The New Reala Ace Film Simulation is Actually….

My Fujifilm X100VI arrived in the mail yesterday. Eagerly I opened the box, pulled out the X100V (but with an “I” after the “V”), placed a freshly charged battery inside, inserted an SD Card, programmed my C1-C7 custom settings presets, and went out shooting. The main reason why I wanted the X100VI was for the brand-new Reala Ace film simulation. I think a big reason why Fujifilm cameras are so in-demand right now are the film simulations and the many Film Simulation Recipes that can achieve various film-like looks straight-out-of-camera, no editing needed. Anytime that Fujifilm adds a new film sim is a good time, and is always a top reason for myself to spend money on a new camera that I don’t actually need.

My very first impression of the X100VI is that it’s an X100V. The two models are identical twins at initial glance. That’s not a bad thing whatsoever, because I absolutely love my X100V; if it ain’t broke, don’t fix it. The new camera is slightly heavier (but, really, you need to have one in each hand to be able to tell), and there’s a small amount of noise when you shake the X100VI due to the IBIS inside, but otherwise there’s not a lot to distinguish the two apart. Internally, the new camera has IBIS (which I haven’t had a chance to test yet since I only used it in bright daylight so far), the 40mp X-Trans V sensor and processor, and the latest JPEG options, including Eterna Bleach Bypass, Nostalgic Neg., and Reala Ace—all of which are the largest distinctions between the old and new versions.

I tried Reala Ace right away. The new film simulation was named after Fujicolor Superia Reala Ace 100 color negative film, a version of Fujicolor Superia Reala 100 that was only sold in Japan. Reala was introduced in the late-1990’s and discontinued in 2013, and was the first Superia film (although initially it didn’t have Superia in the name), the first with their 4th emulsion layer. The Classic Negative film simulation, which is closely modeled after Superia film, is the best way to replicate Reala on your Fujifilm camera; specifically, try my Fujicolor Reala 100 Film Simulation Recipe. My Reala Ace Recipe was intended to mimic the new Reala Ace film sim using Classic Negative, but it can also be thought of as a v2 for replicating Fujicolor Reala film. Unfortunately, the new Reala Ace film simulation is not modeled after the film that it was named after.

When there are not many example photographs of a new film sim, there’s not a lot to go on for replicating it. It’s impossible to know if the samples are straight-out-of-camera with everything set to factory defaults, or if some of the parameters were adjusted, or if post-editing was done, unless the photographer discloses that. When Reala Ace was introduced on the GFX100 II, I believe that many of the samples that initially came out were post-edited to some degree (one photographer did specifically state that their’s was), and that makes sense since most GFX owners are not shooting SOOC JPEGs. My Reala Ace Recipe is probably as close as one can get to the Reala Ace film sim using Classic Negative, and is more similar to the actual film than the Reala Ace film sim is; overall, my Recipe is only a so-so match to the new film sim, and is off in several aspects.

My Reala Ace Film Simulation Recipe
Default Reala Ace film sim, except DR200, Grain Weak/Small & High ISO NR -4

Fujifilm placed the Reala Ace film simulation right above PRO Neg. Hi in the film sim list, and I quickly discovered why. The two PRO Neg. film simulations are not closely modeled after any emulsions, but are generally inspired by Fujifilm’s PRO lines of film, such as PRO 160S, PRO 160NS, PRO 160C, and PRO 400H. The main difference between PRO Neg. Hi and PRO Neg. Std is that the Hi version has more contrast and saturation, and the Std version has less. Reala Ace is quite similar to both PRO Neg. Std and PRO Neg. Hi, and you can more-or-less approximate the Reala Ace film sim with either. I found that PRO Neg. Std is actually the best option for replicating Reala Ace, so if your camera has PRO Neg. Std, you pretty much have Reala Ace. Fujifilm should have named the new film sim PRO Neg. C, since it is the third version of PRO Neg. (“C” is the third letter in the alphabet), and the emulsion that the new film sim is most similar to is Fujicolor PRO 160C (and not Reala).

To get close to Reala Ace (PRO Neg. C) using PRO Neg. Std, make these adjustments:
– For Reala Ace, I set both Highlight and Shadow to -0.5. Additionally, I used DR200, Grain Weak/Small, and High ISO NR -4; otherwise, everything else was factory defaults (Off, Auto, or 0).
– For PRO Neg. Std, I set Highlight to +1, Shadow to -0.5, Color to +2, Color Chrome FX Blue to Weak, DR200, and Grain Weak/Small; otherwise, everything else was factory defaults (Off, Auto, or 0).
You might question why, for example, I didn’t keep Reala Ace at Highlight/Shadow 0, and on PRO Neg. Std simply adjust Highlight to +1.5? I tried that, but for whatever reason, the changes I made are an ever-so-slightly closer match. Both are acceptable, though.

Can you guess which is Reala Ace (PRO Neg. C) and which is PRO Neg. Std in the sets below, Pic 1 or Pic 2?

Pic 1
Pic 2
Pic 1
Pic 2
Pic 1
Pic 2

There are, of course, some small differences. Reala Ace renders blue slightly deeper, but applying Color Chrome FX Blue Weak to PRO Neg. Std is a little too much to exactly match; CCEB Extra-Weak would be perfect, but that doesn’t exist. A WB Shift of -0.5 Blue (-1 Blue is too much) to PRO Neg. Std would be good if you could; I used Auto WB, but if you used Kelvin instead, you could try something like 5100K on PRO Neg. Std to replicate 5000K on Reala Ace. Setting Color to +2.5 on PRO Neg. Std would be great, but that doesn’t exist, either. There are small differences in both Highlight and Shadow rendering, but you’d need 0.25 adjustments to more accurately match them. There is a level of fine-tuning required to precisely replicate Reala Ace that’s not available on Fujifilm cameras, but you can get pretty darn close nonetheless.

The larger point is that if you want a Reala Ace (PRO Neg. C) film simulation look, all you really need is PRO Neg. Std. Simply increase Highlight by +1 and Color by +2 and you’re pretty much there—a little more fine-tuning can get you slightly closer. You can’t 100% match them, but you can get pretty darn close—nobody would be able to tell without a side-by-side comparison, and even then it’s not completely obvious without studying closely.

Reala Ace film simulation

For those still wondering which is which in the photos above, Pic 1 in each set is PRO Neg. Std, and Pic 2 is Reala Ace. You can spot the differences when you know what to look for, but otherwise they’re very similar. Reala Ace is a little nicer at factory defaults than PRO Neg. Std, perhaps more like PRO Neg. Std that has been adjusted into a Film Simulation Recipe. I think there is potential for some new Recipes utilizing Reala Ace as the base; overall, I prefer my Reala Ace Recipe that uses Classic Negative. I am looking forward to seeing what can be done with the new film sim, so expect some Reala Ace (PRO Neg. C) Recipes soon!

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100VI in black: AmazonB&HMomentWex, Nuzira
Fujifilm X100VI in silver: AmazonB&HMomentWex, Nuzira

Grams28 172 Camera Sling — My Camera Bag Odyssey, Part 1

The Grams28 172 Camera Sling is the most expensive and elegant camera bag that I’ve ever owned. I’m currently on a camera bag quest, and this is the first stop. If you are, too, perhaps you’ll find this article helpful. I don’t have any affiliate links for Grams28 or anything like that; this is simply my opinions and experiences as a photographer looking for a new camera bag.

For a few years now I’ve been happily using a National Geographic NG2344 Earth Explorer Shoulder Bag, which I discussed in The Ultimate Travel Compact Camera Kit article. I like that camera bag for several reasons: it’s very small yet somehow holds a shocking amount of gear, it’s highly affordable (generally speaking, I’m a cheapskate), and it fits in the middle console of my car, which makes it ideal for roadtrips. I have no intentions of replacing that bag; however, I have encountered some situations where it is not ideal.

Specifically, last summer I attended a wedding, and I wasn’t going to bring the Nat Geo bag with me. It would have been tacky, to put it mildly, since it was a black tie event. I wasn’t the photographer, I was a guest who happened to be a photographer. I carried my Fujifilm X100V because it was discrete and could slip into my pocket. In retrospect, the X100V was great for many circumstances but less-than-ideal for some others; I wish that I had had an interchangeable-lens option, like my X-E4 or X-T5, and maybe the Fujinon 90mm f/2. While the Nat Geo bag would have technically worked, I would have stood out like a sore thumb carrying it around. An elegant camera bag was needed, but I didn’t own one.

In the months that have followed, I have photographed a few different events, this time as the official photographer. I don’t necessarily consider myself an events photographer, but, nonetheless, under some sets of circumstances I’ve done it several times recently. I like the Nat Geo bag, but, once again, it wasn’t the right style for the situation. With these events occurring fairly regularly, I felt that a more appropriate camera bag was necessary for when I need to appear professional. I needed a bag that’s both functional and fashionable.

After much searching, I came across the Grams28 172 Camera Sling. It seemed to be the right size—neither too big nor too small—and it looked really nice. At $459, I was apprehensive about how expensive it was, because I’ve never owned a camera bag that costs this much. For the price, it should be my everyday carry, and not a once-in-a-while option; however, I was not looking for an everyday carry camera bag. Still, I thought that this could be the right one, so I went for it.

The 172 Camera Sling is a high-quality Italian leather camera bag that measures 12.5” wide, 8.6” tall, and 4.7″ deep. It has a padded interior, and comes with two velcro dividers. There’s space for spare batteries and SD Cards in a zippered pocket. Another compartment could fit a small iPad. The bag seems well designed and durable, and the adjustable strap is quite comfortable. Aside from all that, it’s especially stylish, which was essential.

Grams28 claims that it will fit a Fujifilm X-H1 and telephoto zoom. For myself, I wanted to carry two bodies, plus a couple of lenses. I was able to fit my X100V (or an X-E4 with the Fujinon 27mm f/2.8), an X-T5 with the Fujinon 18-55mm f/2.8-4 or the Fujinon 90mm f/2 (but without the lens hood… it can be placed on backwards and fit in the bag) attached to the body, plus a spare lens. As I have it configured, the 18-55mm lens won’t fit as a spare (only attached to the camera) unless the hood is removed, but the TTArtisan 35mm f/1.8 will, as well as similarly-sized or smaller glass. There’s a lot of different lens options that one could go with, and I tried several different arrangements. I’m still figuring out the best camera/lens combinations, but for my style of photography, the X100V and X-T5 with the 90mm are essential; it’s the spare lens I’m unsure about. The Fujinon 35mm f/2 is what I’m currently leaning towards, and what I most recently used; however, I’ve been considering trying something more wide-angle, perhaps the WCL-X100 II conversion lens (which I don’t currently own) for the X100V. It might be possible that the 27mm pancake will also fit, depending on what the main spare lens is—it does fit (snugly) with the 35mm f/2, but I felt it was redundant to have both since the focal lengths are similar. Interestingly, my wife’s X-T4 fits noticeably more snugly in the bag than the X-T5, so the larger Fujifilm bodies might not be the best choice for the 172 Camera Sling.

I’m very happy with my Grams28 172 Camera Sling. It is exactly what I was looking for. It’s not my everyday bag (although it could be if I didn’t typically dress very casual), but it serves a very specific purpose quite well. On top of that, Grams28 customer care has been top-notch. They reached out to me a few days after I received it to make sure that I was pleased with the bag, and to answer any questions that I might have. If you are a wedding or events photographer and are looking for a fashionable (yet still functional) camera bag so that you appear professional, or if you’re just a stylish person, I personally recommend the Grams28 172 Camera Sling.

Click here for the Grams28 website.
Click here for the 172 Camera Sling.

My 15 Favorite Film Simulation Recipes that use Classic Negative

Bench with a View – Prefumo Canyon, CA – Fujifilm X-E4 – Pacific Blues

Provia Velvia AstiaClassic ChromePRO Neg. HiPRO Neg. Std Nostalgic Neg.Eterna

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this. Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Classic Negative film simulation is closely modeled after Fujifilm’s Superia line of films. I’m not sure why they didn’t use the Superia brand name for the film sim, because that’s what it resembles. If you want a Superia look—or, really, any Fujicolor film that has their 4th-layer technology—your best bet is to use Classic Negative as the base. It was introduced on the X-Pro3, so cameras that are older don’t have this film simulation.

Reflection of a Broken Door – Litchfield Park, AZ – Fujifilm X-E4 – Fujicolor 100 Gold

Classic Negative is one of my absolute favorite film simulations, and, as far as I can tell, it is the second most popular, trailing only Classic Chrome. I had a really difficult time narrowing down my favorite Classic Negative Recipes, and even though I tripled the number from five to 15 (like I did for Classic Chrome), there were a lot of tough cuts that I would have loved to include in this list. I could have doubled the length of it, and I still would have had some hard decisions. If you like Classic Negative, there are a bunch of excellent options to choose from.

The 15 Film Simulation Recipes below are my favorites that use Classic Negative as the base. Everyone has different tastes, so you might like other ones more. I count 53 Recipes in the Fuji X Weekly App that use Classic Negative, so you have plenty of choices. But, if you are unsure which Classic Negative Recipe to try, let me suggest picking one from my list below.

#1:

A highly versatile Film Simulation Recipe that uses Classic Negative to replicate the aesthetic of the new Reala Ace film sim. Compatible with X-Trans V cameras.

#2:

Perfect for a sunny day at the beach, but surprisingly great for many other scenarios, too. This is the X-Trans IV (except X-T3/X-T30) version; click here for X-Trans V.

#3:

This is the Classic Negative Recipe that I personally use the most. Highly versatile, and is especially great for artificial light situations. Compatible with X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V, set Color Chrome FX Blue to Weak.

#4:

An excellent option for sunny daylight situations. This is the X-Trans IV (except X-T3/X-T30) version; click here for X-Trans V.

#5:

This Recipe, which is great for sunny daylight, is similar to Fujicolor Natura 1600. This is the X-Trans IV (except X-T3/X-T30) version; click here for X-Trans V.

#6:

A versatile Recipe that works well anytime of the day or night. Compatible with X-Trans V cameras; click here for X-Trans IV (except for the X-T3/X-T30).

#7:

An excellent Recipe for sunny daylight photography. This is the X-Trans IV (except X-T3/X-T30) version; click here for X-Trans V.

#8:

Similar to the Reala Ace Recipe, but not as versatile. Compatible with X-Trans IV (except X-T3/X-T30) camera; click here for X-Trans V.

#9:

Great for sunny daylight photography. This Recipe is compatible with X-Trans IV cameras, except the X-T3 and X-T30.

#10:

Another option that’s great for sunny daylight. This Recipe is for X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V set Color Chrome FX Blue to Off.

#11:

This is the only Kodak-like Recipe to make this list. It’s for X-Trans IV cameras, except for the X-T3 and X-T30.

#12:

Like the film, this Recipe can produce a few different looks depending on how much exposure you give it. It’s for X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V set Color Chrome FX Blue to Off.

#13:

Another Superia-like Recipe that is best for sunny daylight situations. Compatible with X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V set Color Chrome FX Blue to Off.

#14:

This is the only Recipe to make this list modeled after an Agfa film stock. Thanks to its slightly cool cast, it’s surprisingly versatile. Compatible with X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V set Color Chrome FX Blue to Weak.

#15:

This is an unusual option that does really well in the right circumstances. Compatible with X-Trans IV cameras (except the X-T3/X-T30); for X-Trans V, set Color Chrome FX Blue to Weak.

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
Why Film Simulation Recipes are BETTER than default Film Simulations
Why Shooting JPEGs Is So Popular

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

My 5 Favorite Film Simulation Recipes that use PRO Neg. Std

Urban Binding – Salt Lake City, UT – Fujifilm X-T30 – Fujicolor 100 Industrial

Provia Velvia AstiaClassic ChromePRO Neg. HiClassic Negative Nostalgic Neg.Eterna

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this. Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The PRO Neg. Std film simulation was inspired by, but not specifically modeled after, Fujifilm’s PRO line of films, such as PRO 400H and the various PRO 160 emulsions. It’s not exactly like any of those films, but is, generally speaking, similar. It’s specifically intended for portrait photography with a faithful color reproduction. This film sim has noticeably less contrast and slightly decreased vibrancy compared to PRO Neg. Hi, but otherwise the two are identical; personally, I prefer Std over Hi. Also, PRO Neg. Std has some similarities to the Eterna film sim, and can be a fairly convincing facsimile for cameras that don’t have Eterna.

Purple Flowers by Lake – Culleoka, TX – Fujifilm X-E4 – Fujicolor Superia 800

I like the PRO Neg. Std film simulation, but I find myself using it much more often on the “older” models (X-Trans III and prior) than on the newer ones. I think, in a way, both Eterna and Classic Negative have replaced this film sim for me. Even so, I do like PRO Neg. Std, and appreciate it for night photography in particular.

The five Film Simulation Recipes below are my favorites that use PRO Neg. Std as the base. Everyone has different tastes, so you might like other ones more. I count 30 Recipes in the Fuji X Weekly App that use PRO Neg. Std, so you have plenty of choices. But, if you are unsure which Recipe to try, let me suggest picking one from my list below.

#1:

This is an X-Trans II Film Simulation Recipe, and my personal favorite that mimics CineStill 800T film. Those with a compatible camera should definitely give this one a try for nighttime photography.

#2:

This is the X-Trans III version of CineStill 800T. It’s compatible with the X-T3 and X-T30 simply by setting Color Chrome FX Blue to Off; for newer cameras, additionally set Color Chrome FX Blue to Off, Grain size Large, and Clarity to 0 (or -2, if you prefer). There is also a CineStill 800T Recipe that uses Eterna.

#3:

This is probably one of my Top 10 Film Simulation Recipes for the X-T3 and X-T30 cameras. For newer models, set Color Chrome FX Blue to Off, Grain size to Small, and Clarity to 0.

#4:

Reminiscent of some old color prints, this Recipe is best for sunny daylight photography, but can be decent in other conditions, too. Compatible with X-Trans IV (except the X-T3/X-T30) and X-Trans V cameras.

#5:

Fujicolor Superia 800, which is for X-Trans III cameras, was my first attempt at a Superia-like Film Simulation Recipe. It’s especially great for rainy days. For use on the X-T3 and X-T30, simply set Color Chrome Effect to Off; for newer cameras, additionally set Color Chrome FX Blue to Off, Grain size Small, and Clarity to 0. There is also a Fujicolor Superia 800 Recipe that uses Classic Negative (for X-Trans V set Color Chrome FX Blue to Off).

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
Why Film Simulation Recipes are BETTER than default Film Simulations
Why Shooting JPEGs Is So Popular

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Kentmere Pan 400 — Fujifilm X100V (X-Trans IV & V) Film Simulation Recipe

Cash for your Scrap – Buckeye, AZ – Fujifilm X100V – Kentmere Pan 400 – Photo by Jon Roesch

Even though Kentmere Pan 400 is a fairly new film, the history of it is a bit grey (pun intended). Harman Technologies is the parent company of both Ilford and Kentmere; prior to the Harman purchase, Kentmere did not produce any photographic films (they did make photo paper), so it would seem that Kentmere 400, which was introduced in 2009, is essentially an Ilford emulsion. Sometime a few years ago “Pan” was added to the name, although it is unclear if the emulsion was modified, or if it stayed the same and the name change was only marketing.

Kentmere Pan 400 is a low-budget black-and-white negative film marketed towards photography students. Harman has stated that Kentmere Pan 400 is similar to Ilford HP5 Plus 400, and the reason that they can sell it for cheaper is that it contains less silver. For this reason some people have speculated that it is simply HP5 Plus with less silver; however, Ilford also makes a Pan 400 film, and so some others have speculated that Kentmere Pan 400 is actually Ilford Pan 400 with less silver. Oh, and then there’s AgfaPhoto APX 400 (2013 and onward, anyway), which apparently is the same emulsion as Kentmere Pan 400, and possibly even Rollei RPX 400. It’s hard to know exactly what the truth is, other than Kentmere Pan 400 is a cheap B&W film made by Ilford, who has produced many excellent B&W films for a long time.

This Film Simulation Recipe was developed by Dan Allen. He shot a few rolls of Kentmere Pan 400 film, and during that time also shot a bunch of frames side-by-side with his Fujifilm X-Pro3. Using X RAW Studio, he fiddled with the Fujifilm files until they closely matched the Kentmere scans. One film can produce many different looks—depending on a host of factors, including how shot, developed, and printed and/or scanned—and even within this experiment, Dan discovered that there were some variances; these settings aim at the middle ground of those results. For many pictures, this Recipe is strikingly similar to the film, and you can tell that he put a lot of work and care into creating it. Thank you, Dan!

Lockers – Phoenix, AZ – Fujifilm X100V – Kentmere Pan 400

This Kentmere Pan 400 Film Simulation Recipe is compatible with all X-Trans IV cameras—except the X-T3 and X-T30—and all X-Trans V cameras: the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, X-T30 II, X-H2s, X-H2, X-T5, X-S20, and X100VI (as of this writing). I’m sure you can also use it on newer GFX models, although it might render very slightly different (try it anyway). Because Kentmere Pan 400 film is intended for student photographers, I had my 14-year-old son, Jonathan, use this Recipe—half of the pictures in this article are his.

Film Simulation: Acros+G
Monochromatic Color (Toning): Off (WC 0 & MG 0)
Grain Effect: Strong, Large
Color Chrome Effect: Off
Color Chrome FX Blue: Off
White Balance: Auto, +7 Red & +6 Blue
Dynamic Range: DR-Auto
Highlight: +1
Shadow: +1
Sharpness: +3

High ISO NR: -4
Clarity: +1
ISO: up to ISO 12800
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Kentmere Pan 400 Film Simulation Recipe on my Fujifilm X100V:

Rentals – Buckeye, AZ – Fujifilm X100V – Photo by Jon Roesch
Street Lamp – Buckeye, AZ – Fujifilm X100V – Photo by Jon Roesch
Power Pole & Street Light – Buckeye, AZ – Fujifilm X100V – Photo by Jon Roesch
Slug Bug – Buckeye, AZ – Fujifilm X100V – Photo by Jon Roesch
Crushed Monster – Buckeye, AZ – Fujifilm X100V – Photo by Jon Roesch
Back Alley – Buckeye, AZ – Fujifilm X100V – Photo by Jon Roesch
Dark Parking Garage – Phoenix, AZ – Fujifilm X100V
I C – Buckeye, AZ – Fujifilm X100V – Photo by Jon Roesch
Roadrunner – Buckeye, AZ – Fujifilm X100V – Photo by Jon Roesch
Table & Chair – Buckeye, AZ – Fujifilm X100V
FED 5c & Yosemite – Buckeye, AZ – Fujifilm X100V
Snowman – Buckeye, AZ – Fujifilm X100V – Photo by Jon Roesch
Nicolas in a Window – Phoenix, AZ – Fujifilm X100V
White Flower – Buckeye, AZ – Fujifilm X100V
Courtyard – Phoenix, AZ – Fujifilm X100V
Education Building – Phoenix, AZ – Fujifilm X100V
Twin Palms & Building Corner – Phoenix, AZ – Fujifilm X100V
Two Palms, One Shadow – Phoenix, AZ – Fujifilm X100V

See also: How To Add Film Simulation Recipes To Your Fujifilm Camera

Find this Film Simulation Recipe and over 300 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

My 5 Favorite Film Simulation Recipes that use PRO Neg. Hi

Wet Glass Bokeh – Salt Lake City, UT – Fujifilm X-T30 – Jeff Davenport Night

ProviaVelviaAstiaClassic ChromePRO Neg. StdClassic Negative Nostalgic Neg.Eterna

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this (for now, anyway). Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The PRO Neg. Hi film simulation was inspired by, but not specifically modeled after, Fujifilm’s PRO line of films, such as PRO 400H and the various PRO 160 emulsions. It’s not exactly like any of those films, but is, generally speaking, similar. It’s specifically intended for portrait photography with a faithful color reproduction. PRO Neg. Hi is comparable with Astia; definitely not identical, but surprisingly similar in certain ways. This film sim has noticeably more contrast and slightly increased vibrancy over PRO Neg. Std, but otherwise the two are identical; personally, I prefer Std over Hi.

Orange Flower – Farmington, UT – Fujifilm X-T30 – Fujicolor Pro 160NS

I don’t dislike PRO Neg. Hi, but I rarely ever use it. I think it can be quite good sometimes, especially for portraits. I’ve had positive experiences with it at night. Perhaps I should use it more often than I have lately, as I feel like I’ve unfairly ignored it.

The five Film Simulation Recipes below are my favorites that use PRO Neg. Hi as the base. Everyone has different tastes, so you might like other ones more. I count seven Recipes in the Fuji X Weekly App that use PRO Neg. Hi, so there are only a couple of others to choose from. If you are unsure which PRO Neg. Hi Recipe to try, let me suggest picking one from my list below.

#1:

This is one of my favorite Film Simulation Recipes for nighttime photography. It’s only compatible with the X-T3 and X-T30; however, for use on newer cameras, simply set Color Chrome FX Blue to Off, choose Grain size Small, and set Clarity to 0 (or even -2).

#2:

This Film Simulation Recipe is actually seven different Recipes! It’s a unique approach, so you’ll definitely want to read the article if you’re curious about it. Fujicolor Pro 160NS is compatible with X-Trans III cameras, plus the X-T3 and X-T30; for use on newer cameras, set Color Chrome FX Blue to Off, choose Grain size Small, and set Clarity to 0.

#3:

Like #2, this Film Simulation Recipe is also seven different Recipes. Fujicolor Pro 400H is only compatible with the X-T3 and X-T30; for use on newer cameras, set Color Chrome FX Blue to Off, choose Grain size Small, and set Clarity to 0.

#4:

Probably my favorite everyday portrait Recipe. Compatible with X-Trans III cameras. For the X-T3 and X-T30, simply set Color Chrome Effect to Off; for newer cameras, additionally set Color Chrome FX Blue to Off, choose Grain size Small, and set Clarity to 0.

#5:

This is probably one of my Top 5 favorite X-Trans II Film Simulation Recipes. Great for sunny daylight photography.

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
Why Film Simulation Recipes are BETTER than default Film Simulations
Why Shooting JPEGs Is So Popular

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Attending the Luminar Photowalk in Tempe, Arizona

Birds on the Lake – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm

This last Sunday evening I attended a photowalk in Tempe, Arizona, hosted by Skylum Luminar and sponsored by Fujifilm. I thought it might be an opportunity to chat with some other Fujifilm photographers, and an excuse to photograph at Tempe Town Lake, the location of the photowalk. I had hopes that a Fujifilm representative would be in attendance, but, alas, nobody from Fujifilm was there. It was more of a Luminar photowalk than Fujifilm, which I suspected would be the case, but I attended anyway. Any excuse to get out with your camera and photograph is a good one.

I arrived about ten minutes late, and noticed a large group of photographers circled together, so that’s where I walked. Just before I got there, I saw a puddle of water (it had just recently rained), which had a cool reflection of a building and bridge. I snapped a picture (Gen Reflection, below), then joined the group. I showed the picture on the camera to a couple of photographers who were nearby, pointing to them where I captured the image, but they didn’t appear especially interested. Altogether, I estimate that there were between 35 and 40 people in attendance.

Gen Reflection – Tempe, AZ – Fujifilm X-E4 & Fujinon 27mm

One thing that surprised me was just how many non-Fujifilm photographers there were. I saw a lot of Nikon and Canon cameras, plus a few Sonys. Perhaps only half (or maybe even less than half) of those attending had a Fujifilm model; the X-T0 series was, by far, the most represented. It seemed that most people had a tripod. I even saw several people with two tripods, although I never noticed anyone using two at once. I brought with me a Fujifilm X-E4, and two Fujinon lenses: 27mm f/2.8 and 90mm f/2. No tripod, no problem; even without IBIS.

I’m sure that almost no one who was in attendance uses Film Simulation Recipes. After all, this was hosted by a photo-editing software company, which is probably off the radar of many SOOC photographers. I did talk with one person, Anna, who had a Fujifilm X100V, and was shooting with my Kodak Portra 400 v2 Recipe. It was super nice to meet her and talk Fujifilm, and it made the experience much more enjoyable. I struck up conversations with several other people, but, for the most part, they didn’t seem much interested in talking.

Nikon – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm

At sunset, while capturing an image of a pedestrian bridge that crosses the lake, I noticed a couple on bicycles that seemed to be having a moment. While they are small in the frame, they play an important role in the composition, and elevate the picture significantly. Right after I made the exposure (Pedestrian Bridge, towards the bottom of this article), they got on their bikes and pedaled down the path towards me, so I ran up to meet them. I showed them the picture and asked if they wanted a copy, which they did, so I quickly uploaded it from my camera to my iPhone, then airdropped it to them right then and there. It only took a moment, and they seemed thrilled to have it. They were surprised that it was even possible to get a picture that looked “so nice” right off the camera that quickly. The advantage of using Recipes couldn’t have been more clear to me at that very moment.

I don’t know very much about Luminar software. I’m sure it’s excellent at whatever unique things that it does. The folks who hosted the event were quite nice, and I appreciated the opportunity to photograph with them at Tempe Town Lake. I used three different Film Simulation Recipes, all of which are yet-to-be-published that are coming soon. Check back in the coming weeks, because it won’t be long before they’re ready for you to try. In the meantime, I hope that you enjoy these pictures from the photowalk!

Boat & Bridge – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Ten Feet – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Skates & Hoop – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Grain – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Bridges & Wires – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Qaudcycle – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Skateboarder – Tempe, AZ – Fujifilm X-E4 & Fujinon 27mm
Eat – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Gallery – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Dam Ahead – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Tempe Lake – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Water Under the Bridges – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Reflected Sunset – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Dam Sunset – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Pedestrian Bridge – Tempe, AZ – Fujifilm X-E4 & Fujinon 27mm
Photographers – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Spirited Away – Tempe, AZ – Fujifilm X-E4 & Fujinon 90mm
Night Lake – Tempe, AZ – Fujifilm X-E4 & Fujinon 27mm
Studio – Tempe, AZ – Fujifilm X-E4 & Fujinon 27mm
Mirrored Night – Tempe, AZ – Fujifilm X-E4 & Fujinon 27mm
Juggling Fire – Tempe, AZ – Fujifilm X-E4 & Fujinon 27mm

See also: Central Coast of California “En Plein Air” — w/Ken Rockwell & Dave Wyman

My 15 Favorite Film Simulation Recipes that use Classic Chrome

Sunset Photography – Laguna Beach, CA – Fujifilm X100V – Kodak Portra 400 v2

Provia Velvia AstiaPRO Neg. HiPRO Neg. StdClassic Negative Nostalgic Neg.Eterna

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this (for now, anyway). Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Classic Chrome film simulation is not modeled after any specific emulsion, although it does have a strong Kodak palette, with obvious similarities to some of their classic slide films. Fujifilm won’t ever say “Kodak” because, you know, that’s a long-time competitor, and it would require some licensing, I’m sure. If you are after a Kodak look, Classic Chrome is your film simulation. I believe that Classic Chrome is the most widely used film sim of them all, as Film Simulation Recipes that are based on it are often the most popular. Kodak was the largest film manufacturer, so it shouldn’t surprise anyone that the film simulation that mimics those emulsions is so popular.

Two Caballeros – Culleoka, TX – Fujifilm X-E4 – Kodachrome 64

Classic Chrome is one of my absolute favorite film simulations—many of my most-loved pictures were captured with a Film Simulation Recipe that uses it. I had a really difficult time narrowing down my favorite Classic Chrome Recipes, and even though I tripled the number from five to 15 for this article, there were a lot of tough cuts that I would have loved to include in this list. I could have doubled the length of this list, and I still would have had some hard decisions. I also had a difficult time picking the order, aside from the first two, which are my personal clear-cut Top 2. If you like Classic Chrome, there are a bunch of excellent options to choose from.

The 15 Film Simulation Recipes below are my favorites that use Classic Chrome as the base. Everyone has different tastes, so you might like other ones more. I count 85 Recipes in the Fuji X Weekly App that use Classic Chrome, so you have plenty of choices. But, if you are unsure which Classic Chrome Recipe to try, let me suggest picking one from my list below.

#1:

Great for sunny daylight and especially golden hour photography. Compatible with X-Trans IV (except for the X-T3/X-T30); for X-Trans V cameras use this one, and for the X-T3 and X-T30 use this one.

#2:

Kodachrome 64, which mimics the unmistakable colors of the iconic slide film, is perfect for sunny daylight photography. This is the X-Trans V version; for X-Trans IV (except for the X-T3/X-T30) click here, for the X-T3 and X-T30 click here, and for X-Trans II click here.

#3:

Reminiscent of the quintessential Kodak color negative film, this Recipe is great for sunny daylight photography. Compatible with X-Trans V cameras; for X-Trans IV (except the X-T3/X-T30), set Color Chrome FX Blue to Weak. For X-Trans III cameras, plus the X-T3 and X-T30, click here.

#4:

A versatile Film Simulation Recipe that is great for most situations and subjects. This is for X-Trans V; for X-Trans IV (except the X-T3/X-T30) click here, and for X-Trans III, plus the X-T3 and X-T30, click here.

#5:

A facsimile of a Kodak Portra 160 aesthetic, this Recipe is a solid choice for sunny daylight photography. It’s for X-Trans V cameras, but to use it on X-Trans IV (except the X-T3/X-T30), simply set Color Chrome FX Blue to Strong. Click here for a version of Kodak Portra 160 for X-Trans IV (except the X-T3/X-T30), for X-Trans III, plus the X-T3 and X-T30, click here, and for X-Trans II click here.

#6:

Reggie’s Portra is a versatile Recipe that’s excellent for many subjects and situations. Compatible with X-Trans IV (except for the X-T3/X-T30); for use on X-Trans V cameras, set Color Chrome FX Blue to Off.

#7:

This Film Simulation Recipe is reminiscent of Wes Anderson, and is intended for sunny daylight, but is also surprisingly good for blue-hour photography. Compatible with X-Trans IV (except for the X-T3/X-T30) and X-Trans V cameras.

#8:

I don’t like this one quite as much as v2, but I still very much like this Recipe. Compatible with X-Trans IV (except the X-T3/X-T30); for use on X-Trans V, set Color Chrome FX Blue to Off. Click here for the X-T3 and X-T30.

#9:

An especially warm replication of Portra 800 that works well in sunny daylight conditions. Compatible with X-Trans IV (except the X-T3/X-T30) and V cameras.

#10:

This Film Simulation Recipe is an older one, yet it’s still one of my favorites. Perfect for sunny daylight, but still quite versatile. Compatible with X-Trans III cameras, plus the X-T3 and X-T30. For X-Trans IV (except the X-T3/X-T30) click here (for X-Trans V set Color Chrome FX Blue to Off), and for X-Trans II click here.

#11:

Modeled after the very last roll of Kodachrome 64 that was shot by Steve McCurry, this Recipe is great for sunny daylight conditions. Compatible with X-Trans IV cameras, including the X-T3 and X-T30.

#12:

This Recipe produces a distinct 1980’s Kodak color negative film rendering. Great for sunny daylight photography. Compatible with X-Trans III cameras, plus the X-T3 and X-T30. Click here for X-Trans II.

#13:

Vibrant and warm and great for sunny daylight photography. Compatible with X-Trans IV; for X-Trans V, set Color Chrome FX Blue to Off.

#14:

My favorite X-Trans II Recipe. It’s quite versatile, but is exceptional in sunny conditions.

#15:

Serr’s 500T is my personal favorite Recipe for nighttime photography. Compatible with X-Trans IV cameras (except the X-T3/X-T30); for X-Trans V, set Color Chrome FX Blue to Weak.

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
Why Film Simulation Recipes are BETTER than default Film Simulations
Why Shooting JPEGs Is So Popular

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

iF gives Design Award to Fujifilm for Film Simulation Experience

iF just awarded Fujifilm with a Design Award for their Film Simulation experience. For those who don’t know, iF (Industrie Forum) is a German institution that hands out awards each year for design innovations. It began in 1954 at the Hannover Fair, where 41 iF jurors gave awards to products that were being demonstrated on-site, and has since grown internationally to a pretty large organization. iF Design Awards are a big deal, but it’s also a pay-to-play system, so there is an element of self-awarding, despite the independent jurors. A company can pat themselves on the back by participating, but it still requires some level of innovation to qualify and achieve an award.

“The Film Simulation featured in Fujifilm’s X Series cameras captures the camera maker’s heritage through its unique ability to reproduce the rich colors and gradations of film with a digital camera,” iF said in their award, “and is widely loved by professional photographers and hobbyists alike. For users seeking to recapture the original experience of shooting on a film camera, and those not familiar with film, Film Simulation takes the photography experience to the next level by providing deeper insight into the film on a digital camera and helping them to create images that match their vision, all while using a digital camera.”

It’s pretty darn exciting that the “Film Simulation Experience” was given a 2024 iF Design Award, and it speaks volumes about just how big it has become. I mean, Fujifilm introduced film simulations 20 years ago, and they’ve been a part of every single X-series camera. It’s nothing new. What is new is how large the community of photographers is that use them. The experience of using film simulations is such a big draw to the Fujifilm system, and much more so in the last couple of years.

McCanyon – Williams, AZ – Fujifilm X-T5 & TTArtisan 27mmKodachrome 64

Since my 300+ Film Simulation Recipes are such an intrinsic part of the experience of using film simulations, I feel that I’m a part owner of the award (at least in a small way, anyway). Film Simulation Recipes have become quite popular; in fact, just this week, I learned that a couple of well-known, highly-recognizable names in photography are using my Film Simulation Recipes on their Fujifilm cameras. That’s great, but also the number of photographers in-general who are using Recipes has increased by probably 20% in just the last few months. Whether it is someone who is highly accomplished, or someone who is new to photography that just go their first “real” camera, Film Simulation Recipes are “helping them to create images that match their vision” while providing something more similar to the “experience of shooting on a film camera….” It’s an unofficial Fujifilm and Fuji X Weekly partnership.

If you are new to Film Simulation Recipes, I recommend starting with these articles:
How To Add Film Simulation Recipes To Your Fujifilm Camera
Answers to the 10 Most Common Fujifilm How-To Questions
7 Tips To Get The Film Look From Your Digital Photos
The Essential 7 Film Simulation Recipes to Program Into Your Fujifilm Camera First

Which Film Simulation Recipe, When?
Try These 3 Film Simulation Recipes, No Matter Your Fujifilm Camera

My 5 Favorite Film Simulation Recipes that use Astia

Peach City Drive-In – Brigham City, UT – Fujifilm X100F – Kodak Ektar 100

ProviaVelviaClassic ChromePRO Neg. HiPRO Neg. StdClassic Negative Nostalgic Neg.Eterna

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this (for now, anyway). Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Astia film simulation (a.k.a. Astia/Soft) is named after the Astia line of slide films by Fujifilm; however, this film simulation does not faithfully replicate the emulsion. Astia 100F had low color saturation (for a slide film), and was specifically intended for portrait photography. While the film sim is notably divergent from the film of the same name, Fujifilm states that the Astia film simulation is the “ideal Astia” and is what the film would have looked like had it been possible to do so.

City of Grace Tower – Phoenix, AZ – Fujifilm X-T5 – CineStill 400D v2

While intended for vibrant portraits, the Astia film sim can be good for many situations, with a rendering in-between Provia and Velvia, yet not exactly like either. Personally, for vibrant landscapes, I prefer Velvia, and for pictures of people I prefer some of the less-saturated options, like Classic Chrome, PRO Neg. Std, or even Eterna. Since Astia is a bit bolder than Provia and not quite as bold as Velvia, some might find it to be a happy medium. I don’t often choose it for my photography—it’s one of my least-used film simulations.

The five Film Simulation Recipes below are my favorites that use Astia as the base. Everyone has different tastes, so you might like other ones more. I count 10 Recipes in the Fuji X Weekly App that use Astia, so there are only a handful of others to choose from. But, if you are unsure which Astia Recipe to try, let me suggest picking one from my list below.

#1:

Great for sunny daylight, and decent enough for dreary conditions, CineStill 400D v1 replicates one possible aesthetic of a cinematic film. Compatible with X-Trans IV (except for the X-T3/X-T30) and X-Trans V cameras.

#2:

This Recipe replicates a different possible aesthetic of the same cinematic film. While this one is also great for sunny daylight, it’s a good option for shade and blue-hour photography. Compatible with X-Trans IV (except for the X-T3/X-T30) and X-Trans V cameras.

#3:

A versatile Recipe that can be used for most any situation and subject. Compatible with X-Trans III cameras, plus the X-T3 and X-T30.

#4:

A lovely Recipe for sunny daylight photography. Compatible with X-Trans II cameras.

#5:

This was my very first attempt at replicating Kodak Ektar film. Colorful, and surprisingly versatile. Compatible with X-Trans III cameras, plus the X-T3 and X-T30.

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
Why Film Simulation Recipes are BETTER than default Film Simulations
Why Shooting JPEGs Is So Popular

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Summer of ’59 — Fujifilm X-T5 (X-Trans V) FXW App Patron Early-Access Recipe

Stop Time – Buckeye, AZ – Fujifilm X-T5 – Summer of ’59

This Film Simulation Recipe began as an attempt to recreate the aesthetic of some of Saul Leiter’s color photographs from the 1950’s and early-1960’s, particularly images like Paris 1959, Foot on El 1954, Bus 1954, San Carlo Restaurant 1952, Taxi 1957, Near the Tanager 1954, Phone Call 1957, and Pipes 1960—among others—with the greatest emphasis on Paris 1959. While I don’t think it’s possible to faithfully reproduce that look exactly on Fujifilm cameras, this Summer of ’59 Recipe is definitely at times pretty darn close. Also, some of Saul’s other photographs from that same era had a divergent aesthetic, and this Recipe isn’t good for replicating those.

During this time, Saul Leiter was using the first era of Kodachrome film. Something interesting that I learned while researching this is that Saul preferred shooting Kodachrome that was past the expiration date. He liked the way the film looked when expired, and especially the serendipity of not knowing what the precise aesthetic was going to be. An alternative name for this Film Simulation Recipe could be Expired Vintage Kodachrome.

Saul Leiter liked reflections, shooting through glass, and using layers. He kept his eyes out for catchy colors. He wasn’t afraid of shadows. His favorite lenses were telephoto, particularly 90mm and 150mm. If you are really trying to replicate his look, those are things you’ll want to consider. Vintage lenses might help, too.

Mint Chocolate Shake – Avondale, AZ – Fujifilm X-T5 – Summer of ’59

This Summer of ’59 Film Simulation Recipe is an App Patron Early-Access Recipe. If you are a Fuji X Weekly App Patron, you have access to it right now. If not, no worries, as it will eventually be made available to everyone, once it is replaced by a new Early-Access Recipe. It is fully compatible with X-Trans V cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, and X100VI.

One consideration is White Balance Shift: I wen’t back-and-forth on both Red and Blue, and I think +5 Red could alternatively be used, and/or -7 Blue could be alternatively used. All of the sample pictures in this article are with the WB Shift as published, and not the divergent options mentioned above.

Example photographs, all camera-made JPEGs using this Summer of ’59 Film Simulation Recipe on my Fujifilm X-T5:

Hanging Glass – Buckeye, AZ – Fujifilm X-T5
Falling Water in a Fountain – Buckeye, AZ – Fujifilm X-T5
Lion Water – Buckeye, AZ – Fujifilm X-T5
Pet Waste Station – Buckeye, AZ – Fujifilm X-T5
Red & White Blooms – Buckeye, AZ – Fujifilm X-T5
Bougainville & Palm Tree Trunk – Buckeye, AZ – Fujifilm X-T5
Summertime Feelings – Buckeye, AZ – Fujifilm X-T5
Founder’s Day Weekend – Buckeye, AZ – Fujifilm X-T5
Blue Flags – Buckeye, AZ – Fujifilm X-T5
Power Lines – Avondale, AZ – Fujifilm X-T5
An Arizona Home – Buckeye, AZ – Fujifilm X-T5
Corner – Buckeye, AZ – Fujifilm X-T5
Yellow Car – Buckeye, AZ – Fujifilm X-T5
Bougainvillea Along a Sidewalk – Buckeye, AZ – Fujifilm X-T5
Jogger – Buckeye, AZ – Fujifilm X-T5
CVS Pharmacy Sign – Buckeye, AZ – Fujifilm X-T5
Next Time – Avondale, AZ – Fujifilm X-T5
Sunlit Lamp – Buckeye, AZ – Fujifilm X-T5
Fake House Plant – Buckeye, AZ – Fujifilm X-T5
Bedroom Plant – Buckeye, AZ – Fujifilm X-T5
1000 Record Covers – Buckeye, AZ – Fujifilm X-T5
Fountain Pot – Buckeye, AZ – Fujifilm X-T5
Jo in the Backyard – Buckeye, AZ – Fujifilm X-T5
Bench End – Goodyear, AZ – Fujifilm X-T5
Twin Seats – Goodyear, AZ – Fujifilm X-T5
Fashion – Buckeye, AZ – Fujifilm X-T5
Outdoor Potted Plant – Buckeye, AZ – Fujifilm X-T5
Desert Cactus Landscape – Buckeye, AZ – Fujifilm X-T5
The Boys – Buckeye, AZ – Fujifilm X-T5
Red Hots – Avondale, AZ – Fujifilm X-T5
Protection – Avondale, AZ – Fujifilm X-T5
Pick Up – Avondale, AZ – Fujifilm X-T5

Find this Film Simulation Recipe and over 300 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Kodak Royal Gold 400 — Fujifilm X-Trans IV & X-Trans V Film Simulation Recipe

This Old House is now a Business – Avondale, AZ – Fujifilm X100V – Kodak Royal Gold 400

This Film Simulation Recipe began as an attempt to achieve a “memory color” aesthetic of photographic prints from the 1990’s and early 2000’s; when creating this recipe I wasn’t concerned about the specific films or processes. After shooting with this recipe and reviewing the results, I was reminded of Kodak Royal Gold 400 film… sometimes. Of course, one film can produce many different aesthetics, depending on (among other things) how it was shot, developed, scanned and/or printed. Royal Gold 400 didn’t always or even usually look like this, but sometimes it did, and I found some examples in a photo-box and online that were quite similar—I’m not sure why, but my suspicion is that the film was mishandled, either from being stored improperly (possibly exposed to too much heat), waiting too long to develop after exposing, or maybe even improper storage. Film can be finicky, but that serendipity is something that makes it special.

Royal Gold 400 was introduced by Kodak in 1994 as a replacement to the original Kodak Ektar 400 film. The Royal Gold line, which also came in ISO 100 and 200 versions, was marketed as a “step up” from Kodak Gold, with finer grain and more vibrant colors. It was more-or-less an updated Ektar emulsion that was renamed for marketing reasons (Gold sold a lot more than Ektar). In the early 2000’s Royal Gold was replaced by the High Definition/Royal Supra line. This Kodak Royal Gold 400 Film Simulation Recipe is a “happy accident” facsimile of one possible aesthetics from the film.

Bougainvillea Among Trumpets – Buckeye, AZ – Fujifilm X100V – “Kodak Royal Gold 400”

This Kodak Royal Gold 400 Film Simulation Recipe is compatible with Fujifilm X-Trans IV cameras, specifically the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II (but not the X-T3 and X-T30), as well as fifth-generation X-Trans camera, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, and X100VI (just follow the Color Chrome FX Blue adjustment). This was a Fuji X Weekly App Patron Early-Access Recipe, and has been available to App Patrons for awhile; however, it’s been replaced by a different Early-Access Recipe, so now everyone can use it.

Film Simulation: Classic Negative
Dynamic Range: DR400
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Strong (X-Trans IV), Weak (X-Trans V)
White Balance: Shade, +3 Red & +5 Blue
Highlight:-1
Shadow: +1
Color: +4
Sharpness: -1

High ISO NR: -4
Clarity: -3
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs captured using this Kodak Royal Gold 400 Film Simulation Recipe on my Fujifilm X100V and Fujifilm X-T5:

Mending Blue – Avondale, AZ – Fujifilm X100V
Quality Auto Service – Avondale, AZ – Fujifilm X100V
A-Town Garage – Avondale, AZ – Fujifilm X100V
Clubhouse – Avondale, AZ – Fujifilm X100V
A Little Red – Avondale, AZ – Fujifilm X100V
4 Sale – Avondale, AZ – Fujifilm X100V
Shapes – Avondale, AZ – Fujifilm X100V
Cactus Liquor – Avondale, AZ – Fujifilm X100V
Sideways Saguaro Stop – Avondale, AZ – Fujifilm X100V
Library – Avondale, AZ – Fujifilm X100V
Lock & Safe – Avondale, AZ – Fujifilm X100V
Going to the Dentist – Avondale, AZ – Fujifilm X100V
Sidewalk Bicyclist – Avondale, AZ – Fujifilm X100V
Red Car & Wine Bar – Buckeye, AZ – Fujifilm X100V
Americana Icon – Buckeye, AZ – Fujifilm X100V
Avon – Avondale, AZ – Fujifilm X100V
N Recep – Avondale, AZ – Fujifilm X100V
Park Hoop – Buckeye, AZ – Fujifilm X100V
Outfield – Buckeye, AZ – Fujifilm X100V
Bougainvillea Among Trumpets 2 – Buckeye, AZ – Fujifilm X100V
Butterfly Cage – Buckeye, AZ – Fujifilm X100V
Pink Bloom in the Garden – Buckeye, AZ – Fujifilm X100V
Sunlit Table Corner – Avondale, AZ – Fujifilm X100V
Orange Soda Cup – Buckeye, AZ – Fujifilm X100V
Lion Hair – Buckeye, AZ – Fujifilm X-T5
Promenade Palm – Buckeye, AZ – Fujifilm X-T5
Modern Bench – Goodyear, AZ – Fujifilm X-T5
Urban Plant – Goodyear, AZ – Fujifilm X-T5
Smiling for the Camera – Buckeye, AZ – Fujifilm X-T5
Pavilion View – Buckeye, AZ – Fujifilm X-T5
Potted Flowers at the Park – Buckeye, AZ – Fujifilm X-T5
Fast Car – Buckeye, AZ – Fujifilm X-T5
Dodge Vannin’ – Buckeye, AZ – Fujifilm X-T5
Six Palms – Buckeye, AZ – Fujifilm X-T5
Stop All Way – Buckeye, AZ – Fujifilm X-T5

See also: How To Add Film Simulation Recipes To Your Fujifilm Camera

Find this Film Simulation Recipe and over 300 more on the Fuji X Weekly App!

My 5 Favorite Film Simulation Recipes that use Velvia

Engine 237 – Grand Canyon NP, AZ – Fujifilm X-T5 – Kodak Ektachrome E100VS v2 Recipe

ProviaAstiaClassic ChromePRO Neg. HiPRO Neg. StdClassic Negative Nostalgic Neg.Eterna

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this (for now, anyway). Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Velvia film simulation (a.k.a. Velvia/Vivid) is named after the Velvia line of slide films by Fujifilm. Back in the film days, Velvia was a popular choice for vibrant landscapes, with it’s over-the-top wild colors. When Fujifilm designed the Velvia film simulation, they brought in some people from the film department who had developed the actual Velvia emulsion to assist with the film simulation; however, it wasn’t until X-Trans III cameras, plus the introduction of Color Chrome Effect, that they were satisfied with the results.

Arizona Aspens – Flagstaff, AZ – Fujifilm X100V – The Rockwell

The Velvia film simulation is great for colorful landscape photography. It’s the most vibrant of all the film sims, so it will make your pictures pop. It has a little more contrast than Provia. If you are after bold pictures, consider using Velvia. It’s probably one of the last film simulations that you’d choose for portrait photography, as it can give someone a sunburn who doesn’t have one. While Velvia isn’t especially versatile, it’s very good at what it does: colorful pictures.

The five Film Simulation Recipes below are my favorites that use Velvia as the base. Everyone has different tastes, so you might like other ones more. I count 20 Recipes in the Fuji X Weekly App that use Velvia, so there are many to choose from. But, if you are unsure which Velvia Recipe to try, let me suggest picking one from my list below.

#1:

This is the most punchy Velvia Recipe; however, be careful, as it can be too bold sometimes. Compatible with X-Trans IV (except for the X-T3/X-T30) and X-Trans V cameras. And, yes, Ken Rockwell actually used it.

#2:

Very similar to The Rockwell, except slightly less punchy. Compatible with X-Trans IV (except for the X-T3/X-T30) and X-Trans V cameras.

#3:

Mimics the look of Kodak’s most vibrant slide film. More contrasty but less vibrant than the two Recipes above. Compatible with X-Trans IV (except for the X-T3/X-T30) and X-Trans V cameras.

#4:

Bright and colorful; not too dissimilar from the Vibrant Velvia Recipe (above) and the Velvia Recipe (below). Compatible with the X-T3 and X-T30 cameras, plus can be used on the GFX 50R and GFX 50S.

#5:

This Recipe is probably the closest to actual Velvia film. Compatible with the X-T3 and X-T30 cameras, plus can be used on the GFX 50R and GFX 50S.

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
Why Film Simulation Recipes are BETTER than default Film Simulations
Why Shooting JPEGs Is So Popular

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

My 5 Favorite Film Simulation Recipes that use Provia

Barn in the Field – Prefumo Canyon, CA – Fujifilm X-E4 – Provia 400 Recipe

VelviaAstiaClassic ChromePRO Neg. HiPRO Neg. StdClassic Negative Nostalgic Neg.Eterna

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this (for now, anyway). Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Provia film simulation (a.k.a. Provia/Std) is named after the Provia line of slide films by Fujifilm; however, it was not intended to closely mimic the emulsion. The Astia film simulation is actually a little closer approximation of Provia film, but it is not an especially close match, either. When Fujifilm designed the Provia film simulation, they intended to make a color profile that “looks beautiful” to those who come from a digital-photography background, and in doing so they discovered that those who have a film-photography background don’t tend to like it as much (I learned photography on film, so you can probably tell already which way I lean). In other words, if you want a close replication of Provia slide film, default Provia/Std will leave you disappointed.

Follow the Bird to Salt Lake – Salt Lake City, UT – Fujifilm X-H1 – Cross Process Recipe

While the Provia film simulation can indeed “look beautiful” (as Fujifilm put it), it’s not my personal favorite. I would describe it as being true-to-life with just a hint of contrastiness and vibrancy. It’s kind of a middle-of-the-road option that can be used for anything; a Jack of all trades, but a master of none. I don’t find it to be especially analog-like, if you are hoping for a film look. That doesn’t mean it should be avoided, because it is possible to get good results from Provia—it can even be used to replicate some emulsions and analog processes—it’s just not my personal first choice. Or second choice. Or third. You get the idea. Still, there are some pretty good Film Simulation Recipes that use Provia as the base, and I definitely do enjoy using this film simulation from time-to-time.

The five Film Simulation Recipes below are my favorites that use Provia as the base. Everyone has different tastes, so you might like other ones more. I count 26 Recipes in the Fuji X Weekly App that use Provia, so there are many to choose from. But, if you are unsure which Provia Recipe to try, let me suggest picking one from my list below.

#1:

Intended the Fujifilm X-T3 and X-T30, plus X-Trans III cameras; set Grain size to Small, Color Chrome FX Blue to Off, and Clarity to 0 for use on newer X-Trans IV models and X-Trans V. Great for sunny daylight and especially sunset photography.

#2:

This Recipe is for the GFX 50R and GFX 50S. It’s compatible with the X-T3 and X-T30, but will render slightly different; for newer X-Trans IV and X-Trans V, set Grain size to Small, Color Chrome FX Blue to Off, and Clarity to 0.

#3:

Mimics the look of slide film developed in C41 chemistry, this Recipe is for X-Trans III cameras. It’s a lot of fun when used occasionally.

#4:

A better look than default Provia, compatible with X-Trans IV (except the X-T3/X-T30) and X-Trans V cameras.

#5:

A vibrant and warm Recipe with some similarities to a couple of Kodak emulsions. Compatible with X-Trans IV (except the X-T3/X-T30) and X-Trans V cameras.

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
Why Film Simulation Recipes are BETTER than default Film Simulations
Why Shooting JPEGs Is So Popular

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Top 25 Most Popular Film Simulation Recipes in February 2024

Window Plant – Buckeye, AZ – Fujifilm X-T5 – Agfa Ultra 100 v2

I get asked fairly regularly which Film Simulation Recipes are the most popular. For me, this is a fascinating topic, but it’s definitely hard to know definitively. While I get a glimpse on social media, my best gauge is the Fuji X Weekly website statistics; specifically, which Recipe articles are viewed the most. I don’t collect any data on the Fuji X Weekly App, so that’s no help—although, if I did, it would likely offer the most accurate picture; however, it would still be impossible to know which Recipes people programmed into their Fujifilm cameras, or how often they used each. Perhaps a survey would be particularly useful, yet even it has its limitations. While certainly a flawed method, page-view website statics offer the best glimpse at which Film Simulation Recipes are the most popular, so that’s what I’m using for this article. These are simply the Top 25 most-viewed Recipes on the Fuji X Weekly website last month (February 2024).

Most of the time these lists are pretty predictable. Those with Kodak brand names in the title—Kodachrome, Portra, Gold, Tri-X, etc., etc.—are the most popular. Classic Chrome is the king of film simulations, as the majority of the most-viewed Recipes are based on that film simulation. X-Trans IV Recipes, especially for the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, tend to be the most popular, although I see a spike in interest in X-Trans V.

Motor Hotel – Buckeye, AZ – Fujifilm X-T5 – Kodak Portra 800 v3

For the month of February, however, I was quite surprised by many of the rankings. Reala Ace topped the list, which is the first time in a very long time that Kodachrome 64 wasn’t number one. It’s also the first time that I’ve ever seen a Recipe that uses Classic Negative reach the very top, or one specifically for X-Trans V cameras. Kodak Portra 800 v3, Agfa Ultra 100 v2, and Fujicolor Superia 1600 (for X-Trans V) were all published last month; Vintage Eterna was a Fuji X Weekly App Patron Early-Access Recipe that became available to everyone in February. The remaining Recipes were not surprising, but their rankings moved around compared to January; several moved out of the Top 25 altogether.

Without any further delay, below are the most popular Recipes of last month!

Top 25 Most Popular Film Simulation Recipes of February 2024

#1:

Reala Ace is a Classic Negative based Recipe for X-Trans V cameras. It was ranked #8 last month.

#2:

A Classic Chrome based Recipe for X-Trans IV cameras that is almost always number one in these lists.

#3:

A Classic Chrome based Recipe for X-Trans IV cameras that is almost always number two in these lists.

#4:

Another Classic Chrome based Recipe for X-Trans IV cameras. It was published in January, and was ranked #3 last month.

#5:

Again, a Classic Chrome based Recipe for X-Trans IV cameras. It was ranked #4 last month.

#6:

A recently published Classic Chrome based Recipe for X-Trans IV and X-Trans V cameras.

#7:

Another Classic Chrome based Recipe for X-Trans IV cameras. This was often ranked at #3 for a very long time, and was #5 last month.

#8:

Again, a Classic Chrome based Recipe for X-Trans IV and X-Trans V models. Was ranked #6 last month.

#9:

By far the most popular B&W Recipe, Kodak Tri-X 400 is based on the Acros film simulation, and has compatibility X-Trans III, X-Trans IV, and X-Trans V models. It was ranked #10 last month.

#10:

A Classic Chrome based Recipe that is compatible with X-Trans III cameras. This is almost always the most popular X-Trans III Recipe, and has been around for a very long time. It was ranked #7 last month.

#11:

Pacific Blues was the highest-ranked Classic Negative based Recipe in 2023. It’s compatible with X-Trans IV models (there is an X-Trans V version). Last month it ranked #9.

#12:

This is the X-Trans V version of Kodachrome 64. It was ranked #24 last month.

#13:

This is the X-Trans V version of Kodak Portra 400 v2. It was ranked #18 last month.

#14:

The original Kodak Portra 400 Recipe, compatible with X-Trans III cameras. It was ranked #12 last month.

#15:

This was the very first Film Simulation Recipe on Fuji X Weekly, and is compatible with X-Trans III cameras. It was ranked #14 last month.

#16:

Another Classic Chrome based Recipe, Kodak Portra 160 is compatible with X-Trans IV cameras. Last month is ranked #13.

#17:

A newly published Recipe for X-Trans V models that is based on the Nostalgic Neg. film simulation.

#18:

The original CineStill 800T Recipe, intended for X-Trans III cameras. It is based on the PRO Neg. Std film simulation, and was ranked #15 last month.

#19:

Another Classic Chrome based Recipe for use on X-Trans III models, plus the X-T3/X-T30 (there’s a new version for X-Trans V). Last month is was ranked #11.

#20:

Vintage Eterna is based on the Eterna film simulation, and is compatible with X-Trans IV and V models, plus the X-H1. This is its first appearance on the list.

#21:

A Classic Negative based Recipe that’s compatible with X-Trans V cameras (there’s also an X-Trans IV version). It was ranked #25 last month.

#22:

Yet another Classic Chrome based Recipe, compatible with X-Trans IV cameras (there’s an X-Trans V version). It was ranked #19 last month.

#23:

This used to commonly be in the Top 10, but it has been slipping in popularity lately. It’s based on Classic Chrome, and is compatible with X-Trans III models (there’s an X-Trans IV version). It was ranked #16 last month.

#24:

A newly published Recipe for X-Trans V cameras (there is a version for X-Trans IV that’s been around awhile), Fujicolor Superia 1600 is based on the Classic Negative film simulation.

#25:

Lastly, there’s Kodak Max 800, another Classic Negative based Recipe that’s compatible with X-Trans IV cameras. It was ranked #20 last month.

See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
The Essential 7 Film Simulation Recipes to Program Into Your Fujifilm Camera First

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Fujicolor Natura 1600 — Fujifilm X-T5 (X-Trans V) Film Simulation Recipe

Lantana Blooms – Buckeye, AZ – Fujifilm X-T5 – Fujicolor Natura 1600

Fujifilm produced Fujicolor Natura 1600, a high-ISO color negative film, from 2003 through 2017. It was only sold in Japan, but it became renown worldwide as word got out about this wonderful emulsion. A lot of speculation has surrounded it. Is it simply renamed Fujicolor Superia 1600? Many people think so. Is it slightly modified Superia 1600 for Japanese skin-tones? Some people think so. Is it slightly modified Superia 1600 made specifically for the Fujifilm Natura camera? Perhaps so. I haven’t found any definitive evidence to conclude if Natura 1600 is unmodified Supera 1600 or a slightly modified variant of it; if it isn’t identical, it’s very similar.

I have a Fujicolor Superia 1600 Film Simulation Recipe already, and it’s a Recipe that I personally quite like. One film can have many different aesthetics, depending on a whole host of factors, including (but not limited to) how it was shot, developed, and scanned. In a sense, you could consider this a v2 of the Fujicolor Superia 1600 Recipe; however, it was modeled after examples of Fujicolor Natura 1600 scans that I found online (and not Superia). This Fujiclor Natura 1600 Recipe isn’t new, but simply a modification of the X-Trans IV version for use on X-Trans V cameras. Because X-Trans V renders blue more deeply on some film simulations, a slight change was needed to Color Chrome FX Blue, but otherwise the two versions are identical.

Fiat – Buckeye, AZ – Fujifilm X-T5 – Fujicolor Natura 1600

This Fujicolor Natura 1600 Film Simulation Recipe is intended for fifth-generation X-Trans cameras, which (as of this writing) are the Fujifilm X-H2s, X-H2, X-T5, X-S20, and X100VI. For X-Trans IV, use the X-Trans IV version (click here). For newer GFX cameras, you can use this Recipe, but know that it will render slightly different (try it anyway). Click here if you’re not sure how to program a Film Simulation Recipe into your Fujifilm camera.

Film Simulation: Classic Negative
Dynamic Range: DR400
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome FX Blue: Weak
White Balance: 5500K, -1 Red & -2 Blue
Highlight:-1.5
Shadow: +1.5
Color: -2
Sharpness: -2

High ISO NR: -4
Clarity: -4
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this Fujicolor Natura 1600 Film Simulation Recipe on my Fujifilm X-T5:

Newly Sprouted Bougainvillea Branch – Buckeye, AZ – Fujifilm X-T5
Bougainvillea in the Neighborhood – Buckeye, AZ – Fujifilm X-T5
A Frame, Dormant Tree – Buckeye, AZ – Fujifilm X-T5
Bougainvillea by Twin Windows – Buckeye, AZ – Fujifilm X-T5
Americana Suburbia – Buckeye, AZ – Fujifilm X-T5
Suburban Spanish Architecture – Buckeye, AZ – Fujifilm X-T5
Sunset over Suburban Home – Buckeye, AZ – Fujifilm X-T5
Apartments behind Pond – Goodyear, AZ – Fujifilm X-T5
Tree Reflections – Goodyear, AZ – Fujifilm X-T5
Reflection Abstract – Goodyear, AZ – Fujifilm X-T5
Sunset Light on Jonathan – Buckeye, AZ – Fujifilm X-T5
Parking Garage at Dusk – Goodyear, AZ – Fujifilm X-T5
Parking Garage at Night – Goodyear, AZ – Fujifilm X-T5
Library Shelves – Goodyear, AZ – Fujifilm X-T5
Don’t Look – Goodyear, AZ – Fujifilm X-T5
Dying Blossoms – Goodyear, AZ – Fujifilm X-T5
Pallets & Blocks – Goodyear, AZ – Fujifilm X-T5
Caution Light – Goodyear, AZ – Fujifilm X-T5
Car Light – Buckeye, AZ – Fujifilm X-T5
Rover Mini Headlamps – Buckeye, AZ – Fujifilm X-T5
Mini Wheel – Buckeye, AZ – Fujifilm X-T5
Car Rider – Buckeye, AZ – Fujifilm X-T5

Comparison:

Fujicolor Natura 1600 Film Simulation Recipe

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black: Amazon, B&H, Moment, Wex
Fujifilm X-T5 in silver:  Amazon, B&H, Moment, Wex

Find this Film Simulation Recipe and over 300 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

The first 7 Film Simulation Recipes to use in your Fujifilm X100VI

So you purchased a Fujifilm X100VI, but you’re not sure which Film Simulation Recipes to program into your camera’s C1-C7 Custom Presets first. Well, let me help with that! I’ve got just the seven Recipes for you to try. If you have any other X-Trans V camera, this set will work for you, too.

Like film, many Film Simulation Recipes have specific use cases where they work best. The majority are intended for sunny daylight situations; however, they can sometimes work really well in other scenarios, too. For example, I’ve gotten great results pairing Kodak Portra 800 v3 with flash for indoor photography, even though it was intended for sunshine. This set is meant to provide you with at least one Recipe that will work great in nearly any light situation and with almost every imaginable subject.

It’s important to note that everyone has different tastes and preferences. Your style might be different than mine. If you don’t like one or more of these seven Film Simulation Recipes, no problem. Simply try the suggested alternatives until you do. Perhaps you won’t like Kodachrome 64, but you’ll love Kodak Gold 200. Or maybe you’ll love both Reala Ace and Timeless Negative. The only way to know for sure is to give them a try! You can pick any from the X-Trans V list, and I’m always making more.

Don’t know how to program Film Simulation Recipes into your camera? Click here to find out how.

Now, to the first seven Film Simulation Recipes to program into your Fujifilm X100VI (or any X-Trans V camera) first!

C1 — Kodachrome 64

Classic Kodak slide film aesthetic that’s great for sunny daylight situations. Alternatively, consider Kodachrome 25, Kodak Gold 200, or Kodak Negative.

C2 — Kodak Portra 400 v2

This is the Recipe for a Kodak color negative film look, and it’s perfect for golden hour photography. Alternatively, consider Kodak Portra 160 v2, Kodak Vision3 250D v2, or Agfa Ultra 100 v2.

C3 — Kodak Portra 800 v3

With warm summer-like analog colors, this Recipe is great for sunny daytime situations. Alternatively, consider Vibrant Arizona, 1970’s Summer, or Kodak Vericolor Warm.

C4 — Pacific Blues

The perfect Recipe for a sunny day at the beach, yet surprisingly great for other situations, too. Alternatively, consider Fujicolor Superia 100, Thommy’s Ektachrome, or CineStill 400D v1.

C5 — Reala Ace

Great for versatility, use this Recipe anytime of the day or night. Alternatively, consider Kodak Ultramax 400, 1976 Kodak, or Timeless Negative.

C6 — Fluorescent Night

Use this Recipe for after-dark photography. Alternatively, consider Pushed CineStill 800T, Fujicolor Super HG v2, or Superia Xtra 400.

C7 — Kodak Tri-X 400

Classic B&W aesthetic with strong grain and good contrast. Alternatively, consider Ilford FP4 Plus 125, Kodak T-Max P3200, or Ilford HP5 Plus 400.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

How to Program Film Simulation Recipes to your Fujifilm Camera

My Film Simulation Recipes are popular, but programming them into your Fujifilm camera can be confusing for those trying to use them for the first time. A little over three years ago I published an article explaining how, but I think, with the new X100VI coming out, it would be worthwhile to try again, and perhaps offer a little more clarity. If you are new to Film Simulation Recipes, then this article is for you!

To start with, there are some variances between models. It’s important to read your camera’s manual, which thankfully Fujifilm makes easy: click here to find your owner’s manual online. For most cameras, within the manual, navigate to the Shooting Menus set, select Image Quality Setting (Still Photography), and finally Edit/Save Custom Setting. For example, click here to view this for the X-T5. Also, I’ve included a screenshot of this section from the X100V manual below. Everything you need to know for your specific camera is found in your manual, so that’s why it’s important to review it first.

There’s an easy shortcut for navigating to the Edit/Save Custom Settings Menu. Simply press the Q-Button, which brings up the Quick Menu, then press-and-hold the Q-Button, which activates the Edit/Save Custom Settings Menu. This shortcut works on most Fujifilm cameras. A shortcut to edit the Quick Menu is to press-and-hold the Q-Button from outside of the Quick Menu.

A Film Simulation Recipe is simply a set of JPEG parameters that produce a certain look straight-out-of-camera, mostly inspired by film stocks. Each Recipe contains a specific set of settings that must be programmed into your camera, either in the Edit/Save Custom Settings Menu or the IQ Menu. The newer the camera, the more options and parameters there are to program.

Duck Pond – Tempe, AZ – Fujifilm X-T5 – 1970’s Summer Recipe

On the latest cameras, a Film Simulation Recipe contains: Film Simulation, Dynamic Range, Grain Effect, Color Chrome Effect, Color Chrome FX Blue, White Balance and WB Shift, Highlight, Shadow, Color, Sharpness, Noise Reduction, Clarity, ISO, and Exposure Compensation. All of those settings together make up a Recipe. The older the camera, the fewer parameters there are, and might only include: Film Simulation, Dynamic Range, White Balance and WB Shift, Highlight, Shadow, Color, Sharpness, Noise Reduction, ISO, and Exposure Compensation. On the newer models, Noise Reduction was renamed High ISO NR (it is the same thing) and Highlight and Shadow were combined into Tone Curve.

One parameter that cannot be saved is “Typical Exposure Compensation.” On most Fujifilm cameras, there is an Exposure Compensation knob on the top of the camera, which is where this is adjusted (unless you are in Manual Mode, in which case you’ll have to do it manually). An important note is that the suggested Exposure Compensation in each Recipe is only meant to be a starting point, and not a rule; each exposure should be judged individually. Also, most often I use Auto-ISO, but it is certainly alright to manually set the ISO. You might prefer different ISO parameters than what I like, and that is perfectly fine. It’s always ok to “season to taste” any Recipe to make it work better for you.

Pacific Poppies – Montaña de Oro SP, CA – Fujifilm X-E4 – Pacific Blues Recipe

Most Fujifilm cameras have seven Custom Settings (sometimes called Custom Presets), that are often referred to as C1-C7. The X-S10 and X-S20 have only four (C1-C4), and I believe there are some GFX cameras with six (C1-C6). Edit/Save Custom Settings is where you’ll program Film Simulation Recipes into your camera; however, some older Fujifilm models don’t have Custom Settings. In that case, you’ll program the desired Recipe parameters into the IQ Menu subset. Also, the newest Fujifilm models will allow you to program a Recipe into the IQ Menu subset in addition to the Custom Settings presets (basically, a bonus Recipe).

An important side note is that the Fujifilm X-T3 and X-T30 (however, not the X-T30 II), along with all of the cameras that came before it—X-Trans I, X-Trans II, X-Trans III, and older GFX—cannot save a White Balance Shift within the Custom Settings. Only the newer cameras can: X-Trans IV (except for the X-T3/X-T30), X-Trans V, and newer GFX. For those models that cannot save a WB Shift within the Custom Settings, you’ll have to program it from within the White Balance Menu found within the IQ Menu set. Also, those cameras will only remember one WB Shift per WB type, so choosing Recipes that either share the same WB Shift or use different WB types will make the user experience more enjoyable.

Autumn in a Mountain Meadow – Flagstaff, AZ – Fujifilm X100V – Fujicolor Superia 100 Recipe

I don’t have any step-by-step instructions to program a Film Simulation Recipe into your specific camera, because there are variances between some models, and each step can be slightly different. It’s not difficult to program a Film Simulation Recipe, and once you’ve done it a couple of times it becomes quite easy. It’s just getting through the first time or two that can be confusing. Should you find yourself stuck, there are a few videos on YouTube that walk you through the process. If you are a visual learner, you might find these especially helpful to you: How to Save Fujifilm Simulation Recipes by Scott Dawson, Fujifilm Film Simulation Recipes — How to Find & Save Them by Craig Pitts, and What are Fuji Film Simulation Recipes — Getting Started by TB-Photography. Even if you have a different model than what’s in those videos, the process for most cameras is similar enough that you should be able find your way through.

For those with the newest cameras, Custom Settings saves more than just your Recipes, but literally most camera settings, including focus preferences and even sound settings. My best recommendation is to program C1 with everything just as you want it to be, then copy that preset to the other C2-C7 (or C2-C4), so that they’re all exactly the same. Then, you just have to update them with the Film Simulation Recipe parameters for the specific Recipes that you wish to program. I also recommend disabling Auto Update Custom Setting. If your camera doesn’t have those options, then disregard this paragraph.

Arizona Barn – Sedona, Arizona – Fujifilm X-T5 – Vibrant Arizona Recipe

A common question is what about the settings that aren’t in the Film Simulation Recipe? What should those be set to? There are some options that are user-preference, so I don’t provide those as Recipe parameters. Choose whatever works for you. Let me touch on a few of them real quick, though.

I most often choose Image Size Large 3:2. I used to shoot with Image Quality Fine, but now choose Fine+RAW, as the RAW files can be reprocessed in-camera, which makes creating new Film Simulation Recipes much easier. My RAW files are Uncompressed. I choose JPEG over HEIF because Clarity isn’t available with HEIF (by the way, Clarity causes a short storing pause when set to anything other than 0). I don’t like Smooth Skin Effect personally, so I set it to Off. Lens Modulation Optimizer is often set to On, but it can be interesting when set to Off. Color Space is sRGB, as I had a bad experience once many years ago with AdobeRGB and have avoided it ever since. I usually use Multi Mode for metering (Photometry), but sometimes I use Spot.

Sentinel & Merced – Yosemite NP, CA – Fujifilm X100V – Vintage Color Recipe

There are over 300 Film Simulation Recipes in the Fuji X Weekly App, which is free (consider becoming an App Patron to unlock the best experience and to support this website), and available for both Android and Apple. Otherwise, find them here:

EXR Recipes
Bayer Recipes
GFX Recipes
X-Trans I Recipes
X-Trans II Recipes
X-Trans III Recipes
X-Trans IV Recipes
X-Trans V Recipes

If you are not sure which Film Simulation Recipes to try first, no problem! I have several articles that might help with this, including:
Which Film Simulation Recipe, When?
The Essential 7 Film Simulation Recipes to Program Into Your Fujifilm Camera First
Try These 3 Film Simulation Recipes, No Matter Your Fujifilm Camera
Helping You Decide Which Film Simulation Recipes to Choose

See also: Answers to the 10 Most Common Fujifilm How-To Questions

One-Star opinions of the Fujifilm X100VI

One benefit of having your own website is that you get to say whatever you want. It’s your platform, and nobody can tell you what you can or cannot state. They’re your opinions; if someone doesn’t like them, they’re free to leave and never come back. As the saying goes, everyone has opinions….

I don’t typically like to comment on the opinions of others, because they’re free to express their own, just as I’m free to express my own. I don’t have to like what they say, just as nobody who visits this website has to agree with everything that I say. We can disagree on things and still be friends (at least it should be that way, and it used to be). Arguments on the internet tend to be pointless endeavors that don’t do much good.

Sentinel & Merced – Yosemite NP, CA – Fujifilm X100V – Vintage Color Recipe

There’s an article I read on a photography website that I’m just really baffled by. I wasn’t going to say anything, though. Is it even my place? After all, they’re allowed to write whatever they want on their own page. If I don’t like it, I’m free to not return. Their article, though, has been bothering me for a few days now, so I thought maybe I should address it. Perhaps you read it, too, and are equally puzzled.

Initially I wasn’t even going to link the article in this post, because maybe I shouldn’t drive traffic to their website. Sometimes when people post outrageous things it is for attention, so maybe I’m doing just what they hoped people would do, and I’m falling for it hook, line and sinker. It’s a fairly popular and well-known page, so you could easily find it if you wanted to. But, for the sake of transparency, the website is The Phoblographer, and the article is their Fujifilm X100VI review by Chris Gampat, the founder and chief-editor of the site.

Golden Coast – Laguna Beach, CA – Fujifilm X100V – Kodak Portra 160 Recipe

Here’s an interesting fact about The Phoblographer that I didn’t know until I was researching for this: they don’t have much more traffic than Fuji X Weekly. According to data available on the internet (which might not be 100% accurate), they get roughly about 10% more visitors than I do. They’re way more established, having been founded in 2009 (Fuji X Weekly dates back to 2017). At the current rate of growth, it’s probable that this website will exceed their’s by the end of the year, or possible sooner. I must be doing something very wrong, though, because they’re somehow able to support five employees off of that traffic.

Anyway, Fujifilm gave The Phoblographer a preproduction copy of the X100VI to try out, and Chris Gampat wrote about it. And he gave it a scathing review. Interestingly, Chris gave the X100V a five-star review, saying that it was “the closest they’ve come to a perfect camera.” Somehow, in a little less than four years, with some updates and improvements, it’s gone from nearly perfect to one-star, the lowest Chris could give. If you are Fujifilm and reading this, in the future perhaps you should consider sending your preproduction copies to someone else instead.

Fallen Giant – Buckeye, AZ – Fujifilm X100V – Kodak Emulsion Recipe

Now Chris is entitled to his opinions. He doesn’t have to be all-positive, and I don’t think anyone expects him or anyone else to be overtly optimistic about any gear. Being genuine is valuable. Authenticity is what people want. Overly positive reviews can seem dishonest, but so can overly negative reviews. Especially when the nearly-identical predecessor camera was “close to perfect”; somehow the barely different but definitely improved successor is “the embodiment of the word ‘meh.'” It just doesn’t make any sense. It doesn’t pass the smell test.

On one hand, Chris’ review reads like a toddler-tantrum after not getting his way. I guess he thought the “nearly perfect” camera was somehow due for a major overhaul (ignoring “if it ain’t broke don’t fix it” I suppose); since he didn’t get his way, it’s now garbage (or, as he puts it: a TikTok fashion accessory that’s actually a toy camera; Fujifilm betrayed him with this model). Many of the things that he liked about the X100V he now dislikes about the X100VI, despite them being the same. Stomping and kicking and screaming will surely get Fujifilm’s attention, no? Maybe he’s simply upset that this model is so popular, and soon there will be too many Star-Bellied Sneetches with it for his liking (time to get that star removed, eh?). Perhaps their partnerships with other brands is driving the over-the-top negativity? As they say, follow the money and you’ll find the truth. I don’t know what the answer is, but whatever the case, it’s baffling. And dishonest, even though he self-proclaims that he’s being “very honest” in the opening paragraph, and not to believe others. If you have to state that up front, that’s a big red-flag.

ISO 25600 — Expired Eterna Recipe — Fujifilm X-T5

What I found humorous is that he doesn’t like anything above ISO 800 for color photography, apparently. I guess he wouldn’t appreciate my GAF 500 Film Simulation Recipe, which uses ISO 12800 on purpose for the aesthetic of it. Or my Expired Eterna Recipe, which can be used as high as ISO 51200!

I’ve not touched or seen in real life a Fujifilm X100VI, but I have a Fujifilm X100V and a Fujifilm X-T5 (which collectively provide for me the experience of the outside and inside of the X100VI), and I disagree completely with many of his complaints. It’s perfectly ok to have some complaints, and I’m not saying Chris doesn’t have some valid criticisms; however, the one-star rating and excessive scathing complaints seem way unfair. Instead, say: I wish they had done this or that, and since they didn’t, it’s four-stars (or three-stars; something that seems remotely fair, unlike one-star). That would be honest and authentic.

Autumn in a Mountain Meadow – Flagstaff, AZ – Fujifilm X100V – Fujicolor Superia 100 Recipe

In any event, The Phoblographer (faux-blographer?) has lost a lot of credibility with me, personally. I give them a one-star review. It’s clear—when it comes to X-series cameras, anyway—that they’re not a trustworthy source whatsoever. It’s a real shame, too, because I’m sure that they could bring some unique point-of-views to the table that could be valuable to somebody, if only they could get out of their own way (but they couldn’t and so didn’t). They’re missing the boat on what is sure to be the most-desired camera of 2024, and maybe of all time; however, that’s their choice. This was a curios decision that I don’t understand, but it’s important to not take any of it personal. I’m sure that Chris and everyone else at The Phoblographer are very nice people in real life.

Maybe their article will provide them with a much-needed traffic boost. Maybe it will prove to be the beginning of the end for them—the moment that they jumped the shark, so to speak. I have no idea if there will be any positive or negative consequences to their review. I’m just really baffled by it all, and I wonder if Fujifilm—or even the other camera brands—have taken notice. How will they respond? I don’t think the one-star review is having any impact on sales.

Motel – Panguitch, UT – Fujifilm X100V – Kodak Tri-X 400 Recipe

I did order the Fujifilm X100VI, approximately six minutes after it was available for preorders. I don’t expect to be in the first batch that’ll be shipped on February 28th, but if mine arrives before the end of March I’ll count myself as lucky. It’s easy to have FOMO (fear of missing out) when this camera is all that everyone seems to be talking about, but just know that whatever camera you have is pretty good. It’s a positive exercise to go back to the old reviews of your gear and read the glowing praise, which serves as a reminder that the cameras we own are plenty good enough. New gear won’t make you a better photographer. A camera like the X100VI can be a lot of fun, and sometimes that enjoyment can motivate us to use our gear more. There are plenty of ways to find renewed enjoyment from our old gear, such as trying different Film Simulation Recipes, using vintage lenses, or simply taking it on adventures. Experiences are often better investments than new gear.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100VI in black: AmazonB&HMomentWex
Fujifilm X100VI in silver: AmazonB&HMomentWex

Fujicolor Superia 1600 — Fujifilm X-T5 (X-Trans V) Film Simulation Recipe

Senna Shrub Blossom – Buckeye, AZ – Fujifilm X-T5 – Fujicolor Superia 1600

Fujifilm introduced Superia 1600 in 2000. It was the highest ISO version of Superia, and was one of the best ultra-high ISO color negative films ever made. There are some reports that both Natura 1600 and Press 1600 were the same emulsion as Superia 1600, but they might be slightly varied; Fujifilm was known for keeping their “best” emulsions in Japan, sometimes tweaking the film to best reproduce Japanese skin tones. Whatever the case, there were plenty of photographers who were disappointed by its discontinuation in 2016.

This is a quick update to the X-Trans IV Fujicolor Superia 1600 Film Simulation Recipe for compatibility for fifth-generation X-Trans cameras. Because X-Trans V cameras render blue more deeply on some film simulations, including Classic Negative, a small tweak to Color Chrome FX Blue is necessary. Aside from that small change, this Recipe is identical to the X-Trans IV version. If you have a fifth-generation X-Trans camera, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, and X100VI, use this version of Fujicolor Superia 1600.

Desert Sunset 1 – Buckeye, AZ – Fujifilm X-T5 – Fujicolor Superia 1600

Film Simulation: Classic Negative
Dynamic Range: DR400
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome FX Blue: Weak
White Balance: Daylight, +3 Red & +1 Blue
Highlight:0
Shadow: +2
Color: -3
Sharpness: -1

High ISO NR: -4
Clarity: -4
ISO: Auto, up to ISO 6400 — for best results: 1600 to 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this Fujicolor Superia 1600 Film Simulation Recipe on my Fujifilm X-T5:

Standing Saguaro – Buckeye, AZ – Fujifilm X-T5
Senna Along Fence – Buckeye, AZ – Fujifilm X-T5
Vines on Cinderblock Wall – Buckeye, AZ – Fujifilm X-T5
Window into the Abandoned – Buckeye, AZ – Fujifilm X-T5
Bench & Trashcan – Buckeye, AZ – Fujifilm X-T5 – Photo by Jon Roesch
Light on a Tree Trunk – Buckeye, AZ – Fujifilm X-T5 – Photo by Jon Roesch
Unlit Light – Buckeye, AZ – Fujifilm X-T5
Crawling Thru – Goodyear, AZ – Fujifilm X-T5
iMaGiNe – Goodyear, AZ – Fujifilm X-T5
Desert Sunset 2 – Buckeye, AZ – Fujifilm X-T5
Go – Goodyear, AZ – Fujifilm X-T5
Palm Trees at Night – Goodyear, AZ – Fujifilm X-T5

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black: Amazon, B&H, Moment, Wex
Fujifilm X-T5 in silver:  Amazon, B&H, Moment, Wex

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