Sepia: The Forgotten Film Simulation

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No Credit Tires – Bountiful, UT – Fujifilm X-T30 & Fujinon 35mm f/2 – Sepia

Sepia is Fujifilm’s forgotten film simulation. Despite being included on every X camera since the original X100, very few people use it. Some photographers mock the Sepia film simulation, calling it gimmicky or amateurish. It’s even been the butt of jokes. There seems to be no love for it. I believe that the Sepia film simulation is misunderstood and underappreciated, and it deserves more respect.

You might be surprised to learn that actual sepia is a byproduct of cuttlefish, and it’s been a part of photography for over 150 years. Sepia is used for its archival properties. When black-and-white photographic prints are given a sepia bath, it stabilizes the silver, which slows the aging process. It also stains the paper, producing a brownish-red tone. The longer the paper sits in a sepia bath, the stronger the sepia tone will be. Some photographers would leave their prints in the bath for a long time, producing a pronounced tint. Many years ago when I printed my own black-and-white pictures in a darkroom, I would only give my pictures a quick dip in sepia, which would produce a very subtle warm tone. Sepia has both form and function in the photographic process.

The majority of black-and-white photographers used sepia, although many preferred a short bath for subtle effect; however, some wanted the full sepia aesthetic with it’s pronounced warm tones. There have been different eras in photography when a strong sepia stain was in vogue. You can change the emotion of a black-and-white photograph by toning it, so it’s no surprise that a warm tone would be popular. Even when it wasn’t popular, there were still some photographers who would purposefully use sepia for artistic effect.

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Snow on Rudy Drain – Salt Lake City, UT – Fujifilm X-T1 & Fujinon 35mm f/2 – Sepia

Even though film photography is much less prevalent now, sepia is still being used today in analog black-and-white printing. It’s unnecessary in digital photography, but Fujifilm has provided an easy solution for simulating the effect: the Sepia film simulation. Specifically, it mimics the look of a black-and-white print that’s spent some time in a sepia bath. Some might call it “old timey” in appearance; yes, sepia has been used in photography for a very long time, yet it is still being used today. Maybe it’s not so gimmicky and amateurish after all.

You know that I love to create film simulation recipes that produce straight-out-of-camera results which mimic analog aesthetics. I have created many different color and black-and-white recipes for Fujifilm cameras, and in the process used all of the different film simulation options that Fujifilm provides on their cameras, except for one: Sepia. This is the first time that I’ve used the Sepia film simulation as the basis for a recipe. I love the feeling that these settings produce in an image; there’s a certain emotional response to Sepia that’s not found in the Acros or Monochrome film simulations. I invite you to try these settings for yourself, and perhaps you’ll discover a newfound respect for the lowly Sepia film simulation.

Sepia film simulation recipe for the X100V, X-Pro3 and X-T4:

Sepia
Dynamic Range DR400
Highlight & Shadow: +3
Grain: Strong, Large
Color Chrome Effect & Color Chrome Effect Blue: Off
Clarity: +2
Sharpening: -2
Noise Reduction: -4

Example photographs:

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Sepia Sun – Farmington, UT – Fujifilm X100V

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Broken Barrier – Kaysville, UT – Fujifilm X100V

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Espresso Yourself – Layton, UT – Fujifilm X100V

Sepia film simulation recipe for X-Trans III plus X-T3 and X-T30 cameras:

Sepia
Dynamic Range: DR400
Highlight & Shadow: +3
Grain: Strong
Color Chrome: Off or N/A
Sharpening: -2
Noise Reduction: -4

Example photographs:

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Lens in the Window Light – South Weber, UT – Fujifilm X-T30 & Fujinon 90mm f/2

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Chair Light & Shadow Abstract – South Weber, UT – Fujifilm X-T30 & Fujinon 35mm f/2

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Night Pump – Centerville, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

Sepia film simulation recipe for X-Trans I & II plus Bayer cameras:

Sepia
Dynamic Range DR200
Highlight & Shadow: +2
Sharpening: -1
Noise Reduction: -2

Example photographs:

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Cup of Beans – South Weber, UT – Fujifilm X-T1 & Fujinon 35mm f/2

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Selfie – Uintah, UT – Fujifilm X-T1 & Fujinon 35mm f/2

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Suburban Pond in Winter – Farmington, UT – Fujifilm X-T1 & Fujinon 35mm f/2

See also:
Film Simulation Recipes
Review: Fujifilm X-T30
Review: Fujinon 35mm f/2
Review: Fujinon 90mm f/2
Asahi Super-Takumar 28mm f/3.5

Fujifilm X100F Review Blog

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Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 1600

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Red Rose – Farmington, UT – Fujifilm X100V – “Fujicolor Superia 1600”

For some of you, this new Fujicolor Superia 1600 film simulation recipe will be your favorite! It is so good! It’s very analog-esque, and does a great job of mimicking the film in a number of circumstances. If you love my Fujicolor Superia 100 and my Fujicolor Reala 100 recipes, you’re bound to love this one, too!

For high-ISO color photography, Superia 1600 film was your best bet if you needed to go faster than ISO 800. It has higher contrast and lower saturation than other Superia films, and is also more grainy, but with a very nice look. There are people who use Superia 1600 just for its aesthetic. Fujifilm discontinued Superia 1600 in 2016, but supposedly Fujicolor Natura 1600 and Press 1600 are the same film, just sold to different markets.

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Sephora – Farmington, UT – Fujifilm X100V – “Fujicolor Superia 1600”

I didn’t include a “typical” exposure compensation with this recipe because you can get some very interesting looks by underexposing and (especially) overexposing—don’t be afraid to try -1 all the way to +2! This recipe is only compatible with the Fujifilm X100V, X-Pro3 and X-T4 (hopefully someday the X-T3 and X-T30, too—Fujifilm, please!).

Classic Negative
Dynamic Range: DR400
Highlight: 0
Shadow: +2
Color: -3
Noise Reduction: -4
Sharpening: -1
Clarity: -4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Daylight, +3 Red & +1 Blue
ISO: 1600 to 6400

Example photographs, all camera-made JPEGs using this Fujicolor Superia 1600 film simulation recipe on my Fujifilm X100V:

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Electric Sunset – Kaysville, UT – Fujifilm X100V

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Evening Overlook – Farmington, UT – Fujifilm X100V

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Sunlight Tree – Farmington, UT – Fujifilm X100V

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Country Fence – Kaysville, UT – Fujifilm X100V

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Rose Bush Shadow – Farmington, UT – Fujifilm X100V

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Red Rose Bush – Farmington, UT – Fujifilm X100V

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Yellow Flower – South Ogden, UT – Fujifilm X100V

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Not Yet Blackberries – Farmington, UT – Fujifilm X100V

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Backyard Girl – Farmington, UT – Fujifilm X100V

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Evening Light Tunnel – Farmington, UT – Fujifilm X100V

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Building in Evening Light – Farmington, UT – Fujifilm X100V

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Head On Illusion – Farmington, UT – Fujifilm X100V

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Walking Reflection – Farmington, UT – Fujifilm X100V

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Indoor/Outdoor Restaurant – Farmington, UT – Fujifilm X100V

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Carbonaro – Farmington, UT – Fujifilm X100V

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Vegetables – Farmington, UT – Fujifilm X100V

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Dessert – Farmington, UT – Fujifilm X100V

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Willards – Layton, UT – Fujifilm X100V

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Thank You For You Patronage – South Ogden, UT – Fujifilm X100V

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Wall Pipes – South Ogden, UT – Fujifilm X100V

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Closed Gas Station Store – South Ogden, UT – Fujifilm X100V

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Abandoned Drive Thru Window – South Ogden, UT – Fujifilm X100V

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Abandoned Gas Station Overhang – South Ogden, UT – Fujifilm X100V

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Light at the Top – Farmington, UT – Fujifilm X100V

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Blue in the Middle – Farmington, UT – Fujifilm X100V

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Moon Above – Farmington, UT – Fujifilm X100V

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Suburban Sunstar – Farmington, UT – Fujifilm X100V

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Bike 48 – Farmington, UT – Fujifilm X100V

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Sunstar in the City – Farmington, UT – Fujifilm X100V

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Strength and Endurance – Farmington, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Fujifilm X100F Review Blog

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New Video: Fuji Film Simulation – Fujicolor Superia 100

I published a new video on the Fuji X Weekly YouTube Channel! This one showcases my Fujicolor Superia 100 film simulation on my Fujifilm X100V while at a local amusement park. I think it turned out pretty well, and it’s worth your time to watch. My wife, Amanda, shot all the footage and did all of the editing. I captured all of the photographs and did the narration. Check it out! Let me know what you think of it.

Fujifilm X-T20 (X-Trans III) Film Simulation Recipe: Cine Teal

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Garden Flowers Bloomed – Farmington, UT – Fujifilm X-T20 – “Cine Teal”

My Fujifilm X100V “Cine Teal” film simulation recipe has been a lot more popular than I expected it to be. It requires the Eterna film simulation, plus some other settings only found on the newest Fujifilm models. I’ve been asked by a few people to create a “Cine Teal” recipe for X-Trans III cameras, which don’t have that film simulation and those new options, so I did! This recipe woks best during the “Blue Hour” of dusk and dawn, in shade and on overcast days.

PRO Neg. Std
Dynamic Range: DR400
Highlight: -1
Shadow: +3
Color: -3
Noise Reduction: -3
Sharpening: -1
Grain Effect: Weak
White Balance: 4500K, +2 Red & -8 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Example photos, all straight-out-of-camera JPEGs captured on a Fujifilm X-T20 using this “Cine Teal” Film Simulation recipe:

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Upside-Down Umbrella – Farmington, UT – Fujifilm X-T20

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Green Tree & House – Farmington, UT – Fujifilm X-T20

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Been Better – Farmington, UT – Fujifilm X-T20

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Spring Leaves – Farmington, UT – Fujifilm X-T20

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Tree Leaves Green – Farmington, UT – Fujifilm X-T20

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Lavender Bloom – Farmington, UT – Fujifilm X-T20

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Pine & Rock – Farmington, UT – Fujifilm X-T20

These settings also work on the Fujifilm X-T30 and X-T3, just set Color Chrome Effect to Off. I captured the photographs below on my X-T30 using this “Cine Teal” film simulation recipe:

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Hazy Light Through The Tree – Farmington, UT – Fujifilm X-T30

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Mountain Pines – Francis Peak, UT – Fujifilm X-T30

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Mountain Ridge – Francis Peak, UT – Fujifilm X-T30

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Mountain Radar – Francis Peak, UT – Fujifilm X-T30

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Dusting Snow & Clouds – Farmington, UT – Fujifilm X-T30

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Clouds Around The Mountains – Farmington, UT – Fujifilm X-T30

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Spirit of Photography – Farmington, UT – Fujifilm X-T30

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Stairs & Reflection – Salt Lake City, UT – Fujifilm X-T30

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Morning Light & Shadows – Salt Lake City, UT – Fujifilm X-T30

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Film – Salt Lake City, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Fujifilm X100F Review Blog

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X100V Film Simulation Recipe: Fujicolor Reala 100

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Amusement Poles – Farmington, UT – Fujifilm X100V – “Fujicolor Reala 100”

Fujicolor Reala 100 was Fujifilm’s first Superia film, even though initially it did not have Superia in the name. Superia films shared Fuji’s “4th layer technology” and Reala was the first to have it, but Reala was marketed towards “pro” photographers while Superia was marketed towards “consumer” photographers. Eventually Fujifilm added Superia to Reala’s name. There were several different versions of Reala manufactured, including a high-ISO Tungsten one made for motion pictures, but Reala 100 was the most popular.

The Classic Negative film simulation is “modeled after” Superia with “Superia-like” colors, so it’s the best starting point for a Reala recipe. Reala 100 was very similar to Superia 100, but Superia 100 was intended for “general purpose” photography while Reala 100 was intended for portrait photography (interestingly, my wedding photos were shot on Reala). Colors are rendered a little differently between the two films, especially blue, which is deeper and more saturated on Reala, despite Reala being overall slightly less saturated than Superia 100. You’ll find that this recipe and my Fujicolor Superia 100 recipe replicate these differences quite nicely. Reala film was discontinued in 2013.

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Tunnel & Fountain – Farmington, UT – Fujifilm X100V – “Fujicolor Reala 100”

This Fujicolor Reala 100 film simulation recipe is a great all-around option. It looks good under many circumstances. The aesthetic of this recipe is very close to my Superia 100 recipe, and I’m not sure which one I like better. This one is better for stronger blues, and the other is better for stronger reds, but they’re not far apart from each other. Unfortunately, as of this writing, this Reala recipe is only compatible with the Fujifilm X100V, X-Pro3 and X-T4 cameras.

Classic Negative
Dynamic Range: DR400
Highlight: -1
Shadow: -1
Color: +0
Noise Reduction: -4
Sharpening: -2
Clarity: -3
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Daylight, 0 Red & 0 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs using this Fujicolor Reala 100 film simulation recipe on my Fujifilm X100V:

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Ferris Wheel – Farmington, UT – Fujifilm X100V

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Ferris Wheel Through The Trees – Farmington, UT – Fujifilm X100V

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Hands Raised – Farmington, UT – Fujifilm X100V

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Blue Coaster – Farmington, UT – Fujifilm X100V

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Waterless Waterslides – Farmington, UT – Fujifilm X100V

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Umbrella Ride – Farmington, UT – Fujifilm X100V

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Green Trees, Blue Sky – Farmington, UT – Fujifilm X100V

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Cat Statue – Farmington, UT – Fujifilm X100V

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Ride Operator – Farmington, UT – Fujifilm X100V

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Waiting to Fly – Farmington, UT – Fujifilm X100V

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Sunstar Tree – Farmington, UT – Fujifilm X100V

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Backlit Fountain – Farmington, UT – Fujifilm X100V

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Flowerbed – Farmington, UT – Fujifilm X100V

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Field of Wildflowers – Farmington, UT – Fujifilm X100V

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Potted Blooms – Farmington, UT – Fujifilm X100V

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Flowers in a Garden – Farmington, UT – Fujifilm X100V

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Blossoms Along a Fence – Farmington, UT – Fujifilm X100V

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Red Blossoms – Farmington, UT – Fujifilm X100V

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Covered Wagon – Farmington, UT – Fujifilm X100V

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Man Waiting – Farmington, UT – Fujifilm X100V

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Standing, Waiting – Farmington, UT – Fujifilm X100V

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Corner – Farmington, UT – Fujifilm X100V

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Puddle Reflections – Farmington, UT – Fujifilm X100V

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Stroller – Farmington, UT – Fujifilm X100V

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Almost – Farmington, UT – Fujifilm X100V

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Please Unload Children – Farmington, UT – Fujifilm X100V

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Lying on a Bench – Farmington, UT – Fujifilm X100V

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Pink Hair Bow – Farmington, UT – Fujifilm X100V

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Backpack – Farmington, UT – Fujifilm X100V

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Josh Riding Carousel – Farmington, UT – Fujifilm X100V

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Happy Jon – Farmington, UT – Fujifilm X100V

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Map on a Fence – Farmington, UT – Fujifilm X100V

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Woodford, Iowa – Farmington, UT – Fujifilm X100V

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Forest Trees – Fruit Heights, UT – Fujifilm X100V

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Windshield Rain – Fruit Heights, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

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Fujifilm X100V Film Simulation Recipe: Kodak Tri-X 400

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Leaves in the Forest – Farmington, UT – Fujifilm X100V – ISO 3200 – “Kodak Tri-X 400”

The number one black-and-white film simulation recipe that I’ve been asked to create is Kodak Tri-X 400, but I’ve never been satisfied with my own attempts. Thankfully for you, Fuji X Weekly reader Anders Lindborg (Instagram) was able to do it! This is brilliant, and I’m sure you’ll love it. It’s the only B&W recipe I’m using on my Fujifilm X100V right now.

Kodak introduced Tri-X in the early 1940’s, and in the 1950’s they began selling it in 35mm format. Ever since, it has been the “standard” high-ISO black-and-white film for photographers. It’s been made in ISO 160, 200, 320 and 400 versions; this recipe is based on Tri-X 400. Kodak re-engineered Tri-X 400 in 2007 with finer grain and lower contrast, but it’s still nearly identical to the old stock.

Anders actually made three recipes in one: low-contrast, mid-contrast, and high-contrast. Tri-X, like most films, can be made more contrasty or less contrasty based on how it’s developed (chemicals used and/or development times) or printed (contrast filters). The recipe further down this article is the mid-contrast version. For low contrast, set Highlight to -1 and Shadow to +2. For high contrast, set Highlight to +1 and Shadow to +4. This film simulation recipe was designed for the X-T3 and X-T30, but I changed a couple of things for the X100V: I set Clarity to +4 (which isn’t available on the X-T3 and X-T30) and Grain to Strong & Large (on the X-T3 and X-T30, Grain is set to Strong). Because it adds contrast, setting Clarity to +4 actually makes this look more like the high-contrast version. If you are using this on the X100V, X-Pro3 or X-T4, feel free to try all three contrast versions, with or without Clarity, to see which you like better. For X-Trans III cameras, which don’t have Color Chrome Effect, you can still use this recipe; while it won’t look exactly the same, it will still look very similar. In other words, even though the title says “Fujifilm X100V Film Simulation Recipe” you can actually use it on any camera with the Acros film simulation—I’ve tried it on an X-T30 and X-T20, and it looks great!

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Forest Edge – Fruit Heights, UT – Fujifilm X100V – ISO 1600 – “Kodak Tri-X 400”

I found that this recipe looks best when set to ISO 1600 or higher. From ISO 1600 to 3200, the results more resemble newer Tri-X 400 film. From ISO 6400 to ISO 12800, the results more resemble older Tri-X 400 film. I want to give a big thank-you to Anders Lindborg for creating this recipe, sharing it, and allowing me to publish it here—you are appreciated! Thank you!

Acros (+Y, +R, +G)
Dynamic Range: DR200
Highlight: 0
Shadow: +3
Noise Reduction: -4
Sharpening: +1
Clarity: +4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Off
White Balance: Daylight,+9 Red & -9 Blue
ISO: ISO 1600 – 12800
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Kodak Tri-X 400 film simulation recipe on my Fujifilm X100V:

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Fallen Trunk – Fruit Heights, UT – Fujifilm X100V – ISO 1600

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The Forest – Fruit Heights, UT – Fujifilm X100V – ISO 1600

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Light in a Dark Canopy – Farmington, UT – Fujifilm X100V – ISO 1600

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Sunlight & Leaves – Farmington, UT – Fujifilm X100V – ISO 12800

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Monochrome Backlit Leaves – Farmington, UT – Fujifilm X100V – ISO 1600

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Drops on a Window – Fruit Heights, UT – Fujifilm X100V – ISO 1600

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Half Leaf In The Road – Farmington, UT – Fujifilm X100V – ISO 1600

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Footstep – Farmington, UT – Fujifilm X100V – ISO 1600

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Barrier – Farmington, UT – Fujifilm X100V – ISO 1600

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Corner Benches – Farmington, UT – Fujifilm X100V – ISO 6400

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Drinking Fountains – Farmington, UT – Fujifilm X100V – ISO 1600

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Feel Like A Kid Again – Farmington, UT – Fujifilm X100V – ISO 1600

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Walking at an Amusement Park – Farmington, UT – Fujifilm X100V – ISO 1600

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Waiting at the Exit – Farmington, UT – Fujifilm X100V – ISO 3200

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Diagonal Light Boy – Farmington, UT – Fujifilm X100V – ISO 12800

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FED 5c Film Camera – Farmington, UT – Fujifilm X100V – ISO 3200

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Coffee Grounds in a Filter – Farmington, UT – Fujifilm X100V – ISO 3200

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Rainbow Feet on the Floor – Farmington, UT – Fujifilm X100V – ISO 3200

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Girl in Zebra Shirt – Farmington, UT – Fujifilm X100V – ISO 12800

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Rainy Day Siblings – Farmington, UT – Fujifilm X100V – ISO 3200

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Level Up – Farmington, UT – Fujifilm X100V – ISO 12800

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Wet Leaf in the Grass – Farmington, UT – Fujifilm X100V – ISO 5000

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Wet Tree Leaves – Farmington, UT – Fujifilm X100V – ISO 3200

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Leaf of a Different Color – Farmington, UT – Fujifilm X100V – ISO 3200

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Emptiness – Roy, UT – Fujifilm X100V – ISO 3200

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Empty Boxes in an Abandoned Home – Roy, UT – Fujifilm X100V – ISO 12800

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Nobody’s Home – Roy, UT – Fujifilm X100V – ISO 3200

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White Truck – Roy, UT – Fujifilm X100V – ISO 3200

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Dead End Night – Roy, UT – Fujifilm X100V – ISO 12800

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Trolley Bus – Farmington, UT – Fujifilm X100V – ISO 12800

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Wrong Way – Centerville, UT – Fujifilm X100V – ISO 12800

See also:
Film Simulation Recipes
Tri-X Push-Process Film Simulation Recipe

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Fujifilm X100F Review Blog

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Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: “Eterna”

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Lavender – Farmington, UT – Fujifilm X-T1 – “Eterna”

I haven’t forgotten about my Fujifilm X-T1! My last five film simulation recipes have been for my new X100V, but I will continue making recipes for other sensors. Not everyone, probably not most Fujifilm X shooters, have the latest models, so the recipes for those cameras are irrelevant to many Fuji X Weekly readers. There will still be many articles related to the X100V, but I will continue to publish articles about other Fujifilm cameras, too. I’ll try to keep things balanced.

This “Eterna” film simulation recipe is my best facsimile of my X-T30 Eterna recipe. Obviously X-Trans II cameras don’t have the Eterna film simulation, as well as other options that the X-T30 has. It’s impossible to make an exact match, but this one is surprisingly pretty close. It looks nothing like straight-out-of-the-box Eterna, but it resembles pretty closely my Eterna recipe, which requires some big adjustments to various settings.

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Red Blooms – Farmington, UT – Fujifilm X-T1 – “Eterna”

My X-T1 “Eterna” recipe has a strong warm color cast, and it has a fair amount of contrast. It reminds me of Kodak Gold printed on Kodak paper, but I’m sure it’s not an exact match for that, just a general impression. This recipe is not for every situation, but it can look great for certain pictures.

PRO Neg. Std
Dynamic Range: DR100
Highlight: +2 (High)
Shadow: +1 (Medium-High)
Color: +2 (High)
Sharpness: +1 (Medium-High)
Noise Reduction: -2 (Low)
White Balance: Auto, +6 Red & -7 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this “Eterna” recipe on my Fujifilm X-T1:

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Yellow Truck with Red Graffiti – Salt Lake City, UT – Fujifilm X-T1

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Empty Trailers – Salt Lake City, UT – Fujifilm X-T1

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Evening Thistle – Salt Lake City, UT – Fujifilm X-T1

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Someone’s Watching – Salt Lake City, UT – Fujifilm X-T1

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Authorized Persons and Vehicles Only – Salt Lake City, UT – Fujifilm X-T1

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Bike Lane Ends – Salt Lake City, UT – Fujifilm X-T1

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Stump by the Water – Salt Lake City, UT – Fujifilm X-T1

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Pole Reflection – Salt Lake City, UT – Fujifilm X-T1

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Sunstar Tree – Salt Lake City, UT – Fujifilm X-T1

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Empty Bench – Salt Lake City, UT – Fujifilm X-T1

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Ford 250 – Salt Lake City, UT – Fujifilm X-T1

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SkyWest – Salt Lake City, UT – Fujifilm X-T1

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Statue Girl on Bench – Farmington, UT – Fujifilm X-T1

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Shadow Stripes – Salt Lake City, UT – Fujifilm X-T1

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Toes & Couch – Farmington, UT – Fujifilm X-T1

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Josh in the Window Light – Farmington, UT – Fujifilm X-T1

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Kitchen Succulent – Farmington, UT – Fujifilm X-T1

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Tree Branch Blossoms – Farmington, UT – Fujifilm X-T1

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Cloud Above The Mountain Ridge – Farmington, UT – Fujifilm X-T1

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Mountain Tree – Farmington, UT – Fujifilm X-T1

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Tree Top – Farmington, UT – Fujifilm X-T1

See also: Film Simulation Recipes

Fujifilm X100F Review Blog

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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