My Fujifilm X-T30 Color Negative Film Simulation Recipe

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Evening Light On A Clearing Mountain – Riverdale, UT – Fujifilm X-T30 – “Color Negative”

Silly Putty was invented by accident. There was a shortage of rubber during the second world war, and as a result several companies worked hard to create a synthetic substitute. What we now know as Silly Putty was a failed attempt at synthetic rubber. Even though it didn’t turn out exactly like its inventor had hoped, it still became a useful product that has brought joy to many people across the world. This “Color Negative” film simulation recipe has a similar story to Silly Putty (minus the war and rubber).

I’ve been working on a number of different recipes, trying to mimic several different aesthetics that I’ve been asked to create. One of the films that I’ve been trying to recreate the look of is Fujifilm C200, but I’ve yet to crack the code. This recipe is one of the failed attempts at C200. I like how it looks, so I thought I’d share it, even though it’s not exactly what I was trying for. I hope it become useful and brings joy to someone.

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Cameras and Coffee – South Weber, UT – Fujifilm X-T30 – “Color Negative”

I named this recipe “Color Negative” only because it has a general color negative aesthetic, and I didn’t know what else to call it. It’s in the general neighborhood of Fujifilm C200, but it’s not exactly right for that film. Perhaps there’s some generic film that looks similar to this. It doesn’t precisely mimic any one film that I’m aware of, but this recipe does have a film-like quality to it.

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +2
Shadow: +2
Color: -2
Noise Reduction: -4
Sharpening: +1
Grain Effect: Weak
Color Chrome Effect: Off
White Balance: Daylight Fluorescent (1), -2 Red & +4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Note: There was some confusion on the white balance required for this recipe. It’s Fluorescent 1, also called Daylight Fluorescent or Neon 1. It’s the first option underneath Cloudy.

Example photographs, all camera-made JPEGs using my Color Negative Film Simulation recipe on a Fujifilm X-T30:

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Fallen Leaves – South Weber, UT – Fujifilm X-T30

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Hanging Apple – South Weber, UT – Fujifilm X-T30

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Leaf Hanging On – South Weber, UT – Fujifilm X-T30

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Boy Unsure – South Weber, UT – Fujifilm X-T30

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Joy’s Smile – South Weber, UT – Fujifilm X-T30

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White Stars – Roy, UT – Fujifilm X-T30

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White Cloud Ridge – South Weber, UT – Fujifilm X-T30

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Reserved Parking – South Ogden, UT – Fujifilm X-T30

See also: My Fujifilm Film Simulation Recipes

DR-Auto Film Simulation Recipes

I thought it might be interesting to separate my film simulation recipes by Dynamic Range setting. There are a ton of different ways that one could organize these, so I thought it might be helpful to somebody to see them in various arrangements. Maybe you’ll see a recipe that you haven’t considered using before, or maybe a certain setting will stand out to you that never crossed your mind before. I don’t really know, but you never know, so I’m just going to do it. For this post I’m separating the film simulation recipes by DR setting. Below are all of my recipes that use DR-Auto:

Kodak Ektar 100

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Dramatic Classic Chrome

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Vintage Agfacolor

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Classic Chrome

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Velvia

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Monochrome

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See also:
DR400 Film Simulation Recipes
DR200 Film Simulation Recipes
DR100 Film Simulation Recipes

DR200 Film Simulation Recipes

I thought it might be interesting to separate my film simulation recipes by Dynamic Range setting. There are a ton of different ways that one could organize these, so I thought it might be helpful to somebody to see them in various arrangements. Maybe you’ll see a recipe that you haven’t considered using before, or maybe a certain setting will stand out to you that never crossed your mind before. I don’t really know, but you never know, so I’m just going to do it. For this post I’m separating the film simulation recipes by DR setting. Below are all of my recipes that use DR200:

Eterna Low-Contrast

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Elite Chrome 200 Color Fade

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“Warm Contrast”

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Urban Vintage Chrome

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Redscale

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Velvia

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Astia

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Classic Chrome

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Vintage Kodachrome

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PRO Neg. Hi

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Fujicolor Superia 800

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CineStill 800T

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Cross Process

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Kodachrome II

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Kodak Ektachrome 100SW

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Fujicolor Pro 400H

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Acros

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Acros Push-Process

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Ilford HP5 Plus

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Tri-X Push-Process

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See also:
DR400 Film Simulation Recipes
DR100 Film Simulation Recipes
DR-Auto Film Simulation Recipes

DR400 Film Simulation Recipes

I thought it might be interesting to separate my film simulation recipes by Dynamic Range setting. There are a ton of different ways that one could organize these, so I thought it might be helpful to somebody to see them in various arrangements. Maybe you’ll see one that you haven’t considered using before, or maybe a certain setting will stand out to you that never crossed your mind before. I don’t really know, but you never know, so I’m just going to do it. To start with, I’m separating the film simulation recipes by DR setting. Below are all of my recipes that use DR400:

Kodachrome 64

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Kodacolor

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Fujicolor 100 Industrial

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“Eterna”

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Kodak Portra 400

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Aged Color

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Acros

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See also:
DR200 Film Simulation Recipes
DR100 Film Simulation Recipes
DR-Auto Film Simulation Recipes

15 Film Simulation Recipes So Far This Year

Fujicolor

As I was reviewing my different film simulation recipes, I realized that I have posted 15 different ones so far in 2019. That’s quite a few! I bet I made close to 25 more that were “failures” and were never shared on this blog. I have several in the works right now, and I hope at least a couple of them will be successful, and will be published in the coming weeks or months. I also have some crazy ideas that I want to try out, and maybe a recipe or two will come out of that, we’ll see.

More of these recipes are based on Classic Chrome than any other film simulation, which is probably because it’s my favorite for color. Eterna and Acros, which are also great film simulations, are tied for second most. PRO Neg. Std has two. Provia, Velvia and Astia have one each, while PRO Neg. Hi doesn’t have any. I would like to do more with those, so maybe I will come up with something soon. I also think Acros is overdue for a new recipe.

Which of these film simulation recipes that I posted in 2019 are your favorite? Which one would you like to try but have yet to do so? Let me know in the comments!

Provia:

Agfa Optima

Velvia:

Velvia

Astia:

Redscale

Classic Chrome:

Kodachrome 64
Kodacolor
Vintage Urban
Faded Color

PRO Neg. Std:

Warm Contrast
Fujicolor Industrial

Eterna:

Eterna
Expired Eterna
Low Contrast Eterna

Acros:

Agfa APX 400
Ilford HP5 Plus Push-Process
Faded Monochrome

[Not] My Fujifilm X-T30 “Warm Contrast” Film Simulation Recipe

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Flower Pots – Salt Lake City, UT – Fujifilm X-T30 – “Warm Contrast”

Fuji X Weekly reader Manuel Sechi recently contacted me regarding some camera settings that he was working on. He was trying to replicate the look of the “Warm Contrast” preset in Lightroom. He felt that he was close but was hoping that I might help refine the settings to get a little closer. He showed me some of his pictures where he had applied the preset, which was helpful as I don’t use Lightroom. I tried out his settings and indeed they looked very close to the photographs that he shared. I made some small adjustments to refine it to what I thought might be a closer match to the preset, although not having the preset at my disposable was admittedly a challenge, and I can only hope that I made the recipe better and not worse.

While I call this film simulation recipe “Warm Contrast” due to its intended replication, it’s not particularly warm nor especially high in contrast. It seems to work best in mid-contrast situations, and when the light is already a bit on the warm side. When it works, though, it looks really good. I can see why Manuel was interested in creating it. I’m sure some of you will appreciate these settings, and I’m eager to share them with you.

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August Wasatch – South Weber, UT – Fujifilm X-T30 – “Warm Contrast”

Thank you, Manuel, for sharing your settings, and allowing me the opportunity to tweak them. While I put “Fujifilm X-T30” in the title, this recipe can be used on any X-Trans III or IV camera. In low-contrast situations, going +4 on Shadow and +2 on Highlight might produce better results. In cooler light, -1 Red and -5 Blue might prove to be better. As always, don’t be afraid to season this film simulation recipe to taste.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +1
Shadow:+3
Color: +4
Sharpening: +1
Noise Reduction: -4
Grain: Strong
Color Chrome Effect: Off
White Balance: Auto, -2 Red & -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using these settings on my Fujifilm X-T30:

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Fighting Flamingos – Salt Lake City, UT – Fujifilm X-T30

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Duck In A Stream – Salt Lake City, UT – Fujifilm X-T30

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Rural Stream – Salt Lake City, UT – Fujifilm X-T30

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Bee On A Pink Flower – Salt Lake City, UT – Fujifilm X-T30

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Bee At Work – Salt Lake City, UT – Fujifilm X-T30

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Kids on a Bridge – Salt Lake City, UT – Fujifilm X-T30

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Confident Direction – Salt Lake City, UT – Fujifilm X-T30

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Leaves of Various Colors – Salt Lake City, UT – Fujifilm X-T30

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Looking Bird – Salt Lake City, UT – Fujifilm X-T30

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Yarn Owl – Salt Lake City, UT – Fujifilm X-T30

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Green Mountain Majesty – South Weber, UT – Fujifilm X-T30

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Sloping Ridges – South Weber, UT – Fujifilm X-T30

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Canvas Sky – Salt Lake City, UT – Fujifilm X-T30

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American Fair – Salt Lake City, Utah – Fujifilm X-T30

My Fujifilm X-T30 Ilford HP5 Plus 400 Push-Process Film Simulation Recipe

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It’s better to be lucky than good.

This film simulation recipe was a mistake. I discovered it when I accidentally chose ISO 51200 instead of Auto-3 ISO. In my hurry, I scrolled down one too far, which took me from the bottom to the top, and I didn’t notice that I had inadvertently selected the highest possible ISO. I wouldn’t normally, or really ever, use ISO 51200. Even on most full-frame cameras, that high of an ISO is pushing the capabilities of the camera. It’s beyond what most would ever think of using on an APS-C camera. I’ve often wondered why Fujifilm even made it an option. Yet on Memorial Day I made a few exposures with it, not even realizing it.

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Memorials – South Ogden, UT – Fujifilm X-T30 – ISO 51200

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Little Flags – South Ogden, UT – Fujifilm X-T30 – ISO 51200

When I reviewed the images that I had captured, I was reminded of some photographs I made four years ago when I pushed a roll of Ilford HP5 Plus 400 film by one stop. Push-processing is a technique where you underexpose film and increase the development time to make up for it. You are essentially increasing the exposure in the lab using chemicals. The result is a higher-contrast image with more pronounced grain. Sometimes you would do this because the ISO of the film wasn’t high enough to make a good exposure, and sometimes you’d do this just for the aesthetics of it. Different films respond differently to push-processing, and different films have different tolerances to how much they can be pushed. While HP5 Plus is a good film, it’s not typically considered one of the best for push-processing, but the results can still be good, especially if you don’t push it too much.

Here are some push-processed Ilford HP5 Plus 400 pictures that I captured several years back:

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Whiskey Pete’s – Primm, NV – FED 5c – Ilford HP5 Plus 400 Pushed 1 Stop

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Grand View – Las Vegas, NV – FED 5c – Ilford HP5 Plus 400 Pushed 1 Stop

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I-15 Travelers – Las Vegas, NV – Ilford HP5 Plus 400 Pushed 1 Stop

After seeing the ISO 51200 results from my Fujifilm X-T30, I decided to make some more ultra-high ISO black-and-white pictures. What I discovered is that for contrasty and grainy B&W pictures, ISO 51200 on the X-T30 is not only usable, but it can produce film-like results that are similar to push-processed Ilford HP5 Plus 400 film. A negative aspect of ISO 51200 is that it can sometimes produce “smudgy” results, especially in grass. It doesn’t always do that, but it sometimes does, so I would say that this maximum ISO should be used with care. Taking the ISO down one stop to 25600 seems to remedy this, and delivers similar results to the higher ISO images. ISO 12800 is almost not grainy or contrasty enough, but it’s very close and is also usable for this recipe should you need to drop the ISO.

You might notice that this recipe is quite similar to my Tri-X Push Process recipe, mostly just a higher ISO and added grain. I like that recipe a lot and I think it also delivers analog-like results. Even though it’s based on the same film, there are several differences between this recipe and my original Ilford HP5 Plus recipe. This one is much less “clean” and is fun to pair with vintage lenses. Also, this recipe can be used on X-Trans III cameras, except (obviously) you ignore Color Chrome Effect. I tried it on an X-T20 and it looked good, even at ISO 51200 (see the very top picture in this article).

Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: N/A
Highlight: +3
Shadow: +4
Noise Reduction: -4
Sharpening: -2
Grain Effect: Strong
Color Chrome Effect: Strong
Toning: 0 (off)
ISO: 25600 or 51200
Exposure Compensation: +1/3 (typically)

Example photographs, all camera-made JPEGs captured using my Ilford HP5 Plus 400 Push-Process Film Simulation recipe:

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Home Builder – South Weber, UT – Fujifilm X-T30

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Crop from the above ISO 51200 image.

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Exchanging Money – South Weber, UT – Fujifilm X-T30

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Crop from the above ISO 51200 image.

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Can Money Buy Happiness? – South Weber, UT – Fujifilm X-T30

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Girl Playing A Game – South Weber, Utah

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Chance Taker – South Weber, UT – Fujifilm X-T30

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Thinker – South Weber, UT – Fujifilm X-T30

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Birds In The Kitchen – South Weber, UT – Fujifilm X-T30

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River Tree – Layton, UT – Fujifilm X-T30

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Riverbank – Layton, UT – Fujifilm X-T30

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Grey Flowers – South Weber, UT – Fujifilm X-T30

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Hiding Grey Flowers – South Weber, UT – Fujifilm X-T30

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White Bloom – Layton, UT – Fujifilm X-T30

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Dark Cloud Over The Dark Mountain – South Weber, UT – Fujifilm X-T30

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Bulldog – Uintah, UT – Fujifilm X-T30

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Oil Change – Uintah, UT – Fujifilm X-T30

See also: My Film Simulation Recipes

My Fujifilm X-T30 Acros Film Simulation Recipe (Agfa APX 400)

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Cloud Over The White Ridge – South Weber, UT – Fujifilm X-T30 – Acros

I made a new Acros recipe! I’ve been playing around lately with the Acros settings on my Fujifilm X-T30, trying to create a certain look (which I’m still working on), and I stumbled upon some interesting settings. I tried them out for a few days and wanted to share my findings with you. I think some of you might like this one!

This recipe is not intended to mimic the look of any particular film, but it’s in the neighborhood of a couple different black-and-white stocks. The closest might be Agfa APX 400 (the newer version), but it’s not an exact match for that film. I don’t think it really matters if it’s an exact match or not, it has an analog black-and-white look that’s easy to appreciate!

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Shopping Carts – Farmington, UT – Fujifilm X-T30 – Acros

The idea behind this film simulation recipe is to have a lower-contrast option that doesn’t look flat. It seems to be especially well suited for high-contrast scenes, but there’s a certain beauty in low-contrast scenes where it produces almost a faded aesthetic. This Acros recipe is really great for certain situations, and it’s one of my favorite Acros recipes that I’ve created. If you don’t have an X-Trans IV camera, you can still use this recipe, except you can’t use Color Chrome Effect or Toning, so the results will be slightly different, but still very similar.

Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: DR400
Highlight: -2
Shadow: +4
Noise Reduction: -4
Sharpening: +4
Grain Effect: Weak
Color Chrome Effect: Strong
Toning: +1 (warm)
ISO: Auto up to ISO 12800
Exposure Compensation: +2/3 to +1-1/3 (typically)

Example photographs, all camera-made JPEGs using this recipe on the Fujifilm X-T30:

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Frozen Reservoir – Causey Reservoir, UT – Fujifilm X-T30 – Acros

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Mid Morning Mountain – South Weber, UT – Fujifilm X-T30 – Acros

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Head In The Clouds – Ogden Canyon, UT – Fujifilm X-T30 – Acros

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Mountain Obscured – South Weber, UT – Fujifilm X-T30 – Acros

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Reaching For Grass – South Weber, UT – Fujifilm X-T30 – Acros

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Jo by a Window – South Weber, UT – Fujifilm X-T30 – Acros

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Girl Sitting – South Weber, UT – Fujifilm X-T30 – Acros

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Bread Cutting – South Weber, UT – Fujifilm X-T30 – Acros

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The Course Toward – Farmington, UT – Fujifilm X-T30 – Acros

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Asleep – Farmington, UT – Fujifilm X-T30 – Acros

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Couch – South Weber, UT – Fujifilm X-T30 – Acros

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Three Vases By A Window – South Weber, UT – Fujifilm X-T30 – Acros

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White Flower Bouquet – South Weber, UT – Fujifilm X-T30 – Acros

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Dead Rose Leaves – South Weber, UT – Fujifilm X-T30 – Acros

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Hiding Hydrant – Farmington, UT – Fujifilm X-T30 – Acros

Fujifilm Classic Chrome Film Simulation Recipes

Classic Chrome is one of the most popular film simulations available on Fujifilm X-Trans cameras. It produces a look similar to quintessential Kodak color transparency films like Kodachrome and Ektachrome, which graced the pages of publications like National Geographic and Arizona Highways for many years. With all things vintage being in style, there is a huge draw to the analog-esque results produced by the Classic Chrome film simulation.

I love Classic Chrome and I have used it as the base for a bunch of different film simulation recipes. It’s possible to achieve a number of different interesting looks straight out of camera by adjusting the settings. Honestly, I think that I’ve only scratched the surface of what’s possible. I plan to create even more film simulation recipes using Classic Chrome in the coming months. As I do, I will add them to this article.

Below you will find all of my different film simulation recipes that I have created that use Classic Chrome. If you haven’t tried them all, I personally invite you to do so and see which are your favorites! My personal favorite is Kodachrome II, but they each have their own usefulness and charm. Let me know in the comments which recipe you like most!

Even though the different recipes say X100F, X-Pro2, and X-T20, they are completely compatible with any Fujifilm X-Trans III or IV camera. For example, you don’t have to use the X100F recipes exclusively on the X100F. You can use any of my recipes on any X-Trans III camera.

My original Classic Chrome recipe.

My dramatic Classic Chrome recipe.

My Vintage Kodachrome recipe.

My Kodachrome II recipe.

My Vintage Agfacolor recipe.

My Kodak Portra recipe.

See also:

My Classic Chrome recipe for Fujifilm Bayer and X-Trans II.

If you like these recipes, be sure to follow Fuji X Weekly so that you don’t miss out when I publish a new one! Feel free to comment, as I appreciate your feedback. Please share on social media this article or any other that you found useful so that others might find it, too.