What’s in a Name (of Fujichrome films)?

Clearing Clouds Over Winter Ridge – Farmington, UT – Fujifilm X-Pro3 – Standard Provia

Someone asked me an intriguing question at Fujifilm’s Create With Us event in Minneapolis this last weekend. “How did Fujifilm come up with their film names,” he wondered, “like Provia, Velvia, and Astia? I know they were slide films, but what do those names mean?” I didn’t have an answer, so I spent some time researching, hoping to find something concrete.

The short answer is that Fujifilm never said what those name mean, or how they originated. The etymology is unknown. If Fujifilm ever did say—perhaps way back in the past—it never made it onto the internet. All we can do now is guess, so let’s do just that.

Beach Chairs – Folly Beach, SC – Fujifilm X-E4 – Velvia Film

Fujifilm had four lines of Fujichrome color reversal (slide) film that were given brand names: Velvia, Provia, Astia, and Sensia. The other slide films that they produced over the years weren’t given fancy names, only more utilitarian designations like 100D or 64T. I always thought that the “Pro” in Provia was short for “Professional” and “via” meant route. In this assumption, Provia simply means the path that professional photographers should take, which seems logical. After digging deeper, I don’t think that’s correct (although, since Fujifilm never said, it certainly could be—who knows?).

The commonality between the four slide film names is the “ia” ending, which (very likely) is Latin. In Latin, ia can be a feminine or abstract noun ending. It can be used to say the quality or condition of something, related to whatever is in front of the ia. So we have Velv -ia, Prov -ia, Ast -ia, and Sens -ia. Whatever the beginning is, the ia ending indicates that the film is the quality or condition of that.

Coastal Mist – Elk, CA – Fujifilm X-T5 – Velvia Film

Velvia has the most concrete information on the etymology. While Fujifilm never stated it, there are numerous sources (perhaps we’re in urban legend territory) that claim “Velv” is short for Velvet. The name Velvia is implying that the film has a velvety quality, which is to say that it is “richly colored with lush blacks.” The name seems to match the film fairly well.

Provia is another story. I couldn’t find anything to suggest what exactly “Prov” could be short for. Some possible options are Providential, Proven, Proverbial, Provide or Provision. None of those seem like strong candidates. I suppose Provia could mean the condition of being proven, although that would be an odd description for a brand-new film (when it was first released). Perhaps the purchase of a roll of Provia was a providential choice by the photographer—that’s definitely plausible. I think my original idea for the name meaning (Pro -via not Prov -ia) is also a possibility, but it doesn’t fit the pattern. This one is quite murky.

Lonely Desert Road – Tucson, AZ – Fujifilm X-T5 – Astia Azure

Astia has three likely options: Aesthetic, Astute, or Astral. The first one—Aesthetic—seems like the obvious answer; perhaps the original working name for the film was actually Aestia, but later shortened to Astia for marketing purposes. Astia would mean that the quality of the film is its aesthetic. Astute could imply a nuanced, perceptive rendering. Astral could be a reference to the sun. Those last two seem weaker than the first, but it could be anything, so who knows?

For Sensia, it obviously has something to do with Sense: Sensible, Sensitive, Sensory, Sensation, etc.. Since Sensia was a consumer film, Sensible seems like a solid answer—Sensia is a sensible choice, after all—but it could be any of them. To sense is to feel (emotion), so Sense could certainly be the word that the film was named after.

Hit – South Weber, UT – Fujifilm X-T30 – Fujichrome Sensia

I said there were four Fujichrome films, but actually there was a fifth: Fortia. This was a limited edition emulsion sold only in Japan, and only in the spring. It was more vibrant and bold than Velvia. The “Fort” in Fortia is likely from the Latin word Fortis, which is where we get the English word Fort, and it means strong or brave. That seems to fit the film well: you have to be brave to use it due to its strong colors.

For Velvia and Fortia, I think we have the answer: Velvet and Fortis, respectively. Fujichrome Velvia gives a velvety picture quality; Fujichrome Fortia has strong colors that only the bravest photographers will appreciate. For Provia, Astia, and Sensia, there’s a bit less clarity, as there are a number of potential options. Despite Fujifilm naming their “standard” Film Simulation after Fujichrome Provia, the etymology of Provia is the most murky. Astia is likely a reference to Aesthetic, and Sensia is likely a reference to either Sense or Sensible, but neither is certain. Since Fujifilm has never said, we only have our imaginations, and perhaps that is what they intended for their customers from the beginning—the names mean whatever we want them to.

Astia Azure — A FXW App Patron Early-Access Fujifilm X-Trans IV & X-Trans V Film Simulation Recipe

Tumacacori Ruins in Spring – Tumacacori, AZ – Fujifilm X-T5 – Astia Azure Recipe

I mentioned in My 5 Favorite Film Simulation Recipes that use Astia article that—personally—Astia is one of my least-used film simulations. It’s not that the film sim is bad, because it’s not; for me, I think there are four reasons: 1) Astia doesn’t much resemble the film that it is named after, 2) it sits as a kind of a happy medium between Velvia and Provia, but doesn’t necessarily stand out as a better option than either, 3) it is most similar to PRO Neg. Hi, yet I prefer PRO Neg. Hi just a tad more, and 4) there are other film sims that I like significantly more (Classic Chrome, Classic Negative, Nostalgic Neg., etc.). Still, Astia can be a good option, particularly for vibrant portraits. I decided that I needed to create a new Astia-based Recipe, one that I would especially like—one that I would be happy to use regularly.

The majority of my Film Simulation Recipes are modeled after specific analog emulsions and/or film processes, but this one is not. I simply wanted a light and bright aesthetic with lovely blue sky, perhaps something vaguely negative-film-like. After a number of attempts, this Film Simulation Recipe, which I have named Astia Azure, is what I came up with. I’ve used it quite extensively over the last month.

Skates & Hoop – Tempe, AZ – Fujifilm X-E4 – Astia Azure Recipe

The Astia Azure Film Simulation Recipe is especially great for golden hour and blue hour photography. It’s good for many other situations, but from roughly 30 minutes before sunrise to an hour after, and an hour before sunset to 30 minutes after, is when this Recipe really shines. Astia Azure is compatible with all X-Trans V cameras, plus newer X-Trans IV models, but not the X-T3, X-T30, X-Pro3, or X100V. I’m sure it can also be used for the latest GFX models, too, although I have not tried personally and it will likely render slightly differently (try it anyway).

This Astia Azure Film Simulation Recipe is an App Patron Early-Access Recipe. If you are a Fuji X Weekly App Patron, you have access to it right now. If not, no worries, as it will eventually be made available to everyone, once it is replaced by a new Early-Access Recipe.

Example photographs, all camera-made JPEGs captured using this Astia Azure Film Simulation Recipe on my Fujifilm X-E4, X-T5, and X100VI cameras:

Salt River & Mountain Reflection – Mesa, AZ – Fujifilm X-T5
Night Lake – Tempe, AZ – Fujifilm X-E4
Studio Mirror – Tempe, AZ – Fujifilm X-E4
Photographers – Tempe, AZ – Fujifilm X-E4
Level 4 – Goodyear, AZ – Fujifilm X-T5
Sunset Glow & Salt River – Mesa, AZ – Fujifilm X-T5
Three Cows on the River Bank – Mesa, AZ – Fujifilm X-T5
Qaudcycle – Tempe, AZ – Fujifilm X-E4
Skateboarder – Tempe, AZ – Fujifilm X-E4
Eat – Tempe, AZ – Fujifilm X-E4
Gallery – Tempe, AZ – Fujifilm X-E4
Grain – Tempe, AZ – Fujifilm X-E4
Bridges & Wires – Tempe, AZ – Fujifilm X-E4
Unfinished Business – Gila Bend, AZ – Fujifilm X100VI
Cross & Bell – Tumacacori, AZ – Fujifilm X-T5
Church Cross – Bisbee, AZ – Fujifilm X-T5
Yellow House – Bisbee, AZ – Fujifilm X-T5
Abandoned White House – Arlington, AZ – Fujifilm X-T5
White Fence – Tumacacori, AZ – Fujifilm X-T5
Leaning Saguaro – Tucson, AZ – Fujifilm X-T5
Rocks & Flowers – Saguaro National Park, AZ – Fujifilm X-T5
Small Palo Verde – Saguaro National Park, AZ – Fujifilm X-T5
Lonely Desert Road – Tucson, AZ – Fujifilm X-T5
Little Shack on the Hill – Tucson, AZ – Fujifilm X-T5

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black: AmazonB&HMomentWexNuzira
Fujifilm X-T5 in silver:  AmazonB&HMomentWexNuzira
Fujifilm X100VI in black: AmazonB&HMomentWexNuzira
Fujifilm X100VI in silver: AmazonB&HMomentWexNuzira

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My 5 Favorite Film Simulation Recipes that use Astia

Peach City Drive-In – Brigham City, UT – Fujifilm X100F – Kodak Ektar 100

ProviaVelviaClassic ChromePRO Neg. HiPRO Neg. StdClassic Negative Nostalgic Neg.EternaEterna Bleach BypassAcros

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this (for now, anyway). Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Astia film simulation (a.k.a. Astia/Soft) is named after the Astia line of slide films by Fujifilm; however, this film simulation does not faithfully replicate the emulsion. Astia 100F had low color saturation (for a slide film), and was specifically intended for portrait photography. While the film sim is notably divergent from the film of the same name, Fujifilm states that the Astia film simulation is the “ideal Astia” and is what the film would have looked like had it been possible to do so.

City of Grace Tower – Phoenix, AZ – Fujifilm X-T5 – CineStill 400D v2

While intended for vibrant portraits, the Astia film sim can be good for many situations, with a rendering in-between Provia and Velvia, yet not exactly like either. Personally, for vibrant landscapes, I prefer Velvia, and for pictures of people I prefer some of the less-saturated options, like Classic Chrome, PRO Neg. Std, or even Eterna. Since Astia is a bit bolder than Provia and not quite as bold as Velvia, some might find it to be a happy medium. I don’t often choose it for my photography—it’s one of my least-used film simulations.

The five Film Simulation Recipes below are my favorites that use Astia as the base. Everyone has different tastes, so you might like other ones more. I count 10 Recipes in the Fuji X Weekly App that use Astia, so there are only a handful of others to choose from. But, if you are unsure which Astia Recipe to try, let me suggest picking one from my list below.

#1:

Great for sunny daylight, and decent enough for dreary conditions, CineStill 400D v1 replicates one possible aesthetic of a cinematic film. Compatible with X-Trans IV (except for the X-T3/X-T30) and X-Trans V cameras.

#2:

This Recipe replicates a different possible aesthetic of the same cinematic film. While this one is also great for sunny daylight, it’s a good option for shade and blue-hour photography. Compatible with X-Trans IV (except for the X-T3/X-T30) and X-Trans V cameras.

#3:

A versatile Recipe that can be used for most any situation and subject. Compatible with X-Trans III cameras, plus the X-T3 and X-T30.

#4:

A lovely Recipe for sunny daylight photography. Compatible with X-Trans II cameras.

#5:

This was my very first attempt at replicating Kodak Ektar film. Colorful, and surprisingly versatile. Compatible with X-Trans III cameras, plus the X-T3 and X-T30.

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
Why Film Simulation Recipes are BETTER than default Film Simulations
Why Shooting JPEGs Is So Popular

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

CineStill 400D v2 — A Fujifilm X-Trans IV & V Film Simulation Recipe

Orange & Blue – Phoenix, AZ – Fujifilm X-T5 – “CineStill 400D v2”

CineStill 400D is a cinematic color negative film meant for C41 processing that’s been around for less than a year. Unlike other cinematic films, the “D” doesn’t apparently stand for “Daylight” (even though it is Daylight balanced), but “Dynamic” because it has a large latitude for push processing. I’ve had a number of requests to create a Film Simulation Recipe that mimics the aesthetic of CineStill 400D. The problem I encountered is that this emulsion has a lot more variance than most films. All films can produce different looks depending on a host of factors, including how shot, developed, and scanned, but CineStill 400D seems especially so. As I understand, this film “scans flat” and some degree of post-processing is necessary, which likely accounts for some of that variance, as each photographer will manipulate the file to their own tastes to produce a final image.

No one recipe will ever come close to replicating all of the possible aesthetics from CineStill 400D, so instead I’m publishing a series of CineStill 400D Film Simulation Recipes, each a facsimile of a different look produced by the film. This recipe—CineStill 400D v2—has less contrast and leans more red/purple than the previous version. I think it is especially well suited for “golden hour” photography, but it is also a good option for overcast, shade, and midday sun. While it is certainly usable for many genres of photography, I particularly appreciate this one for urban and street photography.

This CineStill 400D v2 recipe was a joint effort between myself and Nestor Pool (Instagram, TikTok, Facebook, YouTube). We went back-and-forth on the settings, trying to match some examples of the film. After a few attempts, we decided it was best to focus on the “right feel” for what we wanted than an exact replication of the emulsion, especially since there was so much variance. After more fine-tuning, this is the recipe we created together. Nestor recommends using a 5% Moment CineBloom filter with these settings, although I didn’t do that with these pictures because my filter doesn’t have the right thread size for the lenses I used. It was a real honor to work with Nestor Pool, and I want to give him a special “thank you” for his efforts on this!

City of Grace Tower – Phoenix, AZ – Fujifilm X-T5 – “CineStill 400D”

This CineStill 400D v2 Film Simulation Recipe is compatible with “newer” Fujifilm X-Trans IV cameras—X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II—and all X-Trans V models—as of this writing, X-T5, X-H2, and X-H2S. Unfortunately, it is not compatible with the X-T3 and X-T30. Those with newer GFX models should be able to use it, too, but the rendering will be slightly different (try it anyway). Click here for CineStill 400D v1.

Film Simulation: Astia
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Weak
White Balance: Fluorescent 1, -2 Red & +4 Blue
Dynamic Range: DR200
Highlight: -2
Shadow: 0
Color: +2
Sharpness: -2

High ISO NR: -4
Clarity: -4
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this “CineStill 400D v2” Film Simulation Recipe on my Fujifilm X-T5:

Hiker, Birdwatcher & Fisherman – Gilbert, AZ – Fujifilm X-T5
Faded Trail Sign – Gilbert, AZ – Fujifilm X-T5
Masonic Walker – Phoenix, AZ – Fujifilm X-T5
Waiting in Yellow – Phoenix, AZ – Fujifilm X-T5
Alleyway Bike – Phoenix, AZ – Fujifilm X-T5
Green Land Rover – Phoenix, AZ – Fujifilm X-T5
No P – Phoenix, AZ – Fujifilm X-T5
Urban Palms – Phoenix, AZ – Fujifilm X-T5
Cross Palms – Phoenix, AZ – Fujifilm X-T5
Closed Church – Phoenix, AZ – Fujifilm X-T5
Building Blue – Phoenix, AZ – Fujifilm X-T5
Orange Reflection – Phoenix, AZ – Fujifilm X-T5
Building Within a Building – Phoenix, AZ – Fujifilm X-T5
Arrogant – Phoenix, AZ – Fujifilm X-T5
Vegan – Phoenix, AZ – Fujifilm X-T5
Haircut – Phoenix, AZ – Fujifilm X-T5
11 – Phoenix, AZ – Fujifilm X-T5
Sidewalk Dog – Phoenix, AZ – Fujifilm X-T5
Boarded Doors – Phoenix, AZ – Fujifilm X-T5
Cars & Closed Church – Phoenix, AZ – Fujifilm X-T5
Urban Skateboarder – Phoenix, AZ – Fujifilm X-T5
Orpheum – Phoenix, AZ – Fujifilm X-T5
Spanish Baroque Tower – Phoenix, AZ – Fujifilm X-T5
Night Beacon – Phoenix, AZ – Fujifilm X-T5

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Find this Film Simulation Recipe and over 250 more on the Fuji X Weekly — Film Recipes App!

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CineStill 400D v1 — A Fujifilm X-Trans IV & V Film Simulation Recipe

Illumination in the Dark Desert – Buckeye, AZ – Fujifilm X-T5 – “CineStill 400D v1”

CineStill 400D is a cinematic color negative film meant for C41 processing that’s been around for less than a year. Unlike other cinematic films, the “D” doesn’t apparently stand for “Daylight” (even though it is Daylight balanced), but “Dynamic” because it has a large latitude for push processing. I’ve had a number of requests to create a Film Simulation Recipe that mimics the aesthetic of CineStill 400D. The problem I encountered is that this emulsion has a lot more variance than most films. All films can produce different looks depending on a host of factors, including how shot, developed, and scanned, but CineStill 400D seems especially so. As I understand, this film “scans flat” and some degree of post-processing is necessary, which likely accounts for some of that variance, as each photographer will manipulate the file to their own tastes to produce a final image.

No one recipe will ever come close to replicating all of the possible aesthetics from CineStill 400D, so instead I will publish a series of CineStill 400D Film Simulation Recipes, each a facsimile of a different look produced by the film. This recipe—CineStill 400D v1—has more contrast and leans more green/yellow than the other versions that will follow. I think it is especially well suited for sunny daylight conditions, but it is also a good option for dreary overcast days. While it is certainly usable for many genres of photography, I particularly appreciate this one for landscapes.

Bougainvillea Warm – Buckeye, AZ – Fujifilm X-T5 – “CineStill 400D v1”

This CineStill 400D v1 Film Simulation Recipe is compatible with “newer” Fujifilm X-Trans IV cameras—X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II—and all X-Trans V models—as of this writing, X-T5, X-H2, and X-H2S. Unfortunately, it is not compatible with the X-T3 and X-T30. Those with newer GFX models should be able to use it, too, but the rendering will be slightly different (try it anyway). Click here for the CineStill 400D v2 recipe.

Film Simulation: Astia
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Strong
White Balance: Fluorescent 1, -6 Red & -3 Blue
Dynamic Range: DR200
Highlight: +3
Shadow: +1
Color: +2
Sharpness: -2

High ISO NR: -4
Clarity: -4
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “CineStill 400D v1” Film Simulation Recipe on my Fujifilm X-T5:

Red Pipe – Buckeye, AZ – Fujifilm X-T5
Dreary Bougainvillea – Buckeye, AZ – Fujifilm X-T5
Raindrop on Curled Leaf – Buckeye, AZ – Fujifilm X-T5
Fujifilm X100V on a Wet Table – Buckeye, AZ – Fujifilm X-T5
Autumn Sidewalk – Buckeye, AZ – Fujifilm X-T5
Suburban Bush – Buckeye, AZ – Fujifilm X-T5
Reflection on the Floor – Buckeye, AZ – Fujifilm X-T5
Dog Waste – Buckeye, AZ – Fujifilm X-T5
Stone Blooms – Buckeye, AZ – Fujifilm X-T5
Tree in the Cloudy Desert – Buckeye, AZ – Fujifilm X-T5
Suburban Stop Sign – Buckeye, AZ – Fujifilm X-T5
Joy – Gilbert, AZ – Fujifilm X-T5
Saguaro Storm – Buckeye, AZ – Fujifilm X-T5
Reflecting on Perspective – Buckeye, AZ – Fujifilm X-T5
Evening in the Desert – Buckeye, AZ – Fujifilm X-T5
Cactus Reflected – Buckeye, AZ – Fujifilm X-T5
Light & Clouds on Mountain Ridges – Buckeye, AZ – Fujifilm X-T5
Sunset Clouds – Buckeye, AZ – Fujifilm X-T5
Desert in Shadow & Light – Buckeye, AZ – Fujifilm X-T5
Last Sunlight Pouring Through a Pass – Buckeye, AZ – Fujifilm X-T5
Saguaro Fingers – Buckeye, AZ – Fujifilm X-T5
Dark Saguaro – Buckeye, AZ – Fujifilm X-T5
Cactus in Golden Light – Buckeye, AZ – Fujifilm X-T5

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black:  Amazon  B&H  Moment
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Find this Film Simulation Recipe and over 250 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-H1 (X-Trans III + X-T3 & X-T30) Film Simulation Recipe: Everyday Astia

Urban Palm Leaves – Sun City West, AZ – Fujifilm X-H1 – “Everyday Astia”

Earlier this year I started a new Film Simulation Recipe series with the intention of customizing each film simulation to optimize the aesthetic that Fujifilm intended. In other words, make a nice-looking recipe that is similar to yet better than the stock look of a film simulation. The first one was called Standard Provia and the second was called Improved Velvia. And then I stopped. Life happened. I took a long road trip. Now I’m living in another state (Arizona instead of Utah), and I’m picking this series back up again, taking a look at Astia.

The Astia film simulation doesn’t much resemble real Astia film—it’s actually closer to Provia 100F, but not a particularly close match to that, either. Even so, it’s actually a nice film simulation that is sometimes a “Goldilocks” option: contrasty but not too contrasty, vibrant but not too vibrant, etc.. Still, it’s one of the film simulations that I least use. Why? In my experience, a lot of times it just seems to lack the classic analog feel that I love; perhaps it is technically excellent but lacking soul. So I set out to give it some soul without significantly changing the overall aesthetic.

Partially Green – Sun City West, AZ – Fujifilm X-H1 – “Everyday Astia”

I call this recipe “Everyday Astia” because it is good for everyday photography. It’s great for sunshine and does well in the shade. It’s a good option for portraits. You can use it for street, landscape, or even artificial light photography—it’s highly versatile! This recipe is fully compatible with X-Trans III cameras plus the X-T3 and X-T30. To use it on newer X-Trans IV cameras (plus X-Trans V), set Color Chrome FX Blue to Off, Clarity to 0, and Grain size to Small.

Astia
Dynamic Range: DR400
Highlight: +1
Shadow: +1
Color: -1

Color Chrome Effect: N/A (X-Trans III) or Off (X-T3/X-T30)
Sharpness: -1
Noise Reduction: -4
Grain: Weak
White Balance: Auto, -1 Red & -2 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Everyday Astia” Film Simulation Recipe on my Fujifilm X-H1:

Architecture Abstract – Sun City West, AZ – Fujifilm X-H1
Striped Directory – Sun City West, AZ – Fujifilm X-H1
Fading Bloom – Sun City West, AZ – Fujifilm X-H1
Reaching Pink Flowers – Sun City West, AZ – Fujifilm X-H1
Empty Patio Chairs – Sun City West, AZ – Fujifilm X-H1
Welcome Courtyard – Sun City West, AZ – Fujifilm X-H1
Late Summer Leaves – Buckeye, AZ – Fujifilm X-H1
10:30 Moon – Sun City West, AZ – Fujifilm X-H1
Tiny Tower – Sun City West, AZ – Fujifilm X-H1
Palms & Building – Sun City West, AZ – Fujifilm X-H1
Architectural Stripes – Sun City West, AZ – Fujifilm X-H1
Mirror Mirrored – Sun City West, AZ – Fujifilm X-H1
Headlights – Sun City West, AZ – Fujifilm X-H1
Aged to Perfection – Sun City West, AZ – Fujifilm X-H1
Trike Tire – Buckeye, AZ – Fujifilm X-H1
Backlit Joy – Buckeye, AZ – Fujifilm X-H1
Happy Jon – Buckeye, AZ – Fujifilm X-H1
Building Storm Clouds – Buckeye, AZ – Fujifilm X-H1

This “Everyday Astia” recipe compared to “stock” Astia (everything set to factory defaults):

“Everyday Astia” recipe
Astia with everything set to factory defaults

Find this Film Simulation Recipe and nearly 250 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-Trans IV Film Simulation Recipe: Super HG Astia (Part 3 of 3)

Cacti Wall – Scottsdale, AZ – Fujifilm X-E4 – “Super HG Astia”

When Thomas Schwab shared with me his Fujicolor Super HG film simulation recipe, he also sent me an alternative recipe that uses Astia instead of Classic Negative. I gave it a try and thought that it worked quite well for landscape photography, particularly in sunny conditions. It can produce interesting results indoors or on cloudy days, but I think it really shines in sunshine. It’s called “Super HG Astia” because it is a modification of the Super HG recipe, but with Astia.

This “Super HG Astia” recipe wasn’t intended to mimic any particular film; however, it does have some resemblance to Fujichrome Provia 100F. For whatever reason, Fujifilm programmed the Provia film simulation to look more like Astia film, and the Astia film simulation to look more like Provia film, although neither are an exact match. This recipe brings the Astia film simulation closer to resembling Provia film (albeit unintentionally). It’s definitely not a perfect facsimile, but it does nonetheless produce a very nice Fuji color-reversal film aesthetic.

Green Pines – McCall, ID – Fujifilm X-E4 – “Super HG Astia”

This recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, and X-E4 cameras. I accidentally used Large grain for some of my pictures, and the results were fine, but Small grain is better in my opinion—feel free to use whichever Grain size you’d prefer. For the X-T3 and X-T30, you can use this recipe by ignoring Grain size, Clarity and Color Chrome FX Blue—the results will be slightly different, but pretty close. For X-Trans III cameras, you’ll have to additionally ignore Color Chrome Effect; again, the results will be a little different but still very similar. If you’ve got an X-Trans III or newer camera, I invite you to try this recipe. I want to give a special “Thank you!” to Thomas for creating and sharing this recipe!

Astia
Dynamic Range: DR400
Highlight: +2
Shadow: +1
Color: +2
Noise Reduction: -4
Sharpening: -1
Clarity: +2
Grain Effect: Weak, Small
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: Fluorescent 2, -3 Red & -1 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Super HG Astia film simulation recipe on my Fujifilm X-E4:

Blue Dumpsters – Phoenix, AZ – Fujifilm X-E4
This Sucker’s Electrical – Phoenix, AZ – Fujifilm X-E4
Gas Pipe – Phoenix, AZ – Fujifilm X-E4
Ms Pac-Man – Phoenix, AZ – Fujifilm X-E4
Pen – Phoenix, AZ – Fujifilm X-E4
Missing Boxer – Phoenix, AZ – Fujifilm X-E4
Watching A Two-Screen Movie – Scottsdale, AZ – Fujifilm X-E4
Lake Harbor – McCall, ID – Fujifilm X-E4
Lake Payette – McCall, ID – Fujifilm X-E4
Lake Log – McCall, ID – Fujifilm X-E4

Part 1 – Fujicolor Super HG Film Simulation Recipe
Part 2 -Fujicolor Super HG v2 Film Simulation Recipe

Find these film simulation recipes and many more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-Trans I Film Simulation Recipe: Superia Xtra 400

Forest River – Layton, UT – Fujifilm X-M1 – “Superia Xtra 400” – Photo by Joy Roesch

I handed my Fujifilm X-M1 camera to my daughter, Joy, and told her that she could change the settings to whatever she wanted them to be—you might remember that she created the Winter Blue film simulation recipe. She used the camera to capture a bunch of pictures; afterwards, when I reviewed the images, I was very impressed with the look that she created. I asked her why she chose these settings, and she answered that she had hoped to capture some cherry blossoms, and it was initially overcast when she dialed in the settings, and she thought that it might work well for that.

These settings remind me of my X-Trans IV Superia Xtra 400 film simulation recipe. It’s definitely not an exact match—there’s no way that it could be because X-Trans I cameras don’t have many of the JPEG options that X-Trans IV cameras have, including the Classic Negative film simulation—but it’s surprisingly similar. I don’t imagine it’s possible to get closer. If you have an X-Pro1, X-E1 or X-M1, this is your best bet for a Superia Xtra 400 look. I think it’s also not far off from my Superia Premium 400 recipe, although, again, it’s not an exact match, just in the general ballpark. For some of you, I have no doubts that this will become your new favorite recipe.

Horsetail Reeds – Layton, UT – Fujifilm X-M1 – “Superia Xtra 400” – Photo by Joy Roesch

While this recipe is intended for X-Trans I cameras, it’s possible to use it on Fujifilm Bayer cameras, although it will look slightly different. You can also use it on X-Trans II cameras, but it will look fairly significantly different, although you might like the results anyway, so it might be worth a try.

Astia
Dynamic Range: DR200
Highlight: -2 (Low)
Shadow: +1 (Medium-High)
Color: +2 (High)
Sharpness: 0 (Normal)
Noise Reduction: -2 (Low)
White Balance: Shade, +2 Red & +2 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: +2/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured by Joy using her “Superia Xtra 400” film simulation recipe on a Fujifilm X-M1:

Dirt Cliff Forest – Layton, UT – Fujifilm X-M1 – Photo by Joy Roesch
Sideways Tree – Layton, UT – Fujifilm X-M1 – Photo by Joy Roesch
Photographer Hiding in the Forest – Layton, UT – Fujifilm X-M1 – Photo by Joy Roesch
Forest Creek – Layton, UT – Fujifilm X-M1 – Photo by Joy Roesch
Water in the Woods – Layton, UT – Fujifilm X-M1 – Photo by Joy Roesch
Johanna on a Bridge – Layton, UT – Fujifilm X-M1 – Photo by Joy Roesch
Path Through The Trees – Layton, UT – Fujifilm X-M1 – Photo by Joy Roesch
Small Flower – Layton, UT – Fujifilm X-M1 – Photo by Joy Roesch
Patch of Red – Layton, UT – Fujifilm X-M1 – Photo by Joy Roesch
White Tree – Layton, UT – Fujifilm X-M1 – Photo by Joy Roesch

Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!

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Comparing Film Simulation Recipes


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I shoot JPEGs, but it’s not uncommon for me to shoot RAW+JPEG, since it gives me the opportunity to reprocess the picture in-camera, which is helpful when developing different film simulation recipes. Because of this, I was able to process a single picture I captured recently on my Fujifilm X-T30 using many of my different recipes to compare the differences. I thought that this might be helpful to some of you. Perhaps there’s one recipe that stands out to you in the pictures below that you’ve never used. Obviously different settings look better in different situations, and in this article there’s just one picture to compare, so even though you might not like how one recipe looks in this article doesn’t mean that you wouldn’t like it with different subject and in a different light. The scope of this article is quite limited, but I hope that seeing the various film simulation recipes applied to a single exposure is helpful to someone.

Not every recipe was used for this post. Some of them require a specific parameter that was not available. For example, the picture at the top was made using my HP5 Plus Push-Process recipe, which requires an ultra-high ISO, so it wasn’t possible to apply it to the exposure below. Other recipes, such as my faded color and faded monochrome, require double exposures. There are other film simulation recipes that you could try not represented below, and I invite you to investigate the different options to see if there’s one or more that work well for your photography. Let me know in the comments which film simulation recipe is your favorite and which in your opinion fits the exposure below best.

Color

B&W

Top 10 Most Popular Film Simulation Recipes

Film simulation recipes are the number one most popular type of article on Fuji X Weekly. These posts are what most people come to this blog to read. In fact, so far this year, the top twenty most read articles are all film simulation recipes. I thought it would be fun to share which are the most popular recipes, based on how many times they’ve been viewed so far this year. The newest ones haven’t been around long enough to make this list, so maybe I’ll periodically revisit this topic.

Top 10 Most Popular Film Simulation Recipes:

#10. X100F Acros

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Walking Man – SLC, UT – Fujifilm X100F

I was surprised to learn that this recipe, which is my original Acros recipe and the second film simulation recipe that I created, is the only black-and-white settings to make this list. I guess B&W isn’t as popular as color.

#9. X100F Astia

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Zions Bank Building – SLC, UT – Fujifilm X100F

This was one of the early film simulation recipes that I created. Honestly, it’s not my favorite, even though I liked it when I created it. I think it requires the right light to be effective, and it certainly can be effective, but it’s a little flat (lacking contrast) for many situations. Still, as I stated in the article, it’s a better option than keeping the camera on Provia with everything set to 0.

#8. X100F Ektar

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Summer Boy – Layton, UT – Fujifilm X100F

This recipe uses Astia, as well, yet produces much different results. While the regular Astia recipe is rather flat and bland, this one is vibrant and bold–sometimes too vibrant and bold. It’s not for everyday photography, but it’s an especially good recipe for the right subject.

#7. X100F Velvia

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Trees, Rocks & Cliffs – Grand Canyon NP, AZ – Fujifilm X100F

This is another early film simulation recipe. It was one that I always had programmed into the Q menu, until I made a new Velvia recipe that I liked more. Still, these are good settings that I used regularly for many months.

#6. X100F Eterna

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Expedition Lodge – Moab, UT – Fujifilm X100F

This was my attempt to create something that resembles the Eterna film simulation for those who have a Fujifilm camera without Eterna. More recently I created an alternative Eterna recipe that I much prefer.

#5. X100F Fujicolor Superia 800

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Caramel Macchiato – Sandy, UT – Fujifilm X100F

What I appreciate about this recipe is that it produces a nice negative film aesthetic with a slightly green-ish color cast. Many of my recipes tend to lean warm, so this one is a reprieve from that. I think it delivers lovely results, and I can definitely understand why it’s a popular recipe.

#4. X100F Portra 400

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Jump – South Weber, UT – Fujifilm X100F

What I don’t appreciate about this recipe is that it requires a tricky white balance setting that’s difficult to get right. If you can get the custom measurement correct, the results are great. I should revisit this recipe and attempt to create this look without requiring a vague custom white balance measurement.

#3. X100F Classic Chrome

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Closed Drive Thru Window – South Ogden, UT – Fujifilm X100F

This was the very first film simulation recipe that I created. It produces a look in the Ektachrome neighborhood. It looks nice and I’m not surprised that it’s so popular, but I have created other recipes that use Classic Chrome that I prefer more.

#2. X100F Vintage Kodachrome

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Old Log In Kolob Canyon – Zion NP, UT – Fujifilm X100F

Vintage Kodachrome is intended to mimic the look of the first generation of Kodachrome, which was used by photographers like Ansel Adams, Chuck Abbott, Barry Goldwater, and others. It’s a fun recipe, producing a vintage slide aesthetic.

#1. X-Pro2 Kodachrome II

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Pueblo de Taos – Taos, NM – Fujifilm X-Pro2

Classic Chrome is a popular film simulation, so it shouldn’t be too surprising that the top four recipes are all based on it. Kodachrome II is the only recipe in this list not developed on the X100F, although it can (like all of these recipes) be used on any X-Trans III or IV camera. This recipe is intended to mimic the look of the second generation of Kodachrome, which was used by photographers like Ernst Haas, Luigi Ghirri, William Eggleston and others. It’s one of my absolute favorite recipes that I’ve created.

Now it’s your turn. Which of these 10 recipes do you like most? Which recipe not on this list is your favorite? Let me know in the comments!

My Fujifilm X100F Astia Film Simulation Recipe



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Fujifilm Astia 100F color reversal (slide) film was popular among portrait and fashion photographers because of its excellent skin tone reproduction. It was known for low contrast and low color saturation, as well as having a slight warm/yellow cast and creamy highlights.

Astia would be pretty low on your list of choices for anything other than pictures of people. Because of this I only ever shot one roll of Astia 100F film.

The Astia Film Simulation on Fujifilm cameras doesn’t match real Astia film. It has far too much contrast and saturation, and the cast is more orange-red than yellow. But that doesn’t make it unworthy of your use. In fact, on the X-E1 that I used to own, it was my favorite choice and I used it probably 80% of the time.

Astia is not my favorite choice for color on my X100F. Classic Chrome is my go-to option, and I select Velvia (which has been noticeably improved) when I want something more bold. There is still a time and place for Astia, and I do use it occasionally.

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Autumn Forest Light – Bountiful, UT – Fujifilm X100F Astia

Something interesting that I discovered back on the X-E1, and it is still true on the X100F, is that Astia and Pro Neg Hi are nearly identical. Put them side-by-side and it can be tough to tell which is which. Astia has just a hair more color saturation and is just a tad warmer. Adjust color by one and customize the white balance and the two options are completely interchangeable.

One thing that I like about the Astia Film Simulation is that it strikes a good balance, sort of the Goldilocks of the Film Simulation options. Not too little or too much contrast, not too little or too much saturation, not too little or too much warmth–for many situations it is just a good choice. It won’t wow you but it won’t underwhelm you, either. I think it is a better standard Film Simulation than the standard (Provia) option.

I have customized my Astia Film Simulation to my liking. It is not intended to be more faithful to the actual film. I think if you were to adjust my settings to be -2 color and take a little red out of the white-balance you would be pretty close to actual Astia film. That’s not the look I want, so I stick with my custom recipe, which I think is better than Astia film ever was for things other than portraits.

Astia
Dynamic Range: DR200
Highlight: -1
Shadow: -2
Color: +1
Noise Reduction: -3
Sharpening: +1
Grain Effect: Weak
White Balance: Auto
ISO: Auto up to ISO 12800
Exposure Compensation: +1/3 (typically)

Example photos, all camera-made JPEGs captured using my Astia Film Simulation recipe:

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Leaf On The Windshield  – Bountiful, UT – Fujifilm X100F

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Autumn Apple – South Weber, UT – Fujifilm X100F

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Red Leaf In The Water – Bountiful, UT – Fujifilm X100F

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Downtown Tree In October – SLC, UT – Fujifilm X100F

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Autumn At Mill Creek – Bountiful, UT – Fujifilm X100F

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Sunlight In The Forest – Bountiful, UT – Fujifilm X100F

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Leaf In The Stream – Bountiful, UT – Fujifilm X100F

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Pumpkin Donut – South Weber, UT – Fujifilm X100F

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FED 5c & Film – South Weber, UT – Fujifilm X100F

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Blue Sky High Rise – SLC, UT – Fujifilm X100F

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Tired & Sad – SLC, UT – Fujifilm X100F

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Downtown Tourists – SLC, UT – Fujifilm X100F

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Temple Square – SLC, UT – Fujifilm X100F

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Pantheon & Patriotism – SLC, UT – Fujifilm X100F

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Zions Bank Building – SLC, UT – Fujifilm X100F

See also: My Fujifilm X100F Acros Film Simulation Recipe

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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