Top 10 Most Popular B&W Film Simulation Recipes of 2024

Round Window – Pismo Beach, CA – Fujifilm X100V – Kodak Tri-X 400

I get asked fairly regularly which Film Simulation Recipes are the most popular. For me, this is a fascinating topic, but it’s definitely hard to know definitively. While I get a glimpse on social media, my best gauge is the Fuji X Weekly website statistics; specifically, which Recipe articles are viewed the most. I don’t collect any data on the Fuji X Weekly App, so that’s no help—although, if I did, it would likely offer the most accurate picture; however, it would still be impossible to know which Recipes people programmed into their Fujifilm cameras, or how often they used each. Perhaps a survey would be particularly useful, yet even it has its limitations. While certainly a flawed method, page-view website statics offer the best glimpse at which Film Simulation Recipes are the most popular, so that’s what I’m using for this article. These are simply the Top 10 most-viewed B&W Recipes on the Fuji X Weekly website so far in 2024.

It’s close enough to the end of the year that there is unlikely to be much movement, if any, between now and January 1st, so I thought it would be a good time to begin looking at year-end statistics. When I share the Top 25 most popular Recipes of any given month, the results are pretty predictable: color Recipes dominate, especially those that mimic Kodak film stocks and use Classic Chrome. On the suggestion of a Fuji X Weekly reader, I’m going to share some Top 10 articles for Recipe categories where few are likely to crack the Top 25 overall. I’m starting with black-and-white, and we’ll see where this all goes from here.

Smoking – Philadelphia, PA – Fujifilm X100VI – Kodak Tri-X 400

I knew that Kodak Tri-X 400 would be Number One. It’s far-and-away the most popular black-and-white Film Simulation Recipe for Fujifilm cameras, and is in the Top 15 overall. Second place is a distant second, and not close to cracking the Top 25. I really didn’t know how the others would rank, and I was quite surprised by some of them. Four of these use the Acros film simulation (I thought more would), and six use the Monochrome film simulation.

Without any further delay, below are the most popular B&W Recipes of 2024!

Top 10 Most Popular B&W Film Simulation Recipes of 2024

#1:

This is the long-time most popular B&W Recipe on Fuji X Weekly. It’s based on the Acros film simulation, and has compatibility with X-Trans III, X-Trans IV, and X-Trans V models.

#2:

Another Acros-based Recipe, this one is compatible with X-Trans IV (except the X-T3/X-T30) and X-Trans V cameras.

#3:

This is the highest ranked Recipe that uses the Monochrome film simulation. It is compatible with X-Trans IV (except the X-T3/X-T30) and X-Trans V cameras.

#4:

Another Monochrome-based Recipe, this one is compatible with X-Trans IV (except the X-T3, X-T30, X-Pro3 & X100V) and X-Trans V models.

#5:

This is an older Recipe, published back in 2018. It uses the Acros film sim and is compatible with X-Trans III cameras, plus the X-T3 and X-T30.

#6:

Based on Acros, this was one of the very first Film Simulation Recipes published on Fuji X Weekly. It is compatible with X-Trans III cameras, plus the X-T3 and X-T30.

#7:

This Recipe is for X-Trans II cameras, and uses the Monochrome film simulation.

#8:

This is an X-Trans I Recipe that uses the Monochrome film simulation.

#9:

Another Monochrome-based Recipe, this one is compatible with the X-T3 and X-T30; for use on X-Trans III, simply ignore the settings that your camera doesn’t have.

#10:

Last but certainly not least is Kodak T-Max 400, which also uses the Monochrome film simulation. It has compatibility with X-Trans III, X-Trans IV, and X-Trans V models.

See also:
Top 25 Most Popular Film Simulation Recipes in November 2024
How To Add Film Simulation Recipes To Your Fujifilm Camera
The Essential 7 Film Simulation Recipes to Program Into Your Fujifilm Camera First
Which Film Simulation Recipe, When?

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Cotton Candy Chrome — Fujifilm X-T4 ES (Full Spectrum Infrared) Film Simulation Recipe

Cotton Candy Tree – Buckeye, AZ – Fujifilm X-T4 ES – Cotton Candy Chrome Recipe

This is a super fun Film Simulation Recipe for Fujifilm full spectrum cameras, like the Fujifilm X-T4 ES, which turns trees a soft pink. It’s not for “normal” cameras; you must have a full spectrum X-Trans IV or X-Trans V model, which requires an expensive and invasive procedure from a third-party vendor like LifePixelKolari Vision, or Spenser’s Camera. Otherwise, the Fujifilm X-T4 ES (“Extended Spectrum”) is a full spectrum camera (is sensitive to light outside the visible gamut) briefly offered by Fujifilm to the general public. As of this writing, I believe that you can still buy the Fujifilm X-T4 ES from B&H, but it requires a phone call or stopping by in person—you can’t order it from the internet.

I’m pretty new to infrared photography, and I’m still learning and experimenting. Larry Adams, a Fuji X Weekly regular, kindly mailed to me a few filters to try out, and one of those—a QB2 blue filter—was used for this Cotton Candy Chrome Recipe. I’m not certain which brand the filter is (it doesn’t say), but here are some that I found online: JTSF, PMP, Nantong, Shanghai Longway, Tangsinuo. This is a fairly uncommon filter and that’s why none of the name brands make it, but it is used by some in the IR world. I have no idea which brand might be best. The other filters I used for this Recipe are Hoya G(XO) Yellow-Green filter and Tiffen Yellow 2 #8 filter. I don’t know if the order matters, but I have the Yellow filter closest to the lens, the Yellow-Green filter in the middle, and the QB2 furthest from the lens.

Union Pacific 1579 – Buckeye, AZ – Fujifilm X-T4 ES – Cotton Candy Chrome Recipe

Since this Cotton Candy Chrome Recipe uses the Classic Negative film simulation, it will render blue slightly deeper on X-Trans V than on the Fujifilm X-T4 ES, which is X-Trans IV. This Recipe works best in sunny daylight conditions, but I also enjoyed it for nighttime situations, where it produces results somewhat similar to the Fluorescent Night Recipe.

Filters: Tiffen Yellow 2 #8, Hoya G(XO) Yellow-Green & QB2 Blue
Film Simulation: Classic Negative
Dynamic Range: DR200
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Off
White Balance: Fluorescent 1, -9 Red & +6 Blue
Highlight: -1.5
Shadow: -1.5
Color: +4
Sharpness: 0

High ISO NR: -4
Clarity: -2
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1/3 (typically)

Example photographs, all camera-made JPEGs captured using this Cotton Candy Chrome Film Simulation Recipe on my Fujifilm X-T4 ES:

Hazy Tree – Buckeye, AZ – Fujifilm X-T4 ES
Bougainvillea Branch – Buckeye, AZ – Fujifilm X-T4 ES
Closed Canopy – Buckeye, AZ – Fujifilm X-T4 ES
Mocha House, Candy Trees – Buckeye, AZ – Fujifilm X-T4 ES
Yellow Jacket – Buckeye, AZ – Fujifilm X-T4 ES
Shopping Cart – Buckeye, AZ – Fujifilm X-T4 ES
Curved Wall – Buckeye, AZ – Fujifilm X-T4 ES
Jackson – Buckeye, AZ – Fujifilm X-T4 ES
CVS/pharmacy – Buckeye, AZ – Fujifilm X-T4 ES
Mid Morning – Buckeye, AZ – Fujifilm X-T4 ES
Grain Hopper – Buckeye, AZ – Fujifilm X-T4 ES
Fruit Basket – Buckeye, AZ – Fujifilm X-T4 ES
Crocodile Trail – Goodyear, AZ – Fujifilm X-T4 ES
Library Night – Goodyear, AZ – Fujifilm X-T4 ES
Holiday Lights 1 – Goodyear, AZ – Fujifilm X-T4 ES
Holiday Lights 2 – Goodyear, AZ – Fujifilm X-T4 ES
Red Fountain – Goodyear, AZ – Fujifilm X-T4 ES
Civic Center – Goodyear, AZ – Fujifilm X-T4 ES
Swirl Abstract – Goodyear, AZ – Fujifilm X-T4 ES
Falling Starflake – Goodyear, AZ – Fujifilm X-T4 ES

See also:
Aerochrome v1 Film Simulation Recipe
Aerochrome v2 Film Simulation Recipe
Photographing in Aerochrome
Philadelphia in Aerochrome — Infrared Photography in the City of Brotherly Love
PurpleChrome Film Simulation Recipe

No, Fujifilm is NOT purposefully causing camera shortages — why this is absurd

Back in May, Teiichi Goto, Fujifilm President and CEO, in response to a question about their inventory situation and plan, stated, “The most important point is how much brand strength to create and how to maintain it. Therefore, it would be quite unfortunate to manufacture too much and lower the price. What Fujifilm has been trying to do for a long time is finally coming true now. We intend to drive the entire imaging business, including Instax, while concentrating on building brand strength and not reducing the value of the properties purchased by our customers.” When asked if the current inventory situation is normal, Mr. Goto replied, “Yes.”

A lot of people interpreted that to mean that Fujifilm is purposefully causing market shortages. But they’re wrong, and I’m growing a bit tired of seeing this myth perpetuated over and over. I addressed it once, back in July, making a strong case that Fujifilm is not purposefully creating market shortages, but is simply getting better at “Lean” production. Unfortunately, based on what I keep seeing online, I think it needs to be said again, so here we go.

First, you have to understand that Mr. Goto spoke those words in Japanese, and they were later translated into English. Translating isn’t as easy as Google makes it seem. These two languages are very different. Fujifilm, for a number of years, translated “Daylight” White Balance as “Fine” in English. It’s as much an art as it is a science, and it is quite easy to get wrong, even subtly—small misinterpretations can cause big misunderstandings. This article that I’m typing right now might not fully translate well into Japanese, and could perhaps be misunderstood in that language. With that perspective, I think it’s important to read Mr. Goto’s words with a bit of grace and with a grain of salt.

Captured with a Fujifilm X-T50 using the Superia Negative Recipe

In order for someone to come to the conclusion that Mr. Goto’s intended communication was “purposefully create market shortages” one must have zero grace for translation errors, plus make a mental pretzel, because nowhere is that sentiment overtly stated, only vaguely implied. If you squint your eyes just right, it’s right there in-between the lines. Yet people go around stating it as fact. It’s not fact, it’s simply a misunderstanding.

Which brings me to the second point. You cannot understand what Fujifilm said without a basic understanding of the Lean Business Philosophy. If you don’t have that understanding, your local library or book store has an excellent selection on this topic, I’m sure. Just as a teaser, you can read this Harvard Business Review article, which gives a very brief synopsis of what the Lean strategy is. Like a lot of Japanese companies, Fujifilm operates under this philosophy, so understanding it will provide you with the context in which to best understand Mr. Goto’s words.

I have read a book or two on the topic. My interpretation of Teiichi Goto’s statement is this:
– “Brand strength” = not overproducing, which devalues the products.
– “Maintaining brand strength” = better forecasting future market trends, so as to not overproduce.
– Overproducing is bad for both Fujifilm and Fujifilm’s customers.
– Fujifilm has always strived to not overproduce products, but not very successfully; however, they’re getting better at it.
– Getting better at not overproducing is a driving force for Fujifilm.

Captured with a Fujifilm X100VI using the Texas Sun Recipe

Now you might think, what’s so bad about overproducing? In the Lean Business Philosophy, overproducing—and overbuying, which is related—is a sin. It’s bad. It’s better to buy one too few parts than one too many. It’s better to produce one too few products than one too many. Overproducing and overbuying means you now have warehousing issues, which cause all sorts of headaches across multiple departments. In order to deal with that, the company will often sell the products at a nice discount in order to get it out of the warehouse. This is bad for the company, because they are likely taking a loss, and it’s bad for the consumer because it reduces the resell value of the product they spent a bunch of money on. Those looking for a bargain might desire overproduction, but the discounts come at a price.

In a perfect world, every company would manufacture just the right amount of every product, so that the demand would be perfectly met, and there would never be any over or under production. But, we don’t live in a perfect world. Demand is difficult to predict, and it is being predicted months and months in advance. It takes quite some time to secure all of the parts from various suppliers, assemble those parts into cameras, and get them onto store shelves. The camera that just came in stock at your local camera store likely began six months ago or more, as Fujifilm approached the various vendors to get the necessary parts to build it, and schedule the manufacturing to get it assembled. They predicted back in the summer that you would be buying the camera in December, and built it based on that prediction. If it was possible to make the exact number of a copies of all of their products to perfectly meet the demand, I’m 100% convinced that Fujifilm would do it. But, like The Price is Right, they don’t want to do that at the expense of going over (especially way over), which is the same as losing.

Fujifilm has guessed wrong many times in the past. Some cameras that were overproduced are the X-E3, X-H1, and X-T4. Those aren’t the only ones, but those are some recent examples. Fujifilm had to sell them at a discount, which reduced their resell value for those who purchased them new. It’s a lose-lose. So they’re working hard to not repeat that. It might mean the camera you want hasn’t been sitting on the shelf at your local camera store collecting dust as it is waiting to be sold, but that’s not a bad thing when you think about it.

Captured with a Fujifilm X-T4 ES using the Aerochrome v2 Recipe

But what about the never-available Fujifilm X100VI? That’s an extreme case. It’s not everyday that a camera goes viral, and no camera has ever gone as viral as the X100VI. It holds the record as the most preordered camera in the history of cameras, and the most in-demand camera of 2024, and probably ever. Nobody could have anticipated that, but people think they should have, and, despite manufacturing the X100VI at four-times the rate of the X100V, people accuse Fujifilm of purposefully producing too few in order to artificially inflate demand.

Let’s say that Fujifilm decided to increase production of the X100VI to 60,000 units per month (basically, doubling current numbers). It would take them months to acquire all the parts and get assembly scheduled, meaning that Fujifilm would be predicting that the global demand for the X100VI would be at least 60,000 units per month next summer. But let’s say the market flips between now and then, and demand for the X100VI plummets to only 10,000 units per month (which, incidentally, is closer to what the demand was for the X100V). Because Fujifilm has set into motion six months of 60,000 units, they will have over-manufactured 250,000 copies before the end of next year, a shocking number! Fujifilm has the tough position of trying to keep up with shifting demands while being careful not to overproduce, and predicting all of it months in advance.

Let’s cut Fujifilm a little slack, and have a bit of grace, as they navigate changing market conditions. I don’t envy them, as I’m sure it’s not easy. If Fujifilm is getting better at the Lean strategy, I think that’s good, and not something they should be criticized for. I’m all for maintaining brand strength, because it’s good for all of us.

Texas Sun — Fujifilm X-Trans V Film Simulation Recipe

Manhattan Skyline from Central Park – New York City, NY – Fujifilm X100VI – Texas Sun Recipe

This new Film Simulation Recipe—called Texas Sun—comes courtesy of Jay Ybarra (Instagram, X). I met Jay earlier this year in Denver, and also in Austin at Fujifilm’s Create With Us event. He’s a great guy, and it was an honor to team up with him this last summer. Both a talented photographer and videographer, there’s a pretty good chance you’ve seen some of his work before (even if you didn’t realize it), and I’m sure you will again.

Jay first shared this Recipe in a Reel that was published on Fujifilm’s Instagram page. We had previously discussed doing some sort of collaboration, so when I saw it I reached out to Jay and asked if I could publish his Recipe on Fuji X Weekly and in the App. He was kind to agree, and provided a little backstory not included in the Reel, plus a few pictures for the article. Thank you, Jay, for creating this Recipe and allowing me to share it!

Metallic Dalmatian – New York City, NY – Fujifilm X100VI – Texas Sun Recipe

For Texas Sun, Jay wanted something Portra-like, but with increased vibrancy. A warm and colorful aesthetic, with a Kodak color negative film vibe. He found that this Recipe does well in many situations, but especially in backlit sunlight. It also works well with a flash. It’s great for breathing life into boring midday light, and also for sunset and blue-hour situations.

There is one unique aspect of this Recipe: the 6500K White Balance is a starting point. Depending on the light, you might find it to be too warm, and you may need to adjust it down until you get the results you want. Perhaps you’ll use 6500K for one image, 6300K for another, and 6100K for another, if the higher Kelvin numbers are a tad too warm for the specific light situation you are photographing in. I’m more of a set-it-and-forget-it person, so I left it at 6500K for all of my pictures, and didn’t adjust it down.

Distillery – Nashville, TN – Fujifilm X100VI – Texas Sun Recipe – Photo by Jonathan Roesch

This Recipe is for fifth-generation Fujifilm X-Trans cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, and X-M5. You can also use it on some X-Trans IV models—Fujifilm X-T4, X-S10, X-E4, and X-T30 II—by setting Color Chrome FX Blue to Strong instead of Weak. You can use it on newer GFX models, too; however, it will likely render slightly differently (try it anyway).

Film Simulation: Classic Chrome
Dynamic Range: DR200
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Weak 
White Balance: 6500K, +2 Red & -6 Blue
Highlight: -2
Shadow: -0.5
Color:+4
Sharpness: -2

High ISO NR: -4
Clarity: 0
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this Texas Sun Film Simulation Recipe:

Beware – Bisbee, AZ – Fujifilm X100VI
Full Service – Bisbee, AZ – Fujifilm X100VI
Classic Steering Wheel – Bisbee, AZ – Fujifilm X100VI
Fujifilm X-H2s – Photo by Jay Ybarra
Fujifilm X-H2s – Photo by Jay Ybarra
Fujifilm X-H2s – Photo by Jay Ybarra
West Chelsea – New York City, NY – Fujifilm X100VI
Rise – New York City, NY – Fujifilm X100VI
Urban Alley – New York City, NY – Fujifilm X100VI
You like Jazz? – New York City, NY – Fujifilm X100VI
Daniel Stewart – New York City, NY – Fujifilm X100VI
X100-Series Photographer 1 – New York City, NY – Fujifilm X100VI
X100-Series Photographer 2 – New York City, NY – Fujifilm X100VI
Pineapples – Vail, AZ – Fujifilm X100VI
Barry B. Benson – New York City, NY – Fujifilm X100VI
The Lake – New York City, NY – Fujifilm X100VI
Northern Lights Angel – New York City, NY – Fujifilm X100VI

White Balance Comparison:

6500K
6300K
6100K
5900K

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100VI in black:
AmazonB&HMomentWexNuzira
Fujifilm X100VI in silver:
AmazonB&HMomentWexNuzira

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PurpleChrome — Fujifilm X-T4 ES (Full Spectrum Infrared) Film Simulation Recipe

Purple Founders – Buckeye, AZ – Fujifilm X-T4 ES – PurpleChrome Recipe

One of the top three films that I’ve had requests to make a Film Simulation Recipe for is LomoChrome Purple, a unique color negative film released in 2013 (and updated at least once since) that has some infrared characteristics despite not being an infrared emulsion. On regular Fujifilm cameras, it’s not possibly to emulate the film straight-out-of-camera (it would require some extensive editing), but how about on a full-spectrum infrared model? Well, it’s still not quite possible (as far as I’ve so far discovered) to accurately mimic it, but you can get in the general neighborhood.

To be clear, this PurpleChrome Recipe is IR, which means that it’s for full-spectrum infrared cameras like the Fujifilm X-T4 ES, and not “normal” cameras. You must have a full-spectrum X-Trans IV or X-Trans V model, which requires an expensive and invasive procedure from a third-party vendor; otherwise, the X-T4 ES (“Extended Spectrum”) is a full-spectrum camera briefly offered by Fujifilm (it’s very difficult to find, but in my opinion totally worth owning)—I believe that you can still buy the Fujifilm X-T4 ES from B&H, but it requires a phone call or stopping by in person—you can’t order it from the internet.

Purple Tree – Buckeye, AZ – Fujifilm X-T4 ES – PurpleChrome Recipe

PurpleChrome is not my favorite infrared Recipe, but it can be fun for unique results. In the “right” situations it can be a convincing LomoChrome Purple facsimile, but much of the time it is divergent enough that it’s not going to fool anyone familiar with the film. It’s surprisingly decent sometimes for nighttime or indoor photography, but it’s great for turning vegetation false-color purple (for best results, use in sunny daylight situations). This Recipe requires two filters: Hoya G(XO) Yellow-Green filter and Tiffen Yellow 2 #8 filter. I don’t know if the order matters, but I have the Yellow filter closest to the lens, and the Yellow-Green filter furthest.

Filters: Hoya G(XO) Yellow-Green & Tiffen Yellow 2 #8
Film Simulation: Velvia
Dynamic Range: DR200
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Strong
White Balance: 4500K, -7 Red & +9 Blue
Highlight: -0.5
Shadow: +4
Color: +4
Sharpness: 0

High ISO NR: -4
Clarity: 0
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this PurpleChrome Film Simulation Recipe on my Fujifilm X-T4 ES:

CVS Nights – Buckeye, AZ – Fujifilm X-T4 ES
Butter – Buckeye, AZ – Fujifilm X-T4 ES
Performance – Buckeye, AZ – Fujifilm X-T4 ES
Two Lemons – Buckeye, AZ – Fujifilm X-T4 ES
Fake Succulent on a Shelf – Buckeye, AZ – Fujifilm X-T4 ES
Infrared Bougainvillea – Buckeye, AZ – Fujifilm X-T4 ES
Pink Bougainvillea – Buckeye, AZ – Fujifilm X-T4 ES
V Tree – Buckeye, AZ – Fujifilm X-T4 ES
Purple Bougainvillea – Buckeye, AZ – Fujifilm X-T4 ES
Purple Leaves – Buckeye, AZ – Fujifilm X-T4 ES
Purple Palm – Buckeye, AZ – Fujifilm X-T4 ES
House & Purple Trees – Buckeye, AZ – Fujifilm X-T4 ES
Patriotic Horse – Litchfield Park, AZ – Fujifilm X-T4 ES
Crossroads – Litchfield Park, AZ – Fujifilm X-T4 ES

See also:
Aerochrome Film Simulation Recipe
Aerochrome v2 Film Simulation Recipe
Photographing in Aerochrome
Philadelphia in Aerochrome — Infrared Photography in the City of Brotherly Love

Top 25 Most Popular Film Simulation Recipes in November 2024

Don Bell Photographing – Philadelphia, PA – Fujifilm X100VI – Kodak Portra 400 v2

I get asked fairly regularly which Film Simulation Recipes are the most popular. For me, this is a fascinating topic, but it’s definitely hard to know definitively. While I get a glimpse on social media, my best gauge is the Fuji X Weekly website statistics; specifically, which Recipe articles are viewed the most. I don’t collect any data on the Fuji X Weekly App, so that’s no help—although, if I did, it would likely offer the most accurate picture; however, it would still be impossible to know which Recipes people programmed into their Fujifilm cameras, or how often they used each. Perhaps a survey would be particularly useful, yet even it has its limitations. While certainly a flawed method, page-view website statics offer the best glimpse at which Film Simulation Recipes are the most popular, so that’s what I’m using for this article. These are simply the Top 25 most-viewed Recipes on the Fuji X Weekly website last month (November 2024).

These types of lists are usually pretty predictable. There are often a few surprises—there is always some movement—but from one month to the next, it’s mostly the same. It’s unusual for Kodachrome 64 to not be in the #1 position, and this marks the second month in a row (and third time this year) that it isn’t. Beyond that, there aren’t many surprises.

Two Boats – Clinton, CT – Fujifilm X-E4 – Pacific Blues

Those Recipes with Kodak brand names in the title—Kodachrome, Portra, Gold, Tri-X, etc., etc.—are usually the most popular. Classic Chrome is the king of film simulations, as the majority of the most-viewed Recipes are based on that film simulation; however, the Number One Recipe this month is based on Reala Ace—the first time that has ever happened.

Without any further delay, below are the most popular Recipes of last month!

Top 25 Most Popular Film Simulation Recipes of November 2024

#1:

This is a new Recipe published on October 31st. It uses the Reala Ace film simulation as the base, which means it is compatible with X-Trans V cameras. I’m not surprised to see it make this list, but I’m pretty surprised that it is at the very top.

#2:

A Classic Chrome based Recipe for X-Trans IV cameras that is the long-time most popular Film Simulation Recipe for Fujifilm cameras. It’s rare that this one isn’t Number One; surprisingly, this is the second month in a row that it is ranked #2.

#3:

Reggie’s Portra, a popular Classic Chrome based Recipe for X-Trans IV cameras, usually ranks high. It’s position, along with the next three below, remain unchanged. This is the most versatile of the Portra Recipes, and the most popular for portrait photography.

#4:

A Classic Chrome based Recipe for X-Trans IV cameras that was the long-time #2 most-popular Recipe on Fuji X Weekly.

#5:

A Wes Anderson inspired Recipe based on Classic Chrome for X-Trans IV and X-Trans V cameras.

#6:

This is the X-Trans V version of Kodak Portra 400 v2.

#7:

Reala Ace is back in the Top 10! This was one of the most popular Recipes (even once #1), but then it fell down the list over the summer. It uses the Classic Negative film simulation (and not the Real Ace film sim), and is for X-Trans V cameras.

#8:

It is probably unfair to include the Film Dial Recipes in this list because it is not one Recipe, but 14. When it showed up in the Top 25, I was faced with the choice to included it (as unfair as that might be) or not. The Vibrant Arizona article is technically four Recipes, so there is a precedence for its inclusion. In October it was ranked #10.

#9:

This is an Eterna-based Recipe for X-Trans V cameras; however, it’s simply an adaptation of the X-Trans IV version that has been around awhile. It was #16 last month.

#10:

This version of Kodak Portra 400, which is compatible with X-Trans IV cameras, was commonly the third most popular Film Simulation Recipe on Fuji X Weekly for a long time; however, now it is more typically found in the 10-15 range. Last month is was ranked #14.

#11:

For awhile this was the highest ranked Classic Negative based Recipe, but lately is has been Number Two (if you don’t include Superia Negative from the Film Dial Recipe set). This particular version of Pacific Blues is compatible with X-Trans IV models, but there is also an X-Trans V version. It rose one spot since last month.

#12:

This is the X-Trans V version of Kodak Gold 200. It fell one spot since last month.

#13:

A Classic Chrome based Recipe for X-Trans IV and X-Trans V cameras, published earlier this year. Its ranking is unchanged.

#14:

Vintage Kodachrome, which is based on Classic Chrome, is one of the older Film Simulation Recipes on Fuji X Weekly, and is compatible with X-Trans III cameras. It usually cracks the Top 15, and sometimes the Top 10. Last month it was #9.

#15:

This is the X-Trans V version of Kodachrome 64. It rose two positions.

#16:

This is the long-time most popular B&W Recipe on Fuji X Weekly. It’s based on the Acros film simulation, and has compatibility with X-Trans III, X-Trans IV, and X-Trans V models. It fell one spot.

#17:

This Recipe is reminiscent of scanned Kodachrome 64 slides, and is compatible with X-Trans IV cameras. It rose one spot.

#18:

Another Classic Chrome based Recipe, for use on X-Trans III models, plus the X-T3/X-T30. It rose two positions.

#19:

This is an App Patron Early Access Recipe, which means that right now it is only available in the Fuji X Weekly App to Patron subscribers. Eventually it will be available free to everyone, but that might take awhile. This Recipe uses the Classic Negative film simulation, and is compatible with X-Trans V cameras. Last month it was ranked all the way at the very top.

#20:

Easy Reala Ace was published in June, so it’s a fairly new Recipe. It fell one spot.

#21:

The very first Film Simulation Recipe on Fuji X Weekly, this Recipe is compatible with X-Trans III cameras. Last month it didn’t crack the Top 25.

#22:

A Classic Negative based Recipe that’s compatible with X-Trans V cameras (there’s also an X-Trans IV version). This one typically either just makes the Top 25 or just misses it, and last month it just missed.

#23:

This was the first Recipe I published that uses the new Reala Ace film simulation. It rose one spot.

#24:

I published this Recipe, which uses Classic Chrome and has compatibility with both X-Trans IV and X-Trans V cameras, in April. It fell two spots since October.

#25:

This Recipe doesn’t usually crack the Top 25. Interestingly, is is the only one in this list that uses the Nostalgic Neg. film simulation (aside from Nostalgic Film in the Film Dial set).

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
The Essential 7 Film Simulation Recipes to Program Into Your Fujifilm Camera First
Which Film Simulation Recipe, When?

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Thoughts on the upcoming Fujifilm GFX100RF

I’ve had several people ask me what my opinions are of the upcoming Fujifilm GFX100RF fixed-lens X100-like GFX camera, which will supposedly be announced in the first quarter of 2025. Apparently, according to Fujirumors, the camera will be about the size of an X-Pro, have the 100mp GFX sensor, a 35mm (28mm full-frame-equivalent) f/4 lens, and will not have IBIS. That’s all that they’ve reported so far.

I don’t currently own any GFX cameras. They’re outside of my budget, are large and heavy compared to the X-series, and I think my use-case for one would be fairly limited. But, something like the GFX100RF would be interesting to me because the size and weight are likely to be less than typical GFX gear, and probably less expensive than a GFX100S II plus a lens. It would be a good way to dip my toes into GFX without having to buy a whole new system, or lug around something large and heavy.

One criticism that the camera is likely to receive is the lack of IBIS, but I think not having IBIS is just fine for a camera like this. First, outside of video and low-light situations, IBIS is really unnecessary for wide-angle lenses. Second, it adds size, weight, and cost, so its exclusion might actually be beneficial. Third, I think the whole “you need IBIS on 100mp because you can see even the smallest blur” argument is overstated. On this camera, IBIS would be occasionally nice to have, but far from essential, so it doesn’t bother me that the GFX100RF will apparently not have it.

Tunnel Silhouette – Farmington, UT – Fujifilm GFX-50S – Classic Negative Industrial

The lens choice will probably be debated for a long time. Since fixed-lens cameras are stuck at whatever focal-length they are, you have to really like what it is. The 35mm lens on a GFX is like 18mm on APS-C (think Fujifilm X70 and Ricoh GR), or 28mm on full frame (think Leica Q3). That’s obviously a very popular focal-length, but it’s not for everyone. I personally prefer less wide-angle lenses most of the time (the X100VI, for example, is sometimes too wide for me). I completely understand the focal length choice for the GFX100RF; however, I kind of wish it was more like 50mm (40mm full-frame-equivalent), but that’s just my preference, and probably not what would be most desired by the majority of potential buyers.

And let’s not forget the maximum aperture of “only” f/4. That’s not an impressive maximum aperture, but also not unusual for medium-format. A larger maximum aperture would require a larger and heavier (and more expensive) lens, which would defeat the purpose of the GFX100RF. Back in 2021 I talked about this a bit: while GFX has a potentially smaller depth-of-field and better low-light capabilities, the fact that the maximum apertures are often smaller means that you oftentimes can’t fully realize those advantages. It’s a catch-22. Although f/2.8 would have been nice, f/4 as a maximum aperture is completely unsurprising to me, and probably required some engineering magic to even make that work.

We will have to wait a few more months to really know what the GFX100RF camera will be like, but what I can tell you is that this is the most excited I have been for a GFX model in a very long time. I need to prepare now—make room in both my budget and in my camera bag—for when it is announced. I’m sure, like the X100VI, if you’re not quick to order, there will be a wait to get your hands on one, as I’m pretty sure that this will be a popular camera.

Your Gift Guide for Affordable Fujifilm Gear

It’s the holiday season, and Christmas is right around the corner. Maybe you want to give a gift to your photographer friend or family member something that they will absolutely love. Perhaps your spouse, child, grandchild, or niece/nephew is interested in following in your footsteps, and are hoping to find their first “real” camera under the tree. If you are shopping for a fellow photographer or budding photographer, I’ve got some gift ideas for you!

For my 40th birthday, my wife got me a Fujifilm X100V, which was such an incredible gift! For her 40th birthday, I gave her a Fujifilm X-T4. While those were certainly wonderful presents, they were very unusual for us, as we don’t typically spend anywhere near that much for birthdays and Christmas, and probably a lot of you reading this don’t either. There are tons of great more affordable options and it’s easy to get overwhelmed, so for this article I’m going to narrow the premise, which hopefully will provide some of you with a little better clarity.

First off, I’m assuming that you don’t have a small fortune to spend, and so you don’t mind buying used gear, which is more affordable, and perhaps a bit more practical as a gift. MPB, the sponsor of this article (where all my suggested gift ideas can be purchased from), is the largest global platform where you can buy, sell, or trade used photo and video gear—each piece checked by hand before being MPB Approved. If you’re thinking about upgrading or gifting gear this holiday season, embracing used is a great way to keep costs down without compromising on quality. Secondly, this website is Fujifilm-centric, so all of my suggestions will be related to that brand of gear.

Let’s jump right in!

Fujifilm X-T1 — Best learning camera

For someone who wants their first “real” camera to learn photography on, the Fujifilm X-T1 is my top recommendation. First, it has manual tactile controls to learn the principles of photography with (such as the exposure triangle). Second, while it is “old” for digital technology (released in 2014, a full decade ago), it is still very capable. This was Fujifilm’s flagship model when it was introduced, and 10 years later it holds up pretty well. Interestingly, in 2021, Antonio Faccilongo won the World Press Photo Story of the Year with a photograph captured with this model. Third, the X-T1 is quite affordable, and can be purchased for less than $500. You will need a lens to go with it, and my top recommendation is the Fujinon 35mm f/2, which can be had for less than $300 used. Depending on the exact copies you pick, you can get a camera and lens combo for under $800, and even under $700 if you don’t mind a few scuffs.

Fujifilm X-S10 — Affordable hybrid for videography

While many cameras are great for photography, some don’t excel at both stills and video. My top recommendation for an affordable hybrid—a camera that’s good for both stills and video—is the Fujifilm X-S10, which has in-body-image-stabilization (IBIS), an important feature for videography. If you are buying for someone who has shown an interest in creating TikTok or YouTube videos, you’ll want to strongly consider the X-S10. It can be had for under $900, which makes it the most expensive camera in this list; however, I think it pairs well with the Fujinon 15-45mm f/3.5-5.6, which is one of the more affordable lenses at about $150.

Fujifilm X-A2 – Most affordable camera

I get asked somewhat frequently what is the cheapest way to get into Fujifilm, usually from those wanting to buy a camera for their child or grandchild. Is it possible to do so under $500? Well, it is possible, but just barely. The Fujifilm X-A2 can be had for under $350, and the Fujinon 15-45mm f/3.5-5.6 is about $150, which brings you in right around $500. The X-A line was Fujifilm’s most budget-friendly series. The X-A2 was released in 2015 and is approaching 10 years old; however, it is still surprisingly capable, with similar technical stats as the Fujifilm X-T1.

Fujifilm X30 — Fun for the one who has everything

For the photographer who has it all, the Fujifilm X30 is a fun little camera! There’s a pretty good chance that the photographer you are shopping for doesn’t have this model. It’s older, and doesn’t have particularly impressive stats, but what it lacks technically it more than makes up for in pure joy. Nobody is going to make a career out of this camera, but for fun snapshots that have a ton of character, the X30 is one to take a close look at. It’s not necessarily cheap at around $700, but at least you don’t have to buy a lens for it, since it is a fixed-lens camera.

Fujinon WCL-X100 II & TCL-X100 II — Conversion lenses for X100-series cameras

If the photographer you are buying for already owns a Fujifilm X100-series camera, like the X100VI, X100V, and X100F, a great addition are the two conversion lenses: WCL-X100 II and TCL-X100 II. These two lenses add versatility to any X100-series camera, and are especially great for travel photography. They’re not terribly expensive, either: the WCL-X100 II is about $200, while the TCL-X100 II is about $230. Choose one, or choose both. If it’s just one, I would give first consideration to the WCL-X100 II.

If you are searching for a holiday gift for the photographer or budding photographer in your life, I hope that this list provided you with some clarity. I always enjoy receiving camera-related clothes and coffee mugs and things like that as gifts, but if you really want to give a camera or lens, those do cost a lot of money, and I think that this list has some excellent suggestions; however, feel free to browse MPB’s current inventory, as you just never know what you might find.

See also:
Fujifilm X-Pro2 — The camera that got away (again)
Fujifilm X-T50 + Fujinon 23mm F/2 = Interchangeable-Lens Fujifilm X100VI??
Leica Q2 from the perspective of a Fujifilm photographer
Fujifilm X30 — Fujifilm’s Forgotten Retro Compact Zoom
Close Up with the Fujinon XF 30mm F/2.8 R LM WR Macro
Traveling Light with the Fujifilm X100VI + WCL-X100 II & TCL-X100 II Conversion Lenses

Black Friday: 20% Off Evergreen + Fuji X Weekly Protective Case for Fujifilm X100VI / X100V / X100F

Today, Evergreen Cases is having a Black Friday sale, and everything site-wide is 20% off, including the Evergreen + Fuji X Weekly Protective Case for Fujifilm X100-series cameras. This discount won’t last long, so if you’ve been considering getting this case (or anything else that Evergreen caries, such as the 28″ Short Strap), this is a good opportunity. You must order directly through their website—and not Amazon or anyplace else that carries their products—in order to get 20% off.

See also:
Introducing the Evergreen + Fuji X Weekly Protective Case for Fujifilm X100VI / X100V / X100F
Evergreen + Fuji X Weekly Protective Case for Fujifilm X100VI / X100V / X100F — Update 1

The Inverted U & Camera Design

Memorial Bridge – Nashville, TN – Fujifilm X-T50Fujicolor PRO 160C Warm

An inverted U curve is a graph that shows a relationship between two variables where one positively affects the other until it reaches a peak, then flattens out before it begins to have a negative effect (looks like an upside-down U). It’s a good way to quantify and visualize the concept of diminishing returns. It’s the saying too much of a good thing as a mathematical equation. In my opinion, we reached a point of diminishing returns with our digital cameras several years back.

While pretty much every aspect of a digital camera can be affected by this, a good example is resolution. Most people don’t need any more than 12-megapixels, considering how the vast majority of pictures are viewed. The amount of resolution one needs is dependent on what one is going to do with the picture: if it will only be shared on Instagram and through text messaging, 6mp is probably plenty; however, if you will make poster-sized gallery prints, 6mp is not anywhere close to enough. The percentage of photographers who need 24-megapixels is quite small, and the percentage that need more than that is much smaller (nice to have and need are two different things). Think of it this way: the difference between 16mp and 24mp is about the same leap as between 26mp and 40mp, but since most people don’t even need 24mp, the extra jump to 40mp has no practical advantage for the majority of photographers (only some), while perhaps having a negative effect on storage, since the files are much larger. A photographer is unlikely to avoid a 24mp camera because it has “too much” resolution, but they might a 40mp model (I’ve had a few people tell me this), which illustrates the inverted U curve perfectly.

I’m not meaning to pick on resolution here, it’s just an example. Specs sell cameras, whether or not they have any practical benefit for the person buying. 40mp sounds a lot sexier than 16mp, but probably 80% of those buying the 40mp camera only really need 16mp, and 95%+ likely only need 24mp. One must consider what their individual needs are because we’re all different. Someone might very well find 100mp to be barely sufficient, while another would absolutely hate having such large files. Someone might have a Fujifilm GFX100S II for a specific purpose, a Fujifilm X-H2s for another, and a Fujifilm X70 for another (true story). An individual might find their needs vary greatly depending on the situation, so they have multiple options, and choose the one that best fits the purpose of what they’re creating.

Architecture Archway – San Diego, CA – Fujifilm X-T50 – Pacific Blues

Our cameras today are almost always more capable than we are (with maybe only a few extraordinarily rare exceptions). In fact, I saw that someone recently created a short film on a $9 toy camera. The limitation is not the gear, it’s only what you do or don’t do with it. Ansel Adams famously stated, “The single most important component of a camera is the 12 inches behind it.” Even though most cameras can basically auto-do-everything (and more and more people rely on that), I believe his statement is just as true today as it was when he coined it, if not more so. Those who take charge of their gear (whatever their gear is) and use it in creative ways tend to have a better chance to stand out from the crowd—and boy-oh-boy is it crowded! We’re in a day and age where everyone has a camera with them all the time.

Pretty much every aspect of our cameras—resolution, dynamic range, high-ISO, frames-per-second, autofocus capabilities, etc., etc., etc.—have all reached a point of diminishing returns. They’re all near the top of the inverted U curve. Yes, camera makers can improve these things, as they should. I have no doubts that they will continue to strive to make the greatest products that they possibly can. But… these improvements will have a practical benefit for fewer and fewer photographers. We can gripe over small things—and turn those small things into big things—but there’s never been a better time to be a photographer or videographer. Our gear—whatever it is—is truly amazing! We should appreciate just how lucky we are, and complain less about how our incredible gear just isn’t quite incredible enough for us.

Since most aspects of digital camera technology is near the peak of the inverted U curve, where can camera makers turn to for improvements that will actually have a more wide-spread impact? My advice is user experience. In my opinion, how you feel using your camera is just as important as the technical specs. This could be interpreted as ergonomics and button placement, which are both aspects of what I’m talking about, but not just merely those things. It’s not only how the camera feels, but more so it’s how the photographer feels while using it. I believe that the experience plays a notable role in the image outcome (more than we often give credit), so camera makers should focus more on the emotional side of camera design. If any and every make and model is capable of getting the job done no matter the job (which is pretty much where we are now), why should someone choose your camera? As specs and advancements matter less and less, it’s not necessarily going to be technical improvements that attract buyers, it’s going to be how people feel while getting the job done with the camera in hand.

What precisely that means will vary from person-to-person, and brand-to-brand. What provides me with a good experience might not be the same for you. We’re all different, so that’s why there are different strokes for different folks. For me, it’s Fujifilm gear with retro-inspired designs and traditional tactile controls, and also straight-out-of-camera results that don’t require any editing for the pictures to look good. Each camera brand should consider how they can improve the user experience for their customers, and design their future models with the experience in mind just as much as the technical capabilities. Make your customers feel just as good about the gear in their hand as the potential images that they’ll create with it.

Philadelphia in Aerochrome — Infrared Photography in the City of Brotherly Love

A Fall Day in Philly – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2

I had a great time in Philadelphia this last weekend with Allan Ali at Unique Photo as a part of their two day Camera Show. Allan and I led a photowalk through the Old City. There were about 70 in attendance, which was amazing—it just edged out Denver as the largest photowalk that I’ve hosted. It was such an honor to have been a part of the Camera Show. I don’t know if there are very many other stores that are doing what Unique Photo is doing. The photographers in Philadelphia are incredibly fortunate.

I brought my Fujifilm X-T4 ES (“Extended Spectrum”) infrared camera with me to Philadelphia. This camera is a ton of fun, and it’s also a great conversation piece. It’s a “wow” camera, and people are really intrigued by it. I think if it were more widely known and available, people would buy it in much larger numbers. I had my Aerochrome v2 Recipe programmed into the X-T4 ES, and used it quite a bit on the photowalk.

Corn Exchange – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2

Probably the top genre for infrared photography is landscapes. The false color rendering lends itself well for photos that are bold and a bit abstract, especially when there are lots of trees and other vegetation. I’m sure that there are some doing IR urban and street photography, but probably not many. I enjoy using the X-T4 ES in unexpected ways, as it’s really a different way to see the world around you, and also serendipitous, with a lot of surprising results. I don’t know if I can convey through words just how much enjoyment that I’m getting out of this camera, but I’m really loving it!

The Fujifilm X-T4 ES with my Aerochrome v2 Recipe—due to the false colors—turns spring and summer into autumn, and it turns autumn into a more rich display—it’s like fall on steroids. With this camera and Recipe, it’s not only always autumn, but an especially brilliant autumn. That’s the most obvious use, but that doesn’t mean it can’t produce striking results for other subjects and in other situations, such as indoors and even nighttime photography.

Camera Show – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Things are Looking Up – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Leaves on a Brick Road – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Crosswalker – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Three Recycle Cans – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Standing on Steam – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Photographers in Elfreth’s Alley – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Connecting – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Vertical Composition – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Photowalking – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Photographing a Photographer Photographing a Photographer – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
George’s House – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Rainbow – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Street View – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Vegan – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Fire Tree – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Red Tree in the City – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2
Urban Cowboys – Philadelphia, PA – Fujifilm X-T4 ES – Aerochrome v2

See also: Photographing in Aerochrome

Three AF Firmware Updates + A GFX Discount

Fujifilm just released three firmware updates, one for the X-H2s, one for the X-H2, and one for the GFX100 II. Among some video improvements (F-Log2 C, anyone?) and minor bug fixes, the main headline is autofocus improvements. Essentially, Fujifilm fully fixed the AF bug that had been plaguing these cameras for the last handful of months. Fujifilm has said that more firmware updates for other cameras (the X-T5 and X-S20 were specifically mentioned) are coming before the end of the year—my guess is in December.

I’ve never had a problem, personally, with the autofocus on my Fujifilm X-T5 or any other model. Mostly, it seemed to affect people using some specific settings in some specific scenarios. So some photographers were greatly affected, some only sometimes, and others were not at all. Obviously this was a big deal for those greatly affected, so it is excellent news that the fix is now available—yea! For those not affected, I always recommend waiting a little while (at least a few days) before updating the firmware in case there are any issues that come up (this isn’t just for Fujifilm, but any product by any brand).

Two on the Wave – Pismo Beach, CA – Fujifilm X-E4 – Pacific Blues Recipe

Some people provided Fujifilm with valuable constructive feedback that I’m sure helped tremendously with this firmware update; however, in my opinion, there were others—haters, constant complainers, and trolls—who (sadly) only gave destructive criticism that has to some extent hurt the brand and community (which I believe was the goal for some). Their voice, unfortunately, seemed quite loud, and some of that can be attributed to trolls using multiple accounts, pretending to be multiple individuals in comment sections, Facebook groups, and forums. A troll says something outrageous, a normal person gives a reasonable response, and then the troll replies multiple times, pretending to be multiple people; those reading it might assume that the troll is “right” just because so many seem to agree with them (but it is only one person)—once you know what to look for, it’s quite easy to spot. This is toxic, and crazy (literally, not just figuratively). I would encourage website owners and administrators to crack down on this behavior; however, I know it’s hard to do because trolls will usually return under a different name. I would hope that these firmware updates would quell the outrage, but I’m sure it won’t, as it was never really about the AF for many of them—the AF woes were merely a means to reach an end (attention, chaos, trouble, hate, etc.).

Now that autofocus has been fixed via firmware, we can finally get back to appreciating just how truly wonderful our cameras are, because they are. It’s such a great time to be a photographer, we are all pretty lucky.

In other news, Amazon has the Fujifilm GFX100S II discounted to $4,599.99 with a $399.01 coupon that you have to click. I think this is a Black Friday deal.

When I was in Ann Arbor, Michigan, a week-and-a-half ago, Bryan Minear let me try his GFX100S II, and I was blown away by it. Such amazing image quality! I think, with the size and weight, perhaps it requires more thoughtful consideration of when and where to use (I tend to like smaller gear, such as my X100VI and X-E4). Also, I didn’t care much for the PASM controls. And even at $4.6K, it’s still well outside of my budget. With that said, this is an extremely affordable and capable medium-format (“more than full frame”) digital camera. If you’ve been thinking about buying one, it might be a good time to do so.

When will Fujifilm announce the X-Pro4??

I get asked somewhat regularly when I think the X-Pro4 camera will be announced, or if it will ever come. It’s long overdue. Some folks are even losing hope, believing that Fujifilm has abandoned the line altogether. I often see questions like: When will the next X-Pro come? What will be different about it? Was the X-Pro3 the last iteration?

The X-Pro1 is a historically significant camera. It was the first interchangeable-lens X-series model, and the first X-Trans camera. Fujifilm’s success in the digital camera world hinged on this one model. If it flopped, there would not likely be any X or GFX cameras being manufactured today. The X-series would be a forgotten footnote, like Samsung’s NX line. However, the camera was a success, and the rest is history, as they say.

The lifecycle of the X-Pro series has been pretty consistent. The X-Pro1 was announced in early 2012. Exactly four years later, the X-Pro2 was announced. The X-Pro3 came just a smidge early, in fall 2019 (instead of early 2020). If this pattern continued, the next X-Pro—presumably called X-Pro4, or maybe X-Pro5 since the number four is considered unlucky in Japan (sometimes, but not always, Fujifilm skips it)— should have come out either in fall of 2023 or first quarter of 2024. Obviously it didn’t. And there’s not been any indication that it is coming soon, either. The X-Pro4 is now long overdue, and seemingly abandoned. An X-Pro4 in 2024 would have made a lot of sense, as would an X-Pro5 in 2025 (assuming they skip the number four).

In my opinion, camera makers refresh camera lines much too quickly. A four-year cycle should be pretty normal, and some models should take longer than that. I don’t have a problem with the next X-Pro coming out five or even six years since the last. I do wish that the X-Pro3 hadn’t been discontinued. I can’t say for sure, but its discontinuation was likely due to the ribbon wiring harness to the rear screen not being reliable enough, which caused problems for some X-Pro3 owners. The backwards rear screen was a bold experiment that I applaud Fujifilm for having the guts to try, but ultimately I think it was a bust. Between the screen issues and so-so sales after the initial demand faded, I think Fujifilm felt the X-Pro3 had run its course after three years.

Twisted Tree – Keystone, SD – Fujifilm X-Pro2 – Acros Recipe

Just to be clear, I have no inside information. Sometimes people assume that I do, but I don’t. I get my information the same way that you do. All I have are guesses. Please take this article with a grain of salt.

I believe that Fujifilm is currently developing the next X-Pro camera right now. I don’t know if they’re at the beginning stages or near the end or somewhere in-between (probably somewhere in-between). It’s possible that a few people already have their hands on a prototype, I don’t know. But I do have a lot of confidence that the work has begun on the camera and it is somewhere on the path to becoming a reality. There will be an X-Pro4 (or maybe called X-Pro5) in the future, I’m 99.9% sure of it.

When exactly the camera comes out and what will be different about it is something I don’t know. Back in 2023 I speculated that it was likely to be released in 2024. Earlier this year I speculated that it was likely fall of 2024, or maybe spring 2025 at the latest. Obviously I was wrong about those dates. Some speculation that I’m mildly confident will prove to be true: the next X-Pro iteration won’t be X-Trans V, but X-Trans VI.

Fujifilm introduced the world to X-Trans technology with the X-Pro1. The X-Trans I sensor was fairly short lived (only the X-Pro1, X-E1, and X-M1 cameras had it… the X-M1 paired the sensor with the X-Trans II processor). The X-Pro series completely skipped over the X-Trans II sensor. Fujifilm introduced the X-Trans III sensor with the X-Pro2. The X-Pro3 was the third X-Trans IV camera; however, they introduced Classic Negative, Grain size, Color Chrome FX Blue, and Clarity with it. My guess is that—like X-Trans II—Fujifilm will skip X-Trans V and go straight for X-Trans VI, introducing that sensor with the next X-Pro camera.

From Dust To Dust – Great Sand Dunes NP, CO – Fujifilm X-Pro2 – Kodachrome II Recipe

I don’t know what will differentiate X-Trans VI from X-Trans V, but my guess is speed and efficiency. Probably not megapixels. I suspect that Fujifilm will look to improve autofocus, frame rates, sensor readout, heat dispersion, and things like that, with the next X-Trans sensor. Most of these improvements are unlikely to significantly impact an X-Pro model due to how people typically use these cameras, but I’m sure they will be welcomed nonetheless—especially if the Clarity pause can (finally) be shortened. Fujifilm might (should, in my opinion) introduce a new Film Simulation—Fortia? XPro (cross-process)? Natura? PRO Neg H (looks like 400H and turns pastel with overexposure)?—and maybe a new JPEG tool or two (faded shadows? split toning? Medium Grain strength and size? mid-tone boost? half-step WB Shift?) with the X-Pro4. Increasing the number of Custom Settings presets from 7 to 10 (or more) would be celebrated. The XPan aspect ratio is a must, I think. There’s plenty that Fujifilm could do.

But there’s also plenty that Fujifilm shouldn’t do. I will be mildly surprised if the X-Pro4 has a backwards screen like the X-Pro3 (my guess is that it will be more like the X100VI and X-T5); otherwise, the less they change the better. Look at the feedback from the X-Pro2 and X-Pro3, and change as little as possible. In my opinion, the best X-Pro iteration was the Fujifilm X-Pro2, so if the upcoming X-Pro is more like it I certainly won’t complain.

My guess is that the X-Pro4 (maybe called X-Pro5) will be announced either in September/October of 2025 or (more likely) the first quarter of 2026. Prior to its announcement, I would expect that Fujifilm will release an X-E5 (the X-E series is almost always released at the end of a sensor generation) and maybe an X-T30 III. Both of those will likely have an X-Trans IV sensor paired with the X-Trans V processor (although it is certainly possible that the X-E5 will get the 40mp X-Trans V sensor). I wouldn’t be surprised to see another model, such as the 1″ sensor camera that’s been rumored, also announced in 2025. My best guess—and remember, it’s just a guess—is that the next X-Pro, along with the X-Trans VI sensor, will arrive in early 2026, approximately 15 to 16 months from now. I know a lot of people are looking forward to it, and it will surely eventually happen, but I think it’s still a little ways out.

Revisiting 10 Fujifilm “Wow” Products

Photographing with Fujifilm – New York City, NY – Fujifilm X-T4 ES – Aerochrome v2

A little over two years ago Fujifilm stated that they’re working on “wow” products, so I gave my Top 10 suggestions for that in an article entitled 10 “WOW” Products Fujifilm Should Be Making Right Now. I thought it would be fun to revisit the article. Did Fujifilm make any of those suggestions? What “wow” products have they released that didn’t make my list? Which ones should they still pursue?

To recap, my 10 ideas were:

10. Minimalist Model — no rear LCD or video mode
9. 135mm lens — really, any focal length prime in-between 90mm and 200mm
8. A new pancake lens — I suggested 15mm, 23mm, and 40mm as potential options
7. GFX 100R — 100mp successor to the GFX 50R
6. ISOCELL — bring the Fujifilm/Samsung joint technology to the X-series
5. Infrared — I suggested the X-T30 II as the model of choice
4. Digital XPan — a dedicated 65:24 aspect ratio camera
3. X200 — full-frame X100-like camera
2. X80 — successor to the X70
1. Acros-Edition — monochrome-only X100 or X-Pro camera

Fujifilm Photowalk – Ann Arbor, MI – Fujifilm X-T4 ES – Aerochrome v2

How does it look 27 months later? With nearly zero promotion, Fujifilm released the X-T4 ES (“Extended Spectrum”) infrared camera over the summer. It flew completely under the radar! While few own it, whenever I show my X-T4 ES to people, it always gets a strong “wow” reaction. As far as I’m aware, B&H is the only camera store currently selling it, and you have to order either in-person or over the phone—it’s not available online right now. So far, I’ve published two Recipes for the Fujifilm X-T4 ES: Aerochrome v1 and Aerochrome v2. If Fujifilm were to do even a little promotion for this camera and made it easier to buy, it would sell decently well, I’m certain of it. Of my 10 ideas, this is the only one so far that has come to pass.

There are “rumors” circling about potential upcoming gear. I’m not sure what may or may not come, but a few of the items (or similar) in my list have been floated on websites like Fujirumors. Even though only one has become reality, it’s possible that in a year or two more can be checked off (I’m sure that some probably won’t ever happen). My top choices would be a new pancake lens, digital XPan, X200 (perhaps GFX instead of full-frame), X80, and a monochrome-only X100 or X-Pro. It’s hard to know what the future holds, but I do believe several “wow” products are in the works right now (including the GFX Eterna cinema camera that Fujifilm recently teased).

NY Photographer in IR – New York City, NY – Fujifilm X-T4 ES – Aerochrome v2

Of course, the most obvious “wow” product released by Fujifilm is the X100VI, the most in-demand camera by any brand ever. Fujifilm is getting closer to fulfilling all of the preorders and backorders… word on the street is that if you don’t mind the black version, you might be able to get it real soon without much of a wait. Since demand is higher for the silver model, that one will likely require more patience. This camera has the potential to become the most-sold model ever. It will be interesting to see if demand remains high over the next few years—I think it certainly could.

Now it’s your turn. Let me know in the comments which wow product you’d like to see Fujifilm make next! I’m pretty excited for what’s coming down the pike, whatever it might be. I think there will be plenty of upcoming announcements over the next couple of years to get especially excited for.

See also: Evergreen + Fuji X Weekly Protective Case for Fujifilm X100VI / X100V / X100F

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100VI in black:
AmazonB&HMomentWexNuzira
Fujifilm X100VI in silver:
AmazonB&HMomentWexNuzira

Colour Your Story — New Series by X-Photographer Nathalie Boucry

If you’re new to Fujifilm—or not new to Fujifilm but fairly new to Film Simulation Recipes, or just curious about your camera—and you’d like to take a deeper dive into the various Film Simulations, Fujifilm X-Photographer Nathalie Boucry has an excellent series on her blog called Colour Your Story that you need to check out and follow.

The way that this series works is that each Film Simulation gets two parts: an introduction and a deeper dive. The introduction article explains what that particular Film Simulation is and what it is good for. The sample pictures are with that film sim set with the default factory settings. The followup article, entitled Let’s take [it] to Another Level (or a similar sentiment), discusses some Recipes that use that film sim as the base. So far, Nathalie has two Film Simulations in the series complete: Provia and Velvia.

Provia — Fujifilm X-T50 — Standard Film Recipe
Velvia — Fujifilm X-T5 — Velvia Film Recipe

Colour Your Story, Ep 1: PROVIA — Start Your Journey with The All-Rounder
Let’s take PROVIA to Another Level
Colour Your Story, Ep 2: The Bold One is Velvia
Let’s take Velvia further

Definitely take a moment out of your day and read up on those four posts. The series is worth following—get on her mailing list (at the bottom of each article) so that you don’t miss out on the future installments. I’m looking forward to all of the rest—there are 20 film sims, so Nathalie undoubtably has her work cut out! A series like this takes a ton of effort to put together, so, if you appreciate it, be sure to leave her a comment on her page letting her know.

See also:
My 5 Favorite Film Simulation Recipes that use Provia
My 5 Favorite Film Simulation Recipes that use Velvia

Photographing in Aerochrome + When will more Infrared Recipes get published?

Autumn at Boulder Lake – Clinton, CT – Fujifilm X-T4 ES – Aerochrome v2

I’ve had several people inquire when the next Infrared Film Simulation Recipe for full-spectrum cameras (like the Fujifilm X-T4 ES) will drop. I mentioned that I had a few in the works and even shared some sample pictures of what those might look like. It’s been awhile, so when will those Recipes be made available?

The first IR Recipe that I published for my Fujifilm X-T4 ES (“Extended Spectrum”) camera was Aerochrome v1 in July. Shortly thereafter I made a discover that directly led to the Aerochrome v2 Recipe, which I published in August. So far, those are the only two that I’ve posted. The reason is simple: I like the Aerochrome v2 Recipe so much, that’s all I’ve been using. I can’t stop. I’ve waited so many years to get this look, and I just can’t set it aside. All of the photos in this article were captured with the Aerochrome v2 Recipe over the last few months.

Yellow Car – Provincetown, MA – Fujifilm X-T4 ES – Aerochrome v2

But I will get to work on more infrared Recipes for Fujifilm full spectrum cameras real soon. I’m excited to experiment and make new discoveries, and share it with you. This is a journey, and I just paused for a little while to appreciate the view. So stay tuned, more IR Recipes are coming soon.

For those not sure what all of this even means, just real quick: there’s light beyond the visible spectrum that digital cameras are sensitive to. A filter is added onto the sensor to block that light so that you get “normal” pictures. A full spectrum camera does not have an IR filter, which allows it to capture light beyond the visible spectrum, resulting in unusual colors (filters are used to control how the camera interacts with the light). Mostly, it requires one to send off their camera to a company that will do an invasive and expensive procedure to remove the filter; however, earlier this year Fujifilm briefly sold a full-spectrum IR camera (the X-T4 ES) in the U.S. (in the past they only made it available for “forensic, scientific, and cultural preservation applications” and not the general public). While it is no longer being sold directly from Fujifilm, I believe that you can still buy the Fujifilm X-T4 ES from B&H, but it requires a phone call or stopping by in person (can’t order from the internet). If you want one, I’d recommend inquiring sooner than later, because there are probably not very many copies available.

Anyway, below are photographs that I captured with the Aerochrome v2 Film Simulation Recipe on my Fujifilm X-T4 ES:

Fujifilm X-T4 ES – Clinton, CT
Fujifilm X-T4 ES – Clinton, CT
Fujifilm X-T4 ES – Clinton, CT
Fujifilm X-T4 ES – Clinton, CT
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Ann Arbor, MI
Fujifilm X-T4 ES – Ann Arbor, MI
Fujifilm X-T4 ES – Ann Arbor, MI
Fujifilm X-T4 ES – Ann Arbor, MI
Fujifilm X-T4 ES – Ann Arbor, MI
Fujifilm X-T4 ES – Ann Arbor, MI
Fujifilm X-T4 ES – Ann Arbor, MI
Fujifilm X-T4 ES – Ann Arbor, MI
Fujifilm X-T4 ES – Ann Arbor, MI
Fujifilm X-T4 ES – New York City, NY
Fujifilm X-T4 ES – New York City, NY
Fujifilm X-T4 ES – New York City, NY
Fujifilm X-T4 ES – New York City, NY
Fujifilm X-T4 ES – New York City, NY
Fujifilm X-T4 ES – New York City, NY
Fujifilm X-T4 ES – New York City, NY
Fujifilm X-T4 ES – Hyannis, MA
Fujifilm X-T4 ES – Provincetown, MA
Fujifilm X-T4 ES – Weehawken, NJ
Fujifilm X-T4 ES – Provincetown, MA
Fujifilm X-T4 ES – Provincetown, MA
Fujifilm X-T4 ES – Provincetown, MA
Fujifilm X-T4 ES – Provincetown, MA
Fujifilm X-T4 ES – Provincetown, MA
Fujifilm X-T4 ES – Provincetown, MA
Fujifilm X-T4 ES – Provincetown, MA
Fujifilm X-T4 ES – Provincetown, MA

Ricoh GR IV not coming soon …and why that’s good

Well, apparently Ricoh will not be announcing a GR IV anytime soon, according to Pentax Rumors. Additionally, the supposed GR IV Monochrome camera will likely never happen.

When Fujirumors reported it last week, I suggested that the news should be taken with a grain of salt. It just didn’t make sense to me. Not because these cameras wouldn’t be massively successful or that I wouldn’t be personally interested, but because Pentax Rumors didn’t report it first, and the GR III and GR IIIx are selling very well, so there should be no eagerness from the brand to replace them.

Pentax doesn’t update their lineup as often as other manufacturers. I think that’s good, and that camera companies—including Fujifilm—discontinue models much too quickly. A normal production lifespan should be four-to-five years, then, when the next generation is released, it’s a notable refresh. With quickly advancing digital technology and stiff competition, it can be tough to wait that long, so maybe don’t listen to me; however, I think replacing cameras every two or three years (sometimes less) is just difficult to sustain and seemingly unnecessary.

I don’t believe there is any need for Ricoh to replace the GR III anytime soon, as long as they continue to offer Kaizen firmware updates to keep it fresh. Same for the Fujifilm models in the current lineup that are getting older, such as the X-T30 II, X-H2s, X-H2, and X-T5. There’s been talk within the community recently about successors, but there’s no need for Fujifilm to release them anytime soon. I would suggest 2026, personally, or maybe even 2027. That’s probably an unpopular opinion, but I’d like to see Fujifilm manufacture models for more than just a couple years before discontinuing them. I don’t mind that an X-Pro4 hasn’t been announced yet, but it’s too bad that the X-Pro3 was discontinued. Ditto for the X-E5 and X-E4. The X-E4 should still be being manufactured right now, since it was discontinued with such a large demand and long backorder list.

I think we reached a point awhile ago where we can keep our cameras for many years and they’re still excellent and not obsolete. Obviously that’s a tough position for manufacturers, because perhaps consumers aren’t buying as many copies since they’re waiting longer to upgrade. My opinion is that if camera makers design and release desirable models—maybe unconventional yet intriguing or exciting cameras—it will drive sales. The Ricoh GR III and Fujifilm X100VI are both excellent examples of this. Neither are cameras that you really need, but they’re both ones that a lot of people want. They are desirable because they’re fun, and not just soulless tools packed with the latest technical advances. Fujifilm—perhaps more than any brand—is good at making those types of cameras. It’s really fueled their success, and will continue to do so well into the future.

See also: Ritchie’s Ricoh Recipes

Philadelphia Photowalk THIS Weekend!!

Rainbows over Philly – Philadelphia, PA – Fujifilm X100VI – Fujicolor Film Recipe

In just three days—Saturday, November 16th—is the Philadelphia photowalk! I will be co-leading this with Allan Ali, who brings excitement, energy, and fun, as well as expertise and talent. Allan is a local legend, and you will not want to miss this opportunity to photograph with us. We teamed up for a photowalk back in August, and it was truly great!

This photowalk, which will be through the historic and beautiful Old City, is in conjunction with Unique Photo as a part of their two day Camera Show. Even if you don’t join the photowalk, at least come to the Camera Show, because it will be completely worthwhile (and while you’re there, you might as well come along on the photowalk).

If you are in Philadelphia or even as far as New York City, I hope that you can join us. It’s from 10:15 AM to 12:15 PM, and will include a short classroom presentation (we’ll begin and end at Unique Photo in Philadelphia). The cost is $10 per person (but you get it back with a $10 token for in-store purchases), and you must preregister (click here). I hope to see you in Philadelphia very soon!

Fujifilm GFX Eterna Cinema Camera

Fujifilm just announced that they are creating a GFX Eterna cinema camera to be released sometime in 2025.

When I was at Fujifilm’s Create With Us event in Austin back in September, they had a Fujinon Duvo HZK 25-1000mm f/2.8-5.0 Box Lens on display. For those who don’t know, this is a quarter-million-dollar broadcast lens, used for sporting events. The camera attached to the lens was a Sony.

Fujinon lenses are renown in the cinema and broadcast world, but Fujifilm doesn’t have a filmmaking camera. Actually, Harlem Fragments was filmed on an X-H2s. A number of short films and mini documentaries have been filmed on an X-H2s, too. But, setting that aside, a true pro cinema camera—something ESPN would use, or Universal Pictures—was missing. I recognized this in Austin, and mentioned to the sales rep that Fujifilm should develop a camera to go with the lens, instead of using a competitor’s model. I guess they were already pretty far along in development, but I had no idea.

I don’t anticipate many, if any, reading this will ever buy the GFX Eterna. Maybe a couple of you. I’m sure it will be very expensive. But if you are a broadcaster or filmmaker, perhaps this is something you’re excited for. I can imagine some IMAX pictures being filmed on this.

One last thing: kudos to whoever at Fujifilm named the camera. It’s brilliant. A monochrome-only X100 Acros or X-Pro Acros would be really cool, too. Just throwing that out there.

Fujifilm X-T50 vs Fujifilm X-T30 — Dad vs Daughter — Or, the World’s Most Unfair Camera Comparison

This article pits the Fujifilm X-T50 and Fujifilm X-T30 head-to-head on an autumn photowalk in Ann Arbor, Michigan. Just to warn you, this will likely be the most unfair camera comparison anywhere on the internet. Nonetheless, I hope that you find it worthwhile, or at least enjoyable.

Fujifilm introduced the X-T30 in February of 2019. It features a 26mp X-Trans IV sensor, and was Fujifilm’s mid-tier SLR-styled camera until it was replaced by the nearly identical X-T30 II in November of 2021. Fujifilm announced the X-T50 in May of this year. It features a 40mp X-Trans V sensor and IBIS, as well as the contentious Film Dial. While it is not the X-T30 II’s successor (I assume that means an X-T30 III is a possibility in the future), the two models are clearly in the same family. They are similar in size and design, but the X-T50 is slightly larger and heavier (to accommodate IBIS), with rounded corners and is more expensive. According to the spec sheets, the X-T50 is better in pretty much every aspect, but not necessarily by leaps and bounds. Overall, these two cameras are pretty similar for stills photography; however, for video, the X-T50 is the winner.

Above: Ann Arbor photowalk; photo by Dave Geffin using the Fujicolor PRO 160C Warm Recipe on a Fujifilm X-T50.

This last Saturday, Bryan Minear and I cohosted a photowalk in Ann Arbor in conjunction with PROCAM and Fujifilm. We had an excellent turnout: I counted 48 people, including myself and Bryan. The weather was nice—a nearly perfect crisp autumn morning—and the scenery beautiful. It was a massive success, and just a ton of fun. It was so great to meet those who came out!

One especially great aspect of this photowalk for me is that my seven-year-old daughter, Johanna, was able to join us. I gave her my Fujifilm X-T30 to photograph with, set with the Kodak Portra 400 v2 Film Simulation Recipe. I’ve let her use some of my old digicams before, but not a “nice” camera like the X-T30. I wasn’t sure how well she would do with it, but gave her a quick tutorial and let her have at it. Honestly, she stole the show.

Above left: Johanna with an X-T30, captured by me with an X-T50 using the Fujicolor PRO 160C Warm Recipe; Above right: me with an X-T50, captured by Bryan Minear with a GFX100S II.

I bet you can already see where this article is going. Yes, this totally unfair camera shootout is between myself with a Fujifilm X-T50 and Fujinon 27mm f/2.8 lens and my seven-year-old daughter with a Fujifilm X-T30 and TTArtisan 27mm f/2.8 lens. Even though I had the better gear, I had absolutely no chance of winning. Johanna—with an X-T30—won in a landslide. We’ll get to the pictures in just a moment.

The Fujifilm X-T30 has a few fewer film simulations and JPEG options than the X-T50, but it is still a very, very capable camera. Even in the hands of a child, it can capture excellent images. Between the two, I’ll grab the X-T50 every time; however, if I were trying to decide to buy an X-T50 or X-T30 II, that would be a much tougher decision—the X-T30 II is a better value, while the X-T50 is a little more capable. I don’t think you can go wrong either way. Between a used X-T30 and brand-new X-T30 II, I would lean towards the X-T30 II due to Classic Negative and other firmware upgrades.

Above, top-left: by Rickey White. Above, bottom-right: by Bryan Minear. Above, all others: by my wife, Amanda Roesch. Amanda used a Fujifilm X-T5 + Fujinon 56mm f/1.2 lens + Fujicolor Negative Recipe.

The reason why I declared Johanna the winner is because I’m her dad (she was always going to win… I never had a chance—all the dads out there understand), and also because young children are oftentimes good photographers. They are naturally curious and creative. They don’t think about all the “rules” and what they “shouldn’t” do; instead, they’re just having fun. Also, their perspective is so much different—quite literally, because they are smaller, but also figuratively—so it’s a completely different take from what most adults see—they notice things that others completely overlook. If you have a child, I definitely recommend allowing them to photograph with you sometimes. Don’t be afraid to let them borrow one of your cameras (I know, it’s a risk… my oldest son dropped and broke one of mine when he was little). Those experiences might be pivotal for them, and at the least it’s something you both will remember and cherish for many years.

Below are straight-out-of-camera JPEGs captured during the Ann Arbor photowalk by Johanna using a Fujifilm X-T30 and the Kodak Portra 400 v2 Recipe and by me using a Fujifilm X-T50 and the Film Dial Recipes.

Johanna’s Photos:

Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2
Fujifilm X-T30 + TTArtisan 27mm f/2.8 + Kodak Portra 400 v2

Ritchie’s Photos:

Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Chrome (Kodak Film Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Reala Ace (Fujicolor PRO 160C Warm Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Reala Ace (Fujicolor PRO 160C Warm Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Reala Ace (Fujicolor PRO 160C Warm Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Reala Ace (Fujicolor PRO 160C Warm Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Nostalgic Neg. (Nostalgic Film Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Nostalgic Neg. (Nostalgic Film Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Classic Negative (Superia Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Reala Ace (Fujicolor PRO 160C Warm Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Astia (Astia Summer Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Reala Ace (Fujicolor PRO 160C Warm Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Velvia (Velvia Film Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Velvia (Velvia Film Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Acros+R (Neopan Negative Recipe)
Fujifilm X-T50 + Fujinon 27mm f/2.8 + Acros+R (Neopan Negative Recipe)

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Fujifilm X-T30 II in black:
AmazonB&HMomentWexNuzira
Fujifilm X-T30 II in silver:
AmazonB&HMomentWexNuzira
Fujifilm X-T50 in black:
AmazonB&HMomentWexNuzira
Fujifilm X-T50 in silver:
AmazonB&HMomentWexNuzira
Fujifilm X-T50 in charcoal:
AmazonB&HMomentWex
TTArtisan 27mm f/2.8:
Amazon, B&H, Wex
Fujinon 27mm f/2.8:
AmazonB&H, Moment, Wex,

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