7 New Fujicolor Pro 400H Film Simulation Recipes!

Pink Roses – Farmington, UT – Fujifilm X-T30 – “Fujicolor Pro 400H Box Speed”

In my last post, entitled A Different Approach, I shared Anders Lindborg‘s new take on film simulation recipes, which included seven different Fujicolor Pro 160NS recipes that he invented. This is Part 2 of that article. Below you’ll find another seven recipes, this time for Fujicolor Pro 400H! If you haven’t read the first post, you’ll want to do that now, because this will make a lot more sense if you have that prerequisite understanding.

If you don’t want to take the time to read it (or if you’ve already forgotten), here’s a quick summery. Anders’ approach is to have a good base recipe that works well in most circumstances, but also have subtle variations of that recipe, that mimic pushed and pulled film, for when the conditions require either less contrast (pulled) or more contrast (pushed). You can use all seven Custom Presets in the Q Menu to save each of these recipes if you want, or just save the base recipe (called “Box Speed”) and adjust to the various variations on-the-fly, or save the base setting and have the variations programmed into X RAW Studio. Also, by design these recipes will work with any film simulation, even though they call for PRO Neg. Hi.

Like the 160NS recipe, I’m only including the “Box Speed” version in the Fuji X Weekly app, and I encourage you to use the Notes section under the recipe to store the pushed and pulled variations. These seven Fujicolor Pro 400H recipes are compatible with the Fujifilm X-T3 and X-T30 cameras. If you have a newer X-Trans IV camera (X-Pro3, X100V, X-T4, X-S10 and X-E4), Anders recommends setting Clarity to -3 and Grain to Weak & Large. If you have an X-Trans III camera, ignore Color Chrome Effect; the results will be slightly different, but it will still produce good results. For Pushed +3 and Pushed +4, feel free to try Grain Strong.

This recipe wasn’t intended to mimic Fujicolor Pro 400H film, but it does resemble it fairly well. A lot of people like to overexpose real 400H film to get a pastel look; unfortunately, this recipe won’t achieve that particular aesthetic (but look here and here). Anders created this recipe by modifying his Pro 160NS settings; I made a couple of small modifications to it, but mostly these settings are created by him. Thank you, Anders, for creating these recipes and allowing me to share them!

Fujicolor Pro 400H Box Speed

Pops of Red – Farmington, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: 0
Shadow: 0
Color: +1
Color Chrome Effect: Strong
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, +1 Red & -3 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Free Pie – South Ogden, UT – Fujifilm X-T30
Birthday Girl Coloring – Farmington, UT – Fujifilm X-T30
Shelf Plant – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 400H Pulled -1

Snail – Farmington, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: -1
Shadow: -1
Color: +1
Color Chrome Effect: Strong
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, +1 Red & -3 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pulled -1: HL & SH -1.

Green Aspen Leaves – Farmington, UT – Fujifilm X-T30
Tank Cars – Uintah, UT – Fujifilm X-T30
Yellow Cat – Layton, UT – Fujifilm X-T30

Fujicolor Pro 400H Pulled -2

Hazy Mountain – Farmington, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: -2
Shadow: -1
Color: 0
Color Chrome Effect: Strong
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, +1 Red & -3 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pulled -2: HL -2, SH -1, CLR 0.

Box Cars – Uintah, UT – Fujifilm X-T30
Suburban Sunset – Farmington, UT – Fujifilm X-T30
Hazy Tree – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 400H Pushed +1

Yucca Leaves – Uintah, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +1
Shadow: 0
Color: +1
Color Chrome Effect: Strong
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, +1 Red & -3 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pushed +1: HL +1.

Red Tree – Farmington, UT – Fujifilm X-T30
Tree & Dark Clouds – Farmington, UT – Fujifilm X-T30
David Baldwin – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 400H Pushed +2

Wood Stripes – Farmington, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +2
Shadow: 0
Color: +2
Color Chrome Effect: Strong
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, +1 Red & -3 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pushed +2: HL +2, CLR +2.

Mountain Biking – Farmington, UT – Fujifilm X-T30
Radar Mountain – Farmington, UT – Fujifilm X-T30
Bloomin’ Onion – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 400H Pushed +3

Three Artificial Plants – Farmington, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +2
Shadow: +1
Color: +3
Color Chrome Effect: Strong
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, +1 Red & -3 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pushed +3: HL +2, SH +1, CLR +3.

Berry Bush Leaves #1 – Farmington, UT – Fujifilm X-T30
Berry Bush Leaves #2 – Farmington, UT – Fujifilm X-T30
Sky Leaves – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 400H Pushed +4

Old Phone – Farmington, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +3
Shadow: +2
Color: +4
Color Chrome Effect: Strong
Grain: Weak
Noise Reduction: -4
Sharpness: -4
White Balance: Daylight, +1 Red & -3 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pushed +4: HL +3, SH +2, CLR +4, SHARP -4.

Berry Bush Leaves #3 – Farmington, UT – Fujifilm X-T30
Green – Farmington, UT – Fujifilm X-T30
Landscape Leaves – Farmington, UT – Fujifilm X-T30

Below are examples of using the Fujicolor Pro 160NS Box Speed recipe using other film simulations. You can do this with all of the pull and push variants, too, although I didn’t supply any examples of those because this article is already very long.

PRO Neg. Hi “Box Speed”
Provia “Box Speed”
Velvia “Box Speed”
Astia “Box Speed”
Classic Chrome “Box Speed”
PRO Neg. Std “Box Speed”
Eterna “Box Speed”
Acros “Box Speed”
Monochrome “Box Speed”

Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!

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A Different Approach + 7 New Fujicolor Pro 160NS Film Simulation Recipes! (Yes, 7!)

Pink Paper Blossom – Farmington, UT – Fujifilm X-T30 – “Fujicolor Pro 160NS Pulled +2”

I received an email the other day from Anders Lindborg with this subject title: A Different Approach. Anders created the Kodak Tri-X 400 film simulation recipe, which is my personal favorite for black-and-white photography. I was immediately intrigued, and I was not disappointed as I read his message. I’ll let Anders explain this new approach below as he described it to me.

“Doing professional work is tough. Since getting a Fujifilm X-T3 (and later an X-Pro3), I’ve come to rely totally on the straight-out-of-camera JPEGs. They look great and I get more jobs just because I can deliver good results fast. After diving deep into the Fujifilm film simulations, I’ve come to realize that you cannot create a single recipe that will always look great. Sometimes the sunlight is so strong that everything gets blown out and the next day the same recipe will make everything look murky and dull.”

“Coming from a film background, I’m reasonably used to pushing and pulling film as needed. With cheap consumer film stocks, you could sometimes get absolutely horrific (or ”creative” as some call them) results, but the professional films were often quite predictable. Some film stocks have become legendary because they really could take a good beating, no matter how you treated them. Also, the exposure latitude of film is insane compared to digital, which is something I really have missed since switching. Awhile back I started experimenting with recreating this, but I slowly realized that it would require several different variations of my settings. When I was finished, I had used up all seven slots! A lot of research and assumptions went into the process. For example, I totally assume that Fujifilm knows what they’re doing and that their stock simulations are good. I can honestly say after all this, that—yes—they do know their game!”

“The settings emulate a flexible film look. They serve as a base that can be modified as needed on the spot via the Q Menu (for example: changing film simulation, white balance, tint, dynamic range, etc.). The objective was to always have working settings for any scenario that emulates how professional film behaves when being pushed or pulled. They’re intended for professional use and come out of both a need and want for realistic film-like simulations that are guaranteed to work, no matter what task I’m currently challenged with. Of course it’s up to the end user to tune it to their specific preferences, but I strongly recommend you leave the highlight/shadow settings as-is. They are heavily tested with all standard film simulations and you will get a nice looking result with them. These settings took me a couple of years to develop, but this is what I actually use every day now.”

“Just step outside and try to come to a conclusion about what the current weather and light conditions are like. If the sun is harsh, you need to pull. If the sun is blindingly bright, pull two steps. The same goes for pushing. If you’re missing just a bit of light, push one step. If it’s dull, push two steps. The third and fourth push settings are perhaps a bit special as the contrast starts to increase. On a regular day, of course you use the box speed setting. Once you’ve selected your setting for the day, stick with it! This is the key to consistent results.”

“I recommend shooting RAW+JPEG and having the settings stored in X Raw Studio. RAWs are great to have if you aren’t happy with the results of your selected setting. The settings were created for the Fujifilm X-T3, but can be easily adapted to taste on any X-series camera. On my X-Pro3, I set Clarity to -3 and Grain to Weak & Large on all slots.”

Thank you, Anders Lindborg, for creating and sharing this new approach!

Pink Rose – Farmington, UT – Fujifilm X-T30 – “fujicolor Pro 160NS Pulled -1”

For those without a film background, let me briefly explain what pushing and pulling means in film photography. Film is rated at a certain ISO, for example ISO 100, ISO 200, ISO 400, etc., which is a measurement of the film’s sensitivity to light (it’s pretty much just like on your digital camera). You can underexpose a roll of film and increase the development time to get correctly exposed pictures, and this is called push-processing or pushing the film. Also, you can overexpose a roll of film and decrease the development time to get correctly exposed pictures, and this is called pull-processing or pulling the film. Pushing the film increases the contrast, vibrancy (for color film), and grain, while pulling the film decreases the contrast, vibrancy (for color film), and grain. With film, you have to push or pull the entire roll and not just one or a few frames.

The genius of Anders’ method is that you can apply this film approach to your digital pictures, and you can do it with as few or as many frames as you wish. You can push one frame, pull the next, and shoot the third at “box speed” (nether pushed nor pulled) if you want. This type of flexibility was unimaginable in the film era!

In case you didn’t understand this approach, let me rephrase it. You have one recipe, but that recipe has push and pull variants. You can use any film simulation with the recipe, and Anders’ film simulation of choice is PRO Neg. Hi, but try any of them! The rest of the settings stay the same. His push and pull variants don’t necessarily represent stops of pushing or pulling, but more like half-stop increments (although Fujifilm lenses have 1/3 stop increments, but don’t worry about that). You can dedicate slots in your Custom Settings Menu for the recipe and variants, or you can have one Custom Settings slot set to the standard “box speed” recipe and adjust on-the-fly if you have the required changes memorized, or you can do it in X RAW Studio.

Anders actually sent me two recipes. The first, which you’ll find below, is called Fujicolor Pro 160NS. It wasn’t purposely intended to resemble that film, but it nonetheless does, more-or-less. The second, which you can find here), is called Fujicolor Pro 400H. The Pro 160NS recipe is the “standard” one, while the Pro 400H recipe is just a little more bold for when you need a bit more pizzaz.

There are seven versions of the Fujicolor Pro 160NS recipe: Pulled -2, Pulled -1, Box Speed, Pushed +1, Pushed +2, Pushed +3, and Pushed +4. You’ll find each of these below, although the Box Speed version is the only one included on the Fuji X Weekly app. My recommendation is to manually add the other versions into the notes section under the recipe in the app. These seven recipes are compatible with X-Trans III cameras plus the X-T3 and X-T30; for newer cameras Anders recommends setting Clarity to -3 and Grain to Weak & Large. As a reminder, these recipes are intended to look good no matter the film simulation used, despite it calling for PRO Neg. Hi. For Pushed +3 and Pushed +4, feel free to use Grain Strong if you’d like.

Fujicolor Pro 160NS Box Speed

Two Broken Cars – Uintah, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: 0
Shadow: 0
Color: 0
Color Chrome Effect: Off
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, 0 Red & 0 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Old Railroad Sign – Farmington, UT – Fujifilm X-T30
Rainy Day Railroad – Uintah, UT – Fujifilm X-T30
Hazy Mountain & Red Helicopter – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 160NS Pulled -1

Clouds Over Green Mountain – Uintah, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: -1
Shadow: -1
Color: 0
Color Chrome Effect: Off
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, 0 Red & 0 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pulled -1: HL & SH -1.

Cryo-Trans – Uintah, UT – Fujifilm X-T30
Jonathan – Farmington, UT – Fujifilm X-T30
Orange Flower – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 160NS Pulled -2

Trailer Interior – Uintah, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: -2
Shadow: -1
Color: -1
Color Chrome Effect: Off
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, 0 Red & 0 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pulled -2: HL -2, SH -1, CLR -1.

Not Driven – Uintah, UT – Fujifilm X-T30
Americana Country – Farmington, UT – Fujifilm X-T30
Uncertain Walking Path – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 160NS Pushed +1

Green Tree & Storm Clouds – Farmington, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +1
Shadow: 0
Color: 0
Color Chrome Effect: Off
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, 0 Red & 0 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pushed +1: HL +1.

Garden Blooms – Farmington, UT – Fujifilm X-T30
F’n’R – Uintah, UT – Fujifilm X-T30
Boy Smile – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 160NS Pushed +2

Worn Seat Abstract – Uintah, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +2
Shadow: 0
Color: +1
Color Chrome Effect: Off
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, 0 Red & 0 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pushed +2: HL +2, CLR +1.

Shasta Trailers – Uintah, UT – Fujifilm X-T30
Onions in Bloom – Farmington, UT – Fujifilm X-T30
Flowering Bush – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 160NS Pushed +3

Branches Over Creek – Farmington, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +2
Shadow: +1
Color: +2
Color Chrome Effect: Off
Grain: Weak
Noise Reduction: -4
Sharpness: -3
White Balance: Daylight, 0 Red & 0 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pushed +3: HL +2, SH +1, CLR +2.

Two Cows – Farmington, UT – Fujifilm X-T30
Green Leaves – Farmington, UT – Fujifilm X-T30

Fujicolor Pro 160NS Pushed +4

Wet Leaves – Farmington, UT – Fujifilm X-T30

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +3
Shadow: +2
Color: +3
Color Chrome Effect: Off
Grain: Weak
Noise Reduction: -4
Sharpness: -4
White Balance: Daylight, 0 Red & 0 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

If you are adding this recipe to the Notes in the app, consider using this abbreviation: Pushed +4: HL +3, SH +2, CLR +3, SHARP -4.

Forest – Farmington, UT – Fujifilm X-T30
Wall Shelf – Farmington, UT – Fujifilm X-T30
Yellow Bike – Farmington, UT – Fujifilm X-T30

Below are examples of using the Fujicolor Pro 160NS Box Speed recipe using other film simulations. You can do this with all of the pull and push variants, too, although I didn’t supply any examples of those because this article is already very long.

PRO Neg. Hi “Box Speed”
Provia “Box Speed”
Velvia “Box Speed”
Astia “Box Speed”
Classic Chrome “Box Speed”
PRO Neg. Std “Box Speed”
Eterna “Box Speed”
Acros “Box Speed”
Monochrome “Box Speed”

Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

My Fujifilm X-T30 Jeff Davenport Night Recipe

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Reflected Red – Salt Lake City, UT – Fujifilm X-T30 “Jeff Davenport Night”

I was asked to create a film simulation recipe that mimics the aesthetics of photographer Jeff Davenport. Interestingly enough, Jeff uses Fujifilm cameras (X100F and X-H1). He shoots RAW and has his own post-processing workflow that allows him to create the specific looks that he wants. He has a few different styles, depending on what (and what time) he’s shooting. Jeff has several different photographic series, and each has its own look. My attempt here was to create something in-camera that produces results similar to his night pictures.

This recipe, which I call Jeff Davenport Night, isn’t an exact match to Jeff’s look, but it’s pretty close. His blue tends to lean slightly more towards green, but if I replicate that it throws everything else off. Orange in his pictures tend to turn red, which is something I can’t replicate. I think a lot of how a picture looks (both in Jeff’s case and with these settings) depends on the light in the scene. Results can vary greatly. Jeff might possibly use flash with colored gels, as well (something you could try if you wanted). Anyway, despite not being exact, this recipe is pretty close to recreating his look in-camera on my Fujifilm X-T30.

If you want a recipe that is good for night photography, this is one you should consider, along with my CineStill 800T recipe, because of the Kelvin temperature of the white balance, which goes well with artificial light. You don’t have to use it exclusively after dark, as results can be interesting sometimes when used in daylight. It’s fun to experiment with! For night photography, this will be one of your best options.

49683278031_2c6d0ccefb_c

Pleiku – Salt Lake City, UT – Fujifilm X-T30 “Jeff Davenport Night”

When I attached my camera to a tripod, I used ISO 1600 or lower. When I did hand-held photography, I used up to ISO 6400. I think if you can take your time and use a tripod, it’s good to use a lower ISO, but you can still get good results with higher ISOs. Because of the use of the Color Chrome Effect, this recipe is intended for X-Trans IV cameras, but feel free to try it on your X-Trans III camera; it will look very similar, but not exactly the same.

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +1
Shadow: +0
Color: +2
Noise Reduction: -4
Sharpness: +1
Grain Effect: Weak
Color Chrome Effect: Strong
White Balance: 2650K, -1 Red & +4 Blue

Example photographs, all camera-made JPEGs using this “Jeff Davenport Night” recipe on my Fujifilm X-T30:

49681936621_66a99d6867_c

Button – Salt Lake City, UT – Fujifilm X-T30

49683275376_8fb75386b4_c

Unlucky 13 Take Out – Salt Lake City, UT – Fujifilm X-T30

49682744998_526782cde0_c

Blue Street – Salt Lake City, UT – Fujifilm X-T30

49683569267_e6b7254c84_c

Blue Buildings – Salt Lake City, UT – Fujifilm X-T30

49682226992_378eb143db_c

Blue Lights – Salt Lake City, UT – Fujifilm X-T30

49683449836_6d9c9741a9_c

So Much Bicycling – Salt Lake City, UT – Fujifilm X-T30

49683277071_fe6e80088f_c

Red – Salt Lake City, UT – Fujifilm X-T30

49670310113_bf26c9f81f_c

Closed Red Umbrellas – Farmington, UT – Fujifilm X-T30

49679464263_70e39daed8_c

Parked Car at Night – Farmington, UT – Fujifilm X-T30

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Night Hotel – Farmington, UT -Fujifilm X-T30

49679464838_d373bfccc3_c

Caution Poles – Farmington, UT – Fujifilm X-T30

49679995786_be6b3cff01_c

Dumpster 204 – Farmington, UT – Fujifilm X-T30

49658394973_903e321c9f_c

Lights Beyond The Rooftop – Farmington, UT – Fujifilm X-T30

49658395133_a4db97fa17_c

Nighttime Neighborhood – Farmington, UT – Fujifilm X-T30

49658941061_43980663c7_c

Francis Peak at Night – Farmington, UT – Fujifilm X-T30

49678428167_21f399d22b_c

Reach for the Sky – Farmington, UT – Fujifilm X-T30

49678143656_e9d64af77d_c

Illuminated Houses – Farmington, UT – Fujifilm X-T30

49680282597_e6b2968408_c

Wind Sock – Farmington, UT – Fujifilm X-T30

49681933511_311c002493_c

No Thanks – Salt Lake City, UT – Fujifilm X-T30

49681935331_4f89fff640_c

Earn Points – Salt Lake City, UT – Fujifilm X-T30

49682232567_6542aa24fd_c

Refining – Salt Lake City, UT – Fujifilm X-T30

49681937636_a611151abe_c

Night Walking – Salt Lake City, UT – Fujifilm X-T30

49681396718_0e229122e2_c

McKay – Salt Lake City, UT – Fujifilm X-T30

49683573002_14b7d93775_c

Flag & Window – Salt Lake City, UT – Fujifilm X-T30

49682917338_5161143c5c_c

Illuminated Blue – Salt Lake City, UT – Fujifilm X-T30

49683449471_4d14840213_c

Multi-Color Triangle – Salt Lake City, UT – Fujifilm X-T30

49683746437_8d475f503b_c

Center Street Lamp – Salt Lake City, UT – Fujifilm X-T30

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Don’t – Salt Lake City, UT – Fujifilm X-T30

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Wet Glass Bokeh – Salt Lake City, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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My Fujifilm X-T30 Vintage Color Fade Film Simulation Recipe


49567022547_373fafc314_c

Young Boy With An Old Camera – Farmington, UT – Fujifilm X-T30 “Vintage Color Fade”

Two days ago I posted my “Bleach Bypass” film simulation recipe, and yesterday I posted my Split-Toned B&W recipe. Today’s film simulation recipe takes elements from both of those to produce a look that reminds me of something found on Nik Analog Efex. I call it Vintage Color Fade. It’s actually similar to my Faded Color recipe, but with modifications, producing a different result. This recipe definitely has a vintage analog aesthetic to it, with some very interesting results. It’s quite amazing that you can do this in-camera!

My Vintage Color Fade film simulation recipe requires the use of the double exposure feature of your camera. You make the first exposure using the settings under “Exposure 1” below. Then, before capturing the second image, switch to the settings found under “Exposure 2″ below. The only difference between the two sets of settings is the film simulation and the B&W tone, so it’s pretty easy to switch between them. The first exposure is of the scene that you want to capture, and the second exposure is of a piece of paper, which I prefer to be out-of-focus. The paper that I used was a medium-blue 8.5″ x 11” construction paper, the same paper that I used in the Split-Toned B&W recipe. The color of the paper doesn’t matter, but whatever it is should be medium-grey in black-and-white. How bright the second exposure is will determine how faded the picture will appear.

Exposure 1
PRO Neg. Hi
Dynamic Range: DR200
Highlight: +4
Shadow: +4
Color: +4
Color Chrome Effect: Strong
Grain: Weak
Sharpening: +1
Noise Reduction: -4
White Balance: Auto, -5 Red & +5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Exposure 2
Acros
Dynamic Range: DR200
Highlight: +4
Shadow: +4
Tone: +6 (warm)
Color Chrome Effect: Strong
Grain: Weak
Sharpening: +1
Noise Reduction: -4
White Balance: Auto, -5 Red & +5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1 to -3 (typically)

Example photographs, all camera-made JPEGs using this Vintage Color Fade film simulation recipe on my Fujifilm X-T30:

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Love You Always – Farmington, UT – Fujifilm X-T30

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Indoor Potted Plant – Farmington, UT – Fujifilm X-T30

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Fisher Price Phone – Farmington, UT – Fujifilm X-T30

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Young Film Photographer – Farmington, UT – Fujifilm X-T30

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Josh – Farmington, UT – Fujifilm X-T30

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Girl Reading – Farmington, UT – Fujifilm X-T30

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A Good Book – Farmington, UT – Fujifilm X-T30

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Black Bike – Farmington, UT – Fujifilm X-T30

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Down Stairs – Farmington, UT – Fujifilm X-T30

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Honey Buckets – Farmington, UT – Fujifilm X-T30

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UTA Train – Farmington, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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My Fujifilm X-T30 Color Negative Film Simulation Recipe


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Evening Light On A Clearing Mountain – Riverdale, UT – Fujifilm X-T30 – “Color Negative”

Silly Putty was invented by accident. There was a shortage of rubber during the second world war, and as a result several companies worked hard to create a synthetic substitute. What we now know as Silly Putty was a failed attempt at synthetic rubber. Even though it didn’t turn out exactly like its inventor had hoped, it still became a useful product that has brought joy to many people across the world. This “Color Negative” film simulation recipe has a similar story to Silly Putty (minus the war and rubber).

I’ve been working on a number of different recipes, trying to mimic several different aesthetics that I’ve been asked to create. One of the films that I’ve been trying to recreate the look of is Fujifilm C200, but I’ve yet to crack the code. This recipe is one of the failed attempts at C200. I like how it looks, so I thought I’d share it, even though it’s not exactly what I was trying for. I hope it become useful and brings joy to someone.

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Cameras and Coffee – South Weber, UT – Fujifilm X-T30 – “Color Negative”

I named this recipe “Color Negative” only because it has a general color negative aesthetic, and I didn’t know what else to call it. It’s in the general neighborhood of Fujifilm C200, but it’s not exactly right for that film. Perhaps there’s some generic film that looks similar to this. It doesn’t precisely mimic any one film that I’m aware of, but this recipe does have a film-like quality to it.

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +2
Shadow: +2
Color: -2
Noise Reduction: -4
Sharpening: +1
Grain Effect: Weak
Color Chrome Effect: Off
White Balance: Daylight Fluorescent (1), -2 Red & +4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Note: There was some confusion on the white balance required for this recipe. It’s Fluorescent 1, also called Daylight Fluorescent or Neon 1. It’s the first option underneath Cloudy.

Example photographs, all camera-made JPEGs using my Color Negative Film Simulation recipe on a Fujifilm X-T30:

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Fallen Leaves – South Weber, UT – Fujifilm X-T30

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Hanging Apple – South Weber, UT – Fujifilm X-T30

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Leaf Hanging On – South Weber, UT – Fujifilm X-T30

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Boy Unsure – South Weber, UT – Fujifilm X-T30

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Joy’s Smile – South Weber, UT – Fujifilm X-T30

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White Stars – Roy, UT – Fujifilm X-T30

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White Cloud Ridge – South Weber, UT – Fujifilm X-T30

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Reserved Parking – South Ogden, UT – Fujifilm X-T30

See also: My Fujifilm Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

Comparing Film Simulation Recipes


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I shoot JPEGs, but it’s not uncommon for me to shoot RAW+JPEG, since it gives me the opportunity to reprocess the picture in-camera, which is helpful when developing different film simulation recipes. Because of this, I was able to process a single picture I captured recently on my Fujifilm X-T30 using many of my different recipes to compare the differences. I thought that this might be helpful to some of you. Perhaps there’s one recipe that stands out to you in the pictures below that you’ve never used. Obviously different settings look better in different situations, and in this article there’s just one picture to compare, so even though you might not like how one recipe looks in this article doesn’t mean that you wouldn’t like it with different subject and in a different light. The scope of this article is quite limited, but I hope that seeing the various film simulation recipes applied to a single exposure is helpful to someone.

Not every recipe was used for this post. Some of them require a specific parameter that was not available. For example, the picture at the top was made using my HP5 Plus Push-Process recipe, which requires an ultra-high ISO, so it wasn’t possible to apply it to the exposure below. Other recipes, such as my faded color and faded monochrome, require double exposures. There are other film simulation recipes that you could try not represented below, and I invite you to investigate the different options to see if there’s one or more that work well for your photography. Let me know in the comments which film simulation recipe is your favorite and which in your opinion fits the exposure below best.

Color

B&W