***Correction: Note the new times. The show will now be at 9:00 AM Pacific, 12:00 noon Eastern.***
Wow, it’s been 11 months since the last episode of SOOC Live! Time sure does fly. It’s not for lack of trying that so much time has passed; our schedules just didn’t work out for most of 2025. But, as a holiday gift to you, Nathalie Boucry and I will be hosting a live broadcast on Monday, November 24th, at 9:00 AM Pacific Time, 12:00 noon PM Eastern. I really hope you can join us!
In this episode, we’ll be discussing one of Fujifilm’s most controversial features: the Film Dial. We’ll talk about the good and the bad, and—much more importantly—how to get the most out of it. If you own a Fujifilm X-T50, X-M5, X-E5, or X-T30 III, this is a must-watch episode; if you don’t own one of those models, but are curious about the Film Dial, be sure to tune in. I look forward to chatting with you live on November 24th!
In other news, I just released an update to the Fuji X Weekly App on Android, which fixes the bug that the app will crash when tilted vertical (landscape) on some operating system versions. It was a weird bug that I believe may have been introduced on version 14. Basically, some coding that worked flawlessly on earlier versions no longer worked on newer operating systems. Usually when a new OS update is released, it screws something up unexpectedly. Sometimes it’s a little thing that’s not a big deal; other times it’s a major problem. It took some serious troubleshooting to find and fix this particular issue. This was only for Android, and did not affect iPhones. A special “thank you” to those who reported the problem and helped troubleshoot it!
I’m also working on a fairly significant app update that hopefully will be ready next month sometime. I can’t give away the details yet, but I think many of you will really appreciate aspects of it. I’m constantly working on updates to the Fuji X Weekly, Ricoh Recipes, and RitchieCam apps (even though it may not always seem like it)—between the apps and this website, I stay really busy. I have a lot of various things in the air, which I can’t wait to share when the time is right—hopefully some will be sooner than later. Some things may not ever work out, that’s the way it goes sometimes and that’s ok. Anyway, if you have time on Monday, be sure to join Nathalie and I on YouTube, I’m really looking forward to chatting with you!
The season finale of SOOC Live is just two days away! Join Nathalie Boucry and myself on December 12th at 9:00 AM Pacific Time (noon Eastern), as we finish off Season 4 with what will surely be an epic broadcast. This one will be especially fun, so you’ll want to tune in if you’re able. Since these shows are interactive, your participation makes them better. I hope to see you this Thursday!
For those who don’t know, SOOC Liveis a (sometimes) monthly live YouTube broadcast where Nathalie Boucry and I discuss Film Simulation Recipes, give tips and tricks for achieving the results you want straight-out-of-camera, talk Fujifilm news, and answer your questions. Basically, we’re trying to help you master your camera, with a focus on simplifying your photographic workflow. This is a community event, helping each other along our photographic journeys.
Below is the upcoming show, so you can easily find it on Thursday (here is the direct link, in case you need it):
It’s been awhile, but SOOC Live is back! Join Nathalie Boucry and myself on September 19th for Episode 5 of Season 4, as we catch you up on everything that’s been going on since out last show. As usual, we’re going to talk Fujifilm cameras, Film Simulation Recipes, and straight-out-of-camera photography, and more. It’s going to be a great time!
The last episode, Why We Love Fujifilm Film Simulation Recipes, was way back in May. Simon Hügly made a special guest appearance. If you missed that broadcast when it was live, be sure to watch it now. While you’re at it, if you don’t follow the SOOC Live YouTube Channel, make sure that you subscribe and click the bell and all that stuff. Anyway, due to busy schedules, scheduling conflicts, major life events, illnesses, etc., we’ve not been able to broadcast all summer, but that’s about to change.
In just nine days, though, Nathalie and I will be live once again! Be sure to mark your calendar now so that you don’t miss the show, which will be on Thursday, September 19th, at 10:00 AM Pacific Time, 1:00 PM Eastern. I’ve imbedded the video below so that you can easily find it. It’s an interactive broadcast, so your participation is what makes it great. I hope to see you then!
Join myself and Fujifilm X-Photographer Nathalie Boucry live tomorrow as we discuss some must-have Film Simulation Recipes for your Fujifilm camera! It’s an interactive program, so your participation makes it better. Be sure to bring any questions that you might have about Recipes or Fujifilm cameras. The show begins at 10:00 AM Pacific Time, 1:00 PM Eastern. I hope to see you there!
The show will be broadcast on our SOOC Live YouTube page. You can get to it from the SOOC Live website, and I’ve also included it below, so that you can easily find it tomorrow. Also, in preparation for the episode, there’s a poll that will run during the show, which you can participate in right now if you’d like (click here).
Morning at the South Rim – Grand Canyon NP, AZ – Fujifilm X100V – Upcoming Recipe
Tomorrow I will unveil a brand-new Film Simulation Recipe! I’ve been shooting with this new Recipe for nearly two months, and I think that you’re really going to like it, too. It will certainly be utilized by many of you, and will quickly become a popular choice. I’m not going to give any more details about it until then, so you will want to stay tuned.
Actually, you’ll want to tune in! You see, Season 4 of SOOC Live will kick off tomorrow, and we’re going to discuss this new Recipe in-depth. This is a don’t-miss type of episode. Be sure to follow SOOC Live on YouTube if you don’t already, so that you’re notified of all the new content.
There will actually be two broadcasts tomorrow. The first will be at 8:30 AM Pacific Time, 11:30 AM Eastern. This will be more relaxed and less formal, and will just introduce the new season and explain some changes. It’s kind of like a pre-show. Following that will be Episode 01 at 9:00 AM Pacific Time, noon Eastern. This is the broadcast where we will introduce and discuss the brand-new Film Simulation Recipe. I hope that you can join us for both, but if you can only make one, be sure to tune in to the second.
I’ve included both broadcasts below, so that you can easily find them tomorrow.
In the Season 3 finale of SOOC Live, Fuji X-Photographer Nathalie Boucry and I discussed double exposure photography at length, and especially how to do it in-camera on Fujifilm models. If you are interested in the topic and didn’t catch that episode when it was live, you may want to take some time and watch it now. I’ve included it below. If you are short on time, skip ahead to the 35 minute mark, and begin around there.
I’m not going to rehash all that was said during the show (you’ve got to watch it)—this is a lengthy and complicated topic that can go many different directions. Really, books can be (and have been) written about it. Instead, I want to talk about Film Simulation Recipes for double exposures, and also provide a little more explanation for some things that maybe weren’t clear in the broadcast. I hope it all makes sense by the end.
The three Film Simulation Recipes that we discussed in the show and are challenging you to shoot with for the remainder of December plus most of January are Mystery Chrome, Dramatic Monochrome, and Faded Negative. Some notes about each:
Mystery Chrome is fully compatible with X-Trans III cameras, plus the X-T3 and X-T30. To use it on newer models, set Color Chrome FX Blue to Off, Clarity to 0, and choose a Grain size (Small or Large… I recommend Large). For those using newer cameras, we recommend using the Average setting for this Recipe, but don’t be afraid to try Additive.
Dramatic Monochrome is fully compatible with the Fujifilm X-T3 and X-T30. To use it on X-Trans III cameras, simply ignore Color Chrome Effect—the results will be nearly identical. To use it on newer cameras, set Color Chrome FX Blue to Off, Clarity to 0, and choose a Grain size (Small or Large… I recommend Large). For those using newer cameras, we recommend using the Additive setting for this Recipe, but don’t be afraid to try Average.
Faded Negative is fully compatible with X-Trans IV cameras, except for the X-T3 and X-T30. To use it on X-Trans V models, set Color Chrome FX Blue to Weak instead of Strong. This Recipe is not found in the Fuji X Weekly App because it requires further explanation on how to use it, and the App format is not conducive to that; however, in the broadcast Nathalie provides a great tip for how you can use the New Recipe (Blank Recipe Card) feature to add it to your App if you’d like. Be sure to read the article before attempting to use this Recipe.
You can use any Film Simulation Recipe with double exposure photography, but in my experience the ones that work best are Recipes that are especially contrasty. For the purpose of the show, we’re using three specific ones; however, feel free to try any Recipe that interests you. The color pictures below were captured using the Ferrania Solaris FG 400 Recipe, and Kodak Tri-X 400 was used for the B&W. As for submitting images for the Viewers’ Images Slideshow, please only use the Mystery Chrome, Dramatic Monochrome, and Faded Negative Recipes.
One thing that perhaps should have been demonstrated in the show but wasn’t is what in-camera double exposures look like, taking a peek at each of the two exposures individually and then the combined image. Since the newer cameras can save a RAW file of each exposure (which can be processed into a JPEG in-camera), it’s possible to demonstrate this pretty easily.
Exposure 1
Exposure 2
Double Exposure using Average
Exposure 1
Exposure 2
Double Exposure using Average
Exposure 1
Exposure 2
Double Exposure using Additive
I would say that double exposure photography takes a lot of practice to feel comfortable with, but there is a ton of potential for creativity. It’s worth trying, and it’s worth going through a lot of failures in order to get good at it. There are also so many different approaches and methods that can yield very different results. You’ll discover some of these as you practice. So my encouragement for you is to try and try again. If the pictures aren’t very good at first, don’t give up! Keep at it, and pretty soon you’ll surprise yourself with what you create.
One last thing: below I’ve included the Viewers’ Images Slideshow for the Reala Ace episode. If you haven’t yet seen it, be sure to watch it now. I want to express a very big “Thank you!” to everyone who submitted their photographs for inclusion in it. I always enjoy seeing your wonderful pictures!
Tomorrow—Thursday, December 7th—is the season finale of SOOC Live. Not only that, but it’s also our holiday special. Oh, and we’re going to take a deep dive into double exposure photography. Join Nathalie Boucry and I tomorrow at 9:00 AM Pacific Time, 12:00 noon Eastern as we bring Season 3 to a close. This is an interactive program, so your participation makes it even better. I hope to see you tomorrow!
If you don’t already subscribe to the SOOC Live YouTube Channel, be sure to do so now—otherwise you might miss out on future broadcasts. To make it easy to find, I’ve included tomorrow’s show below:
Double exposure photography is simply two exposures on a single frame; however, getting good results can be quite tricky. There’s actually a whole lot to it, with a number of techniques and considerations to talk about. There’s also a ton of creative potential, and various ways to use double exposures that you might not have thought of. You can get amazing straight-out-of-camera results that perhaps seem impossible to achieve in-camera, but are indeed possible.
This article contains five of my double exposure photographs. Perhaps you are surprised by some of them, as they might not appear to be double exposures. You might also be surprised to learn that they’re all camera-made JPEGs. We’re going to talk about the specifics tomorrow, so be sure to tune-in if you want learn more about double exposure photography on your Fujifilm camera.
Luxury Among Palms – Laguna Hills, CA – Fujifilm X-T5 – Reala Ace Recipe
Today’s SOOC Livebroadcast was wonderful. Thank you to everyone who tuned in and participated—you all make it great!
We discusses the new Reala Ace film simulation, and talked at length about my Reala Ace Film Simulation Recipe. The Reala Ace Recipe is for X-Trans V cameras, and not everyone has one of those cameras, and even if you do, you might prefer a different option, so Nathalie Boucry and I offered three similar Recipes as alternatives. Specifically, we suggested Fujicolor Reala 100, Fujicolor Superia 100, and Fujicolor 100 Industrial. Watch the video below to learn more.
There are two Fujicolor Reala 100 Recipes—one for X-Trans IV (excluding the X-T3 and X-T30), and one for X-Trans V. Likewise, there are two Fujicolor Superia 100 Recipes—one for X-Trans IV (excluding the X-T3 and X-T30), and one for X-Trans V. The Fujicolor 100 Industrial Recipe is just for the X-T3 and X-T30; however, simply ignore Color Chrome Effect to use it on X-Trans III (it will look very similar, and only slightly different), or for newer cameras, set Grain size to Small, Color Chrome FX Blue to Off, and Clarity to 0.
While you are here, the long-overdue Viewers’ Images slideshow from the previous broadcast was finally published. You can watch it below. There are some really great pictures by you all, so you’ll definitely want to take a look. Thanks to everyone who submitted photographs!
I know I just told you that the next SOOC Livebroadcast will be this coming Thursday, but it’s now been delayed two more weeks, and will now be on Thursday, November 2nd. Sorry for any inconvenience this might cause you. I look forward to seeing you in a couple weeks!
While I have you here, I do have a request: keep Nathalie and Stanley in your thoughts and prayers. They had a loss in their family. It’s been a bit crazy for them, and tough emotionally. So if you can take a moment to lift up their family in whatever way that you do that, it would be really great. The Fujifilm and—more specifically—the Fuji X Weekly community is the best in all of photography, so that’s why I’m making this request to you.
Dodge Van Steering Wheel – Buena Park, CA – Fujifilm X-T5 – Reala Ace Recipe
Mark your calendar! After a two week delay, the next SOOC Live broadcast will now be this coming Thursday, October 19th. Originally, we were going to discuss double-exposure photography (as was advertised at the end of our last show), but we decided to change the topic to Reala Ace.
Why? First, life events happened, and we just didn’t have the time needed for such a big topic, as there are a whole lot of considerations and approaches to multiple-exposures worth addressing. We hope to still tackle this at some point, but understand that it’s a big undertaking, and we can only do it if we have the time to prepare everything. It just didn’t work out this time like we had hoped it would. Second, Reala Ace, which is the name of Fujifilm’s latest film simulation, is a trending subject, and my new Reala Ace Film Simulation Recipe has quickly caught on. So Nathalie Boucry and I thought that we should discuss this instead, diving more deeply into it, while also providing some alternatives.
I hope that you can join us this Thursday! It’s an interactive program, and your participation makes the show better. I’ve included the video below so that you can easily find it, but please follow the SOOC Live YouTube channel so that you don’t miss any upcoming episodes. See you soon!
This Thursday’s SOOC Live broadcast will be postponed. It might be for just one week, or it might be longer. I’ll let you know as soon as I know for certain.
Life happens. Sometimes unexpected situations arise. Unfortunately, things have to be shuffled around, and this upcoming broadcast was what had to give. I apologize for any inconvenience, and I appreciate your understanding. Hopefully you won’t have to wait too much longer for the next episode.
Tomorrow, myself and Fujifilm X-Photographer Nathalie Boucry will be discussing live on YouTube three “killer” Film Simulation Recipes. This will be a special episode of SOOC Live, with a divergent format and on an abnormal date.
This season, our broadcasts have been (with a few exceptions) the first and last Thursday of each month—the first episode introduces a theme and the second finishes the discussion. So far, we’ve talked about Street Photography, Storytelling, AI, Travel Photography, and Black & White. This month there’s only one episode, and it’s right in the middle of the month, on September 14 at 10:00 AM Pacific Time, 1:00 PM Eastern. I hope that you can join us. As always, it’s an interactive show, and your participation makes it better.
I’ve included the video below, so that you can easily locate it tomorrow. You can also find it on the SOOC Live YouTube channel. See you tomorrow!
Black-and-white pictures are abstract by nature. They’re not faithful reproductions of the world as we see it. Because it is abstract, the photographer is invited to capture the scene in a unique way, with a vision that is dissimilar to—and perhaps even the opposite of—reality. It’s not so much about what the scene is, but about how we see the scene through a divergent eye, and how we can express that to the viewer. It’s a timeless approach to fine-art photography.
The strength of color photographs is color, but it’s also its weakness. When color works within a color theory—perhaps contrasting or harmonious—it can create an especially dramatic or beautiful picture; however, when the colors within an image work against each other, it can be a distraction. B&W photos remove the distraction of color, allowing the viewer to see the important elements without color fighting for their attention—it’s the art of subtraction.
Black-and-white photography is about light and shadow. It’s about contrast. It’s about shape. Texture. Pattern. Space. Emotion. Those are very important elements to color photography, too, but they’re even more critical to B&W pictures. Mastering monochrome will make you a better photographer, even for your color work.
Join myself and Fujifilm X-Photographer Nathalie Boucry as we finish our discussion of B&W photography in-depth on SOOC Livethis Friday, August 25th, at 10:00 AM Pacific Time, 1:00 PM Eastern. I’ve included the video below so that you can easily find it on Friday. Also, if you haven’t uploaded your photographs captured with the Kodak Tri-X 400, Kodak T-Max P3200, Ilford HP5 Plus 400, and/or Acros Film Simulation Recipes, be sure to do so ASAP (click here)! There’s not much time, so don’t delay. I hope to see you on Friday!
Also, if you missed our the initial discussion of black-and-white photography, check it out below:
We’re just two days away from the next SOOC Livebroadcast! Fujifilm X-Photographer Nathalie Boucry and I will finish our discussion on Travel Photography, share your pictures (better upload your pictures quick if you haven’t yet), and answer any questions that you might have. It will be a great time, and I hope to see you there!
Join Nathalie and I on Thursday, July 27th, at 10:00 AM Pacific Time, 1:00 PM Eastern. Your participation makes these episodes great, so I hope that you can be there. See you in two days!
If you missed Part 1 of Travel Photography, be sure to watch it. I’ve included it below:
Next week—on July 27th—Fujifilm X-Photographer Nathalie Boucry and I will be chatting about travel photography in our upcoming SOOC Livebroadcast, including showing your pictures and answering your questions. I hope that you can join us!
The Q&A shows, which are the Part 2 of our monthly topics, are always a lot of fun. They’re more relaxed and interactive. Your participation makes them great—your role is vital! If you don’t have next week’s broadcast on your calendar, be sure to mark it now. I’ve included it below so that you can easily locate it.
Two weeks ago was the Part 1 episode, where Nathalie and I introduced the theme of travel photography. We discussed all sorts of considerations and gave many tips. If you haven’t yet seen that show, you’ll want to take some time to watch it. I’ve included the broadcast below, and you can also find it on the SOOC Live YouTube channel.
In that episode we challenged you to shoot with one or more of these four Film Simulation Recipes: 1970’s Summer, Elite Chrome 200, Fujichrome Provia 100F, and Kodacolor VR. Additionally, if you want an even greater challenge, you can try to get good results from one or more of these Recipes in unfavorable light. And if you want to go boss-level, the third challenge is to print and frame one of your pictures that were captured with these Recipes. To summarize: Level 1 is to use the Recipes listed above, Level 2 is to shoot those Recipes in less-than-ideal light, and Level 3 is to print and frame one of the pictures you captured during the first two levels. Got it?
We invite you to share your results with us and the SOOC Live community. Please upload your images (click here) captured with our four recommended Recipes to be potentially featured in the next episode and also included in the Viewers’ Images slideshow. Don’t forget to include the Film Simulation Recipe name in the file name, so that we know which Recipe you used. The deadline for submission is Tuesday the 25th, which means that you still have a little time, but not a lot, so don’t procrastinate. I look forward to seeing your pictures!
Last month’s Viewers Images slideshow was delayed a little due to a few unfortunate and unforeseen circumstances. If you haven’t yet watched it, I’ve included it below. Thank you to everyone who participated!
I traveled to California’s central coast last month. If you regularly read this blog, you’ve certainly seen the pictures, such as Pacific Poppies above. Well, tomorrow—July 6th—Fujifilm X-Photographer Nathalie Boucry and I will be chatting about travel photography in our SOOC Livebroadcast. I hope that you can join us at 10:00 AM Pacific Time, 1:00 PM Eastern, as it is an interactive program, and your participation will make it better.
We have a lot of points to discuss—from Film Simulation Recipes to camera gear to practical advice and so much more! If you have any upcoming travel plans, this is a can’t-miss episode! I’ve included it below so that you can easily find it. If you don’t yet subscribe to the SOOC Live YouTube channel, be sure to do so now, so that you don’t miss any future shows.
My personal favorite of these four is Urban Dreams, which has a Kodachrome 200 vibe. Especially during overcast conditions and blue-hour, this is a Recipe that I really enjoy using—I shot a lot with it on my coastal trip. Kodak Ektachrome E100VS v1 is my second favorite, which is good for sunny days when you want colors to pop. My third favorite is Vivid Summer Glow, which has some similarities to the Kodachrome II Recipe, but I like Kodachrome II better. Last and least, Soft Blue Classic does alright when the sun is high and the light is warm, but overall I didn’t like it very much.
The next SOOC Live broadcast will be this coming Thursday, June 29th, at 10:00 AM Pacific Time, 1:00 PM Eastern. We’ll finish our discussion of these four AI-made Film Simulation Recipes, and much more. I hope that you can join us, because it’s an interactive program, and your participation makes it better!
During the last SOOC Live show, we challenged you to shoot with these four ChatGPT Film Simulation Recipes. I hope that you’ve had fun trying them! As a reminder, you have until tomorrow (June 27th) to upload your pictures captured with these Recipes (click here) for the next show, so you’ll want to do so quickly if you haven’t already. Be sure to include the name of the Recipe used in the file name, so that we can keep track of which is which.
I hope to see you on Thursday!
Pacific Cove – Montaña de Oro SP, CA – Fujifilm X100V – Kodak Ektachrome E100VS v1
Lower Sea Cliff – Pismo Beach, CA – Fujifilm X100V – “Soft Blue Classic”
Wave Crashing on Rock – San Simeon, CA – Fujifilm X100V – “Vivid Summer Glow”
House on the Seaside Cliffs – Pismo Beach, CA – Fujifilm X100V – Urban Dreams
Today I’ll be live on YouTube! The SOOC Live broadcast will begin at 10:00 AM Pacific Time, 1:00 PM Eastern—I hope that you can join myself and Fujifilm X-Photographer Nathalie Boucry as we finish our discussion of storytelling photography, showcase some of your pictures, answer your questions, and more! This episode has been delayed a few times, but it is really going to happen today!
It’s actually a double-header, so after that broadcast we’ll jump right into the next episode. Join us again at Noon Pacific Time, 3:00 PM Eastern as we discuss using ChatGPT to make Film Simulation Recipes!
Please join us for one or both of those shows if you can! The SOOC Live broadcast is an interactive program, so the more who can join in and participate, the better it is. I hope to see you in the show today!
Also, be sure to check out the Viewer’s Images slideshow—your pictures! I want to say a big “thank you” to everyone who submitted pictures for the program, without you the episodes wouldn’t be anywhere near as good.
***Update*** The show has been postponed until June 2nd, due to technical issues. Sorry.
Just very quickly: the next SOOC Live broadcast is today at Noon Pacific Time, 3 PM Eastern (two hours later than usual). I hope that you can join Fujifilm X-Photographer Nathalie Boucry and myself as we finish our discussion of storytelling photography, showcase some of your pictures, answer your questions, and more!
If you don’t follow SOOC Live on YouTube, be sure to subscribe so that you don’t miss any future episodes.
I’m sorry to announce that today’s SOOC Live broadcast has been postponed one month, and next week’s show has been canceled. A number of unforeseen and unfortunate life events happened, and something had to give. Sadly, it became obvious late last night that today’s show just wasn’t going to work out.
The silver lining is that you have more time to shoot with the four Film Simulation Recipes that we are challenging you to shoot with: Reggie’s Portra, AgfaChrome RS 100, Classic Slide, and Ilford Delta Push Process. Be sure to try those Recipes for your storytelling photography. Additional challenges, for those who want more, are to use layered compositions and/or elicit emotion. If you missed the last episode, be sure to watch it (click here), because all of this will make a lot more sense to those who have viewed the broadcast.
For those who don’t know, SOOC Liveis a bimonthly broadcast where Nathalie Boucry and I discuss Film Simulation Recipes, give tips and tricks for achieving the results you want straight-out-of-camera, and answer your questions. Basically, we’re trying to help you master your camera, with a focus on simplifying your photographic workflow.
