The Essential 7 Film Simulation Recipes to Program Into Your Fujifilm Camera First — Part 6: X-Trans I

Sunset Branch – Bountiful, UT – Fujifilm X-Pro1 – Color Analog

Part 1 — X-Trans V, Part 2 — X-Trans IV, Part 3 — X-T3/X-T30, Part 4 — X-Trans III, Part 5 — X-Trans II

I frequently get asked: which seven Film Simulation Recipes should I program into my camera first? I’ve published over 300 on this website and in the Fuji X Weekly App, and the choices can become overwhelming. I’ve attempted to help out with this dilemma several times, including the Which Film Simulation Recipe, When? series, Try These 3 Film Simulation Recipes No Matter Your Fujifilm Camera, The 10 Best Film Simulation Recipes on the Fuji X Weekly App, Top 25 Most Popular Film Simulation Recipes of 2023, and many others. My hope is that these types of articles help you to find some good Recipes to try, in case you’re not sure where to begin or what to use. This post is Part 6 of the series, and the final installment.

The list of Film Simulation Recipes below are my “Essential 7” for X-Trans I cameras, which are the X-Pro1, X-E1, and X-M1 (the X-M1 doesn’t have the PRO Neg. Hi and PRO Neg. Std film sims, so it is a bit more limited; it doesn’t have C1-C7, either). If you are not sure which Recipes to program into your C1-C7 Custom Presets, these are my suggestions for you to begin with. These are the ones that you must try, in my opinion. You might love all of them, you might only appreciate some of them, or you might not like any of them. Each person has their own styles and tastes, and there’s no one single Recipe that’s universally loved by everyone (although a few seem close). Still, give these seven a try—keep the ones you like, and replace the ones that you don’t.

Arched Window – Ogden, UT – Fujifilm X-Pro1 – Kodachrome I

A couple of important side notes here. First, this list isn’t necessarily made up of versatile Recipes. Like film, most Film Simulation Recipes have specific use cases—such as sunny daylight—so not all of these option will be good for night photography, for example, or perhaps other situations. Also, X-Trans I models cannot save a White Balance Shift within the C1-C7 Custom Presets. You can only save one WB Shift per White Balance type, which means you’ll have to remember to adjust the WB Shift each time you change Recipes. Since X-Trans I was excluded from the Which Film Simulation Recipe, When? series, I decided to take WB Shift into account for this article, and choose Recipes with a variety of WB types. This will make the user experience more enjoyable, but it does exclude some Recipes that might be preferable over others, since I’m avoiding multiple Recipes with the same WB type. For the 7th Recipe, use Daylight/Fine instead of Auto; by doing so, you’ll still get a similar result, and, since the two Daylight WB Recipes share the same WB Shift, you’ll be good to go.

The Essential 7 Film Simulation Recipes to program into your X-Trans I camera first:

C1 — Kodachrome II — Auto WB

C2 — Punchy Velvia — Daylight/Fine WB

C3 — Color Negative Film — Kelvin WB

C4 — Superia Xtra 400 — Shade WB

C5 — Vivid Color — Fluorescent 1 WB

C6 — Provia — Incandescent WB

C7 — Sepia — *Use Daylight/Fine WB (instead of Auto)*

Find these Film Simulation Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

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