Fujifilm X-T20 (X-Trans III) Film Simulation Recipe: Cine Teal

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Garden Flowers Bloomed – Farmington, UT – Fujifilm X-T20 – “Cine Teal”

My Fujifilm X100V “Cine Teal” film simulation recipe has been a lot more popular than I expected it to be. It requires the Eterna film simulation, plus some other settings only found on the newest Fujifilm models. I’ve been asked by a few people to create a “Cine Teal” recipe for X-Trans III cameras, which don’t have that film simulation and those new options, so I did! This recipe woks best during the “Blue Hour” of dusk and dawn, in shade and on overcast days.

PRO Neg. Std
Dynamic Range: DR400
Highlight: -1
Shadow: +3
Color: -3
Noise Reduction: -3
Sharpening: -1
Grain Effect: Weak
White Balance: 4500K, +2 Red & -8 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Example photos, all straight-out-of-camera JPEGs captured on a Fujifilm X-T20 using this “Cine Teal” Film Simulation recipe:

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Upside-Down Umbrella – Farmington, UT – Fujifilm X-T20

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Green Tree & House – Farmington, UT – Fujifilm X-T20

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Been Better – Farmington, UT – Fujifilm X-T20

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Spring Leaves – Farmington, UT – Fujifilm X-T20

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Tree Leaves Green – Farmington, UT – Fujifilm X-T20

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Lavender Bloom – Farmington, UT – Fujifilm X-T20

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Pine & Rock – Farmington, UT – Fujifilm X-T20

These settings also work on the Fujifilm X-T30 and X-T3, just set Color Chrome Effect to Off. I captured the photographs below on my X-T30 using this “Cine Teal” film simulation recipe:

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Hazy Light Through The Tree – Farmington, UT – Fujifilm X-T30

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Mountain Pines – Francis Peak, UT – Fujifilm X-T30

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Mountain Ridge – Francis Peak, UT – Fujifilm X-T30

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Mountain Radar – Francis Peak, UT – Fujifilm X-T30

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Dusting Snow & Clouds – Farmington, UT – Fujifilm X-T30

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Clouds Around The Mountains – Farmington, UT – Fujifilm X-T30

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Spirit of Photography – Farmington, UT – Fujifilm X-T30

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Stairs & Reflection – Salt Lake City, UT – Fujifilm X-T30

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Morning Light & Shadows – Salt Lake City, UT – Fujifilm X-T30

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Film – Salt Lake City, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Fujifilm X100F Review Blog

Help Fuji X Weekly

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Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: “Eterna”

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Lavender – Farmington, UT – Fujifilm X-T1 – “Eterna”

I haven’t forgotten about my Fujifilm X-T1! My last five film simulation recipes have been for my new X100V, but I will continue making recipes for other sensors. Not everyone, probably not most Fujifilm X shooters, have the latest models, so the recipes for those cameras are irrelevant to many Fuji X Weekly readers. There will still be many articles related to the X100V, but I will continue to publish articles about other Fujifilm cameras, too. I’ll try to keep things balanced.

This “Eterna” film simulation recipe is my best facsimile of my X-T30 Eterna recipe. Obviously X-Trans II cameras don’t have the Eterna film simulation, as well as other options that the X-T30 has. It’s impossible to make an exact match, but this one is surprisingly pretty close. It looks nothing like straight-out-of-the-box Eterna, but it resembles pretty closely my Eterna recipe, which requires some big adjustments to various settings.

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Red Blooms – Farmington, UT – Fujifilm X-T1 – “Eterna”

My X-T1 “Eterna” recipe has a strong warm color cast, and it has a fair amount of contrast. It reminds me of Kodak Gold printed on Kodak paper, but I’m sure it’s not an exact match for that, just a general impression. This recipe is not for every situation, but it can look great for certain pictures.

PRO Neg. Std
Dynamic Range: DR100
Highlight: +2 (High)
Shadow: +1 (Medium-High)
Color: +2 (High)
Sharpness: +1 (Medium-High)
Noise Reduction: -2 (Low)
White Balance: Auto, +6 Red & -7 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this “Eterna” recipe on my Fujifilm X-T1:

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Yellow Truck with Red Graffiti – Salt Lake City, UT – Fujifilm X-T1

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Empty Trailers – Salt Lake City, UT – Fujifilm X-T1

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Evening Thistle – Salt Lake City, UT – Fujifilm X-T1

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Someone’s Watching – Salt Lake City, UT – Fujifilm X-T1

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Authorized Persons and Vehicles Only – Salt Lake City, UT – Fujifilm X-T1

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Bike Lane Ends – Salt Lake City, UT – Fujifilm X-T1

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Stump by the Water – Salt Lake City, UT – Fujifilm X-T1

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Pole Reflection – Salt Lake City, UT – Fujifilm X-T1

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Sunstar Tree – Salt Lake City, UT – Fujifilm X-T1

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Empty Bench – Salt Lake City, UT – Fujifilm X-T1

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Ford 250 – Salt Lake City, UT – Fujifilm X-T1

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SkyWest – Salt Lake City, UT – Fujifilm X-T1

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Statue Girl on Bench – Farmington, UT – Fujifilm X-T1

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Shadow Stripes – Salt Lake City, UT – Fujifilm X-T1

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Toes & Couch – Farmington, UT – Fujifilm X-T1

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Josh in the Window Light – Farmington, UT – Fujifilm X-T1

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Kitchen Succulent – Farmington, UT – Fujifilm X-T1

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Tree Branch Blossoms – Farmington, UT – Fujifilm X-T1

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Cloud Above The Mountain Ridge – Farmington, UT – Fujifilm X-T1

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Mountain Tree – Farmington, UT – Fujifilm X-T1

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Tree Top – Farmington, UT – Fujifilm X-T1

See also: Film Simulation Recipes

Fujifilm X100F Review Blog

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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My Fujifilm X-T30 Analog Color Film Simulation Recipe


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Pentax – Farmington, UT – Fujifilm X-T30 “Analog Color”

Sometimes accidents are happy, such as with this film simulation recipe, which I call Analog Color. I was attempting to make a recipe that mimics the looks of Kodak Portra 400 that’s been overexposed, but I was unsuccessful (at least for now); however, in the process I accidentally created this one. It was a mistake, but I liked how it looked, so I shot a bunch of pictures with it. This recipe reminds me of Fujicolor C200 or Agfa Vista 200, or perhaps even Kodak Gold 200. It’s in the neighborhood of ColorPlus 200, as well. But, it doesn’t exactly resemble any of those films perfectly. What I appreciate about this Analog Color film simulation is that it has a film-like quality to it, with a real color negative aesthetic, even if it’s not an exact match to any film that I’m aware of.

How this film simulation recipe looks depends on the light. This is true of all the recipes that don’t use auto white balance, but it seems especially so with this particular recipe. It can have a warm cast sometimes and cool cast other times, or even occasionally both a cool and warm cast within the same image. Perhaps this is one of the things that make it appear film-like. I do think that there’s something special about this recipe.

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Route Running – Farmington, UT – Fujifilm X-T30 “Analog Color”

I like Color set to -1, but feel free to play around with that. If you want something more saturated, increase Color to 0 or +1. If you don’t like grain, set it to Weak or off. If you like lots of grain, keep the ISO high, perhaps no lower than ISO 1600. I think that this recipe will pair well with vintage lenses, and that’s something else you can experiment with.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +3
Shadow: +0
Color: -1
Color Chrome Effect: Strong
Grain: Strong
Noise Reduction: -4
Sharpening: 1
White Balance: Daylight, -3 Red & +1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to +1 1/3 (typically)

Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T30 Analog Color film simulation recipe:

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Red Window – Monument Valley, AZ – Fujifilm X-T30

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Cut Strawberries – Farmington, UT – Fujifilm X-T30

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Joshua Smiling – Farmington, UT – Fujifilm X-T30

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Girl in a Blue Sweater – Farmington, UT – Fujifilm X-T30

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Living Room Bass Pro – Farmington, UT – Fujifilm X-T30

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Backlit Jon – Farmington, UT – Fujifilm X-T30

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Succulent on a Shelf – Farmington, UT – Fujifilm X-T30

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Time’s Fun When You’re Having Flies – Farmington, UT – Fujifilm X-T30

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46 Minutes to Ogden – Farmington, UT – Fujifilm X-T30

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Empty Seats – Farmington, UT – Fujifilm X-T30

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The Bags We Carry – Farmington, UT – Fujifilm X-T30

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No Storage – Farmington, UT – Fujifilm X-T30

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Rain God Mesa – Monument Valley, AZ – Fujifilm X-T30

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Tree In The Dirt – Monument Valley, AZ – Fujifilm X-T30

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Monument Valley Afternoon – Monument Valley, AZ – Fujifilm X-T30

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Monument Valley After Sunset – Monument Valley, AZ – Fujifilm X-T30

See also: Film Simulation Recipes

Fujifilm X100F Review Blog

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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[Not] My Fujifilm X-T30 “Warm Contrast” Film Simulation Recipe


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Flower Pots – Salt Lake City, UT – Fujifilm X-T30 – “Warm Contrast”

Fuji X Weekly reader Manuel Sechi recently contacted me regarding some camera settings that he was working on. He was trying to replicate the look of the “Warm Contrast” preset in Lightroom. He felt that he was close but was hoping that I might help refine the settings to get a little closer. He showed me some of his pictures where he had applied the preset, which was helpful as I don’t use Lightroom. I tried out his settings and indeed they looked very close to the photographs that he shared. I made some small adjustments to refine it to what I thought might be a closer match to the preset, although not having the preset at my disposable was admittedly a challenge, and I can only hope that I made the recipe better and not worse.

While I call this film simulation recipe “Warm Contrast” due to its intended replication, it’s not particularly warm nor especially high in contrast. It seems to work best in mid-contrast situations, and when the light is already a bit on the warm side. When it works, though, it looks really good. I can see why Manuel was interested in creating it. I’m sure some of you will appreciate these settings, and I’m eager to share them with you.

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August Wasatch – South Weber, UT – Fujifilm X-T30 – “Warm Contrast”

Thank you, Manuel, for sharing your settings, and allowing me the opportunity to tweak them. While I put “Fujifilm X-T30” in the title, this recipe can be used on any X-Trans III or IV camera. In low-contrast situations, going +4 on Shadow and +2 on Highlight might produce better results. In cooler light, -1 Red and -5 Blue might prove to be better. As always, don’t be afraid to season this film simulation recipe to taste.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +1
Shadow:+3
Color: +4
Sharpening: +1
Noise Reduction: -4
Grain: Strong
Color Chrome Effect: Off
White Balance: Auto, -2 Red & -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using these settings on my Fujifilm X-T30:

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Fighting Flamingos – Salt Lake City, UT – Fujifilm X-T30

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Duck In A Stream – Salt Lake City, UT – Fujifilm X-T30

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Rural Stream – Salt Lake City, UT – Fujifilm X-T30

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Bee On A Pink Flower – Salt Lake City, UT – Fujifilm X-T30

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Bee At Work – Salt Lake City, UT – Fujifilm X-T30

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Kids on a Bridge – Salt Lake City, UT – Fujifilm X-T30

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Confident Direction – Salt Lake City, UT – Fujifilm X-T30

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Leaves of Various Colors – Salt Lake City, UT – Fujifilm X-T30

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Looking Bird – Salt Lake City, UT – Fujifilm X-T30

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Yarn Owl – Salt Lake City, UT – Fujifilm X-T30

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Green Mountain Majesty – South Weber, UT – Fujifilm X-T30

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Sloping Ridges – South Weber, UT – Fujifilm X-T30

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Canvas Sky – Salt Lake City, UT – Fujifilm X-T30

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American Fair – Salt Lake City, Utah – Fujifilm X-T30

Fujifilm X100F Review Blog

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Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Comparing Film Simulation Recipes


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I shoot JPEGs, but it’s not uncommon for me to shoot RAW+JPEG, since it gives me the opportunity to reprocess the picture in-camera, which is helpful when developing different film simulation recipes. Because of this, I was able to process a single picture I captured recently on my Fujifilm X-T30 using many of my different recipes to compare the differences. I thought that this might be helpful to some of you. Perhaps there’s one recipe that stands out to you in the pictures below that you’ve never used. Obviously different settings look better in different situations, and in this article there’s just one picture to compare, so even though you might not like how one recipe looks in this article doesn’t mean that you wouldn’t like it with different subject and in a different light. The scope of this article is quite limited, but I hope that seeing the various film simulation recipes applied to a single exposure is helpful to someone.

Not every recipe was used for this post. Some of them require a specific parameter that was not available. For example, the picture at the top was made using my HP5 Plus Push-Process recipe, which requires an ultra-high ISO, so it wasn’t possible to apply it to the exposure below. Other recipes, such as my faded color and faded monochrome, require double exposures. There are other film simulation recipes that you could try not represented below, and I invite you to investigate the different options to see if there’s one or more that work well for your photography. Let me know in the comments which film simulation recipe is your favorite and which in your opinion fits the exposure below best.

Color

B&W

Fujifilm PRO Neg. Std Film Simulation Recipes

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Great Salt Lake Evening – Layton, UT – Fujifilm X-T20 – PRO Neg. Std

PRO Neg. Std is one of the least popular film simulations available on Fujifilm X-Trans cameras, so you might be surprised by the number of different film simulation recipes I created that use it as the base. At first PRO Neg. Std may seem flat and dull. It has the softest tonality of all the film simulation options, and it is one of the least saturated. Fujifilm modeled it after Fujicolor Pro 160 NS film printed on Fujicolor paper. It has a great analog print quality to it that can be quite appealing!

The PRO Neg. Std film simulation was inspired by a portrait film, so it’s no surprise that it is great for skin tones. By adjusting the settings, it can be made to resemble different negative films or produce different analog looks. I particularly appreciate how this film simulation handles shadows. Many of the different color film simulations that Fujifilm offers on their cameras handle shadows similar to reversal film, but not PRO Neg. Std, which has a negative film quality, particularly in the shadows.

Below you will find all of my different film simulation recipes that I have created that use PRO Neg. Std. If you haven’t tried them all, I personally invite you to do so and see which are your favorites! My personal favorites are Superia 800 and Pro 400H, but they each have their own usefulness and charm. Let me know in the comments which recipe you like most!

Even though the different recipes say X100F and X-T20, they are completely compatible with any Fujifilm X-Trans III or newer camera. For example, you don’t have to use the X100F recipes exclusively on the X100F. You can use any of my recipes on any X-Trans III camera.

Fujicolor Superia 800

CineStill 800T

Eterna

Aged Color

Fujicolor Pro 400H