Best Fujifilm Film Simulations

DPReview listed their Top 5 Best Fujifilm Film Simulations in the video above. I think it’s great that they’re highlighting Fujifilm’s great JPEG options and give light to some of the film simulations. While I’m sure that they made adjustments to the stock settings, I feel like they haven’t discovered the joy of film simulation recipes, and are mostly using the stock settings. There’s nothing wrong with that, of course, because out-of-the-box the different film simulations are great, but with some tweaking you can achieve all sorts of different looks. I think it’s something that they’d really appreciate, if they only knew.

I went on the Fuji X Weekly — Film Recipes App (available for iOS and Android) and filtered by Camera and Film Simulation. If you are a Patron on the App, you can filter the recipes by camera model or sensor, and by film simulation or color/b&w—the best app experience is reserved for Patrons. For this experiment, I chose the Fujifilm X100F and Classic Chrome. There are 15 different options, each with a different aesthetic (Vintage Kodachrome didn’t fit on the screenshot list). Those are just the X-Trans III recipes that use Color Chrome. If you don’t filter by camera or sensor, there are 45 recipes that use Classic Chrome (and over 150 total recipes)!

I know in the video they say that Classic Chrome is “gross” but perhaps it’s only because they haven’t used the right film simulation recipe. It could be that one of those 45 mentioned above produces a look that they’d love.

I don’t want to rehash DPReview’s video, so instead I will list some of my personal favorite recipes, organized by Film Simulation (they’re not ranked), which you’ll find below. There are so many to choose from, and narrowing it down is a tough task, so obviously not all of my favorites made the list. There are so many Classic Chrome and Classic Negative options that I love, so those two were especially difficult to decide what to include below. Hopefully you’ll find this this exercise helpful, or at least fun, and maybe discover a new recipe to try.


Provia 400

Big Sky Over Yellow House – Farmington, UT – Fujifilm GFX-50S – “Provia 400”

Cross Process

Truck Stop – Bowie, TX – Fujifilm X100F – “Cross Process”

Color Negative Film

Pink Roses – Farmington, UT – Fujifilm X-Pro1 – “Color Negative Film”


Velvia v2

Sunset Cyclists – Farmington, UT – Fujifilm X-T30 – “Velvia v2”

The Rockwell

Abandoned Dream – Red Rock Lakes NWR, MT – Fujifilm X100V – “The Rockwell”

Vivid Color

Vibrant Autumn – Fruit Heights, UT – Fujifilm X-M1 – “Vivid Color”



Nature Flames – Mirror Lake, UT – Fujifilm XQ1 – “Astia”

Superia Xtra 400

Forest River – Layton, UT – Fujifilm X-M1 – “Superia Xtra 400”


Corner Trunk – South Weber, UT – Fujifilm X-T30 – “Rescale”

Classic Chrome

Kodak Portra 400 v2

Julien Jarry with RED Camera – Antelope Island SP, UT – Fujifilm X100V – “Kodak Portra 400 v2”

Kodachrome 64

Onaqui Wild Horses – Dugway, UT – Fujifilm X-T30 – “Kodachrome 64”

Golden Negative

Hidden Church – North Salt Lake, UT – Fujifilm X-T200 – “Golden Negative”

PRO Neg. Hi

Jeff Davenport Night

Wet Glass Bokeh – Salt Lake City, UT – Fujifilm X-T30 – “Jeff Davenport Night”

Fujicolor Pro 400H

Pink Roses – Farmington, UT – Fujifilm X-T30 – “Fujicolor Pro 400H”

PRO Neg. Hi

Christmas Joy – Scottsdale, AZ – Fujifilm X100F – “PRO Neg. Hi”

PRO Neg. Std

Fujicolor 100 Industrial

Urban Binding – SLC, UT – Fujifilm X-T30 – “Fujicolor 100 Industrial”

CineStill 800T

Night Synergy – Centerville, UT – Fujifilm X-T1 – “CineStill 800T”

Fujicolor Superia 800

Caramel Macchiato – Sandy, UT – Fujifilm X100F – “Fujicolor Superia 800”


Kodak Vision3 250D

Ice Cream Trailer – Farmington, UT – Fujifilm X-T30 – “Kodak Vision3 250D”

Vintage Color

Sentinel & Merced – Yosemite NP, CA – Fujifilm X100V – “Vintage Color”


Wilting Flower – Farmington, UT – Fujifilm X-T30 – “Polaroid”

Eterna Bleach Bypass

LomoChrome Metropolis

Stop No. 11 – Farmington, UT – Fujifilm X-T4 – “LomoChrome Metropolis”

Ektachrome 320T

Since 1938 – Farmington, UT – Fujifilm X-E4 – “Ektachrome 320T”

Grizzly Ride

Slug Bug – Farmington, UT – Fujifilm X-E4 – “Grizzly Ride”

Classic Negative

Xpro ’62

Empty Diner – Reno, NV – Fujifilm X100V – “Xpro ’62”

Positive Film

Approaching Storm at Last Light – Farmington, UT – Fujifilm X-E4 – “Positive Film”

Vintage Vibes

Autumn Aspen – Big Arm, MT – Fujifilm X100V – “Vintage Vibes”


Kodak Tri-X 400

Leaves in the Forest – Farmington, UT – Fujifilm X100V – ISO 3200 – “Kodak Tri-X 400”

Agfa Scala

Semi & Dinosaur – Santa Rosa, NM – Fujifilm X100F – “Agfa Scala”

Black & White Infrared

Stop Here on Infrared – Yellowstone NP, WY – Fujifilm X100V – “Black & White Infrared”


Ilford Ortho Plus 80

760 – Farmington, UT – Fujifilm X100V – “Ilford Ortho Plus 80”

Dramatic Monochrome

The Obscurity of Light – Farmington, UT – Fujifilm X-T30 – “Dramatic Monochrome”

Kodak T-Max 400

People Shadows – North Salt Lake, UT – Fujifilm X100V – “Kodak T-Max 400”



No Credit Tires – Bountiful, UT – Fujifilm X-T30 – “Sepia”

Now it’s your turn! Which of these film simulation recipes do you like best? Which recipes that I didn’t include are your favorites? Let me know in the comments!

Find these film simulation recipes and many more in the Fuji X Weekly — Film Recipes App!

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  1. Marcus Amorim · June 26, 2021

    My favorite, which I use daily, is the Ultramax 400!
    Good for photos of people, landscapes, in the sun, at night.
    After I loaded it into my X100V, it never left it.

  2. Khürt Williams · July 12, 2021

    I love Classic Chrome.

  3. Egil · August 5, 2021

    Always fun to visit yor blog, thanks. It appears that it is not possible to use grain in movie mode? A bit shame, since the videos will loose some of the desired look.

    • Ritchie Roesch · August 5, 2021

      Grain, Clarity, and the Color Chrome Effects are not available in movie mode unfortunately. I hope Fujifilm fixes this in the future.

  4. david · March 28, 2022

    thanks for your creative work. what happens editing wise after when the image files are in the computer? Im not saying the files should not be edited at all. One example is white balance. a film sim has its characteristics that WB just totally wipes out. Its back to a digital look. Richie, any thoughts?

    • Ritchie Roesch · March 28, 2022

      I don’t even include a computer in my photography workflow. Literally SOOC JPEGs transferred from my camera to my phone, with some cropping/straightening applied if needed, and uploaded to storage. While that works great for me, I understand that doesn’t work for everyone.
      I don’t know of any RAW software, aside from X RAW Studio, that does a good job keeping the essence of the recipes with its interpretations and applications of the JPEG data, so if you want the edited RAW and SOOC JPEGs to look the same, it will require manipulations, sometimes significant edits. If someone wants the aesthetics created via various recipes, the best way is to use the camera-made JPEGs and not edit (or minor edits). I hope this makes sense.

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