DR-Auto Film Simulation Recipes

I thought it might be interesting to separate my film simulation recipes by Dynamic Range setting. There are a ton of different ways that one could organize these, so I thought it might be helpful to somebody to see them in various arrangements. Maybe you’ll see a recipe that you haven’t considered using before, or maybe a certain setting will stand out to you that never crossed your mind before. I don’t really know, but you never know, so I’m just going to do it. For this post I’m separating the film simulation recipes by DR setting. Below are all of my recipes that use DR-Auto:

Kodak Ektar 100

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Dramatic Classic Chrome

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Vintage Agfacolor

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Classic Chrome

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Velvia

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Monochrome

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See also:
DR400 Film Simulation Recipes
DR200 Film Simulation Recipes
DR100 Film Simulation Recipes

DR100 Film Simulation Recipes

I thought it might be interesting to separate my film simulation recipes by Dynamic Range setting. There are a ton of different ways that one could organize these, so I thought it might be helpful to somebody to see them in various arrangements. Maybe you’ll see a recipe that you haven’t considered using before, or maybe a certain setting will stand out to you that never crossed your mind before. I don’t really know, but you never know, so I’m just going to do it. For this post I’m separating the film simulation recipes by DR setting. Below are all of my recipes that use DR100:

Eterna

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Expired Eterna

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Faded Color

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Agfa Optima

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Agfa Scala

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Ilford HP5 Plus Push-Process

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Faded Monochrome

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See also:
DR400 Film Simulation Recipes
DR200 Film Simulation Recipes
DR-Auto Film Simulation Recipes

DR200 Film Simulation Recipes

I thought it might be interesting to separate my film simulation recipes by Dynamic Range setting. There are a ton of different ways that one could organize these, so I thought it might be helpful to somebody to see them in various arrangements. Maybe you’ll see a recipe that you haven’t considered using before, or maybe a certain setting will stand out to you that never crossed your mind before. I don’t really know, but you never know, so I’m just going to do it. For this post I’m separating the film simulation recipes by DR setting. Below are all of my recipes that use DR200:

Eterna Low-Contrast

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Elite Chrome 200 Color Fade

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“Warm Contrast”

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Urban Vintage Chrome

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Redscale

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Velvia

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Astia

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Classic Chrome

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Vintage Kodachrome

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PRO Neg. Hi

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Fujicolor Superia 800

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CineStill 800T

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Cross Process

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Kodachrome II

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Kodak Ektachrome 100SW

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Fujicolor Pro 400H

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Acros

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Acros Push-Process

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Ilford HP5 Plus

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Tri-X Push-Process

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See also:
DR400 Film Simulation Recipes
DR100 Film Simulation Recipes
DR-Auto Film Simulation Recipes

DR400 Film Simulation Recipes

I thought it might be interesting to separate my film simulation recipes by Dynamic Range setting. There are a ton of different ways that one could organize these, so I thought it might be helpful to somebody to see them in various arrangements. Maybe you’ll see one that you haven’t considered using before, or maybe a certain setting will stand out to you that never crossed your mind before. I don’t really know, but you never know, so I’m just going to do it. To start with, I’m separating the film simulation recipes by DR setting. Below are all of my recipes that use DR400:

Kodachrome 64

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Kodacolor

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Fujicolor 100 Industrial

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“Eterna”

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Kodak Portra 400

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Aged Color

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Acros

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See also:
DR200 Film Simulation Recipes
DR100 Film Simulation Recipes
DR-Auto Film Simulation Recipes