FUJI X WEEKLY

A Classic Chrome based Recipe for X-Trans IV cameras that is the long-time most popular Film Simulation Recipe for Fujifilm cameras. It’s rare that this one isn’t Number One, and I’d be surprised if it isn’t back on top next month.

#3:

Reggie’s Portra

Reggie’s Portra, a popular Classic Chrome based Recipe for X-Trans IV cameras, usually ranks high. Last time it was #2, and now it is #3. This is the most versatile of the Portra Recipes, and the most popular for portrait photography.

#4:

A Classic Chrome based Recipe for X-Trans IV cameras that is often ranked Number Two in these types of lists. It fell one spot since last month.

#5:

Vibrant Arizona

A Wes Anderson inspired Recipe based on Classic Chrome for X-Trans IV and X-Trans V cameras. It was ranked #4 in September.

#6:

Kodak T-Max 100 Hard Tone

This is the X-Trans V version of Kodak Portra 400 v2. Like #2-5 above, it fell one spot.

#7:

This is a new B&W Recipe for X-Trans IV & V cameras that was published about a month ago. Acros-based Recipes are the king of black-and-white, and Kodak Tri-X 400 is usually the only one to crack the Top 25. This one uses Monochrome+G, so it is quite surprising to find it ranked so high.

#8:

Kodak T-Max 100 Soft Tone

This is also a new B&W Recipe for X-Trans IV & V cameras that was published about a month ago. This one, too, uses the Monochrome+G film simulation. I was shocked to find both this one and the Hard Tone version above in the Top 10.

#9:

Vintage Kodachrome

Vintage Kodachrome, which is based on Classic Chrome, is one of the older Film Simulation Recipes on Fuji X Weekly, and is compatible with X-Trans III cameras. It usually cracks the Top 15, and sometimes the Top 10. Last month it was #11.

#10:

14 Film Dial Recipes

It is probably unfair to include the Film Dial Recipes in this list because it is not one but 14 Recipes. Last month was the first time seeing it in the Top 25, and I was faced with the choice of included it (as unfair as that might be) or not. The Vibrant Arizona article is technically four Recipes, so there is a precedence for its inclusion. I think the sudden rise in interest in the Film Dial Recipes is due to three things: 1) people buying the X-T50, 2) the announcement of the X-M5 (which also has a Film Dial), and 3) people realizing that these Recipes can be used for a lot of other cameras, and not just those with the knob. In September it was ranked #7.

#11:

This is the X-Trans V version of Kodak Gold 200. It’s been slowly rising, and this is the highest that I’ve seen it rank (one spot above last month).

#12:

Pacific Blues

This is oftentimes the highest ranked Classic Negative based Recipe, but this month it is Number Two (if you don’t include Superia Negative from the Film Dial Recipe set). This particular version of Pacific Blues is compatible with X-Trans IV models, but there is also an X-Trans V version. It also rose one spot since last month.

#13:

Kodak Portra 800 v3

A Classic Chrome based Recipe for X-Trans IV and X-Trans V cameras, published earlier this year. It ranked #10 in September.

#14:

Kodak Portra 400

This version of Kodak Portra 400 was commonly the third most popular Film Simulation Recipe on Fuji X Weekly for a long time; however, it has been slowly falling. Last month it ranked #9.

#15:

Kodak Tri-X 400

This is the long-time most popular B&W Recipe on Fuji X Weekly, although it places third this time (not including Neopan Negative in the Film Dial set). It’s based on the Acros film simulation, and has compatibility with X-Trans III, X-Trans IV, and X-Trans V models. It remains in the same position.

#16:

CineStill 800T

This is an Eterna-based Recipe for X-Trans V cameras; however, it’s simply an adaptation of the X-Trans IV version that has been around awhile. It also remains in the same position.

#17:

This is the X-Trans V version of Kodachrome 64. It rose two positions.

#18:

McCurry Kodachrome

This Recipe is reminiscent of scanned Kodachrome 64 slides, and is compatible with X-Trans IV cameras. It rose three positions.

#19:

Easy Reala Ace

Easy Reala Ace was published in June, so it’s a fairly new Recipe. It fell five spots compared to September.

#20:

Posted on November 4, 2024 by Ritchie Roesch

Another Classic Chrome based Recipe, for use on X-Trans III models, plus the X-T3/X-T30. It fell two positions.

#21:

Reala Ace

Reala Ace used to be the most popular Classic Negative Recipe, typically found in the Top 10, and sometimes even the Top 5 (and even once at #1!), but it has fallen quite far in the rankings, including four spots since last month. This Recipe is for X-Trans V cameras.

#22:

Classic Color

I published this Recipe, which uses Classic Chrome and has compatibility with both X-Trans IV and X-Trans V cameras, in April. It fell two spots since September.

#23:

Fujicolor Film

This is a new Reala Ace based Recipe published less than two months ago. Last month it was #8.

#24:

PRO Negative 160C

This was the first Recipe I published that uses the new Reala Ace film simulation. It remains in the same position.

#25:

California Summer

Published in June, this is the highest-ranked Recipe that uses the Nostalgic Neg. film simulation (aside from Nostalgic Film in the Film Dial set). It also remains in the same position compared to last month.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

The Fujifilm X-T50 Film Dial is Spookily Fun

*Fujifilm X-T50 + Fujinon 56mm f/1.2 + Classic Negative (Superia Negative)*

The Film Dial, which was introduced on the Fujifilm X-T50 and is now also found on the Fujifilm X-M5, is a lot of fun. Some people don’t like it, and that’s ok. Not every camera is for everyone, and not every feature is for everyone. It’s one of Fujifilm’s most contentious features. Personally, I like the Film Dial—it’s very useful when combined with my universal Film Dial Recipe, but, perhaps more important, it’s enjoyable.

A few days ago was Halloween. My four kids dressed up, and we went to a nearby family member’s house to pass out candy and trick-or-treat. My oldest daughter was Wednesday from The Addams Family. My oldest son was Waldo. My youngest son was a Fortnight character. And my youngest daughter was Cinderella. We passed out candy before walking around the neighborhood. It was a ton of fun!

Since it was going to be dark—starting right at sunset and continuing into the night—I wanted to use a fast lens, so I borrowed my wife’s Fujinon 56mm f/1.2 (the new version). That’s one of my favorite lenses—it has such fantastic image quality—but since it’s not mine, I don’t always get to use it. I debated between cameras, but went for the Fujifilm X-T50 because it is more lightweight and compact than the X-T5, and has IBIS, which the X-E4 does not. For this particular purpose, it seemed Goldilocks.

I only used the Film Dial Recipe that night, and turned the knob to different film simulations depending on the light, subject, and situations. The great thing is that you get a real-time preview of what the picture will look like, so you can quickly change the film sim to better match the scene, and see what each will produce. I used Classic Negative the most, but also Classic Chrome, Reala Ace, Eterna, Nostalgic Neg., and Acros+R. It worked out really well for documenting our spooky Halloween celebration.

*Fujifilm X-T50 + Fujinon 56mm f/1.2 + Classic Chrome (Kodak Film)*

*Fujifilm X-T50 + Fujinon 56mm f/1.2 + Nostalgic Neg. (Nostalgic Film)*

*Fujifilm X-T50 + Fujinon 56mm f/1.2 + Reala Ace (Fujicolor PRO 160C Warm)*

*Fujifilm X-T50 + Fujinon 56mm f/1.2 + Eterna (Cinematic Film)*

*Fujifilm X-T50 + Fujinon 56mm f/1.2 + Acros+R (Neopan Negative)*

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Top Favorite Film Simulation Recipes for Portrait Photography (as decided by YOU!!)

Posted on November 1, 2024 by Ritchie Roesch

Fujifilm X-T5 – Fujifilm Negative Recipe – by Amanda Roesch

I asked, you answered. Below you will find the top color Film Simulation Recipes for portraits and people, as chosen by you! I appreciate everyone who took time out of their busy day to answer the survey—I’m sure this information will be quite helpful to many people, so thank you!

What makes a Recipe good for portraits? There’s no objective answer to this, as everyone has their own unique style and taste. Probably the best answer is: ones that produce good skin tone rendering—Classic Chrome might be the best film simulation for that, but, of course, that’s very subjective, and opinions vary. How a certain Recipe does depends a lot on the exact light situation—one might be great in a specific scenario but not in another. All of that makes it difficult to say with any level of certainty which Recipes are best for portraiture, but there are clearly some that are more universal than others.

Fujifilm X-T4 – Reggie’s Portra Recipe – by Amanda Roesch

I’m not a portrait photographer myself. I’ve dabbled in it here and there over the years, but it’s just not my thing. My wife, however, does do portrait photography, and her favorite Recipe is Reggie’s Portra. In fact, all of her top Recipes for portraits and people (aside from the brand-new Fujifilm Negative Recipe that I just published yesterday) cracked the Top 10. There are definitely some good options, and the poll results confirm a lot of my suspicions about which ones are best.

The specific question asked was: which color Film Simulation Recipe is your favorite for portraits and people? I gave 25 Recipe options that either I have used personally or I have seen others use for people pictures, so I knew they were a good group. Then, I provided a space to add any Recipes that were left out for those whose favorites weren’t in the list—since there are approaching 400 Recipes, most were left out. The results were fascinating, so let’s jump into it!

Reggie’s Portra

Reggie’s Portra was unsurprisingly the top pick; however, what did surprise me was that it absolutely dominated the poll. Almost half of you chose this Recipe as a favorite for people pictures. According to you, this is the Recipe for portraits. And I concur. This Recipe is compatible with X-Trans IV models (except the X-T3 & X-T30); for fifth-generation cameras, simply set Color Chrome FX Blue to Off.

Kodak Portra 400 v2 is one of my all-time favorite Recipes. Portra film (as the name implies) is specifically intended for portrait photography, so it should not be a shock that this Recipe is popular for people pictures. One-in-five of you chose this in the poll, putting it in (a distant) second place. There is a version for fifth-generation models (linked above), one for X-Trans IV, and one for the X-T3 and X-T30.

Posted on October 31, 2024 by Ritchie Roesch

Kodachrome 64 is the long-time number one most popular Film Simulation Recipe on Fuji X Weekly. For pictures with people, this one places third, which is still high, but far from the top spot. There is a version for fifth-generation models (linked above), one for X-Trans IV, and one for X-Trans II.

Kodak Portra 400

One film can produce many different looks depending on a whole host of factors (how handled, how shot, how developed, how scanned or printed, and how viewed); Kodak Portra 400 and v2 both produce a Portra-like look, but based on two notably divergent possible outcomes of the emulsion. There is a version of this Recipe for X-Trans IV models (linked above; for X-Trans V, set Color Chrome FX Blue to Off), one for the X-T3 & X-T30, and one for X-Trans III (although that one is significantly different).

Reala Ace

Tied for Number 5 (with Kodak Portra 160 v2 below) is Reala Ace, which interestingly does not use the Reala Ace film simulation; instead, it is based on Classic Negative. It’s highly versatile and fairly popular, so I’m not surprised to see it ranked so high. It’s compatible with all fifth-generation models.

Kodak Portra 160 v2

Also in fifth place is Kodak Portra 160 v2. This one has more of a softer rendering, and is especially great for taming high-contrast scenes. This is compatible with all fifth-generation models; for X-Trans IV (except the X-T3 & X-T30), simply set Color Chrome FX Blue to Strong.

McCurry Kodachrome

Tied for seventh (with Kodak Portra 160 below) is McCurry Kodachrome, which is modeled after Steve McCurry’s famous last roll of Kodachrome 64. Think of it as scanned Kodachrome, while the Kodachrome 64 Recipe (a couple of spots higher) is more like projected Kodachrome. This recipe is compatible with all X-Trans IV cameras.

Kodak Portra 160

The Kodak Portra 160 Recipe, which is tied for seventh (with McCurry Kodachrome above), has a soft and warm Kodak color negative aesthetic. Recipes with Portra in the name account for five of the Top 8 in this list. There is a version of this Recipe for X-Trans IV (linked above), one for X-Trans III & X-T3/X-T30, and one for X-Trans II.

Nostalgia Negative

This was my very first Recipe that uses the Nostalgic Neg. film simulation. It’s an excellent all rounder, including for people pictures, but I am a bit surprised to see it at Number 9. Nostalgia Negative is compatible with all X-Trans V cameras.

Pacific Blues

Pacific Blues has a lot of contrast, so it’s not for every situation, but when it works, it really works. It’s tied for Number 10 with Fujicolor NPS 160 Pulled (below). There is a version X-Trans V (linked above), and one for X-Trans IV (except the X-T3 & X-T30).

Fujicolor NPS 160 Pulled

Also tied for Number 10 is Fujicolor NPS 160 Pulled. This is a highly versatile Recipe with low-contrast and muted colors, and is especially excellent for artificial light situations. It’s compatible with X-Trans IV cameras (except the X-T3 & X-T30); for fifth-generation models, set Color Chrome FX Blue to Weak.

If you’re not sure which Recipes to try for portrait photography, I’d start with the 11 above. That’s a good group, and there’s enough variety that at least one should work well for you. But, in case those aren’t enough, I’ve included below the Recipes that received at least two votes in the poll (including a couple write-ins). I figure if at least two people voted one as a favorite, then it must be decent, and worthwhile to try. Also, there were a number of write-ins for Kodak Tri-X 400; this list was specific to color Recipes, but, for B&W, I definitely recommend that Recipe—it’s my personal favorite.

1976 Kodak
Cinematic Film
Easy Reala Ace
Elite Chrome 200
Emulsion ’86
Fujicolor Reala 100
Fujicolor Superia 100
Kodachrome II
Kodak Ultramax 400
Superia Xtra 400

There are many Film Simulation Recipes that weren’t mentioned in this article that are probably pretty good, so just because one wasn’t listed here doesn’t mean it won’t produce good results for portraits and people pictures. Part of the fun is in the discovery. The one that could become your favorite might be in this list, or it might not, and you won’t know until you try. I invite you to pick a couple of these Recipes, and maybe one not in this list, and shoot some portraits to see if you like the results. You can find them here, or in the Fuji X Weekly App, which is available for both Apple and Android.

Fujifilm Negative — Fujifilm X-T5 (X-Trans V) Film Simulation Recipe

*Small Yellow Boat* – Clinton, CT – Fujifilm X-T5 – Fujifilm Negative Recipe

Over the last several months, my wife, Amanda, and I have been sharing our Fujifilm X-T5, which I purchased in November 2022 when it first came out. Her camera is an X-T4 that she’s used for years, but lately has been drawn more to the newer model. Amanda does portrait, event and theater photography, but she really loves videography. By far, the Film Simulation Recipe that she uses the most for still photography is Reggie’s Portra; Reala Ace and Pacific Blues are a distant second and third. We used this new Fujifilm Negative Recipe for some of our photos captured on the X-T5 as we traveled across the country over the last few months.

My inspiration for this Recipe was Fujicolor PRO 160NS color negative film, although it wasn’t necessarily closely modeled after it—I just looked at a number of frames captured with that emulsion when I was creating this, so there is a noticeable similarity. Fujicolor PRO 160NS was produced by Fujifilm between 2010 and 2021; however, before that it was named PRO 160S, and before that—in the 1990’s—it was called NPS 160, with small changes and improvements over the years. While this doesn’t exactly match those emulsions, it certainly has a Fujifilm color negative film vibe, and just feels analog-like.

*Camera Conversation* – Philadelphia, PA – Fujifilm X-T5 – Fujifilm Negative – by Amanda Roesch

This Fujifilm Negative Film Simulation Recipe is intended for sunny daylight photography. It works well in overcast conditions, too, and indoor natural light. It might not be the best choice for artificial light situations (can be a bit too yellow), and can be a bit too cool in the shade. This Recipe is compatible with all fifth generation X-Trans models, which (as of this writing) are the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, and X-M5 cameras. It can be used on the latest GFX models, too, but will likely render slightly different (try it anyway).

Film Simulation: Reala Ace
Dynamic Range: DR400
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Off
White Balance: 5000K, 0 Red & -2 Blue
Highlight: -1
Shadow: -0.5
Color:+2
Sharpness: -1
High ISO NR: -4
Clarity: -2
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this Fujifilm Negative Film Simulation Recipe on a Fujifilm X-T5:

*Indoor Grass* – Nashville, TN – Fujifilm X-T5

*Modeling* – Philadelphia, PA – Fujifilm X-T5 – by Amanda Roesch

*Friendly Conversation* – Philadelphia, PA – Fujifilm X-T5 – by Amanda Roesch

*Hot Dog Stand* – New York City, NY – Fujifilm X-T5 – by Amanda Roesch

*Photowalk* – Philadelphia, PA – Fujifilm X-T5 – by Amanda Roesch

*Stories* – Philadelphia, PA – Fujifilm X-T5 – by Amanda Roesch

*Talking About Cameras* – Philadelphia, PA – Fujifilm X-T5 – by Amanda Roesch

*Reviewing Pictures* – Philadelphia, PA – Fujifilm X-T5 – by Amanda Roesch

*Setting a Recipe* – New York City, NY – Fujifilm X-T5 – by Amanda Roesch

*Crosses on Steeples* – Denver, CO – Fujifilm X-T5

*Oak Leaf* – Clinton, CT – Fujifilm X-T5

*Lake Morning* – Clinton, CT – Fujifilm X-T5

*First Catch* – Clinton, CT – Fujifilm X-T5

*Third Catch* – Clinton, CT – Fujifilm X-T5

*Fourth Catch* – Clinton, CT – Fujifilm X-T5

*Shore Fishing* – Clinton, CT – Fujifilm X-T5

*Dock Fishing* – Clinton, CT – Fujifilm X-T5

*Breakfast* – Clinton, CT – Fujifilm X-T5

*Camera on a Bookshelf* – Buckeye, AZ – Fujifilm X-T5

*Sunset over the Eucalyptus* – Buckeye, AZ – Fujifilm X-T5

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X-T5 in silver:
Amazon, B&H, Moment, Wex, Nuzira

Find this Film Simulation Recipe and over 350 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Recipes for Portraits?

Posted on October 30, 2024 by Ritchie Roesch

*Fujifilm X-T50 + Fujinon 56mm f/1.2 +* Superia Negative

I’m not a portrait photographer. I have dabbled in it a little over the years, but it is just not my thing. So when people ask me which Film Simulation Recipes I recommend for portraits, it’s hard for me to provide a good answer. Now, I do have some experience to fall back on, plus I’ve seen some of your great pictures on social media, so I’m not completely clueless. I can give some recommendations that I’m confident will do well. I just wish that I could provide a bit more expert advice whenever I’m asked.

In yesterday’s post I included a survey. A couple years back I conducted a poll on Fuji X Weekly, but I was quite dissatisfied with the poll itself (how it was integrated, how it had to be configured), so I never bothered to do another. Just this week I learned of a much better and easier way to go about it, and I’m really happy with how it came together and turned out. So… you can expect a lot more surveys in the near future! I’m excited about this feedback—your opinions are immensely important.

*Fujifilm X-T50 + Fujinon 27mm f/2.8 + Nostalgic Americana*

Below you will find a poll question: Which color Film Simulation Recipe(s) is/are your favorite(s) for portraits? I want to know which Recipe you like best when photographing people. I picked 25 Recipes for the poll that I know some of you currently use or have used in the past for portrait photography, plus a couple that I have personal experience with. Pick one, two, three, or more—if you’ve used a particular Recipe for portraits and had good results, go ahead and mark it.

There’s a second question: Name a Recipe not found above that you like for portraits? I’ve published nearly 400 Recipes, so 25 is barely scratching the surface. I’m sure that I left out many that are good for portraits, included the two Recipes used for the photos above. Even if you marked some in the first question, go ahead and fill-in-the-blank for the second question if a Recipe that you have experience with was left out (if you’d rather, you can leave it as a comment instead). I appreciate your help with this!

Which Film Simulation Recipes, When? — Part 3: X-T3 & X-T30 (2024 Edition)

Posted on October 25, 2024 by Ritchie Roesch

*Colorful Flags* – Buckeye, AZ – Fujifilm X-T30 – Classic Kodak Recipe

Part 1 (X-Trans V) – Part 2 (X-Trans IV)

I get asked all of the time when to use which Film Simulation Recipe. With over 350 in the Fuji X Weekly App to choose from, it can be difficult to know when each Recipe should be chosen, especially since many of them are specifically intended for sunny daylight conditions. With only seven Custom Settings presets on your Fujifilm camera (for most of you, anyway), which ones should you have programed? When should you select them?

The problem with trying to answer this question is that it’s a highly subjective endeavor. While I might like a certain Recipe for a particular situation, you might not. There’s not a right or wrong answer, just what works for you and what doesn’t—and I cannot say whether any particular Recipe will work for you or not. Only you can answer that for yourself, and you have to try a Recipe to know. With that said, I do attempt to give good advice. I’ve written many articles related to this topic, including the series Which Film Simulation Recipes, When? While that has likely been the most helpful, it’s nearly two-years-old now, and a lot of new Recipes have been published since. I think it’s time to update the series for 2024.

*Bougainvillea Below Window* – Buckeye, AZ – Fujifilm X-T30 – McCurry Kodachrome Recipe

The premise of the original series is that Jason Kummerfeldt of Grainydays, a YouTube channel about film photography, gave some advice on when to use which film emulsion in a video entitled Which Film Stock, When? Since film choice is such a personal thing, how do you say when to use which? It’s the same thing for Film Simulation Recipes. His solution was simply to demonstrate what he uses and state what he likes, and maybe you’ll like it, too. In my series, I copied that approach for Recipes—I told you my preferences, and invited you to try them out. We’re going to follow that same formula for this update with just a small twist, which I think makes a little more sense.

What makes Part 3 more challenging than the first two articles is that the X-T3 and X-T30 cameras cannot remember a White Balance Shift within the C1-C7 Custom Settings presets. If two Recipes share the same white balance type but not the same shift, when you switch presets you must remember to adjust the shift, too. That can be inconvenient and frustrating, so my best solution is to program Recipes that use different white balance types and/or share the same white balance type and shift. The user experience is much improved, but you might not be able to program all of your favorite Recipes at the same time, which is the one downside to this solution. What I set out to do with this article is recommend seven Recipes, one for each C1-C7 Custom Settings preset, that don’t share the same white balance type, or, if they do, share the same shift. It’s a difficult task, but I think I came up with a good set for you; however, there were definitely some tough cuts.

*Vintage Sunset* – Ogden, UT – Fujifilm X-T30 – Kodacolor Recipe

Also, if you have a newer X-Trans IV camera, you can use these Recipes, too, by simply setting Color Chrome FX Blue to Off, Clarity to 0, and choosing a Grain size (either Small or Large). While the next installment will cover X-Trans III, some of these Recipes are compatible with X-Trans III cameras; the key is to look for whether they call for Color Chrome Effect or not—if not, it’s compatible with X-Trans III. Also, X-Trans III recipes are fully compatible with the X-T3 and X-T30 (just set Color Chrome Effect to Off), but I avoided those Recipes for this article because I wanted to save them for Part 4.

C1 — Kodak Portra 400 v2 — Sunny Daylight #1

*Window to the City* – Salt Lake City, UT – Fujifilm X-T30 – Kodak Portra 400 v2

Kodak Portra 400 v2 does well anytime during daylight hours, but especially for “golden hour” near sunrise and sunset. As the name suggests it is a good option for portrait photography, but is excellent for many genres. This really could be your primary use-most-of-the-time Recipe, and that’s why I suggest placing it in C1. This Recipe uses the Daylight White Balance type, as do the first four of the suggested alternatives below (but not the last one).

Some alternatives to consider:
Kodachrome 64
Kodak Gold 200
Kodak Portra 160
Kodak Portra 400
Pro Neg

Note: Kodak Gold 200, Kodak Portra 160, and Kodak Portra 400 all share the same WB type and WB shift, and could potentially be your C1-C3.

C2 — Classic Kodak — Sunny Daylight #2

*Split Saguaro* – Buckeye, AZ – Fujifilm X-T30 – Classic Kodak

I like to reserve C2 for bright midday photography. The old rule of thumb was once the sun was high in the sky, it’s time to put the camera away. While Classic Kodak can be used anytime the sun is out, it is a great options for middle-of-the-day situations, and proves the old adage wrong. This Recipe uses the Shade White Balance type, as do the first two suggested alternatives below (but not the bottom three).

Some alternatives to consider:
Porto 200
Lomography Color 100
McCurry Kodachrome
Kodacolor
Kodacolor VR

C3 — Kodak Vision3 250D — Sunny Daylight #3

*Ice Cream Trailer* – Farmington, UT – Fujifilm X-T30 – Kodak Vision3 250D

This is a good spot to have an alternative aesthetic compared to C1 and C2—as I don’t think you’d want to have all three up to this point to be essentially similar. Although each of the first three have a Kodak-negative-like look, Kodak Vision3 250D produces a notably divergent aesthetic. With the ones I’ve suggested so far, you’ve got a good set for all sorts of daylight situations no matter your subject. This Recipe uses the Fluorescent 1 White Balance type, as does the first suggested alternative below (but not the bottom four).

Some alternatives to consider:
Color Negative
Fujicolor 100 Industrial
Fujicolor Pro 160NS
Negative Print
Analog Color

C4 — Ektachrome E100GX — Overcast

*Pink Rose Blossom* – Ogden, UT – Fujifilm X-T30 – Ektachrome E100GX

Ektachrome E100GX is excellent for sunny daylight photography, but it also does pretty well for dreary overcast conditions. It uses the Fluorescent 2 White Balance type, as does the first suggested alternative below (but not the bottom four).

Some alternatives to consider:
Fujichrome Sensia 100
Classic Slide
Fujicolor Pro 400H
Eterna Bleach Bypass
Eterna v3

C5 — Kodak Ultramax— Versatility

*Street Lamp Sunset* – Farmington, UT – Fujifilm X-T30 – Kodak Ultramax

I like to have at least one Recipe programmed into my camera that’s highly versatile and can be used no matter the situation. While there are not as many options for the X-T3 and X-T30 as there are for newer X-Trans IV cameras, there are still some excellent options; of those, my personal favorite is Kodak Ultramax. It uses the Auto White Balance type, as do all of the suggested alternatives below.

Some alternatives to consider:
Velvia
Velvia v2
Eterna
Polaroid
Verano Tostado

C6 — Jeff Davenport Night — Nighttime

*Wet Glass Bokeh* – Salt Lake City, UT – Fujifilm X-T30 – Jeff Davenport Night

If it’s between dusk and dawn, especially if there are city lights, Jeff Davenport Night is the recipe to use on your X-T3 and X-T30 cameras. Period. It uses the Kelvin White Balance type, as does the first option below (but not the bottom four).

Some alternatives to consider:
Eterna Low Contrast
Cinematic Negative
Melancholy Blue
Expired Eterna
Fujicolor Pro 400H Overexposed

C7 — Analog Monochrome — B&W

*Minolta SRT303b* – Farmington, UT – Fujifilm X-H1 – Analog Monochrome

Last but not least is B&W. Filling out the last slot is tricky, because most of the White Balance types have already been used. There are basically three options: choose an X-Trans III Recipe—which is fully compatible with the X-T3 and X-T30—that uses a different WB type (that’s what I’ve done here, as Analog Monochrome utilizes Incandescent); use an Auto WB Recipe—perhaps Ilford Delta Push Process—and disregard the WB Shift, and accept the results for what they are (which will be nearly the same, but not exactly the same); or use a Daylight WB Recipe—perhaps Kodak Tri-X 400—and substitute Daylight with Underwater, which is similar enough that you’re not likely to notice the difference.

Some alternatives to consider:
Kodak Tri-X 400
Agfa APX 400
Monochrome Kodachrome
Ilford Delta Push-Process
Ilford HP5 Plus 400 Push-Process

Find these Film Simulation Recipes in the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Stay tuned for Part 4!

Fujicolor Blue — Fujifilm X100VI (X-Trans V) FXW App Patron Early Access Film Simulation Recipe

Posted on October 24, 2024 by Ritchie Roesch

*Yellow Beanie* – New York City, NY – Fujifilm X100VI – Fujicolor Blue

This Fujicolor Blue Film Simulation Recipe was actually a failed attempt at recreating a certain look, but nonetheless I really liked the results, so I decided to make it an official Recipe in the Fuji X Weekly App. Whenever I attempt to replicate a certain look, it’s largely by trial-and-error, and there are a lot of failures along the way. Occasionally one of those failures is interesting on its own merit, such as this one.

What does Fujicolor Blue resemble? It definitely has a Tungsten-balanced film vibe, although I don’t think it matches any specific Tungsten emulsion. I think it also roughly resembles a daylight-balanced film used in conjunction with an 80A or other cooling filter. It definitely has a retro Fujicolor negative film look (perhaps along the lines of Fujicolor Super HR), but maybe also a bit of an Agfa aesthetic (such as Agfacolor 200). While it’s not exactly like any specific emulsion that I’m aware of, it has a strong analog feel, and you could probably convince someone that you shot film and not a modern digital camera.

*Flowers & Fruit* – Austin, TX – Fujifilm X100VI – Fujicolor Blue

This Fujicolor Blue Recipe is great for adding a cold feeling to a sunny daylight photograph, toning down an overly warm scene, pretty much any indoor situation, and nighttime artificial light scenarios. It’s highly versatile, but the pronounced cool cast in sunny daylight is not going to be for everyone. This Recipe is compatible with all fifth-generation X-Trans cameras, which (as of this writing) are the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, and X-M5. Those with certain X-Trans IV models and newer GFX can use it, too; however, it will render slightly different (but don’t be afraid to try it).

Fujicolor Blue is an App Patron Early Access Recipe. If you are a Fuji X Weekly App Patron, you have access to it right now. If not, no worries, as it will eventually be made available to everyone, once it is replaced by a new Early Access Recipe. This also means that an different Early Access Recipe is now available for everyone, so be on the lookout for it.

Example photographs, all camera-made JPEGs using this Fujicolor Blue Film Simulation Recipe on a Fujifilm X100VI:

*Spain* – New York City, NY – Fujifilm X100VI

*Poke Poke* – New York City, NY – Fujifilm X100VI

*Construction Site* – New York City, NY – Fujifilm X100VI

*Yellow Guy* – New York City, NY – Fujifilm X100VI

*Fujifilm Photography* – New York City, NY – Fujifilm X100VI

*Hudson Yards* – New York City, NY – Fujifilm X100VI

*Urban Skyscape* – New York City, NY – Fujifilm X100VI

*Green for Siding* – Austin, TX – Fujifilm X100VI

*How You Doing?* – Austin, TX – Fujifilm X100VI

*Airborne Bike 1* – Austin, TX – Fujifilm X100VI

*Airborne Bike 2* – Austin, TX – Fujifilm X100VI

*Lake Dock* – Clinton, CT – Fujifilm X100VI

*Boatride* – Clinton, CT – Fujifilm X100VI

*Houseplant* – Clinton, CT- Fujifilm X100VI

*Fujifilm, Y’all* – Austin, TX – Fujifilm X100VI

*Don’t Slip* – New York City, NY – Fujifilm X100VI

*Chochin Lanterns* – Clinton, CT – Fujifilm X100VI

*Nashville Night* – Nashville, TN – Fujifilm X100VI – Photo by Jonathan Roesch

*Johnny’s BBQ* – Nashville, TN – Fujifilm X100VI – Photo by Jonathan Roesch

*Diamonds are For Baseball* – New York City, NY – Fujifilm X100VI

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100VI in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X100VI in silver:
Amazon, B&H, Moment, Wex, Nuzira

Find this Film Simulation Recipe and over 350 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Nostalgic Emulsion — Fujifilm X-Trans III (plus X-T3 & X-T30) Film Simulation Recipe

Posted on October 24, 2024 by Ritchie Roesch

*Bougainvillea Blues* – Buckeye, AZ – Fujifilm X-H1 – Nostalgic Emulsion Recipe

My daughter, Joy, had approached me and asked, “Can I make a Film Simulation Recipe?”

“Sure,” I happily replied. I handed her my Fujifilm X-H1, gave her a quick tutorial on the menu and settings (she hadn’t previously used this model), and off she went.

A couple of hours later Joy returned. “I’m not sure this is right. Can you help me?” She showed me her pictures.

“What look are you trying to create?” I asked.

“Well,” she replied, “it’s this aesthetic that’s dark with deep greens.”

“Where did you see it?” Joy then proceeded to show me some music videos, including Daylight by David Kushner. “That’s the aesthetic I want to make,” she told me, while stopping on a forested scene.

*Rose of Sharon Backlit* – Buckeye, AZ – Fujifilm X-H1 – Nostalgic Emulsion Recipe

The camera settings she had chosen weren’t all that far off, so I suggested a few adjustments. After more testing and review, another couple changes were made, and then even more testing was done. I asked, “Are you happy with this look?”

“Yes!” Joy excitedly responded. “This is the aesthetic I wanted.”

After she was done capturing pictures, I shot with her settings for a little while myself. I really like the moody and nostalgic feeling that this Film Simulation Recipe produces. It has a retro negative film look, maybe along the lines of Fujicolor Super HQ or Agfa XRG or something like that. You can expect dark shadows and a cool cast that leans green. It’s not a Film Simulation Recipe that everyone will love, but I bet it will be an instant favorite for some of you. It requires a White Balance setting that I had not previously used for a Recipe; for those trying to avoid adjusting the WB Shift when switching between C1-C7, this is another option for you to try.

*Concrete Vine* – Buckeye, AZ – Fujifilm X-H1 – Nostalgic Emulsion – by Joy Roesch

Nostalgic Emulsion was an App Patron Early Access Recipe, but it has since been replaced by a different Early Access Recipe, so now it is available to everyone. This Recipe is compatible with all Fujifilm X-Trans III cameras, plus the X-T3 & X-T30. For those with newer X-Trans IV cameras, set Color Chrome FX Blue to Off, Clarity to 0, and I’d suggest Grain size Small. Those with “older” GFX cameras can use it, too, although it will render slightly different (but try it anyway!).

Film Simulation: Classic Chrome
Dynamic Range: DR200
Grain Effect: Strong
White Balance: Underwater, -6 Red & +3 Blue
Highlight: -1
Shadow: +3
Color: +2
Sharpness: -1
Noise Reduction: -4
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this Nostalgic Emulsion Film Simulation Recipe on my Fujifilm X-H1:

*Water Fountain* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Concrete Fountain* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Little Vine Leaves* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Backlit Green Leaves* – Buckeye, AZ -Fujifilm X-H1 – by Joy Roesch

*Hidden Bougainvillea* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Spring Window Reflection* – Buckeye, AZ – Fujifilm X-H1

*Fallen Bougainvillea* – Buckeye, AZ – Fujifilm X-H1

*Bougainvillea Sprouting* – Buckeye, AZ – Fujifilm X-H1

*Bougainvillea Sage* – Buckeye, AZ – Fujifilm X-H1

*Bougainvillea Leaves* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Bloom Small* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Backyard Trumpet Blossoms* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Rose of Sharon* – Buckeye, AZ – Fujifilm X-H1

*Bright Green Leaves* – Buckeye, AZ – Fujifilm X-H1

*Bush & Blocks* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Pouring Sunlight over Honeysuckles* – Buckeye, AZ – Fujifilm X-H1

*Garden Gate* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Pink Oleander Blooms* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Dark Blooms* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Wall and Leaves* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Joyful Josh* – Buckeye, AZ – Fujifilm X-H1

*Architecture & Jon* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Blue Glass* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Three Bright Ideas* – Buckeye, AZ – Buckeye, AZ – Fujifilm X-H1

*Dusk Light* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Green Leaves at Dusk* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Veiled Lightbulb* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Blue Hour Light* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Disabled Parking* – Buckeye, AZ – Fujifilm X-H1

*Illuminated Plant* – Buckeye, AZ – Fujifilm X-H1

*Night Corridor* – Buckeye, AZ – Fujifilm X-H1

Find this Film Simulation Recipe and over 350 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

11 Film Simulation Recipes for Fall Photography

Posted on October 18, 2024 by Ritchie Roesch

*Fujifilm X100VI – Kodak Portra 400 v2 Recipe*

I’ve been asked many times over the last couple of weeks which Film Simulation Recipes are the best for autumn photography. Sometimes the Recipes that work really well for the endless sunshine of summer aren’t quite as good for photographing fall foliage. I live in the desert; for the most part, the leaves here don’t change colors until November and December, and the show is rather mundane compared to most other places. Because of that, whenever I do get to experience the brilliant colors of the changing season, I’m learning as I go which Recipes work well and which ones don’t.

Last year I traveled a few hours up the road to the mountains near Flagstaff, Arizona, where there is an impressive autumn display. I tried seven different Recipes that I thought might do well, and it was interesting to compare the results. As you’d probably expect, some did better than others. If you are trying to figure out which Recipes to try this fall, I definitely recommend taking a look at that article (click here). I also published an article two years ago with some fall Recipe suggestions (click here), which is also worthwhile. Between those two posts, there are 17 potential options for your autumn photography.

Last week I was up in New York and Connecticut. It might be “peak fall” right now—or maybe next week—for those up that direction. It was absolutely gorgeous when I was there, despite not being quite peak colors. I was thrilled not only for the opportunity to photograph the incredible scenery, but to also try out different Film Simulation Recipes for autumn photography. Specifically, I wanted to use ones that were not included in those two articles I mentioned in the last paragraph—between all three posts, you should now have a pretty good selection of potential options.

Everyone has different tastes, and the light and subject will be different wherever you go. That’s why it’s good to have options. My hope is that a few of these Recipes—or maybe some from those other two articles—will stand out to you to try for yourself. The idea here is not that you’ll use all 11 of these on your next fall foliage outing, but that you might try some. You might even decide that some of these are definitely not for you—knowing which ones to avoid can also be valuable.

*Fujifilm X100VI – PRO Negative 160C Recipe*

For myself, I did find a few that I will certainly use again whenever I have the opportunity to photograph fall foliage in the future. And I also found a few Recipes that I probably won’t. Just because I like (or don’t like) something doesn’t mean that you’ll agree with that assessment. Hopefully, though, if you are unsure which ones to program into your Fujifilm camera, this will give you some direction.

Without any further delay, below are 11 Film Simulation Recipes that I tried for fall photography in New York and Connecticut last week.

Velvia Film

Velvia Film was one of the Recipes that I was most excited to try out for fall photography. I had high hopes for it, and it didn’t disappoint. In retrospect, I only wish that I had used it more—a lot more, actually. I will definitely utilize this one on my next autumn adventure!

This Recipe is quite vibrant, slightly warm, and fairly low contrast. If you want to emphasize the vivid colors of the changing leaves, this one will do it. Velvia Film is one of the Film Dial Recipes, and you are likely to get good results with Provia, Astia, PRO Neg. Hi, Reala Ace, Classic Chrome, Classic Negative, and Nostalgic Negative (and maybe others); however, Velvia is top-notch for this type of photography, and what I most recommend. It is compatible (as of this writing) with the Fujifilm X-T4, X-S10, X-E4, X-T30 II, X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50 and X-M5 cameras.

Vibrant Velvia

I thought that I was going to love Vibrant Velvia for autumn, but I didn’t. Not that it was bad (because it wasn’t), but it didn’t quite emphasize the colors like I hoped it would. Green and blue stand out, but the warm colors of the changing leaves surprisingly get a little deemphasized. Situationally specific, it could still be a good choice for fall photography; however, I think there are several better options.

Where I think this Recipe works best is in a situation like the photo directly below this paragraph. The fall foliage add pops of warmth to the green and blue, which are the two most prominent colors in the scene. As of this writing, this Recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, X-T30 II, X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50 and X-M5 cameras.

Appalachian Negative

I like Appalachian Negative in general, so I thought I might also appreciate it for fall. Sure enough, I do! It has the right retro Kodak-like vibes to trigger nostalgia. This is another Recipe that I wish I had used more, because I like the results. I can imagine it being especially appropriate for photographing a pumpkin patch or fall decor or things like that.

Because this Recipe uses the Nostalgic Neg. film simulation, it is only compatible with the latest cameras, which (as of this writing) are the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50 and X-M5. Of the three Recipes in this article that use the Nostalgic Neg. film simulation, Appalachian Negative is my favorite for autumn pictures.

1976 Kodak

I had pretty high hopes for 1976 Kodak when I programmed it into my X-T5, but ultimately I decided that it is just a bit too warm and contrasty for my tastes. It definitely does make the pictures look like they were captured in another era, but it just feels like too much warmth, particularly whenever the scenes are already especially warm. Situationally specific it might be a good choice—such as low-contrast cool light scenes—but overall it was not my favorite for fall photos.

If you are going for a 1970’s magazine vibe, you might consider this Recipe; otherwise, I would instead recommend the one directly below this or especially the one directly above. As of this writing, 1976 Kodak is compatible with the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50 and X-M5 cameras.

Kodak Negative

As far as the Nostalgic Neg. Recipes that I tried, I feel that Kodak Negative sits in-between Appalachian Negative and 1976 Kodak; however, it is divergent enough that I could see having it programmed as a companion to one of those Recipes. For fall photos, I like this one much more than 1976 Kodak, but not quite as much as Appalachian Negative.

In the right light, this Recipe is phenomenal for capturing autumn colors. Next opportunity, I will definitely have this one programmed into my camera. Kodak Negative is compatible (as of this writing) with the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50 and X-M5 cameras.

Kodak Portra 160

I didn’t expect to like this Recipe for fall foliage because it is soft with muted colors; however, I ended up liking it for that very reason. The Kodak Portra 160 Recipe produces results that are somewhat the antithesis of what one expects from fall photos, which is what makes it work.

This isn’t a Recipe that I would use for all of my autumn images, but, as occasional relief to the vivid pictures that dominate this season, it is quite excellent. This Recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras; for fifth-generation models, simply set Color Chrome FX Blue to Weak instead of Strong.

Kodak Portra 400 v2

Kodak Portra 400 v2 is one of my absolute favorite Recipes, so it should be unsurprising that I appreciate the results for fall photographs. Interestingly, there are some similarities between this and Appalachian Negative, so perhaps having both Recipes programmed into the camera is a bit redundant; however, they are definitely divergent enough to justify both.

This particular Recipe is the version for the fifth-generation models, which (as of this writing) are the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50 and X-M5. There is also a version for X-Trans IV cameras, and one for the X-T3 and X-T30.

Asita Azure

Astia Azure is a Fuji X Weekly App Patron-only Early Access Recipe, which means that only App subscribers have access to it at this time. Eventually it will be made available to everyone once a different Early Access Recipe replaces it. I found it did alright in certain light situations (such as the above photo), but was mediocre in others.

While I didn’t necessarily dislike it, Astia Azure wouldn’t be my top choice for autumn photography—I think it’s more of a summertime Recipe, especially if there’s a lot of blue sky… it’s pretty good for nighttime, too. As of this writing, the Astia Azure Recipe is compatible with the Fujifilm X-T4, X-S10, X-E4, X-T30 II, X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50 and X-M5 cameras.

PRO Negative 160C

I liked the PRO Negative 160C Recipe a lot for fall photographs. It combines a somewhat soft tonality with vibrant and slightly warm colors, producing anologue-like results. This is another one that I wish I had utilized more, and will use again for autumn images at the next opportunity.

Because this Recipe uses the Reala Ace film simulation, it is only compatible with fifth-generation models, which (as of this writing) are the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50 and X-M5 cameras. There is a version that uses the PRO Neg. Hi film simulation, which is compatible with the X-T4, X-S10, X-E4, and X-T30 II.

Ektachrome E100

This is another Fuji X Weekly App Patron-only Early Access Recipe, which means that only App subscribers have access to it at this time. Eventually it will be made available to everyone once a different Early Access Recipe replaces it. I like this one, although it can be a bit too contrasty in high-contrast situations, so it isn’t for every scenario.

While I would certainly consider having this as one of my seven C1-C7 Recipes, I’m not certain if it would make the cut or not. It’s close, and it definitely can be useful, so if it didn’t, it would be a tough cut. The Ektachrome E100 Recipe is compatible (as of this writing) with the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50 and X-M5 cameras.

Pacific Blues

Last but certainly not least is Pacific Blues. This is another of my favorite Recipes, so it should not be surprising that I also like it for fall photography. This one has a lot of contrast, so it can be challenging to use, and is clearly not for every fall image. Even if the situation where it works well is only encountered occasionally, I would still have this as one of my C1-C7 Custom Settings presets.

This particular version of the Pacific Blues Recipe is for X-Trans IV cameras, which are the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras; for fifth-generation models, there’s a version for your camera.

Of these 11 Film Simulation Recipes, which seven would I program into my Fujifilm X-T5 or X100VI? Velvia Film, Appalachian Negative, Kodak Portra 160, Kodak Portra 400 v2, PRO Negative 160C, Ektachrome E100, and Pacific Blues—I think, anyway. Kodak Negative was a tough cut in that scenario, so I would probably take a longer look at it, and really consider if that’s what I want to do. In any event, that seems like an excellent set of seven for fall photography that covers most subjects and situations. But, don’t forget, there are also the seven I used in Flagstaff last year, and I would certainly consider including some of those, namely CineStill 400D v2, Kodak Ektar 100, Fujicolor Superia 100, and The Rockwell. This would be a lot easier if we had more than seven slots. More likely, the next opportunity to capture the autumn leaves, I will have different Recipes programmed into two or three cameras, so that I can use more than just seven.

The fall colors won’t last long. If you’ve been wanting to photograph them, don’t procrastinate. Grab your Fujifilm camera, program in a few of these Recipes, and head out the door. The time is now, so make sure that you don’t miss out.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X-T5 in silver:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X100VI in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X100VI in silver:
Amazon, B&H, Moment, Wex, Nuzira

Top 25 Most Popular Film Simulation Recipes in September 2024

Posted on October 7, 2024 by Ritchie Roesch

*Travel by Change* – Denver, CO – Fujifilm X-T50 – Superia Negative Film Dial Recipe

These types of lists are usually pretty predictable. There are often a few surprises—there is always some movement—but from one month to the next, it’s mostly the same. This time, I was shocked by some of the rankings. I’ll discuss most of the specifics within the list itself, but one Recipe in particular that I want to bring up here is Bright Summer. Prior to March, I had never noticed it in the Top 25, but suddenly it was, and even ranked as high as #6! In August it was #10. But in September it dropped out of the Top 25 altogether (it is #26, for those wondering). That’s a pretty sudden and significant drop, and I wonder if it is simply because the seasons are changing.

*Cape Cod Bay House* – Plymouth, MA – Fujifilm X100VI – Fujicolor Film Recipe

Those Recipes with Kodak brand names in the title—Kodachrome, Portra, Gold, Tri-X, etc., etc.—are usually the most popular. Classic Chrome is the king of film simulations, as the majority of the most-viewed Recipes are based on that film simulation—in fact, the Top 5 are all Classic Chrome Recipes. Reala Ace, Classic Negative and Eterna based Recipes are pretty far behind, but I’m glad to see them represented multiple times each in this list.

Without any further delay, below are the most popular Recipes of last month!

Top 25 Most Popular Film Simulation Recipes of September 2024

#1:

A Classic Chrome based Recipe for X-Trans IV cameras that is the long-time most popular Film Simulation Recipe for Fujifilm cameras. There is a pretty big gap between this and second place.

#2:

Reggie’s Portra

Reggie’s Portra, a popular Classic Chrome based Recipe for X-Trans IV cameras, usually ranks high, but this is the first time I’ve seen it at #2. This is the most versatile of the Portra Recipes, and was ranked #4 in August.

#3:

A Classic Chrome based Recipe for X-Trans IV cameras that is almost always ranked number two in these types of lists. In fact, this is only the second time this year that I’ve seen it drop out of the second-place position.

#4:

Vibrant Arizona

A Wes Anderson inspired Recipe based on Classic Chrome for X-Trans IV and X-Trans V cameras. It was ranked #3 in August.

#5:

This is the X-Trans V version of Kodak Portra 400 v2. It’s ranking remains the same since last month.

#6:

Cinematic Film

Cinematic Film is one of the 14 Film Dial Recipes for the Fujifilm X-T50 (and, really, all X-Trans V cameras). Initially I didn’t include it in the Fuji X Weekly App because adding all 14 would have been ridiculous, but by popular demand I did include it retroactively. Perhaps I shouldn’t be surprised, but I’m very shocked to not only see it in the Top 25, but all the way at #6! This isn’t just the highest rated Recipe based on the Eterna film simulation, but the highest that isn’t Classic Chrome.

#7:

14 Film Dial Recipes

It is probably unfair to include the Film Dial Recipes in this list because it is not one but 14 Recipes (including Cinematic Film above). This was the first time seeing it in the Top 25, so I was faced with the choice of included it (as unfair as that might be) or not. The Vibrant Arizona article is technically four Recipes, so there is a precedence for its inclusion. I think the sudden rise in interest in the Film Dial Recipes is due to two things: 1) people buying the X-T50, and 2) people realizing that these Recipes can be used for a lot of other cameras, and not just the X-T50.

#8:

Fujicolor Film

This is a brand-new Recipe published less than three weeks ago, and already it is in the Top 10. Currently it is the highest-ranked Reala Ace based Recipe (if you don’t include Fujicolor PRO 160C Warm from the Film Dial Recipe set).

#9:

Kodak Portra 400

This version of Kodak Portra 400 was commonly the third most popular Film Simulation Recipe on Fuji X Weekly for a long time—it’s still in the Top 10, but hasn’t cracked the Top 5 in awhile. It fell three spots compared to last month.

#10:

Kodak Portra 800 v3

A Classic Chrome based Recipe for X-Trans IV and X-Trans V cameras, published earlier this year. It ranked #7 in August.

#11:

Vintage Kodachrome

#12:

This is the X-Trans V version of Kodak Gold 200. This is the highest that I’ve seen it rank (one spot higher than last month), and the second month in a row that it is above the old version.

#13:

Pacific Blues

Pacific Blues is currently the highest ranked Classic Negative based Recipe (if you don’t include Superia Negative from the Film Dial Recipe set). This particular one is compatible with X-Trans IV models, but there is also an X-Trans V version. It’s often in the Top 10; last month it was #8.

#14:

Easy Reala Ace

Easy Reala Ace was published in June, so it’s a fairly new Recipe. It fell five spots compared to August, but still remains in the Top 15.

#15:

Kodak Tri-X 400

By far the most popular B&W Recipe, Kodak Tri-X 400 is based on the Acros film simulation, and has compatibility X-Trans III, X-Trans IV, and X-Trans V models. It was ranked #12 in August.

#16:

CineStill 800T

This is an Eterna-based Recipe for X-Trans V cameras; however, it’s simply an adaptation of the X-Trans IV version that has been around awhile. It rose one spot compared to last month.

#17:

Reala Ace

Reala Ace used to be the most popular Classic Negative Recipe, typically found in the Top 10, and sometimes even the Top 5 (and even once at #1!), but it has fallen quite far in the rankings; however, it is one spot higher than last month. This Recipe is for X-Trans V cameras.

#18:

Another Classic Chrome based Recipe, for use on X-Trans III models, plus the X-T3/X-T30. It was ranked #14 in August.

#19: