I Love Getting Analog Looks SOOC

Captured with a Fujifilm X100V using the Fujicolor Pro 400H recipe.

I love getting an analog aesthetic right out of camera! Fujifilm X cameras offer many great tools to get film-like results straight-out-of-camera without the need to edit. By adjusting the JPEG parameters, you can create various looks that I call film simulation recipes—I have published nearly 200 of them! These settings save you time, simplify the photographic process, and make capturing pictures even more enjoyable.

“By making it possible for the photographer to observe his work and his subject simultaneously,” wrote Edwin H. Land, co-founder of Polaroid, “and by removing most of the manipulative barriers between the photographer and the photograph, it is hoped that many of the satisfactions of working in the early arts can be brought to a new group of photographers.”

Ansel Adams called it One-Step Photography, and added, “The effect of one-step processing on both amateur and professional creative photography has been revolutionary. As with all art forms, we must accept the limitations of the medium as well as revel in the advantages.”

Land and Adams were specifically talking about Polaroid pictures, but I think it applies similarly to Fujifilm X cameras and film simulation recipes. The “manipulative barriers between the photographer and the photograph” have been removed! Now you just have to decide which recipe you want to use, like picking which film to load, and start creating, without worrying about how you’re going to later manipulate the pictures, because the straight-out-of-camera pictures are pretty darn good, and don’t require manipulation. Sure, edit if you want—there’s nothing wrong with that—but you don’t have to if you don’t want to, and there’s nothing wrong with that, either. Ansel Adams called it “revolutionary” and said to “revel in the advantages.” There’s freedom in this.

All of the pictures in this article are unedited (except for perhaps some minor cropping) straight-out-of-camera JPEGs that I recently captured using a Fujifilm X camera and a film simulation recipe.

Captured with a Fujifilm X100V using the Kodak Tri-X 400 recipe.
Captured with a Fujifilm X100V using the AgfaColor RS 100 recipe.
Captured with a Fujifilm X-E4 using the Kodacolor VR recipe.
Captured using a Fujifilm X-E4 with the Fujicolor Superia 1600 recipe.

SOOC Episode 02 (and Episode 03!)

Despite a little technical trouble, Episode 02 of SOOC was a great success! I appreciate everyone who tuned in, and for everyone who participated. You guys are great! And it was wonderful to see your Kodachrome II pictures! Here’s the link to submit your Fujicolor C200 photographs: click here. I hope there was something in the broadcast that you found helpful or interesting, and that it was worth your time. It was supposed to be 45 minutes, but it ended up doubling that! If you missed it, you can watch it above.

The technical difficulty that I had on my end is this: my Fujifilm X-E4 that I was using for this broadcast kept overheating. In my review of the camera, I stated that I thought a similar overheating issue to the X100V was possible. Up until this video, which was being recorded live, I had not experienced it. Well, now you and I know: the X-E4 is prone to overheating if left on too long. I’ll use a different camera for future episodes.

I don’t believe the Fuji X Weekly App 12-month Patron giveaway winner has stepped forward yet. Adnan Omanovic was randomly selected from those who submitted pictures. Adnan, if you read this, leave a comment or send me a message so that I can get you your prize.

Episode 03 is already scheduled! If you click on the video where it says “Watch on YouTube” you can then “set a reminder” so you don’t miss it. Otherwise, mark your calendar for September 9th. I hope to see you then!

Reminder: SOOC Episode 02 This Thursday!

As a reminder, Episode 02 of the live interactive video series SOOC will be this Thursday, August 12, at 11 AM MST (10 AM Pacific, 1 PM Eastern)!

SOOC is a collaboration between Tame Your Fujifilm (Fujifilm X Photographer Nathalie Boucry) and Fuji X Weekly (Ritchie Roesch). It is a monthly live video series, and each episode focuses on a different film simulation recipe. It’s a fun and educational experience where we will not only talk about Fujifilm camera settings, but also answer your questions. This is an interactive program, which means that we need your participation! Mark your calendar and be sure to tune in!

I’m really looking forward to Episode 02. Among other things, we’ll take a look at your pictures captured with the Kodachrome II film simulation recipe, and discuss the Fujicolor C200 recipe! I really hope you’ll tune in!

If you missed Episode 01, you’ll find it below:

Fujifilm X-Trans IV Film Simulation Recipe: Super HG Astia (Part 3 of 3)

Cacti Wall – Scottsdale, AZ – Fujifilm X-E4 – “Super HG Astia”

When Thomas Schwab shared with me his Fujicolor Super HG film simulation recipe, he also sent me an alternative recipe that uses Astia instead of Classic Negative. I gave it a try and thought that it worked quite well for landscape photography, particularly in sunny conditions. It can produce interesting results indoors or on cloudy days, but I think it really shines in sunshine. It’s called “Super HG Astia” because it is a modification of the Super HG recipe, but with Astia.

This “Super HG Astia” recipe wasn’t intended to mimic any particular film; however, it does have some resemblance to Fujichrome Provia 100F. For whatever reason, Fujifilm programmed the Provia film simulation to look more like Astia film, and the Astia film simulation to look more like Provia film, although neither are an exact match. This recipe brings the Astia film simulation closer to resembling Provia film (albeit unintentionally). It’s definitely not a perfect facsimile, but it does nonetheless produce a very nice Fuji color-reversal film aesthetic.

Green Pines – McCall, ID – Fujifilm X-E4 – “Super HG Astia”

This recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, and X-E4 cameras. I accidentally used Large grain for some of my pictures, and the results were fine, but Small grain is better in my opinion—feel free to use whichever Grain size you’d prefer. For the X-T3 and X-T30, you can use this recipe by ignoring Grain size, Clarity and Color Chrome FX Blue—the results will be slightly different, but pretty close. For X-Trans III cameras, you’ll have to additionally ignore Color Chrome Effect; again, the results will be a little different but still very similar. If you’ve got an X-Trans III or newer camera, I invite you to try this recipe. I want to give a special “Thank you!” to Thomas for creating and sharing this recipe!

Astia
Dynamic Range: DR400
Highlight: +2
Shadow: +1
Color: +2
Noise Reduction: -4
Sharpening: -1
Clarity: +2
Grain Effect: Weak, Small
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: Fluorescent 2, -3 Red & -1 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Super HG Astia film simulation recipe on my Fujifilm X-E4:

Blue Dumpsters – Phoenix, AZ – Fujifilm X-E4
This Sucker’s Electrical – Phoenix, AZ – Fujifilm X-E4
Gas Pipe – Phoenix, AZ – Fujifilm X-E4
Ms Pac-Man – Phoenix, AZ – Fujifilm X-E4
Pen – Phoenix, AZ – Fujifilm X-E4
Missing Boxer – Phoenix, AZ – Fujifilm X-E4
Watching A Two-Screen Movie – Scottsdale, AZ – Fujifilm X-E4
Lake Harbor – McCall, ID – Fujifilm X-E4
Lake Payette – McCall, ID – Fujifilm X-E4
Lake Log – McCall, ID – Fujifilm X-E4

Part 1 – Fujicolor Super HG Film Simulation Recipe
Part 2 -Fujicolor Super HG v2 Film Simulation Recipe

Find these film simulation recipes and many more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Live From South Africa: SOOC – A Fuji X Weekly Collaboration with Tame Your Fujifilm

Join Ritchie Roesch (Fuji X Weekly) and Nathalie Boucry (Tame Your Fujifilm) this Thursday (7/8/21) at 11:00 am Mountain Standard Time for a live interactive broadcast called SOOC where we’ll talk about Fujifilm camera settings and film simulation recipes! In Season 01 Episode 01 we’ll discuss the Kodachrome II film simulation recipe.

Nathalie Boucry is an official Fujifilm-X Photographer from Johannesburg, South Africa, who specializes in corporate event, portraiture, and lifestyle photography. She’s also an official Instax Ambassador. Nathalie is the creator and host of the Tame Your Fujifilm educational series.

SOOC is a collaboration between Tame Your Fujifilm and Fuji X Weekly. It will be a monthly live video series, with each episode focused on a different film simulation recipe. It will be a fun and educational experience where we will not only talk about Fujifilm camera settings, but also answer your questions. This is an interactive program, which means that we need your participation! Mark your calendar and be sure to tune in!

You can find Episode 01 below, but in order to interact, you’ll want to jump onto YouTube or Facebook, where you can leave comments, some of which will be incorporated into the show. The broadcast will begin at 10 am Pacific Time, 11 am Mountain Time, 12 pm Central Time, and 1 pm Eastern Time. Wherever you are in the world, I hope that you can join us. See you this Thursday!

Help us get the word out, and share this post or the video above on your social media channels! I appreciate your support, and I look forward to hearing from you on Thursday!

Two Fujifilm X-Trans IV Film Simulation Recipes: Expired Slide + Expired Slide v2

United Carrier – Salt Lake City, UT – Fujifilm X-E4 – “Expired Slide”
United Carrier – Salt Lake City, UT – Fujifilm X-E4 – “Expired Slide v2”

I set out to recreate the look of expired slide film. Perhaps expired is the wrong term, because the aesthetic that I was after is more like mishandled slide film—not stored correctly or developed promptly. Maybe it passed its expiration date because it sat in a drawer for so long, or maybe it was in a hot car for a couple of hours, but, whatever the reason, it definitely doesn’t look right.

Why would I want to create this look? Because it’s an interesting vintage aesthetic that was somewhat common in the film era. While most people would not want this outcome, interestingly enough, there are some film photographers (a.k.a. Lomographers) who do this kind of thing on purpose specifically because they want this look. The two film simulation recipes below are for those people seeking something different. Neither of these will likely be anyone’s “go-to” recipe, but if you want something that’s a bit unusual, these are ones to try.

The film simulation recipe called Expired Slide was actually the second one, as I created (what I now call) Expired Slide v2 first. I liked the original settings, but thought that it might be a bit too much, so I toned it back slightly. I posted examples of both recipes to Instagram and let you guys decide which one was best. The Expired Slide recipe won hands-down, but there were some who passionately preferred Expired Slide v2, so I’m posting both. The only difference is the white balance (and shift), otherwise they’re identical. Expired Slide has more of a red-orange cast while Expired Slide v2 has more of a red-purple cast. Both recipes (as of this writing) are only compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10 and X-E4 cameras.

Expired Slide:

Forest Flowers – Ponderosa State Park, ID – Fujifilm X-E4

Velvia
Dynamic Range: DR400
Highlight: +2
Shadow: -1
Color: -4
Noise Reduction: -4
Sharpness: -2
Clarity: -2
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 5500K, +7 Red & -2 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Limited 4404 – Salt Lake City, UT – Fujifilm X-E4
Free – Boise, ID – Fujifilm X-E4
Free Signs – Boise, ID – Fujifilm X-E4
Construction Crane – Boise, ID – Fujifilm X-E4
10:45 – Boise, ID – Fujifilm X-E4
Red Fence – Salt Lake City, UT – Fujifilm X-E4
Tulip Blooms – Salt Lake City, UT – Fujifilm X-E4
Dark Payette Lake – McCall, ID – Fujifilm X-E4
Mossy Trunk – Ponderosa State Park, ID – Fujifilm X-E4

Expired Slide v2:

Caterpillar – Salt Lake City, UT – Fujifilm X-E4

Velvia
Dynamic Range: DR400
Highlight: +2
Shadow: -1
Color: -4
Noise Reduction: -4
Sharpness: -2
Clarity: -2
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 5000K, +8 Red & 0 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Red Barn – Salt Lake City, UT – Fujifilm X-E4
Jump Pad – Salt Lake City, UT – Fujifilm X-E4
Stack of Buckets – Salt Lake City, UT – Fujifilm X-E4
The Oaks – Ogden Canyon, UT – Fujifilm X-E4
Lake Marina – McCall, ID – Fujifilm X-E4
Two Dogs Swimming – Ponderosa State Park, ID – Fujifilm X-E4
Jon Fishin’ – McCall, ID – Fujifilm X-E4
Log in the Water – McCall, ID – Fujifilm X-E4
Payette Lakeshore – Ponderosa State Park, ID – Fujifilm X-E4

Find these film simulation recipes and many more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Best Fujifilm Film Simulations

DPReview listed their Top 5 Best Fujifilm Film Simulations in the video above. I think it’s great that they’re highlighting Fujifilm’s great JPEG options and give light to some of the film simulations. While I’m sure that they made adjustments to the stock settings, I feel like they haven’t discovered the joy of film simulation recipes, and are mostly using the stock settings. There’s nothing wrong with that, of course, because out-of-the-box the different film simulations are great, but with some tweaking you can achieve all sorts of different looks. I think it’s something that they’d really appreciate, if they only knew.

I went on the Fuji X Weekly — Film Recipes App (available for iOS and Android) and filtered by Camera and Film Simulation. If you are a Patron on the App, you can filter the recipes by camera model or sensor, and by film simulation or color/b&w—the best app experience is reserved for Patrons. For this experiment, I chose the Fujifilm X100F and Classic Chrome. There are 15 different options, each with a different aesthetic (Vintage Kodachrome didn’t fit on the screenshot list). Those are just the X-Trans III recipes that use Color Chrome. If you don’t filter by camera or sensor, there are 45 recipes that use Classic Chrome (and over 150 total recipes)!

I know in the video they say that Classic Chrome is “gross” but perhaps it’s only because they haven’t used the right film simulation recipe. It could be that one of those 45 mentioned above produces a look that they’d love.

I don’t want to rehash DPReview’s video, so instead I will list some of my personal favorite recipes, organized by Film Simulation (they’re not ranked), which you’ll find below. There are so many to choose from, and narrowing it down is a tough task, so obviously not all of my favorites made the list. There are so many Classic Chrome and Classic Negative options that I love, so those two were especially difficult to decide what to include below. Hopefully you’ll find this this exercise helpful, or at least fun, and maybe discover a new recipe to try.

Provia

Provia 400

Big Sky Over Yellow House – Farmington, UT – Fujifilm GFX-50S – “Provia 400”

Cross Process

Truck Stop – Bowie, TX – Fujifilm X100F – “Cross Process”

Color Negative Film

Pink Roses – Farmington, UT – Fujifilm X-Pro1 – “Color Negative Film”

Velvia

Velvia v2

Sunset Cyclists – Farmington, UT – Fujifilm X-T30 – “Velvia v2”

The Rockwell

Abandoned Dream – Red Rock Lakes NWR, MT – Fujifilm X100V – “The Rockwell”

Vivid Color

Vibrant Autumn – Fruit Heights, UT – Fujifilm X-M1 – “Vivid Color”

Astia

Astia

Nature Flames – Mirror Lake, UT – Fujifilm XQ1 – “Astia”

Superia Xtra 400

Forest River – Layton, UT – Fujifilm X-M1 – “Superia Xtra 400”

Redscale

Corner Trunk – South Weber, UT – Fujifilm X-T30 – “Rescale”

Classic Chrome

Kodak Portra 400 v2

Julien Jarry with RED Camera – Antelope Island SP, UT – Fujifilm X100V – “Kodak Portra 400 v2”

Kodachrome 64

Onaqui Wild Horses – Dugway, UT – Fujifilm X-T30 – “Kodachrome 64”

Golden Negative

Hidden Church – North Salt Lake, UT – Fujifilm X-T200 – “Golden Negative”

PRO Neg. Hi

Jeff Davenport Night

Wet Glass Bokeh – Salt Lake City, UT – Fujifilm X-T30 – “Jeff Davenport Night”

Fujicolor Pro 400H

Pink Roses – Farmington, UT – Fujifilm X-T30 – “Fujicolor Pro 400H”

PRO Neg. Hi

Christmas Joy – Scottsdale, AZ – Fujifilm X100F – “PRO Neg. Hi”

PRO Neg. Std

Fujicolor 100 Industrial

Urban Binding – SLC, UT – Fujifilm X-T30 – “Fujicolor 100 Industrial”

CineStill 800T

Night Synergy – Centerville, UT – Fujifilm X-T1 – “CineStill 800T”

Fujicolor Superia 800

Caramel Macchiato – Sandy, UT – Fujifilm X100F – “Fujicolor Superia 800”

Eterna

Kodak Vision3 250D

Ice Cream Trailer – Farmington, UT – Fujifilm X-T30 – “Kodak Vision3 250D”

Vintage Color

Sentinel & Merced – Yosemite NP, CA – Fujifilm X100V – “Vintage Color”

Polaroid

Wilting Flower – Farmington, UT – Fujifilm X-T30 – “Polaroid”

Eterna Bleach Bypass

LomoChrome Metropolis

Stop No. 11 – Farmington, UT – Fujifilm X-T4 – “LomoChrome Metropolis”

Ektachrome 320T

Since 1938 – Farmington, UT – Fujifilm X-E4 – “Ektachrome 320T”

Grizzly Ride

Slug Bug – Farmington, UT – Fujifilm X-E4 – “Grizzly Ride”

Classic Negative

Xpro ’62

Empty Diner – Reno, NV – Fujifilm X100V – “Xpro ’62”

Positive Film

Approaching Storm at Last Light – Farmington, UT – Fujifilm X-E4 – “Positive Film”

Vintage Vibes

Autumn Aspen – Big Arm, MT – Fujifilm X100V – “Vintage Vibes”

Acros

Kodak Tri-X 400

Leaves in the Forest – Farmington, UT – Fujifilm X100V – ISO 3200 – “Kodak Tri-X 400”

Agfa Scala

Semi & Dinosaur – Santa Rosa, NM – Fujifilm X100F – “Agfa Scala”

Black & White Infrared

Stop Here on Infrared – Yellowstone NP, WY – Fujifilm X100V – “Black & White Infrared”

Monochrome

Ilford Ortho Plus 80

760 – Farmington, UT – Fujifilm X100V – “Ilford Ortho Plus 80”

Dramatic Monochrome

The Obscurity of Light – Farmington, UT – Fujifilm X-T30 – “Dramatic Monochrome”

Kodak T-Max 400

People Shadows – North Salt Lake, UT – Fujifilm X100V – “Kodak T-Max 400”

Sepia

Sepia

No Credit Tires – Bountiful, UT – Fujifilm X-T30 – “Sepia”

Now it’s your turn! Which of these film simulation recipes do you like best? Which recipes that I didn’t include are your favorites? Let me know in the comments!

Find these film simulation recipes and many more in the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X-Trans IV (X-Pro3, X100V, X-T4, X-S10 & X-E4) Film Simulation Recipe: Fujicolor NPS 160 Pulled

Sunlight Through The Forest – Farmington, UT – Fujifilm X-E4 – “Fujicolor NPS 160 Pulled”

Fujifilm introduced Fujicolor NPS 160 sometime in the 1990’s. It was a low contrast, low saturation color negative film intended for portrait photography. Fujifilm replaced it in 2004 with Fujicolor Pro 160S (later renamed Fujicolor Pro 160NS). I actually shot a few rolls of NPS 160 back in the day, and a picture of my parents captured with this film hangs an a wall in their house. Pulling the film, which is a technique where you overexpose and reduce development time to compensate, further reduces the contrast and saturation. This recipe looks a lot like NPS 160 that’s been pulled.

This Fujicolor NPS 160 Pulled recipe was created by Thomas Schwab, who has made several film simulation recipes published on this website, including Superia Xtra 400Urban Vintage ChromeKodachrome II, Kodak Portra 800 v2Classic MonochromeB&W Superia, and Monochrome Kodachrome. Thomas has also collaborated on other recipes, playing an important role in getting them right, including Kodak Portra 800Kodak Ektar 100Kodachrome 1Kodak Portra 400, and Kodak T-Max 400. Some of Thomas Schwab’s pictures that he captured with this recipe can be found further down.

Empty Garage – Salt Lake City, UT – Fujifilm X-E4 – “Fujicolor NPS 160 Pulled”

What I especially love about this recipe is that it has a soft feel that’s just wonderful. It has a film-like quality to it that’s easy to appreciate. I really love shooting with this recipe! Because it required the Classic Negative film simulation, Color Chrome FX Blue and Clarity, it’s only compatible with the Fujifilm X-E4, X100V, X-Pro3, X-T4, and X-S10 cameras.

Classic Negative
Dynamic Range: DR400
Highlight: -2
Shadow: -2
Color: -4
Noise Reduction: -4
Sharpeness: +1
Clarity: -2
Grain Effect: Weak, Small
Color Chrome Effect: Weak
Color Chrome Effect Blue: Strong
White Balance: Auto, -1 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 1/3 (typically)

Example photographs, all camera-made JPEGs using this Fujicolor NPS 160 Pulled film simulation recipe:

Thomas Schwab

Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab
Photo by Thomas Schwab

Ritchie Roesch

Evening Condos – Farmington, UT – Fujifilm X-E4
Country Trailers – Farmington, UT – Fujifilm X-E4
Farm Dirt – Farmington, UT – Fujifilm X-E4
Sunlight Through Forest Branches – Farmington, UT – Fujifilm X-E4
Forest Trail – Farmington, UT – Fujifilm X-E4
Fresh Leaves – Farmington, UT – Fujifilm X-E4
Ghost Bike Ahead – Farmington, UT – Fujifilm X-E4
Bunch of Blooms – Farmington, UT – Fujifilm X-E4
Peace – Farmington, UT – Fujifilm X-E4
Building Legos – Farmington, UT – Fujifilm X-E4
Jon on a Couch – Farmington, UT – Fujifilm X-E4

Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X100V (X-Trans IV) Film Simulation Recipe: Xpro ’62

Empty Diner – Reno, NV – Fujifilm X100V – “Xpro ’62”

Inspiration for film simulation recipes can come from unusual places. This recipe, for example, was inspired by a promotional photograph of Ron Howard for the movie American Graffiti hanging on the wall of Mels Diner in Reno, Nevada. A little trivia: Ron Howard shoots Fujifilm cameras—or, at least, he’s been spotted sporting an X100F. Anyway, it seems unlikely, but it’s true, that an old image of Ron Howard from 1973 hanging on the wall of a restaurant in Reno inspired a new recipe that will be used by hundreds—maybe thousands—of Fujifilm photographers across the world.

This particular picture, which you can see in the image below towards the left-side, had a cross-process look to it, like reversal film developed in negative film chemistry. Of course, cross-processed film can have many different looks, depending on several factors, including (especially) the film used. I have no idea what film or process was used for that Ron Howard picture—I tried researching it, but came up empty; however, while I was waiting for my dinner to arrive at the table, I fiddled with the settings on my Fujifilm X100V and created a facsimile to that picture aesthetic.

Picture of Ron Howard (left-side) that inspired this recipe… captured with this recipe.

The photographer who captured the picture is most likely Dennis Stock. I couldn’t find a whole lot about what films he used for his color photographs or his darkroom techniques. Dennis was a legendary Magnum photographer who was best known for his celebrity photographs. His picture might not actually be cross-processed film, but it has a cross-processed look nonetheless.

The reason why I named this recipe “Xpro ’62” is because Xpro is a common abbreviation for “cross-process” and 1962 is the year that American Graffiti takes place. Promotional posters for the movie often included the question, “Where were you in ’62?” I thought that “Xpro ’62” would be a logical fit. Because this film simulation recipe uses the Classic Negative film simulation and other new JPEG options available on the newer cameras, it is only compatible with (as of this writing) the Fujifilm X-Pro3, X100V, X-T4, X-S10 and X-E4. Also, for some of the pictures in this article I used a Tiffen 1/4 Black Pro Mist filter to diffuse the highlights (such as Empty Diner at the top).

Wharf – Santa Cruz, CA – Fujifilm X100V – “Xpro ’62”

Classic Negative
Dynamic Range: DR400
Highlight: +3
Shadow: 0
Color: +4
Noise Reduction: -4
Sharpening: -4
Clarity: -4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Auto, -3 Red & -9 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this new “Xpro ’62” film simulation recipe on my Fujifilm X100V:

Cigarettes – Reno, NV – Fujifilm X100V
Wall Harley – Reno, NV – Fujifilm X100V
In Bottles – Reno, NV – Fujifilm X100V
Stay Apart – Hollister, CA – Fujifilm X100V
Casa de Cherries – Hollister, CA – Fujifilm X100V
Basketball Hoop Unused – San Francisco, CA – Fujifilm X100V
Stop Turning – Santa Cruz, CA – Fujifilm X100V
Tracks & Bridge – Santa Cruz, CA – Fujifilm X100V
Suburban Truck – Reno, NV – Fujifilm X100V
Electric Intersection – Reno, NV – Fujifilm X100V
Flower by the Path – Reno, NV – Fujifilm X100V
Flowers & Stone – Hollister, CA – Fujifilm X100V
Lower Yosemite Falls – Yosemite NP, CA – Fujifilm X100V
Tree & Lower Falls – Yosemite NP, CA – Fujifilm X100V
Yosemite Trees – Yosemite NP, CA – Fujifilm X100V
Sentinel Above Merced River – Yosemite NP, CA – Fujifilm X100V
Upper Yosemite Falls – Yosemite NP, CA – Fujifilm X100V
El Cap – Yosemite NP, CA – Fujifilm X100V
El Cap & Merced – Yosemite NP, CA – Fujifilm X100V

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H

Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X-Trans III + X-T30 & X-T3 Film Simulation Recipe: Chrome Bypass

Don’t Walk Under Falling Bicycles – Farmington, UT – Fujifilm X-T30 – “Chrome Bypass”

There are a number of X-Trans IV film simulation recipes that I’ve had multiple requests to create versions for that are compatible with X-Trans III and X-T3 and X-T30 cameras. LomoChrome Metropolis and Bleach Bypass are two that are commonly requested. These recipes require JPEG settings that don’t exist on the “older” cameras, including the Classic Negative or Eterna Bleach Bypass film simulations. I knew it would be impossible to recreate those recipes for X-Trans III and the X-T3 and X-T30 cameras, but I wanted to get as close as I could. After much experimenting, I came up with some settings that are sometimes similar to the LomoChrome Metropolis recipe and are sometimes similar to the Bleach Bypass recipe, and sometimes not like either.

What the LomoChrome Metropolis and the Bleach Bypass recipes have in common are that they’re both high in contrast and low in color saturation. There are some other similarities between them, but there’s plenty that’s different, too. This recipe with certain subjects and in certain light situations can resemble one or the other, or neither. It’s as close as I could get. If you like the LomoChrome Metropolis and Bleach Bypass recipes, this is your best bet for X-Trans III and X-T3 and X-T30 cameras (aside from doing double-exposures). While it’s not as “perfect” as I was hoping to achieve, I think it’s a pretty good recipe for capturing dramatic pictures. It’s kind of (but not really) the low saturation version of Dramatic Classic Chrome.

1100 Stop – Farmington, UT – Fujifilm X-T30 – “Chrome Bypass”

Because these settings resemble both the LomoChrome Metropolis and the Bleach Bypass film simulation recipes, I decided to name this recipe Chrome Bypass, taking a little from each name. I don’t currently have access to an X-Trans III camera, so I don’t have any samples captured with a Fujifilm X-Trans III camera, but it should look very similar.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +3
Shadow: +4
Color: -4
Color Chrome Effect: Off or N/A
Sharpness: -1
Noise Reduction: -4
Grain Effect: Strong
White Balance: Auto, +2 Red & -5 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Sample photographs, all camera-made JPEGs, captured with a Fujifilm X-T30 using this “Chrome Bypass” film simulation recipe:

Mountain Teasels – Farmington, UT – Fujifilm X-T30
Cloudy Branches – Farmington, UT – Fujifilm X-T30
Summer Tree – Farmington, UT – Fujifilm X-T30
Country Fence & Old Tires – Farmington, UT – Fujifilm X-T30
Tulip Pot – Farmington, UT – Fujifilm X-T30
Colorful Tulips – Farmington, UT – Fujifilm X-T30
Handy Dandy Grill – Farmington, UT – Fujifilm X-T30
Little Bit of Green – Farmington, UT – Fujifilm X-T30
Thrown Pillow – Farmington, UT – Fujifilm X-T30
Instax Table – Farmington, UT – Fujifilm X-T30

Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!

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My Fujifilm JPEG Journey

Hidden Church – North Salt Lake, UT – Fujifilm X-T200

I didn’t always shoot JPEGs. I used to shoot RAW. Now with Fujifilm cameras I am a JPEG guy, and I’m inspiring many others to shoot JPEGs, too.

This is my journey.

I learned photography in the film era just before digital photography became a big thing. I didn’t like digital photography in those early days—I could spot a digital picture pretty easily. I resisted buying a digital camera for about 10 years. Technology changes quickly, and digital camera technology advanced to a point that it made sense for me to jump in. I’ve been primarily shooting digital for a little over 10 years now; I still shoot film, although since using Fujifilm cameras I’ve shot a lot less of it.

When I started in digital photography, I took the advice that is often given to newcomers: shoot RAW. JPEGs are terrible, so if you’re serious, shoot RAW. I didn’t initially heed this advice as the learning curve for RAW editing software is steep, but I quickly learned a tough lesson. I was in Sedona, Arizona, at Red Rock Crossing at sunset with a clearing storm, photographing the iconic Cathedral Rock with the Oak Creek in the foreground. It was incredible! I shot it with the camera set to JPEG. Later, when I reviewed the pictures on my computer, I discovered that the JPEGs were simply awful! I tried to “fix” them in software, but it was simply a missed opportunity. That’s why you shoot RAW.

One of the problems with RAW is that it can take a lot of time to edit, or really develop, the images. Some pictures can be quick, but some can take hours. I once had a particular brand of camera with a unique three-layer sensor, and it would often take 30 minutes to an hour or more to get a finished picture from a RAW file. It was painfully slow! I spent a lot of time sitting at the computer editing pictures. I tried to find shortcuts to speed up the process, but editing still took up a significant chunk of my time.

Blue Mountain Lake – Flathead Lake, MT – Fujifilm X-T30

My first Fujifilm camera was an X-E1 that I purchased used. I immediately loved it, but I did not understand how great the JPEGs were. I was still a RAW shooter. I did some RAW+JPEG with that camera, and I was impressed that the JPEGs actually looked pretty good. Several months later I purchased a Fujifilm X100F. While shooting RAW+JPEG on the X100F, I began to notice that the straight-out-of-camera JPEGs looked an awful lot like the RAW images that I had spent time post-processing. It was a lightbulb moment.

I began to experiment with the different JPEG settings and I realized that I could achieve in-camera different looks that I liked. I’m not 100% sure where the term “recipe” came from—if it was something that I invented or if someone else came up with it first—but I began to create film simulation recipes (sets of JPEG settings) for my X100F. The very first recipe was simply called “Acros” and I published it on August 27, 2017. It was the fifth post on this blog. My “Classic Chrome” film simulation recipe was published later that same day. I stopped shooting RAW and relied entirely on camera-made JPEGs.

I thought it truly amazing that high-quality pictures that looked like post-processed RAW images could come straight-out-of-camera. It felt good to not spend hours and hours sitting in front of a computer editing pictures. What was most meaningful to me is the time that shooting JPEGs saved me. Suddenly I had a lot more free time, which I spent on two things: my family and photography. My family life improved while my photography simultaneously became significantly more productive. It may seem like hyperbole to state that it changed my life, but it really did!

Time went on and my film simulation recipes were noticed by others. They spread by word of mouth, and more and more photographers began to use them. The more that I experimented, the more creative I got with the settings. I began to get requests to create different film looks. I collaborated with others on some settings. People began to create their own recipes, sharing them on social media. Film simulation recipes are now more than just JPEG presets, they bring people together, the foundation of community.

The way that the world is being captured today is in part through the filter of the film simulation recipes on this website. People across the globe, from new-to-photography to experienced-pro, are using these settings. I’m honored and humbled to influence photography in this way. I cannot tell you how many times people have told me that these recipes have had an impact on their photography, either rejuvenating their passion or saving them time (or both).

Forsaken – North Salt Lake, UT – Fujifilm X100V

When I was in Photography 101 in college, my pictures weren’t as good as some of my classmates, and I wondered if I’d ever amount to anything as a photographer. Through various photographic failures that I’ve endured over the years, I wondered if I should keep pressing forward. When I began this blog three years ago, I wondered if anyone would even read it. There’s no need to wonder anymore, except perhaps to where all this might lead.

I don’t consider myself an influential photographer, but there’s no doubt that I’m influencing photography. The stigma attached to the camera-made JPEG is changing (in part) because of me. The aesthetic of today’s pictures is (in part) the recipes from this website. My reach on this website is worldwide and the audience much larger than I could have ever dreamed.

I still primarily shoot JPEGs, but I discovered along the way that film simulation recipes are much easier to create when you can reprocess RAW files, either in-camera or with X RAW Studio. Instead of strictly being a JPEG-only photographer, I use RAW+JPEG, but I still only use camera-made JPEGs. That’s what works for me.

Really, it’s about finding what works for you and your photography. RAW might work best for one person, RAW+JPEG for another, and JPEG-only for another. There’s no right or wrong way to do things. There’s advantages and disadvantages to each. Nobody should say that everyone should do things one way, or put people down for doing it different than them.

For myself and a growing group of photographers, using film simulation recipes on Fujifilm cameras is the preferred method. I’m a JPEG guy, or, really, RAW+JPEG. I get the pictures that I want straight-out-of-camera without the need for editing, except for minor cropping and occasional small adjustments, which I do on my phone. You won’t find me sitting at a computer fiddling with files. There’s no need to. That’s why I love Fujifilm JPEGs.