The Fear of Coronavirus

Costco Bread Shelves Empty Coronavirus COVID-19

Empty bread shelves at Costco in Bountiful, Utah.

Is it the end of the world? It sure seems like it is, especially if you watch the news. Coronavirus, also called COVID-19, has caused a whirlwind of fear. People are in a panic! Stores are out of essential items. No bread. No eggs. No milk. No water. No toilet paper. No bleach. No medicine. Entertainment venues, college and professional sports leagues, schools and churches have all closed their doors until further notice. Financial markets have nosedived. I have never witnessed a reaction to a virus like this! Coronavirus must be really, really bad, right?

I’m not a doctor or scientist. I’m not an expert on viruses. I don’t know all that’s going on around the world. I don’t know each country’s unique situation. I only know what I observe, which is what’s happening around me here in America. Everyone is anxious. There’s a serious pandemonium that has people acting irrationally. It seems as though we’ve lost some of our humanity.



Where I’m at, people have gone insane. Stores are completely out of stock of essential items. Folks are lining up before stores open to be first in line in case new items arrived overnight. People are getting into fights, and one local store even closed for a brief period due to violence. People have been stealing toilet paper from public restrooms and even from a local police station. Citizens are risking arrest over toilet paper!

People have been buying way more than they need. I’ve seen carts filled with 20 cases of water. I’ve seen folks buying more toilet paper than they’ll need in a year! This hoarding has caused a shortage, and now those who didn’t panic-buy can’t find the basic essentials that they need. Their neighbor has it all hidden away. Fear has driven society to overreact. I went to a local grocery store, and it looked like a scene from The Walking Dead. COVID-19 is not a zombie apocalypse! This is not the end of the world! Stop the insanity. Please! Everybody needs to calm down. It’s time to be rational.



What has everyone so worried? Coronavirus is a rapidly spreading respiratory virus. It travels from person-to-person rather quickly. If you get it, it’s easy to give it to someone else. But should everyone panic? Absolutely not!

First, you probably won’t get Coronavirus. Even at it’s current rate, by the end of the year a fraction of one percent of the world’s population will have contracted it; that is, unless it spreads faster than it currently is. It could. Viruses have in the past. But it might not. Also, the COVID-19 vaccination has been fast-tracked, and should be available before the end of the year, which would certainly slow it down. Either way, odds are you won’t get it.



Second, if you do happen to get Coronavirus, if you are healthy and under 60-years-old, you will survive, and it won’t feel much different than having the common cold. If you do have a pre-existing medical condition, then there’s a larger risk for you, and it might be like having pneumonia, which sucks, but there’s still a very small risk of dying; almost certainly you will recover. The ones that COVID-19 affects the most are those over the age of 60, and especially those over the age of 70, who have a pre-existing medical condition. Even then, those people are more likely to recover than not. The risk of death from this virus is small, and extraordinarily tiny for most people. The vast majority of those who contract Coronavirus will make a full recovery.

There are common-sense precautions that we should all take. Wash, wash, wash your hands frequently and thoroughly. Keep your house and workplace clean. If you feel sick, stay home! This cannot be overemphasized. If you are sick and can’t stay home: keep a distance from others (at least six feet if you can), don’t travel, don’t be in a large group setting or in tight quarters with others, and wear a mask if you have a cough. This will help prevent the spread of Coronavirus plus all sorts of other viruses. If you are elderly or have a pre-existing condition that puts you at a higher risk (or if someone in your household is in that category), you can take extra precautions by limiting your exposure to other people: avoid large crowds and tight quarters with others, and stay home as much as practical. For everyone else, live life like normal!



Fear-based overreactions will cause more problems than COVID-19 ever will. It’s only a matter of time before someone dies over a roll of toilet paper. If there is a worldwide recession, and we might very well be at the very beginning of that, more people will suffer from that recession than the worst-case predictions of Coronavirus. We’re causing a man-made “panic virus” that will be worse than the virus we’re so scared of.

We need to bring back humanity. If you have more toilet paper or water or food than you need, knock on your neighbor’s door and see if they are short on supplies. If you were one of those panic-buyers who caused the supply shortage, be a part of the solution by giving some of it to those who desperately need it. Stop living in fear, which only makes things worse. Instead, live wisely, and be kind to those around you. The sky is not falling. We need to stop being so afraid.

12 New Film Simulation Recipes in 2020, And Counting…

So far this year I have published 12 new film simulation recipes: six for “newer” Fujifilm cameras, such as my X-T30, and six for “older” models, such as my X-T1. Actually, one article contained three different recipes, so technically we’re up to 14. Yet there will be more! I have several ideas and aesthetics that I am working on. 2020 might be the biggest year yet for film simulation recipes!

One of these days I hope to have the new Classic Negative and Bleach Bypass film simulations available to use. I think both, but especially Classic Negative, have the potential to be great starting points for new recipes. I’m not “upgrading” my camera right now, though, as there’s not really a need to, so unfortunately that will have to wait until Fujifilm makes those available to the X-T30 via firmware updates (which may or may not happen), or I buy a new model sometime down the road (it won’t be soon).

Which of the recipes below are your favorites? Are you using any of them right now? Is there one that you haven’t yet used but are planning to soon? Even though I have five listed under “X-Trans IV” you can still use them with X-Trans III cameras. You just don’t have Color Chrome Effect, which doesn’t make a big difference, so the results will be quite similar.

X-Trans IV

Analog Color


Cut Strawberries – Farmington, UT – Fujifilm X-T30

Vintage Color Fade


Young Boy with an Old Camera – Farmington, UT – Fujifilm X-T30

Bleach Bypass


Instamatic Mourning – Farmington, UT – Fujifilm X-T30

Dramatic Monochrome


Shadow Ware – Farmington, UT – Fujifilm X-T30

Split-Toned B&W


Vintage Bolsey Camera – Farmington, UT – Fujifilm X-T30

X-Trans III & IV

Fujicolor Pro 400H Overexposed


I Will Always Love You – Farmington, UT – Fujifilm X-T30

X-Trans II

Kodachrome 64


Suburban Silver Lining – Farmington, UT – Fujifilm X-T1

Kodachrome II


The Wetlands of Farmington Bay – Farmington Bay, UT – Fujifilm X-T1



Man In Red – Farmington, UT – Fujifilm X-T1

Classic Chrome


Praying the Order is Right – Salt Lake City, UT – Fujifilm X-T1

X-Trans I & II

Ektachrome 100SW


Windows & Reflections – Salt Lake City, UT – Fujifilm X-T1



Pink Penguin – Salt Lake City, UT – Fujifilm X-T1



Rebuilt 24 – Farmington, UT – Fujifilm X-T1

Faded Monochrome


Thought – Farmington, UT – Fujifilm X-T1

Fujifilm X100F Review Blog

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Fujifilm X-T1 (X-Trans II) Faded Monochrome Film Simulation Recipe


Partially Illuminated – Farmington, UT – Fujifilm X-T1 “Faded Monochrome”

This is my Faded Monochrome recipe adapted for my Fujifilm X-T1. It will work on all X-Trans I & II and Bayer sensor cameras, just so long as it has a double-exposure mode (I think they all do, but I’m not 100% certain). You have to put the camera into double-exposure mode, capture the scene with the first exposure, and use the second exposure to photograph a medium-grey piece of paper (I used an 8.5″ x 11″ sheet of construction paper). I prefer the second exposure to be out of focus. The first exposure should be slightly overexposed, perhaps by 1/3 to 2/3 stop, because the second exposure will decrease the contrast. The second exposure should be underexposed by at least 1 stop, and as many as 3 stops. How bright or dark the second exposure is will determine just how faded the picture will be. It requires some experimentation, but thankfully you get a real-time display of what the picture will look like and the opportunity for a do-over (simply select “Retry”). The look you get is similar to using a low-contrast filter when making black-and-white prints in the darkroom.

Dynamic Range: DR100
Highlight: +2 (High)
Shadow: +2 (High)
Sharpness: 0 (Medium)
Noise Reduction: -2 (Low)
ISO: Auto, up to ISO 3200

Example photographs, all camera-made JPEGs using this Faded Monochrome recipe on my Fujifilm X-T1:


Thought – Farmington, UT – Fujifilm X-T1


Girl Shadow – Farmington, UT – Fujifilm X-T1


Piano Hand – Farmington, UT – Fujifilm X-T1


Piano Fingers – Farmington, UT – Fujifilm X-T1


Faded Lily – Farmington, UT – Fujifilm X-T1


Flowers Fading – Farmington, UT – Fujifilm X-T1


Bouquet – Farmington, UT – Fujifilm X-T1


Wheelbarrow Monochrome – Farmington, UT – Fujifilm X-T1


Gathering – Farmington, UT – Fujifilm X-T1


Window Blinds – Farmington, UT – Fujifilm X-T1

See also: Film Simulation Recipes

Fujifilm X100F Review Blog

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Video: Abandoned

I created a new video entitled Abandoned, which features my black-and-white photographs of abandoned places that I’ve captured over the last five years. I used to do a lot of “urban exploration” type photography, but I don’t venture into that genre much anymore. I do think that it’s important to document these forgotten and neglected structures, as they’ll crumble away someday, either by man or nature, and the opportunities to record them are fleeting. The photographs also serve as commentary to how society deals with what’s unwanted and unneeded. The decay speaks of our values, and how we handle change.

The main purpose of this video, however, is not the photographs, but the music. I have a six-year-old son, Joshua, who loves music. You can tell that he feels it deeply, like he connects with it at soul-level. He’s learning piano, and it’s impressive the songs that he makes up. He’s not a child prodigy or anything like that, but he’s much more musical than my other kids. He is music smart, and we’re trying to foster that.


My kids like to make songs on an app where you mix samples. It’s kind of like being a DJ. It’s called “live loops” and you can select different sounds and beats, and record it as you go. There’s a lot that can be manipulated and customized. My kids record all sorts of different songs. Last week Joshua came to me and excitedly said, “Daddy, listen to this song I made!” He played it, and I was impressed. It sounded like an actual song! It was pretty well done.

Being a proud father, I wanted to share his creation with everyone, so I made a video. I hope that you enjoy the photographs, but I hope you especially enjoy the music that my six-year-old son mixed. I think that the music and pictures compliment each other, and together they tell a story. I hope that we’ll have many more opportunities to collaborate. I can say for certain that Joshua loves music, and he has many more creations stirring in his heart and mind right now.


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Daylight Savings Begins – Don’t Forget About the Clock on Your Camera


Meet Farmers – Seattle, WA – Fujifilm X100F

Daylight Savings began last night in America, so we “spring forward” our clocks by one hour. While many of our clocks nowadays automatically adjust, many of the clocks inside our cameras do not. If you haven’t already done so, take a moment right now to change the time on your cameras. If you forget to do this, the time stamp on your EXIF will be off by an hour until you remember to do it, or until Daylight Savings ends in autumn.

I’m not a big fan of Daylight Savings. I think it’s silly that we make-believe that the time is different than it actually is. I remember learning in school that it was for the farmers, but farmers don’t care. They get up when they need to get up, usually well before sunrise, and they go to bed when the work is done, which might be after sunset. What the clock says doesn’t matter much to them. Environmentalists will claim that it reduces energy consumption, but that’s debatable, and only by a negligible amount if true. What’s the real reason for Daylight Savings? Vacationers spend more money during that extra hour of daylight in the afternoon. It’s good for tourism, and in turn it’s good for taxes. It’s a ploy to get you to spend more of your money when on holiday. Daylight Savings used to be in the summer only, but as more people vacationed during the spring and fall, the dates got pushed further and further out. Now only the winter is immune, and there have been proposals to make Daylight Savings year-round. It’s really crazy!

I’m a bit off today. While it seems like one hour isn’t a big deal, whenever the clocks change in the spring and fall, but especially in the spring, it screws me up for a few days. How about you? Does the time change effect your day? I’ve heard that heart attacks, strokes and car accidents increase in the days that follow the Daylight Savings time adjustment. If you make it through today unscathed, and you remember to change the time on your cameras, then it’s a good day. At least I hope it is. Take care!

Alien Skin Exposure is 25% Off


Now through March 10, Exposure X5 software (formerly Alien Skin Exposure) is 25% off! I don’t shoot a lot of RAW, but when I do, I use Exposure X5 as my RAW developer. Back before I used camera-made JPEGs, I used to shoot a ton of RAW, and I used Alien Skin Exposure all the time because it more quickly and accurately produced the results I desired. For the next few days it’s on sale. Click here to find out more and start your free 30-Day trial!

My Fujifilm X-T30 Analog Color Film Simulation Recipe


Pentax – Farmington, UT – Fujifilm X-T30 “Analog Color”

Sometimes accidents are happy, such as with this film simulation recipe, which I call Analog Color. I was attempting to make a recipe that mimics the looks of Kodak Portra 400 that’s been overexposed, but I was unsuccessful (at least for now); however, in the process I accidentally created this one. It was a mistake, but I liked how it looked, so I shot a bunch of pictures with it. This recipe reminds me of Fujicolor C200 or Agfa Vista 200, or perhaps even Kodak Gold 200. It’s in the neighborhood of ColorPlus 200, as well. But, it doesn’t exactly resemble any of those films perfectly. What I appreciate about this Analog Color film simulation is that it has a film-like quality to it, with a real color negative aesthetic, even if it’s not an exact match to any film that I’m aware of.

How this film simulation recipe looks depends on the light. This is true of all the recipes that don’t use auto white balance, but it seems especially so with this particular recipe. It can have a warm cast sometimes and cool cast other times, or even occasionally both a cool and warm cast within the same image. Perhaps this is one of the things that make it appear film-like. I do think that there’s something special about this recipe.


Route Running – Farmington, UT – Fujifilm X-T30 “Analog Color”

I like Color set to -1, but feel free to play around with that. If you want something more saturated, increase Color to 0 or +1. If you don’t like grain, set it to Weak or off. If you like lots of grain, keep the ISO high, perhaps no lower than ISO 1600. I think that this recipe will pair well with vintage lenses, and that’s something else you can experiment with.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +3
Shadow: +0
Color: -1
Color Chrome Effect: Strong
Grain: Strong
Noise Reduction: -4
Sharpening: 1
White Balance: Daylight, -3 Red & +1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to +1 1/3 (typically)

Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T30 Analog Color film simulation recipe:


Red Window – Monument Valley, AZ – Fujifilm X-T30


Cut Strawberries – Farmington, UT – Fujifilm X-T30


Joshua Smiling – Farmington, UT – Fujifilm X-T30


Girl in a Blue Sweater – Farmington, UT – Fujifilm X-T30


Living Room Bass Pro – Farmington, UT – Fujifilm X-T30


Backlit Jon – Farmington, UT – Fujifilm X-T30


Succulent on a Shelf – Farmington, UT – Fujifilm X-T30


Time’s Fun When You’re Having Flies – Farmington, UT – Fujifilm X-T30


46 Minutes to Ogden – Farmington, UT – Fujifilm X-T30


Empty Seats – Farmington, UT – Fujifilm X-T30


The Bags We Carry – Farmington, UT – Fujifilm X-T30


No Storage – Farmington, UT – Fujifilm X-T30


Rain God Mesa – Monument Valley, AZ – Fujifilm X-T30


Tree In The Dirt – Monument Valley, AZ – Fujifilm X-T30


Monument Valley Afternoon – Monument Valley, AZ – Fujifilm X-T30


Monument Valley After Sunset – Monument Valley, AZ – Fujifilm X-T30

See also: Film Simulation Recipes

Fujifilm X100F Review Blog

Help Fuji X Weekly

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Monument Valley – A Monumental Landscape


Evening at Monument Valley – Monument Valley, AZ – Fujifilm X-T30 & Rokinon 12mm

I just got back from Monument Valley, which sits on the border between Arizona and Utah on Navajo land near Four Corners. Situated on the Colorado Plateau, Monument Valley features large rock formations and red desert sand. It’s a lonely place; there are only a few very small towns scattered nearby. Despite being in the middle of nowhere, it attracts many tourists from across the world. Monument Valley is the iconic American West landscape, and it is nothing short of stunning!

You’ve seen Monument Valley before, even if you didn’t know what you were looking at. Certainly you’ve seen pictures of it in calendars and magazines and on social media. Many different movies have had scenes filmed in Monument Valley. Forest Gump concluded his cross country run there. Marty McFly went back in time to the old west in Monument Valley. Clark Griswold drove his car off the road at this place. Many “westerns” were filmed in Monument Valley, including a few starring John Wayne. In many ways Monument Valley still looks and feels like the rugged and wild American West, so it’s easy to understand Hollywood’s draw to this location.

Monument Valley was on my photographic bucket list for a long time. I’ve wanted to visit and capture the iconic landscape for many years. I’d seen the black-and-white prints by Ansel Adams and the color pictures in Arizona Highways magazine that showcased this incredible landscape, which made me want to experience it for myself. I had to make my own images. I needed to get to Monument Valley. Honestly, though, I didn’t realize its exact location until recently. I knew it was in northern Arizona somewhere. Or maybe southern Utah. As it turns out, most of it is in far northeastern Arizona, and a little of it sits in far southeastern Utah, but all of it belongs to the Navajo Nation.


Butte Between two Boulders – Monument Valley, AZ – Fujifilm X-T30 & Fujinon 35mm

I was only able to stay in Monument Valley for one day. I had one day to capture the pictures that I wanted, or at least as many of them as I could. I planned the trip carefully, doing much research ahead of time so that I would know what to expect. It paid off because I believe I made the most of my short time there. I didn’t come away with every picture that I had hoped for, but I came away with a good group, and that means I had a good day. I’ll have to return, hopefully soon, for the rest.

Something that struck me about Monument Valley is how quiet and peaceful it was. You can set your own pace and take things slow. The wide open spaces allowed for moments of true serenity. You can find yourself alone. Monument Valley is sacred land to the Navajo, and you can feel that while there, permeating from the stone and sand. My visit was during the off season, and I’m sure the atmosphere during the summer months can be quite different.

All of the Navajo people that I met and spoke with were exceedingly friendly and helpful. They seemed quite proud of this place, eager to share its beauty with the world. One lady, who was selling jewelry along a dirt road, was happy to tell me about her favorite photograph, which had been on the cover of Arizona Highways, that featured a nearby tree, which has since died because it was struck by lightning. I felt like I was an invited guest, and the Navajo people were happy to have me there.


Mitchell Mesa – Monument Valley, AZ – Fujifilm X-T1 & Fujinon 35mm

But I could sense another side. This is private land. Among the rock formations are little houses. There are ranches scattered throughout Monument Valley. Visitors are allowed in only very specific places, which are clearly marked, unless you have an official guide. At one stop I overheard a guide telling his group that he was not allowed to take people to one particular spot because the occupant of a nearby house “doesn’t like white people.” I can certainly understand that past hurts might still sting. The Navajo haven’t always been treated well by America. This is their home. This is their sacred land where their ancestors lived and died. They don’t have to allow anyone in. They could keep Monument Valley to themselves, and not welcome visitors. I’m sure there are some who would prefer that. I was a stranger in a strange land. I was the outsider. Gratefully, I was welcomed in and treated kindly.

From what I could tell from my short visit, the Navajo way of life is slower, simpler, quieter, and more free than my own. There are no Walmarts or McDonalds or Starbucks within 100 miles, probably further than that. I didn’t see any signs of commercialism and consumerism. I’m sure life in the dry desert can be difficult, but to the Navajo it is worth dealing with those difficulties in order to live life their way; to be who they are. Their culture is preserved by living out their traditions.

The photographs in this article were captured with a Fujifilm X-T30 and Fujifilm X-T1. The lenses I used were a Fujinon 35mm f/2Fujinon 100-400mm and Rokinon 12mm f/2. On the X-T30 I used my Velvia (except color +4), Kodachrome 64, Dramatic Monochrome and Agfa Scala film simulation recipes, and on the X-T1 I used Velvia and Monochrome. The challenge when visiting a place like Monument Valley is creating something unique when it’s been photographed from every angle imaginable. That’s an extraordinarily difficult task, but not completely impossible. While most of my pictures have been done before by others, I think a few of them are fairly unique; at least I’ve never seen one identical. I hope that you enjoy them!



Monument Valley – Monument Valley, AZ – Fujifilm X-T30 & Fujinon 35mm


Mittens in Monochrome – Monument Valley, AZ – Fujifilm X-T1 & Fujinon 35mm


Mitchell Mesa in Monochrome – Monument Valley, AZ – Fujifilm X-T30 & Fujinon 35mm


Reflection on a Dirt Road – Monument Valley, AZ – Fujifilm X-T30 & Fujinon 35mm


Navajo Flag – Monument Valley, AZ – Fujifilm X-T30 & Rokinon 12mm


Four Flags – Monument Valley, AZ – Fujifilm X-T30 & Fujinon 100-400mm


Shrub on the Edge of the Wash – Monument Valley, AZ – Fujifilm X-T30 & Rokinon 12mm


Rocks & Mitten – Monument Valley, AZ – Fujifilm X-T30 & Fujinon 35mm



Forest Gump Was Here – Monument Valley, UT – Fujifilm X-T30 & Fujinon 100-400mm


Highway Through The Hole – Monument Valley, UT – Fujifilm X-T30 & Fujinon 100-400mm


Dying Tree in the Red Desert – Monument Valley, AZ – Fujifilm X-T30 & Fujinon 35mm


Yucca – Monument Valley, AZ – Fujifilm X-T30 & Fujinon 35mm


Red Ripples – Monument Valley, AZ – Fujifilm X-T30 & Fujinon 35mm


Puddle In The Sand – Monument Valley, AZ – Fujifilm X-T30 & 35mm


Evening Mittens – Monument Valley, AZ – Fujifilm X-T1 & Fujinon 35mm


Last Light on the Mittens – Monument Valley, AZ – Fujifilm X-T1 & Fujinon 35mm

Fujifilm X100F Review Blog

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My Fujifilm X-T30 Fujicolor Pro 400H Overexposed Film Simulation Recipe


I Will Always Love You – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”

Fujifilm introduced Fujicolor Pro 400H in 2004 and it’s been a popular film ever since. Photographers often overexpose this film by as many as four stops. When overexposed, the film turns from a somewhat ordinary high-ISO (that’s what the “H” stands for in the name) portrait film into something almost magical. Colors become vibrant and pastel. The exact look of overexposed Pro 400H varies, depending on how much overexposed, how developed, and how printed or scanned. The effect can range from subtle to pronounced. I have been trying for some time now to create a film simulation recipe that mimics the aesthetic of overexposed Pro 400H, and, despite creating a Fujicolor Pro 400H film simulation recipe already, achieving an overexposed look has eluded me.

I had read that one of the films that was the inspiration for the PRO Neg. Hi film simulation was Pro 400H. I tried and tried using that film simulation, and even PRO Neg. Std and Astia, to get the look that I was after, but I just couldn’t get it right. Yesterday, following some inspiration, as I was playing around with the Provia film simulation, I created a look that I thought might work. It was close! A few adjustments here and there, and this Fujicolor Pro 400H Overexposed film simulation recipe was born, and I spent the afternoon shooting a bunch of exposures with it. I just couldn’t believe that I finally did it!


Green Sky – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”

Something that I went back and forth on with this recipe is the shadows. I feel like +4 is too much sometimes, and +3 is too little sometimes. I ended up choosing +4, but I think +3 would be just as acceptable. You might try some shots with +4 and some with +3 and decide which you like better. Perhaps use +4 in low-contrast scenes and +3 in high-contrast scenes. I also debated on Color, settling on +1, which might be too high. You might consider setting Color to 0 if you think it’s too saturated. Even though I created this on my Fujifilm X-T30, it’s fully compatible with all X-Trans III and IV cameras.

Dynamic Range: DR400
Highlight: -2
Shadow: +4
Color: +1
Color Chrome Effect: Off
Grain: Weak
Noise Reduction: -4
Sharpening: 1
White Balance: Auto, +2 Red & +2 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1 2/3 to +2 1/3 (typically)

Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T30 Fujicolor Pro 400H Overexposed film simulation recipe:


Annoyed – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”


Happy – Farmington, UT – Fujifilm X-T30


Reading – Farmington, UT – Fujifilm X-T30


Markers – Farmington, UT – Fujifilm X-T30


Lego Car – Farmington, UT – Fujifilm X-T30


Ocean of Books – Farmington, UT – Fujifilm X-T30


Suburban Sky – Farmington, UT – Fujifilm X-T30


Neighborhood – Farmington, UT – Fujifilm X-T30


Tree Trunk Between Shrubs – Farmington, UT – Fujifilm X-T30


Liquid Obscurity – Farmington, UT – Fujifilm X-T30


Evening Windows – Farmington, UT – Fujifilm X-T30


Closed Umbrella – Farmington, UT – Fujifilm X-T30


Raining In The Pool – Farmington, UT – Fujifilm X-T30


Observing – Farmington, UT – Fujifilm X-T30


Outdoor Mall – Farmington, UT – Fujifilm X-T30


String of Lights – Farmington, UT – Fujifilm X-T30


Disconnected – Farmington, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Fujifilm X100F Review Blog

Help Fuji X Weekly

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Announced: Fujifilm X-T4

Fujifilm X-T4

Fujifilm just officially announced the upcoming X-T4, which replaces the not very old X-T3. The big difference between the two cameras is that the X-T4 is bigger and heavier because it now has in-body image stabilization (IBIS). The X-T4 also has the flip screen from the X-A7 and X-T200, improved auto-focus, and the two new film simulations: Bleach Bypass and Classic Negative. It has a new battery, with improved battery life.

The X-T4 has several flashy new features, but internally it still sports the same X-Trans IV sensor and processor as the X-T3. Don’t expect image quality to be any different. If you have an X-T3, or even an X-T2, unless you really need IBIS, I don’t see much reason for upgrading cameras. If you are deciding between the X-T3 and X-T4, if having IBIS is important to you, get the X-T4, and if not, save yourself some money and get the very fantastic and nearly identical X-T3.

The Fujifilm X-T4 will be released on April 30 with an MSRP of $1,700 for the camera body. It’s available now for pre-order.

Fujifilm X-T4 (Body Only) Black   B&H   Amazon
Fujifilm X-T4 (Body Only) Silver   B&H   Amazon

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