I was asked to make a film simulation recipe for Fujifilm X-Trans II cameras that mimics the aesthetic of photographer João Falcão (Instagram). I got pretty close to his look with this recipe, although perhaps not exact. Certainly if you like João’s aesthetic, you’ll appreciate these settings. It produces some really nice results! I call it Porto 200.
Why do I call this film simulation recipe Porto 200? After all, there’s no film called Porto 200. Well, Porto is the city in Portugal where João is from. While Porto means “port” I think it has a nice film-stock-like name, similar to “Portra” for example. So Porto 200 it is!
I really enjoy using this recipe on my X-T1! It has (at least for now) a permanent spot in the Q menu. It produces a look that might be kind of similar to ColorPlus 200. It’s not intended to be similar to that film, but to me it seems a little similar. Feel free to try it with +1 Color and/or Sharpness if you prefer, or -5 Blue if you think it’s too yellow. This recipe is intended for X-Trans II cameras, but it will work on X-Trans I and Bayer cameras, too, but with slightly different results.
PRO Neg. Std
Dynamic Range: DR400
Highlight: 0 (Std)
Shadow: +1 (Medium-Hard)
Color: 0 (Mid)
Sharpness: 0 (Std)
Noise Reduction: -2 (Low)
White Balance: Daylight/Fine, +2 Red & -6 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: -1/3 to +2/3 (typically)
Example photographs, all camera-made JPEGs using this Porto 200 recipe on my Fujifilm X-T1:
See also: X-Trans II Film Simulation Recipes
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