website—it is a community of photographers journeying down the same path.”

Over the summer I secretly worked on another project: recipes for Ricoh cameras. I made JPEG recipes for the Ricoh GR, GR II, GR III, and GR IIIx cameras, and just last month I lunched a new website, Ritchie’s Ricoh Recipes, and published a new App for Ricoh GR. My wife told me that I needed an overarching website to link Fuji X Weekly and Ritchie’s Ricoh Recipes together, so I created RitchieRoesch.com. The very first words on this website are: “Custom JPEG settings for cameras. Get the look you want straight-out-of-camera without the need to edit. Easy to use. Free.” That’s what I do. That’s what my websites are about. That’s my contribution to the photography continuum. Right now this is for Fujifilm X and Ricoh GR cameras, but perhaps someday it will expand beyond those brands—it’s hard to know what the future holds. Fujifilm is my preferred choice—no doubt about it—and I will continue to create recipes for X-series cameras for as long as I can. I immensely enjoy what I do, and I know for certain that I will continue to do it.

I would summarize this portion of the Fuji X Weekly story like this: “I immensely enjoy creating recipes, and I will continue to do so as long as I can.”

Sentinel & Merced – Yosemite NP, CA – Fujifilm X100V – “Vintage Color” recipe – 2021

That’s a pretty long story (which, by the way, could have been much longer, but I didn’t want to bore you too much), and I’m glad that you found it entertaining enough to get this far. Really, I’m honored and humbled that you would be this interested in what I do, and that you’re journeying with me on this adventure. If you did find it to be a little too wordy, here’s the Cliffs Notes version:

I started Fuji X Weekly because I love to photograph and write, and I desired to share my journey with whoever wanted to come along for the ride, even if that was no one. Originally it was exclusively about the Fujifilm X100F camera, but I was open to someday expand it to Fujifilm in general, which eventually did happen. I committed to publishing at least one article per week. I used my experience as a film photographer to create JPEG settings, called film simulation recipes, that often mimic film stocks. These settings save time, simplify the photographic process, and make capturing pictures even more enjoyable. Fuji X Weekly grew in popularity very organically, largely spreading by word of mouth. A lot of people have helped in various ways, and, because of that, this has become much more than a website—it is a community of photographers journeying down the same path. I immensely enjoy creating recipes, and I will continue to do so as long as I can.

Or, even more simply:

I create free and easy-to-use custom JPEG settings to achieve looks straight-out-of-camera without the need to edit.

Whether it’s the long version, short version, or super short version, this is the Fuji X Weekly story; however, this isn’t the end, it’s really just the beginning. I hope this is Chapter 1 of a much longer tale, and that you join me on this journey, wherever it leads.

The Fuji X Weekly Moment (Plus: CineBloom Diffusion Filter Giveaway!)

What is your Fuji X Weekly moment?

Which film simulation recipe is your favorite? What location did you last use it? How has it changed your photography? When is the Fuji X Weekly App most helpful to you? Share with me your Fuji X Weekly moment, and be entered to win a CineBloom diffusion filter (details below)!

Fuji X Weekly and Moment are teaming up to give away five CineBloom diffusion filters! Yes, that’s right—you could win one of five CineBloom filters!

CineBloom diffusion filters are a great way to take the “digital edge” off of your photographs, giving them an analog-like feel. Diffusion filters have been popular in cinematography for awhile, and people are beginning to realize that they’re great for still photography, too. These filters pair especially well with my Film Simulation Recipes, and are a wonderful tool for the JPEG photographer.

The Rules

These rules are pretty simple, but it is important that you follow each step.

  • First, if you don’t already, be sure to follow Fuji X Weekly and Moment on Instagram (here and here). This isn’t actually a requirement to win, but it would be great if you would do this (hey, we’re giving away free stuff!). While you’re at it, feel free to follow us on YouTube, too (here and here).
  • Next, on Instagram, share a picture that you’ve captured using a Fuji X Weekly film simulation recipe on your Fujifilm camera. Which recipe? Whichever one you want—there are over 150 to choose from! State in the post description that you used a Fuji X Weekly recipe and which recipe you used. It would be great if you could mention the Fuji X Weekly app, because I’m hoping to reach people who don’t yet know about recipes and the app. Maybe something like, “This is my Fuji X Weekly moment. Captured on my #Fujifilm #XPro2 with the @fujixweekly Kodachrome II film simulation recipe, which I found on the Fuji X Weekly App.” There are no rules for the exact wording, so don’t sweat it. Say what comes naturally to you, because I’d rather you say something authentic. Definitely let me know what your Fuji X Weekly moment is and why.
  • Third, tag a friend, especially if you think that friend might be interested in film simulation recipes or photography. If you don’t want to tag a friend, tag a photographer that you follow on Instagram. Or tag a famous photographer, such as @stevemccurryofficial, @petesouza, @chrisburkard, @seantuck, or someone else like that. Be sure to tag someone, or even several someones if you’d like.
  • Lastly—and this is highly important—use the hashtag #fujixweeklymoment when you post your picture. If you want, you can include this in the second-step statement (for example: “This is my #fujixweeklymoment.”). Then post your picture to Instagram!

That’s it! Well, sort of. There are actually several more rules, which you’ll find below.

The Fuji X Weekly Moment giveaway runs from from August 21, 2021 through September 4, 2021.

There will be five winners. Each winner will receive a code that can be redeemed from Moment for one CineBloom diffusion filter. Winners will be randomly selected (this is not a photography contest). Enter by using the #fujixweeklymoment hashtag on Instagram—each picture posted with that hashtag is one entry. You can enter up to five times; if you post more than five pictures, you’ll only be entered five times (but feel free to post as many pictures as you’d like!). Please keep the pictures family-friendly/safe-for-work. Each person can only win one prize. Winners will be announced between September 6th and 14th (hopefully on September 6th) and will be notified via an Instagram direct message (DM). Void where prohibited. By entering, you agree to all of these rules, Instagram’s policies, and all laws that may govern this giveaway. Fuji X Weekly and Moment are not responsible for any rule or law violations.

“Per Instagram rules, this promotion is in no way sponsored, administered, or associated with Instagram, Inc. By entering, entrants confirm that they are 13+ years of age, release Instagram of responsibility, and agree to Instagram’s terms of use.”

Don’t have the Fuji X Weekly — Film Recipes App? Find it in the Google Play and Apple App Stores!

Be sure to share this article on your social media channels to help get the word out! Thank you, have fun, and good luck!

Fujifilm X-Trans IV Film Simulation Recipe: Fujicolor C200

Blooming Pink – Farmington, UT – Fujifilm X-E4 “Fujicolor C200”

I’ve been asked at least a dozen times—probably more—to create a Fujicolor C200 film simulation recipe. I’ve tried a few different times, but I never felt that I got close enough. A couple of recipes came out of those experiments, but a C200 recipe remained elusive. The good news is that George Coady (check out his Instagram) figured it out! Yea! George has a lot of experience shooting actual Fujicolor C200 film, and he experimented using X RAW Studio until he got the recipe right. I had a very small hand in tweaking it, but really George did all the work. He gave me permission to publish his recipe here. Thanks, George!

Fujifilm introduced Fujicolor C200 in 1990 as a low-budget, no frills color negative film. I’ve shot several rolls of it over the years, although it was never my go-to option. Fujifilm gave it a small refresh in 2017, and it’s still available today. Even though C200 is a cheap color film, it has a cult-like following, and many people enjoy its aesthetic and choose it over more expensive emulsions.

Red Chairs in a Yard – Farmington, UT – Fujifilm X-E4 – “Fujicolor C200”

This recipe looks great! In high-contrast situations DR400 does better to protect highlights than DR200, but in low-contrast situations DR200 produces better contrast. After awhile I decided to set my camera to DR400 and adjust it to DR200 when the situation calls for it. The pictures in this article are a mix of DR200 and DR400. The White Balance Shift can be set to -4 Blue, which can sometimes be more accurate to the film, or -2 Blue, which can sometimes be more accurate to the film, because one film can have many different looks depending on how it was shot, developed, and scanned or printed, but -3 Blue does well for all-around use. Because this recipe requires a half adjustment to Highlight & Shadow, it’s only compatible with the Fujifilm X-T4, X-S10 and X-E4, although if you use Highlight 0 and Shadow -1 it’s pretty close to the same, which opens it up for use on the X100V and X-Pro3.

Classic Negative
Dynamic Range: DR400 (DR200 in low contrast situations)
Highlight: +0.5
Shadow: -0.5
Color: +2
Noise Reduction: -4
Sharpeness: -3
Clarity: -3
Grain Effect: Weak, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Off
White Balance: Daylight, 0 Red & -3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Fujicolor C200 film simulation recipe on my Fujifilm X-E4:

Red Palms – Centerville, UT – Fujifilm X-E4
Red Chair – Layton, UT – Fujifilm X-E4
Fairy & Elf – Layton, UT – Fujifilm X-E4
Throw Pillows – Farmington, UT – Fujifilm X-E4
R&R BBQ – Farmington, UT – Fujifilm X-E4
Restaurant Counter – Farmington, UT – Fujifilm X-E4
Standing Tall – Farmington, UT – Fujifilm X-E4
Sour Honey – Kaysville, UT – Fujifilm X-E4
Large Leaf – Kaysville, UT – Fujifilm X-E4
Blooming Branch – Farmington, UT – Fujifilm X-E4
Yellow Bush – Farmington, UT – Fujifilm X-E4
If a Tree Falls Does Anyone Hear? – Kaysville, UT – Fujifilm X-E4
Up The Trunk – Kaysville, UT – Fujifilm X-E4
Trailers – Farmington, UT – Fujifilm X-E4

Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!

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Top 20 Most Popular Film Simulation Recipes of 2020

Here are the Top 20 most popular film simulation recipes of 2020! I used page views to rank these recipes. Those with Kodak, Kodachrome or Portra in the name are quite popular. More than half of these use Classic Chrome as the base. It’s interesting to compare these to the 12 most popular recipes of December 2020. Only one black-and-white recipe made this list, which isn’t too surprising because color is more popular than monochrome. No Bayer, X-Trans I or X-Trans II recipes found their way into the top 20, only X-Trans III and X-Trans IV.

Without further ado, here are the Top 20 most popular film simulation recipes of 2020:

#1: Fujifilm X-T30 Kodachrome 64

Traffic Lamp – Bountiful, UT – Fujifilm X-T30 – “Kodachrome 64”

#2: Fujifilm X100V Kodachrome 64

Spring Snow – Farmington, UT – Fujifilm X100V – “Kodachrome 64”

#3: Fujifilm X100F Kodak Portra 400

May Clouds Over Wasatch – Layton, UT – Fujifilm X100F – “Kodak Portra 400”

#4: Fujifilm X-Pro2 Kodachrome II

From Dust to Dust – Great Sand Dunes NP, CO – Fujifilm X-Pro2 – “Kodachrome II”

#5: Fujifilm X100F Vintage Kodachrome

Weber River Autumn – Uintah, UT – Fujifilm X100F – “Vintage Kodachrome”

#6: Fujifilm X100V Kodak Portra 400

Journal – North Salt Lake, UT – Fujifilm X100V – “Kodak Portra 400”

#7: Fujifilm X-T30 Eterna

Neon Reflection – Ogden, UT – Fujifilm X-T30 – “Eterna”

#8: Fujifilm X100F Classic Chrome

Closed Drive Thru Window – South Ogden, UT – Fujifilm X100F – “Classic Chrome”

#9: Fujifilm X-T30 Kodak Portra 160

Goosenecks – Goosenecks SP, UT – Fujifilm X-T30 – “Kodak Portra 160”

#10: Fujifilm X-T30 Kodak Portra 400

Pink Tree Bloom – Farmington, UT – Fujifilm X-T30 – “Kodak Portra 400”

#11: Fujifilm X100F Fujicolor Superia 800

Goodyear – Farmington, UT – Fujifilm X-T30 – “Fujicolor Superia 800”

#12: Fujifilm X100F CineStill 800T

Where Was Your Head That Day? – Farmington, UT – Fujifilm X100F – “CineStill 800T”

#13: “Classic Negative” for X-Trans III

November Morning – South Weber, UT – Fujifilm X-T20 – “‘Classic Negative’ for X-Trans III”

#14: Fujifilm X100V Cine Teal

Sunlit Tree Leaves – Farmington, UT – Fujifilm X100V – “Cine Teal”

#15: Fujifilm X100F Kodak Ektar 100

Open Fountain – Brigham City, UT – Fujifilm X100F – “Kodak Ektar 100”

#16: Fujifilm X-T30 Kodacolor

Vintage Sunset – Ogden, UT – Fujifilm X-T30 – “Kodacolor”

#17: Fujifilm X-T30 Kodak Gold 200

Outside 7-Eleven – Layton, UT – Fujifilm X-T30 – “Kodak Gold 200”

#18: Fujifilm X100V Classic Negative

Boy in the Window Light – Farmington, UT – Fujifilm X100V – “Classic Negative”

#19: Fujifilm X100V Kodak Tri-X 400

Wrong Way – Centerville, UT – Fujifilm X100V – “Kodak Tri-X 400”

#20: Fujifilm X100V Fujicolor Superia 100

Grandmother & Grandson – Farmington, UT – Fujifilm X100V – “Fujicolor Superia 100”

You can find these film simulation recipes and many more on the Fuji X Weekly app!

Which one of these 20 recipes is your favorite? Which recipe do you use that didn’t make this list? Let me know in the comments!