Back in 2018, one year after starting Fuji X Weekly, I published my Agfa Scala Film Simulation Recipe, which was intended for X-Trans III cameras (like the X100F that I was using back then). It was the 15th Fujifilm Recipe published on this website, and the third black-and-white. It’s been a long-time personal favorite; however, I never updated it for the newer cameras. Earlier this year, I decided that this Recipe was long overdue for a refresh, so I set out to make a new iteration. I started from scratch, trying many different adjustments, but ultimately came back to those 2018 settings, with only minor changes.

Agfa introduced Scala 200 in 1992 (renamed Scala 200x shortly thereafter). It was the only commercially available black-and-white slide film ever made (although you could make slides from any B&W film, if you wanted to). It used a proprietary development process known as AP-44. I didn’t shoot much Scala personally, only a few rolls. What was great about it is that you had a finished photo straight from the lab. With black-and-white negative film, the darkroom printing process played a major role in the finished picture; Agfa Scala removed that requirement. Obviously, the intention was that you’d project the pictures onto a screen, which we don’t do anymore (most film you see today are scans). In 2005, Agfa discontinued Scala, as well as the chemicals for the AP-44 development process. The last roll of Scala that I shot couldn’t be developed, unfortunately. Adox introduced a new Scala slide film, called Scala 50, in 2019; however, it’s a different emulsion with a different development process. Interestingly, the old Agfa Scala 200x could be processed in the new chemistry, but with slightly different results.

Scala was known for deep blacks and glowing highlights. It had a much smaller dynamic range than black-and-white negative film. Like color slides, you really had to nail the exposure, as there was very little leeway for underexposure or overexposure. If you got it right, the results were great; if not, there wasn’t much forgiveness. The film was extremely fine-grained for being ISO 200—it was sharp and looked beautiful when projected. This Agfa Scala Recipe mimics the film pretty well. The camera’s histogram can be very helpful to prevent overexposure. This Recipe is compatible with most fourth-generation and all fifth-generation cameras (as well as newer GFX models), which includes the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, X-T30 II, X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, X-T30 III, GFX100S, GFX100 II, GFX100S II, and GFX100RF.

Film Simulation: Acros (including +Ye, +R, or +G)
Monochromatic Color (Toning): WC 0 & MG 0 (Off)
Dynamic Range: DR100
Grain Effect: Weak, Small
Color Chrome Effect: Off
Color Chrome FX Blue: Off
White Balance: Auto, 0 Red & 0 Blue
Highlight: +4
Shadow: 0
Sharpness: +1
High ISO NR: -4
Clarity: +2
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs captured using this Agfa Scala Film Simulation Recipe on a Fujifilm X-E5, X-T5 and GFX100RF:

Find this Film Simulation Recipe and over 400 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-E5 in black:
Amazon, B&H, Moment, Nuzira
Fujifilm X-E5 in silver:
Amazon, B&H, Moment, Nuzira
Fujifilm X-T5 in black:
Amazon, B&H, Moment, Nuzira
Fujifilm X-T5 in silver:
Amazon, B&H, Moment, Nuzira
Fujifilm GFX100RF in black:
Amazon, B&H, Nuzira
Fujifilm GFX100RF in silver:
Amazon, B&H, Nuzira