Classic Chrome Recipe | FUJI X WEEKLY

Kodak Farbwelt 200 Expired — A Fujifilm Film Simulation Recipe for X-Trans V Cameras

*Orange Rocks* – Sedona, AZ – Fujifilm GFX100S II – Kodak Farbwelt 200 Expired

This Kodak Farbwelt 200 Expired Film Simulation Recipe comes courtesy of Thomas Schwab, who has created or co-created a number of excellent Film Simulation Recipes. Thomas told me that he loaded a roll of Kodak Farbwelt 200 that expired in 2004 into his Olympus Mju. After finishing the roll, he took it to a local lab, where he had it developed and printed (not scanned). He then developed this Recipe using X RAW Studio, comparing the results to the prints. “Some are very close,” he said, “others are a little off.” Either way, the results are excellent. Personally, I really love the aesthetic. Thank you, Thomas, for creating and sharing this Recipe!

I didn’t know what Kodak Farbwelt 200 was, I had to research it. Unfortunately, there’s not a lot of concrete information. Farbwelt apparently means color world, so a film like ColorPlus might seem like an obvious answer, but from what I could find, it seems that the answer is no, Farbwelt 200 is not ColorPlus 200. It likely is Gold 200, rebranded for the German market, sold mostly (but not exclusively) in Germany. It might be a slightly retooled version of Gold 200 specifically for that region, or it might be straight-up Gold 200, simply rebranded. Kodak released Farbwelt 200 in 2000 and discontinued it in 2012 or 2013. There was also an ISO 100, 400, and even 800 version of Kodak Farbwelt.

*Autumn Trail* – Sedona, AZ – Fujifilm X-E5 – Kodak Farbwelt 200 Expired

The Kodak Farbwelt 200 Expired Recipe looks lovely, with soft warm tones. It’s like a memory of summertime. It reminds me a little of the 1970’s Summer Recipe, which is one of my favorites. It’s compatible with fifth-generation models, which are the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. It’s also compatible with the latest GFX cameras: GFX100 II, GFX100S II, and GFX100RF. For fourth-generation cameras, you can use this Recipe, but it will render slightly different (just a little), which you might like, so don’t be afraid to give it a try. One note I want to highlight: a little underexposure will help to keep the highlights in check.

Film Simulation: Classic Chrome
Dynamic Range: DR100
Grain Effect: Strong, Large
Color Chrome Effect: Weak
Color Chrome FX Blue: Strong
White Balance: 7500K, +1 Red & -4 Blue
Highlight: -2
Shadow: -2
Color: -3
Sharpness: -4
High ISO NR: -4
Clarity: -4
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to -1 1/3 (typically)

Example photographs, all camera-made JPEGs using this Kodak Farbwelt 200 Expired Film Simulation Recipe on a Fujifilm X-E5, X-T5, X100VI, X-S20, and GFX100S II:

*Chainlink Gate* – San Francisco, CA – Fujifilm X-S20 – Photo by Jon Roesch

*Golden Gate* – San Francisco, CA – Fujifilm X-S20 – Photo by Jon Roesch

*Evening along the California Coast* – Elk, CA – Fujifilm GFX100S II

*Rocks over Sedona* – Sedona, AZ – Fujifilm GFX100S II

*Sedona Panoramic* – Sedona, AZ – Fujifilm GFX100S II

*Yellow Tree in Oak Creek Canyon* – Sedona, AZ – Fujifilm X-E5

*Flower, Fence* – Sedona, AZ – Fujifilm X-E5

*Dressed Western* – Buckeye, AZ – Fujifilm X-T5 – Photo by Amanda Roesch

*Saguaro in the Desert* – Buckeye, AZ – Fujifilm X100VI

*Rural Irrigation* – Buckeye, AZ – Fujifilm GFX100S II

*Sunlit Fountain* – Buckeye, AZ – Fujifilm X100VI

*Stand In* – Phoenix, AZ – Fujifilm X-T5 – Photo by Amanda Roesch

*Sunset over Canon Photographer* – Buckeye, AZ – Fujifilm X100VI

*Meeting Santa* – Buckeye, AZ – Fujifilm X100VI

*Suburban Sunset* – Buckeye, AZ – Fujifilm GFX100S II

*Christmas Train* – Scottsdale, AZ – Fujifilm X-E5

Find this Film Simulation Recipe and over 400 more in the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

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Fujifilm X-T5 in black:
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Fujifilm X-T5 in silver:
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Fujifilm X100VI in black:
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Fujifilm X100VI in silver:
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Fujifilm X-E5 in black:
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Fujifilm X-E5 in silver:
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Fujifilm X-S20:
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Fujifilm GFX100S II:
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Reggie’s Portra in X-Trans V Cameras

Posted on December 3 by Ritchie Roesch

*A Girl and Her Horse* – Litchfield Park, AZ – Fujifilm X-T4 – Reggie’s Portra

It’s been interesting to watch Reggie’s Portra Recipe grow in popularity over the years. It was created by Reggie Ballesteros (website, YouTube, Instagram), and I published it in the summer of 2022 with his permission. I’m not sure where it ranked in 2022, but it didn’t crack the Top 10. In 2023 it was the 9th most popular. It climbed to #3 in 2024. This year, Reggie’s Portra is the number one most popular Film Simulation Recipe on Fuji X Weekly, just edging out Kodachrome 64, which was the long-time reigning champion.

A few days ago, Reggie posted a video on YouTube explaining what changes, if any, he has made to the Recipe for use in 2025. When it was made, Reggie’s Portra was for X-Trans IV cameras, but now we’re well into the fifth-generation. So what adjustments did he make? I’ve included the video below, so that you can watch it for yourself.

Not trying to give away the answer, but the short of it is that Reggie doesn’t adjust anything. He uses the same exact Reggie’s Portra settings on fifth-generation models as he did on fourth-generation X-series cameras. He doesn’t make any adjustments whatsoever. The only change is the diffusion filter that he often uses.

On the Fuji X Weekly App, I’ve only included Reggie’s Portra as compatible with X-Trans IV models, specifically the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II (as well as the GFX100S). I didn’t include fifth-generation cameras (X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III, as well as GFX100 II, GFX100S II, and GFX100RF) because, on those cameras, there are some aesthetic differences—the largest being how deeply the color blue is rendered on certain film simulations, including Classic Chrome. It’s quite similar, but not identical; however, there is a simple fix to get them to be more similar: reduce Color Chrome FX Blue by one.

*Jon Dressed Up* – Buckeye, AZ – Fujifilm X-T4 – Reggie’s Portra – by Amanda Roesch

The difference between Color Chrome FX Blue Weak and Off is pretty subtle. If you’re not comparing photos side-by-side, you probably won’t even notice (even when directly comparing, you still might not see the difference immediately). It’s honestly not a big deal, but, if you’re trying to get Reggie’s Portra to most closely match the X-Trans IV results on a fifth-generation camera, then adjusting Color Chrome FX Blue from Weak to Off will do that. This is an adjustment that I make personally, and one that I recommend; however, there’s nothing wrong with not making that small change. Feel free to set Color Chrome FX Blue to Weak (as called for in the Recipe and as Reggie himself does it) or Off (as I do) on the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III cameras, as well as the GFX100 II, GFX100S II, and GFX100RF. Either way works.

People have asked me why I haven’t updated Reggie’s Portra in the App for X-Trans V cameras, and the answer is simple: it’s not my Recipe to make a change to. It belongs to Reggie Ballesteros, and I certainly didn’t want to step on his toes by modifying it. Now that he has clarified how he uses it on fifth-generation cameras, I have updated the App to reflect that. It now shows in the Fuji X Weekly App as compatible with the latest cameras. It won’t render exactly the same as on X-Trans IV, but pretty similar—not enough of a difference to be concerned about (only very subtly divergent). I want to close this out by giving a shoutout to Reggie. His Recipe is great—both my wife and I use it ourselves. It’s a real honor to have it available to you on Fuji X Weekly. If you’ve never tried it, well, it’s almost a right of passage at this point, so be sure to program it into your camera today.

*Dodge* – Boulder, CO – Fujifilm X100VI – Reggie’s Portra

What’s the Most Pivotal Recipe?

Posted on October 2 by Ritchie Roesch

*The Early Photographers* – South Weber, UT – Fujifilm X-T30 – Vintage Kodachrome

After publishing yesterday’s article Camera Makers are Joining the Recipe Fun, I took a moment to consider what was the most pivotal Film Simulation Recipe that ultimately kicked off the Recipe revolution. What one Recipe deserves the most credit? There are definitely a few worth considering, but one stands out to me as the most crucial, and without it, we might not be talking about Recipes today.

I considered the original Classic Chrome Recipe from August 2017 (it was the sixth article published on Fuji X Weekly). It actually predates this website (it was originally published on a now long-defunct blog), so it’s been around a long time. It was one of the very first Recipes for Fujifilm cameras—heck, maybe the first, I’m not certain (and probably depending on how strictly you define it). Right now it’s the sixth most popular Recipe of all time (based on page-view statistics). I think it would be easy to pick the original Classic Chrome Recipe as the most important; while it is clearly a crucial Recipe, I don’t think it is quite the most pivotal.

*Onaqui Horses* – Dugway, UT – Fujifilm X-T30 – Vintage Kodachrome

Next up I considered the X-T3/X-T30 version of Kodachrome 64. There was a big leap in growth for this website in 2020, unlike anything before or since. While each year has seen some growth, the jump from 860,000 page-views in 2019 to 3.7 million in 2020 was incredibly massive—over 400% increase! (For those wondering, we’ve had over 10 million page-views for the last two years in a row, and we’re on track to top it again this year). By far, the most popular Recipe of 2020 was Kodachrome 64, so it obviously played a big role in the popularity of Recipes in-general.

Another one that certainly deserves some credit is the followup version of Kodachrome 64 for X-Trans IV (except the X-T3/X-T30), which is the all-time number one most popular Recipe on Fuji X Weekly, viewed well over 600,000 times on this website. This has been the long-time most popular Fuji X Weekly Recipe, until very recently when it was overtaken in 2025 by Reggie’s Portra.

Above: Vintage Kodachrome Recipe

There are a number of Recipes that played a critical role in perpetuating straight-out-of-camera photography, but one stands out to me as the most important: Vintage Kodachrome. Published on October 21, 2017, it’s one of the oldest Fuji X Weekly Recipes—the fifth oldest, in fact. It’s a long-time fan favorite—the fourth most-viewed of all time—and obviously its popularity was particularly paramount in the growth of this website and Recipes in-general. What makes it the most crucial, though, are two things: it was the first Recipe that required more radical adjustments (such as maximum Highlight and minimum Shadow combined with underexposure), and the first to mimic a specific film stock from a specific era. This particular Recipe opened my eyes to what might be possible on Fujifilm cameras. I realized that I could do so much more; a lot of future Recipes would never have happened without this one first. So, yes, it’s one of the all-time most popular, but it also set the stage for future Recipes like Kodachrome 64 and many, many others. I can’t think of another Recipe that was more important than this one.

If not for Vintage Kodachrome, Fujifilm might not have given the X-E5 the ability to save three Film Simulation Recipes on the Film Dial (including using the word “Recipe” within the camera’s menu). There likely wouldn’t be a Fuji X Weekly App. I probably would never have made Ricoh Recipes. Nikon might not have Imaging Recipes. OM Systems likely would not have just announced Creative Recipes. Vintage Kodachrome was a critical step in the advancement of Fujifilm Recipes, and without it things probably would look just a little different today—not just within Fujifilm, but across the photo world.

My Five Favorite Fujifilm Film Simulations

Posted on July 15 by Ritchie Roesch

Fujifilm’s Film Simulations are not mere digital filters. Harnessing more than 70 years of knowledge and experience making photographic and cinematic films, Fujifilm set out to infuse their X and GFX cameras with an analog soul. With a combination of complex elements, these Film Simulations provide a wide variety of looks inspired by film or darkroom techniques. There are 20 different Film Simulations on the latest models, and it can be overwhelming to know where to begin. I like some more than others, but which are best is personal—my preferences might be different than yours. For me, five Film Simulations have emerged as iconic, and are my personal favorites. There are others that didn’t make this cut that I also appreciate and use regularly. Each Film Simulation has its moment when it works really well.

My five favorites are Acros, Classic Chrome, Classic Negative, Nostalgic Neg., and Reala Ace. We’ll take a look at each of them. I will also recommend a few Film Simulation Recipes, selected for those who want to experience the full power of Fujifilm’s renown JPEG engine. Recipes use the various JPEG parameters made available by Fujifilm to customize the aesthetic of the Film Simulations, producing a variety of looks that are often based off of classic film stocks.

Acros – The Soul of Black & White

Top: Fujifilm GFX100S II & Kodak Tri-X 400; Bottom Left: Fujifilm X-T5 & Kodak T-Max P3200; Bottom Right: Fujifilm X100F & Agfa Scala

Acros is Fujifilm’s crowning achievement in monochrome photography. This Film Simulation replicates the tonal response and grain structure of real panchromatic film. It features smooth gradation, deep blacks, and beautiful highlight roll-off. Acros is unique because Grain is applied algorithmically and varies depending on ISO and exposure, giving it an organic analog-like feel. Fujifilm offers three filter variants: Acros+R (simulates the use of a red filter), Acros+Ye (simulations the use of a yellow filter), and Acros+G (simulates the use of a green filter), further mimicking the tonal rendering of black-and-white film.

This Film Simulation shines in genres where texture and tone are essential, especially street photography, portraits, documentary, and minimalism. Acros is ideal when you want to eliminate the distraction of color and focus purely on light and form. When paired with the right Recipe, it can evoke the gritty spirit of classic film stocks like Tri-X, or deliver a softer tonality for quieter moments. The Acros Recipes below are some of my personal favorites.

Kodak Tri-X 400
Kodak T-Max P3200
Agfa Scala

Classic Chrome – A Kodak Aesthetic

Top: GFX100S II & Kodachrome 64; Bottom Left: Fujifilm X100VI & Kodak Portra 400 v2; Bottom Right: Fujifilm X-T4 & Reggie’s Portra

Classic Chrome was modeled after classic photojournalism photographs, and produces a documentary-style look. The reference pictures were emulsions like Kodachrome and Ektachrome. While Fujifilm will never say Kodak, Classic Chrome has a distinctive Kodak-like color palette. With a slightly lower saturation and stronger contrast than many other Film Simulations, it can be used for a bold-yet-somehow-subdued look.

Classic Chrome is great for many genres. It can be adapted for landscapes, portraits, travel, street and urban scenes, or storytelling photography. It’s the most popular Film Simulation for those who use Recipes, and the most iconic Recipes use Classic Chrome as their foundation. Below are the most popular Film Simulation Recipes—not only that use this Film Sim., but out of all Recipes.

Kodachrome 64
Reggie’s Portra
Kodak Portra 400 v2

Classic Negative – Fujicolor Superia Film

Top: Fujifilm X100VI & Fujicolor Superia 800; Bottom Left: Fujifilm X-E4 & Pacific Blues; Bottom Right: Fujifilm X100V & Fujicolor Reala 100

Classic Negative is based on Fujicolor Superia, a line of consumer films known for rich colors and its 4th layer technology, which provided versatility in a variety light situations. It’s a bold Film Simulation with a unique ability: the way it renders is dependent on the brightness of the picture, behaving somewhat similar to the film when overexposed or underexposed—delivering complex, sometimes unpredictable color shifts. Greens can appear silvery, reds can pop or fade depending on the lighting, and skin tones have a nostalgic rendering. The results are reminiscent of pictures found in many photo albums from the 1990’s and early 2000’s.

Classic Negative is especially well suited for snapshots of daily life and family vacations—really, any subject where you want a stylized, analog-inspired aesthetic. It exaggerates contrast in a way that feels emotionally driven, almost like how memory transforms color and mood. It’s one of the most fun Film Simulations to experiment with, and the Recipes built on it often have strong personalities.

Pacific Blues
Fujicolor Superia 800
Fujicolor Reala 100

Nostalgic Neg. – Classic Americana

Top: Fujifilm X-E5 & Kodak Vericolor VPS; Bottom Left: Fujifilm GFX100S II & 1970’s Summer; Bottom Right: Fujifilm X-T50 & Nostalgic Americana

Introduced with the GFX100S and later made available in fifth-generation X-Trans V cameras, Nostalgic Neg. was designed to mimic the aesthetic of New American Color prints from the 1970’s. It was inspired by the works of William Eggleston, Stephen Shore, Joel Sternfeld and Richard Misrach, among others. Like Classic Chrome, Nostalgic Neg. has a strong Kodak-like rendering, albeit from a different era. Nostalgic Neg. gives the feeling of looking through an old photo album filled with warm memories, especially prints from the ’60’s and ’70’s.

This Film Simulation excels in storytelling, and is especially great for travel and documentary photography. Nostalgic Neg. is an emotional Film Simulation, and Recipes built on it often lean into the sentimental, creating photos that feel more like visual poetry than true-to-life renderings.

1970’s Summer
Nostalgic Americana
Kodak Vericolor VPS

Reala Ace – Negative for a New Era

Top: Fujifilm X100VI & Fujicolor PRO 160C Warm; Bottom Left: Fujifilm X-E5 & Summer Sun; Bottom Right: Fujifilm X-T50 & Pushed Analog

Reala Ace is the newest Film Simulation in Fujifilm’s lineup. It blends natural color fidelity with enhanced contrast and shadow depth, aiming to strike a balance between documentary realism and artistic expression. The tones are clean and accurate, but never sterile—just enough pop to give photographs life without looking overly processed. It’s most similar to PRO Neg. Std, but isn’t exactly like it, either, with an obvious nod to Fujicolor PRO 160C color negative film.

Reala Ace is an excellent choice for all-purpose photography—whether you’re shooting travel, street, portraits, or landscapes. It can be adapted to a wide range of subjects, lighting, and moods. As a base for Recipes, it can be made to produce a variety of different looks. It’s not surprising to me that Reala Ace is becoming a go-to Film Simulation for many photographers.

Fujicolor PRO 160C Warm
Pushed Analog
Summer Sun

These five Film Simulations—Acros, Classic Chrome, Classic Negative, Nostalgic Neg., and Reala Ace—represent the heart of Fujifilm’s JPEG magic. Each offers a unique way to see the world. They allow you to create finished straight-out-of-camera photographs that look great and don’t need to be edited, especially when combined with Film Simulation Recipes. Film Simulations and Recipes are tools of expression, just like film stocks. Shoot more, edit less, and let your camera become your darkroom. Wow, I need to use that last sentence as a tagline or something.

Kodak Portra do Sol — Fujifilm X-Trans IV Film Simulation Recipe

Posted on April 23 by Ritchie Roesch

*Southwind* – Litchfield Park, AZ – Fujifilm X-T4 – Kodak Portra do Sol

This new Film Simulation Recipe comes courtesy of Gilson Teixeira. “It started with your Bright Kodak Recipe, which I loved for its energy and vibrancy. But I was looking for something softer—still warm and colorful, but a bit more cinematic and relaxed. I imagined a Recipe that could bring out a golden, mellow vibe even on grey days. That’s how Kodak Portra do Sol came to life: my go-to point-and-shoot simulation for capturing a little warmth wherever I am.”

“As a Brazilian living in London,” Gilson told me, “the long, grey winters can be tough—and this past winter hit particularly hard. I wanted to create something that could bring a bit of Brazil’s tropical spirit into my everyday life. The name is a nod to my mother tongue: do sol means ‘of the sun,’ and I liked the play between Portra and porta—as if it were a ‘Door of the Sun.’ At the same time, something shifted creatively. After years away from photography, I picked up the camera again—not just to escape the grey, but to reconnect with something I thought I’d left behind. Photography has now become part of my self-care. During my 45–60 minute daily walks, I focus on light, angles, composition, and Recipes. That attention clears my mind and helps me recharge—especially through winter, it helped me stay grounded. If anyone reading this is struggling, I truly recommend reaching out to Samaritans—they’re there to listen, wherever you are.”

“Surprisingly, it was AI that brought me back to photography,” he continued. “I work in IT and focus on AI at Microsoft. I noticed how naturally my prompts leaned toward light and composition—photography had quietly stayed with me all along. I studied digital imaging back in 1994 at the New England School of Photography in Boston, so that knowledge was still there, waiting to be revived.”

*Back at the Ranch* – Litchfield Park, AZ – Fujifilm X-T4 – Kodak Portra do Sol

“Bright Kodak is bolder and more punchy,” Gilson replied when asked what differentiates Kodak Portra do Sol from Bright Kodak. “I wanted something calmer. I removed Grain, reduced Color from +4 to +3, and softened Clarity from -3 to -1. I switched to Auto White Balance, with a gentler Shift (+2R, -6B) for a warm, flexible look, and added Color Chrome Effect Strong to deepen tones without over-saturation.”

“I see recipes as creative tools,” he added, “not shortcuts. They help set the mood in-camera, so I can focus on light and storytelling. With Kodak Portra do Sol, I’m not just capturing images, I’m capturing how those moments feel.”

I want to give a special “thank you” to Gilson Teixeira for sharing this Recipe and the story behind it, and for allowing me to publish some of his photographs. Please check out his Instagram, and leave a kind note for him in the comments. Thank you, Gilson!

*Photo by Gilson Teixeira — Fujifilm X-T30 II — Kodak Portra do Sol*

This Kodak Portra do Sol Film Simulation Recipe is compatible with the Fujifilm X100V, X-Pro3, X-T4, X-S10, X-E4, and X-T30 II cameras, as well as the GFX100S. You can use it on newer cameras, too, but blue will render slightly deeper (try it anyway).

Film Simulation: Classic Chrome
Dynamic Range: DR400
Grain Effect: Off
Color Chrome Effect: Strong
Color Chrome FX Blue: Off
White Balance: Auto, +2 Red & -6 Blue
Highlight: -2
Shadow: -2
Color: +3
Sharpness: -2
High ISO NR: -4
Clarity: -1
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 1/3 (typically)

Example photographs, all camera-made JPEGs captured by Gilson Teixeira using this Kodak Portra do Sol Film Simulation Recipe on a Fujifilm X-T30 II:

*Photo by Gilson Teixeira — Fujifilm X-T30 II*

Example photographs, all camera-made JPEGs captured using this Kodak Portra do Sol Film Simulation Recipe on my Fujifilm X-T4 and X-E4:

*Easter Egg Hunting* – Buckeye, AZ – Fujifilm X-E4

*Easter Swim* – Buckeye, AZ – Fujifilm X-E4

*Tractor Back* – Litchfield Park, AZ – Fujifilm X-T4

*Feed Silo* – Litchfield Park, AZ – Fujifilm X-T4

*Horse Walker* – Litchfield Park, AZ – Fujifilm X-T4

*Seabee* – Litchfield Park, AZ – Fujifilm X-T4

*Horse, Fence* – Litchfield Park, AZ – Fujifilm X-T4

*Ready* – Litchfield Park, AZ – Fujifilm X-T4

*Horse Walker Detail* – Litchfield Park, AZ – Fujifilm X-T4

*Harkins at Night* – Goodyear, AZ – Fujifilm X-E4

Find this Film Simulation Recipe and nearly 400 more in the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Classic Chrome is the Ideal Film Simulation for Travel Photography

Posted on February 20 by Ritchie Roesch

*Across the Grand Expanse* – Grand Canyon, AZ – Fujifilm X-T5 – Kodachrome 64

When it comes to travel photography, nothing quite matches Fujifilm’s Classic Chrome film simulation. Inspired by Kodak’s color slide films—such as Kodachrome and Ektachrome—that were commonly used for documentary photography, Classic Chrome delivers muted tones, rich contrast, and a subtle warmth that evoke the look of classic photojournalism. Whether you’re exploring bustling cities, vast landscapes, or quiet villages, this film simulation brings a distinct analog feel reminiscent of past eras to your images.

The magic of Classic Chrome for travel photography is that it adapts well to various lighting environments, from golden-hour sunsets to harsh midday light to dreary overcast scenes to neon nightscapes. The balance of true-to-life yet expressive colors and rich contrast make it perfect for unpredictable travel conditions, enhancing the mood of a scene, and producing images with a timeless and immersive feel. Classic Chrome doesn’t exaggerate colors—it enhances them in a way that lets the subject take center stage.

*Two Caballeros* – Culleoka, TX – Fujifilm X-E4 – Kodachrome 64

Whether you’re capturing a quaint coastal town, the details of a historic city, the vastness of a dusty desert, the vibrancy of a street market, or the bustle of an urban sidewalk, Classic Chrome adapts beautifully. It provides a vintage, editorial look that is just as effective for street photography as it is for landscapes. This film simulation enhances the story within the image, where emotion and authenticity matter more than exaggerated aesthetics.

Classic Chrome is the most popular film simulation among those who use Film Simulation Recipes, and it’s easy to understand why. With 90 Classic Chrome Recipes in the Fuji X Weekly App, there’s bound to be a few that match your style. If you’re unsure which ones to try, below are 10 Recipes that are quite excellent for travel photography.

Nostalgic Emulsion — Fujifilm X-Trans III (plus X-T3 & X-T30) Film Simulation Recipe

Posted on October 24, 2024 by Ritchie Roesch

*Bougainvillea Blues* – Buckeye, AZ – Fujifilm X-H1 – Nostalgic Emulsion Recipe

My daughter, Joy, had approached me and asked, “Can I make a Film Simulation Recipe?”

“Sure,” I happily replied. I handed her my Fujifilm X-H1, gave her a quick tutorial on the menu and settings (she hadn’t previously used this model), and off she went.

A couple of hours later Joy returned. “I’m not sure this is right. Can you help me?” She showed me her pictures.

“What look are you trying to create?” I asked.

“Well,” she replied, “it’s this aesthetic that’s dark with deep greens.”

“Where did you see it?” Joy then proceeded to show me some music videos, including Daylight by David Kushner. “That’s the aesthetic I want to make,” she told me, while stopping on a forested scene.

*Rose of Sharon Backlit* – Buckeye, AZ – Fujifilm X-H1 – Nostalgic Emulsion Recipe

The camera settings she had chosen weren’t all that far off, so I suggested a few adjustments. After more testing and review, another couple changes were made, and then even more testing was done. I asked, “Are you happy with this look?”

“Yes!” Joy excitedly responded. “This is the aesthetic I wanted.”

After she was done capturing pictures, I shot with her settings for a little while myself. I really like the moody and nostalgic feeling that this Film Simulation Recipe produces. It has a retro negative film look, maybe along the lines of Fujicolor Super HQ or Agfa XRG or something like that. You can expect dark shadows and a cool cast that leans green. It’s not a Film Simulation Recipe that everyone will love, but I bet it will be an instant favorite for some of you. It requires a White Balance setting that I had not previously used for a Recipe; for those trying to avoid adjusting the WB Shift when switching between C1-C7, this is another option for you to try.

*Concrete Vine* – Buckeye, AZ – Fujifilm X-H1 – Nostalgic Emulsion – by Joy Roesch

Nostalgic Emulsion was an App Patron Early Access Recipe, but it has since been replaced by a different Early Access Recipe, so now it is available to everyone. This Recipe is compatible with all Fujifilm X-Trans III cameras, plus the X-T3 & X-T30. For those with newer X-Trans IV cameras, set Color Chrome FX Blue to Off, Clarity to 0, and I’d suggest Grain size Small. Those with “older” GFX cameras can use it, too, although it will render slightly different (but try it anyway!).

Film Simulation: Classic Chrome
Dynamic Range: DR200
Grain Effect: Strong
White Balance: Underwater, -6 Red & +3 Blue
Highlight: -1
Shadow: +3
Color: +2
Sharpness: -1
Noise Reduction: -4
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this Nostalgic Emulsion Film Simulation Recipe on my Fujifilm X-H1:

*Water Fountain* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Concrete Fountain* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Little Vine Leaves* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Backlit Green Leaves* – Buckeye, AZ -Fujifilm X-H1 – by Joy Roesch

*Hidden Bougainvillea* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Spring Window Reflection* – Buckeye, AZ – Fujifilm X-H1

*Fallen Bougainvillea* – Buckeye, AZ – Fujifilm X-H1

*Bougainvillea Sprouting* – Buckeye, AZ – Fujifilm X-H1

*Bougainvillea Sage* – Buckeye, AZ – Fujifilm X-H1

*Bougainvillea Leaves* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Bloom Small* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Backyard Trumpet Blossoms* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Rose of Sharon* – Buckeye, AZ – Fujifilm X-H1

*Bright Green Leaves* – Buckeye, AZ – Fujifilm X-H1

*Bush & Blocks* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Pouring Sunlight over Honeysuckles* – Buckeye, AZ – Fujifilm X-H1

*Garden Gate* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Pink Oleander Blooms* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Dark Blooms* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Wall and Leaves* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Joyful Josh* – Buckeye, AZ – Fujifilm X-H1

*Architecture & Jon* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Blue Glass* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Three Bright Ideas* – Buckeye, AZ – Buckeye, AZ – Fujifilm X-H1

*Dusk Light* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Green Leaves at Dusk* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Veiled Lightbulb* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Blue Hour Light* – Buckeye, AZ – Fujifilm X-H1 – by Joy Roesch

*Disabled Parking* – Buckeye, AZ – Fujifilm X-H1

*Illuminated Plant* – Buckeye, AZ – Fujifilm X-H1

*Night Corridor* – Buckeye, AZ – Fujifilm X-H1

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Classic Color — Fujifilm X-T5 (X-Trans V) and X-E4 (X-Trans IV) Film Simulation Recipe

Posted on April 22, 2024 by Ritchie Roesch

*Bell Tower* – Tumacacori, AZ – Fujifilm X-T5 – Classic Color

This Film Simulation Recipe has a fascinating story behind it… but I can’t get into all of the details of it yet. When the time is right, I will explaining everything to you. What I can say in the meantime is that I was hired to capture some photos, and to use a Film Simulation Recipe for those images, but the Recipe name shouldn’t include a brand name. Ideally for this project, because of the subject matter and light, I would have chosen my Kodak Portra 400 v2 Film Simulation Recipe, but I couldn’t because of the name of the Recipe. Instead, I created a very similar look, with an attempt to fine-tune it slightly for this specific project.

The aesthetic of this Classic Color Film Simulation Recipe is bright and warm, with a Kodak-like color negative film rendering. It could be thought of as Kodak Portra 400 v3, as it has a strong Portra 400 resemblance, perhaps more similar to the old Portra 400 VC that was discontinued in 2010. This Recipe is best for sunny daylight situations, but it can sometimes produce good results in other light scenarios, too.

*Birds on the Lake* – Tempe, AZ – Fujifilm X-E4 – Classic Color

This Classic Color Film Simulation Recipe is compatible with all fifth-generation X-Trans cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, and X100VI, as well as “newer” fourth-generation X-Trans models: X-T4, X-S10, X-E4, and X-T30 II. Just make sure that you are using the correct Color Chrome FX Blue setting for your camera. I’m sure it can also be used on newer GFX cameras, too, but I have not personally tried, and I’m certain that it will render slightly different (but try it anyway).

Film Simulation: Classic Chrome
Dynamic Range: DR400
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Strong (X-Trans IV), Weak (X-Trans V)
White Balance: 5300K, 0 Red & -6 Blue
Highlight: -0.5
Shadow: -2
Color: +3
Sharpness: -2
High ISO NR: -4
Clarity: -2
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this Classic Color Film Simulation Recipe on my Fujifilm X-E4:

*Gen Reflection* – Tempe, AZ – Fujifilm X-E4

*Water Under the Bridges* – Tempe, AZ – Fujifilm X-E4

*Tempe Lake* – Tempe, AZ – Fujifilm X-E4

*Reflected Sunset* – Tempe, AZ – Fujifilm X-E4

*Dam Sunset* – Tempe, AZ – Fujifilm X-E4

*Pedestrian Bridge* – Tempe, AZ – Fujifilm X-E4

*Spirited Away* – Tempe, AZ – Fujifilm X-E4

*Mirrored Night* – Tempe, AZ – Fujifilm X-E4

*Juggling Fire* – Tempe, AZ – Fujifilm X-E4

Example photographs, all camera-made JPEGs captured using this Classic Color Film Simulation Recipe on my Fujifilm X-T5 & X100VI:

*Sign on the Roof* – Gila Bend, AZ – Fujifilm X100VI

*Abandoned Filling Station* – Gila Bend, AZ – Fujifilm X-T5

*Unleaded Cash* – Gila Bend, AZ – Fujifilm X-T5

*Half Moon* – Tumacacori, AZ – Fujifilm X-T5

*Cross on a Dome* Tumacacori, AZ – Fujifilm X-T5

*Cross & Bell* Tumacacori, AZ – Fujifilm X-T5

*Church Steeple* – Bisbee, AZ – Fujifilm X-T5

*Old Industrial Lamp* – Palo Verde, AZ – Fujifilm X-T5

*Abandoned Window* – Arlington, AZ – Fujifilm X-T5

*Dilapidated Agricultural Structure* – Palo Verde, AZ – Fujifilm X-T5

*Cow & Reflection* – Mesa, AZ – Fujifilm X-T5

*Rock Reflected in the River* – Mesa, AZ – Fujifilm X-T5

*Stones in the Water* – Mesa, AZ – Fujifilm X-T5

*Yellow Flowers on the Rocks* – Saguaro National Park, AZ – Fujifilm X-T5

*Leaning Saguaro in the Desert* – Tucson, AZ – Fujifilm X-T5

*Yellow Flowers, White Fence* – Tumacacori, AZ – Fujifilm X-T5

*Hall’s* – Arlington, AZ – Fujifilm X-T5

*End of the Road?* – Litchfield Park, AZ – Fujifilm X-T5

*Music Box* – Bisbee, AZ – Fujifilm X-T5

*Lightning Strike* – Goodyear, AZ – Fujifilm X-T5

Comparison:

*Kodak Portra 400 v2 Film Simulation Recipe*

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X-T5 in silver:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X100VI in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X100VI in silver:
Amazon, B&H, Moment, Wex, Nuzira

Find this Film Simulation Recipe and nearly 350 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

My 15 Favorite Film Simulation Recipes that use Classic Chrome

Posted on March 11, 2024 by Ritchie Roesch

*Sunset Photography* – Laguna Beach, CA – Fujifilm X100V – Kodak Portra 400 v2

Provia — Velvia — Astia — PRO Neg. Hi — PRO Neg. Std — Classic Negative — Nostalgic Neg. — Eterna — Eterna Bleach Bypass — Acros

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this (for now, anyway). Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Classic Chrome film simulation is not modeled after any specific emulsion, although it does have a strong Kodak palette, with obvious similarities to some of their classic slide films. Fujifilm won’t ever say “Kodak” because, you know, that’s a long-time competitor, and it would require some licensing, I’m sure. If you are after a Kodak look, Classic Chrome is your film simulation. I believe that Classic Chrome is the most widely used film sim of them all, as Film Simulation Recipes that are based on it are often the most popular. Kodak was the largest film manufacturer, so it shouldn’t surprise anyone that the film simulation that mimics those emulsions is so popular.

Classic Chrome is one of my absolute favorite film simulations—many of my most-loved pictures were captured with a Film Simulation Recipe that uses it. I had a really difficult time narrowing down my favorite Classic Chrome Recipes, and even though I tripled the number from five to 15 for this article, there were a lot of tough cuts that I would have loved to include in this list. I could have doubled the length of this list, and I still would have had some hard decisions. I also had a difficult time picking the order, aside from the first two, which are my personal clear-cut Top 2. If you like Classic Chrome, there are a bunch of excellent options to choose from.

The 15 Film Simulation Recipes below are my favorites that use Classic Chrome as the base. Everyone has different tastes, so you might like other ones more. I count 85 Recipes in the Fuji X Weekly App that use Classic Chrome, so you have plenty of choices. But, if you are unsure which Classic Chrome Recipe to try, let me suggest picking one from my list below.

#1:

Kodak Portra 400 v2

Great for sunny daylight and especially golden hour photography. Compatible with X-Trans IV (except for the X-T3/X-T30); for X-Trans V cameras use this one, and for the X-T3 and X-T30 use this one.

#2:

Kodachrome 64

Kodachrome 64, which mimics the unmistakable colors of the iconic slide film, is perfect for sunny daylight photography. This is the X-Trans V version; for X-Trans IV (except for the X-T3/X-T30) click here, for the X-T3 and X-T30 click here, and for X-Trans II click here.

#3:

Kodak Gold 200

Reminiscent of the quintessential Kodak color negative film, this Recipe is great for sunny daylight photography. Compatible with X-Trans V cameras; for X-Trans IV (except the X-T3/X-T30), set Color Chrome FX Blue to Weak. For X-Trans III cameras, plus the X-T3 and X-T30, click here.

#4:

Kodak Ultramax 400

A versatile Film Simulation Recipe that is great for most situations and subjects. This is for X-Trans V; for X-Trans IV (except the X-T3/X-T30) click here, and for X-Trans III, plus the X-T3 and X-T30, click here.

#5:

Kodak Portra 160 v2

A facsimile of a Kodak Portra 160 aesthetic, this Recipe is a solid choice for sunny daylight photography. It’s for X-Trans V cameras, but to use it on X-Trans IV (except the X-T3/X-T30), simply set Color Chrome FX Blue to Strong. Click here for a version of Kodak Portra 160 for X-Trans IV (except the X-T3/X-T30), for X-Trans III, plus the X-T3 and X-T30, click here, and for X-Trans II click here.

#6:

Reggie’s Portra

Reggie’s Portra is a versatile Recipe that’s excellent for many subjects and situations. Compatible with X-Trans IV (except for the X-T3/X-T30); for use on X-Trans V cameras, set Color Chrome FX Blue to Off.

#7:

Vibrant Arizona

This Film Simulation Recipe is reminiscent of Wes Anderson, and is intended for sunny daylight, but is also surprisingly good for blue-hour photography. Compatible with X-Trans IV (except for the X-T3/X-T30) and X-Trans V cameras.

#8:

Kodak Portra 400

I don’t like this one quite as much as v2, but I still very much like this Recipe. Compatible with X-Trans IV (except the X-T3/X-T30); for use on X-Trans V, set Color Chrome FX Blue to Off. Click here for the X-T3 and X-T30.

#9:

Kodak Portra 800 v3

An especially warm replication of Portra 800 that works well in sunny daylight conditions. Compatible with X-Trans IV (except the X-T3/X-T30) and V cameras.

#10:

Kodachrome II

This Film Simulation Recipe is an older one, yet it’s still one of my favorites. Perfect for sunny daylight, but still quite versatile. Compatible with X-Trans III cameras, plus the X-T3 and X-T30. For X-Trans IV (except the X-T3/X-T30) click here (for X-Trans V set Color Chrome FX Blue to Off), and for X-Trans II click here.

#11:

McCurry Kodachrome

Modeled after the very last roll of Kodachrome 64 that was shot by Steve McCurry, this Recipe is great for sunny daylight conditions. Compatible with X-Trans IV cameras, including the X-T3 and X-T30.

#12:

Kodacolor

This Recipe produces a distinct 1980’s Kodak color negative film rendering. Great for sunny daylight photography. Compatible with X-Trans III cameras, plus the X-T3 and X-T30. Click here for X-Trans II.

#13:

Kodak Ektar 100

Vibrant and warm and great for sunny daylight photography. Compatible with X-Trans IV; for X-Trans V, set Color Chrome FX Blue to Off.

#14:

Classic Kodak Chrome

My favorite X-Trans II Recipe. It’s quite versatile, but is exceptional in sunny conditions.

#15:

Serr’s 500T

Serr’s 500T is my personal favorite Recipe for nighttime photography. Compatible with X-Trans IV cameras (except the X-T3/X-T30); for X-Trans V, set Color Chrome FX Blue to Weak.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Comparing Kodak Portra 800 Recipes

Posted on February 15, 2024 by Ritchie Roesch

*Fujifilm X-T5 + Kodak Portra 800 v3 Film Simulation Recipe*

This morning I headed out with my Fujifilm X-T5 to capture some images, so that I could do a side-by-side comparison of the new Kodak Portra 800 v3 Film Simulation Recipes with the other two Portra 800 options, plus Kodak Portra 400 v2. As I explained in the article for the new Recipe, Peter McKinnon’s Portra 800 photographs were the inspiration for it, and it is also reminiscent of some of Kyle McDougall’s An American Mile Portra 400 pictures. With all of these Recipe options, perhaps you are unsure which one you should use. Just because I published a new version, doesn’t mean that it is inherently the best one or the right one for you; it’s simply an alternative that you may or may not like. Hopefully, this article will help you with your decision. I do believe that many of you will appreciate the new Kodak Portra 800 v3 Recipe.

It’s important to understand that one film can produce many different looks based on a whole host of factors: how shot (film format, lens, exposure, filters, light, etc.), how developed (push/pull, brand of chemicals, freshness of chemicals, timing, temperature and pH of the water, etc.), how printed (paper, chemicals, timing, filters, etc.) and/or how scanned (brand of scanner, correction profiles, post-editing, etc.). Even within one photographer’s collection of one specific emulsion, there can be some noticeable variances. In the case of Peter McKinnon and his Kodak Portra 800, there is indeed significant divergences in the exact look of different pictures. My Kodak Portra 800 v3 Recipe does not accurately mimic all of his pictures captured with the film, but it is pretty close to some of them.

These three Kodak Portra 800 Recipes can all resemble the film; however, they’re much different from each other. Since one emulsion can produce divergent results, you can achieve various looks by choosing different Film Simulation Recipes. My original Kodak Portra 800 Film Simulation Recipe was a joint venture between myself and Thomas Schwab based on “memory color” (as Fujifilm likes to put it) of the film. The next version, Kodak Portra 800 v2, was created entirely by Thomas Schwab after he shot a roll of the film and his Fujifilm X-Pro3 camera side-by-side. The third version was created by me after carefully examining Peter McKinnon’s pictures of Kodak Portra 800 film. I included my Kodak Portra 400 v2 Recipe in this comparison because it is fairly similar to the Kodak Portra 800 v3 Recipe, and because there is an obvious resemblance with the new Recipe to some Portra 400 film photographs.

With all of that said, let’s jump right into the comparison! Because X-Trans V renders blue more deeply on some film sims, I adjusted Color Chrome FX Blue down one notch on Kodak Portra 800 and Kodak Portra 800 v2 to make them compatible with my X-T5.

*Kodak Portra 800 Film Simulation Recipe*

*Kodak Portra 800 v2 Film Simulation Recipe*

*Kodak Portra 800 v3 Film Simulation Recipe*

For me, personally, it’s really hard to beat Kodak Portra 400 v2. It’s one of my all-time personal favorite Film Simulation Recipes, and it’s also one of the most popular. In each of these five sets, it’s the Recipe that I’m most drawn to. Kodak Portra 800 v3 is the most warm of these four options; a comparison of warmer Recipes—1970’s Summer, 1971 Kodak, Vibrant Arizona, Kodak Vericolor Warm, Kodak Portra 400 Warm, Bright Summer, Bright Kodak, and the new Kodak Portra 800 v3—would be interesting. The original Kodak Portra 800 Recipe is the punchiest, Kodak Portra 800 v2 is the softest, and v3 is the warmest. Ignoring the Kodak Portra 400 v2 pictures, I like Kodak Portra 800 v3 the best in the first set (with the truck), the third set (broken window, wide), and the fourth set (gas station); I like the original Kodak Portra 800 Recipe the best in the second set (broken window, tall) and the last set (Motor Hotel); while I do like Kodak Portra 800 v2 in each set, it wasn’t my top choice in any.

Now it’s your turn! From this test, which of these four Film Simulation Recipes did you like best? Which was your favorite for each set? Let me know in the comments!

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black: Amazon B&H Moment
Fujifilm X-T5 in silver: Amazon B&H Moment

Find these Film Simulation Recipes and over 300 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Kodak Portra 800 v3 — Fujifilm X-T5 (X-Trans V) & X-E4 (X-Trans IV) Film Simulation Recipe

Posted on February 14, 2024 by Ritchie Roesch

*South Rim Sunrise* – Grand Canyon NP, AZ – Fujifilm X-T5 – Kodak Portra 800 v3

My wife recently challenged me to create a Film Simulation Recipe that mimics the aesthetic of Kodak Portra 800 film that Peter McKinnon has been sharing on Instagram and YouTube. I’m really drawn to his analog photography—I think they’re some of his best photographs. While there were plenty of examples of his Portra 800 to examine, I found it to be a difficult endeavor to replicate on my Fujifilm cameras.

As I’ve said many times, one film can produce many different looks based on a whole host of factors: how shot (film format, lens, exposure, filters, light, etc.), how developed (push/pull, brand of chemicals, freshness of chemicals, timing, temperature and pH of the water, etc.), how printed (paper, chemicals, timing, filters, etc.) and/or how scanned (brand of scanner, correction profiles, post-editing, etc.). Even within one photographer’s collection of one specific emulsion, there can be some noticeable variances. In the specific case of Peter McKinnon and his Kodak Portra 800, there is indeed significant divergences in the exact look of different pictures.

*Mineral Stains on a Dry Fountain* – Buckeye, AZ – Fujifilm X-E4 – Kodak Portra 800 v3

Before I get any deeper into this, let me give a brief history of Kodak Portra 800 and my Film Simulation Recipes that mimic this film. Kodak introduced Portra 800 in 1998 at the same time as Portra 160 and Portra 400. Portra 160 and Portra 400 both originally came in a “VC” (vivid color) and “NC” (neutral color) versions, which were later merged into in-between emulsions that still exists today; however, Portra 800 only ever came in one variety. I don’t know if it is true, but I read that Portra 800 was based on the older Vericolor/Vision2 technology, while Portra 160 and Portra 400 were based on T-Grain/Vision3 advancements. In any event, all of these films have been tweaked and updated by Kodak several times over the years. While it has become increasingly expensive, all three ISO versions of Portra are still being manufactured today by Kodak. In fact, the current version of Lomography 800 is supposedly repacked Portra 800 (although it might be a run that didn’t pass quality control).

My original Kodak Portra 800 Film Simulation Recipe was a joint venture between myself and Thomas Schwab based on “memory color” (as Fujifilm likes to put it) of the film. The next version, Kodak Portra 800 v2, was created entirely by Thomas Schwab after he shot a roll of the film and his Fujifilm X-Pro3 camera side-by-side. This new third version was created by me after carefully examining Peter McKinnon’s pictures of Kodak Portra 800 film.

*Pink Girl on a Green Slide* – Buckeye, AZ – Fujifilm X-T5 – Kodak Portra 800 v3

I divided Peter’s Portra 800 pictures into seven groups. Each group contained photos that seemed similar in overall aesthetics to each other. The commonality within each group tended to be (for the most part) the lighting condition that the film was shot in (although it was not universally so). I picked one group, and tried to replicate the look of it as closely as possible using the options available on my Fujifilm X-T5 (or should I say my Kodak Retina camera?), choosing similar light and colors for my pictures. Once I was satisfied that I was close, I used those settings to create images similar to the photographs in the other groups; however, this is where it fell apart. One Recipe was not able to replicate multiple aesthetics from the same film, which is not surprising. I made a bunch of small modifications until I had one Film Simulation Recipe that was a fairly faithful facsimile to multiple groups of Peter’s Portra 800 pictures. I say “fairly faithful” because compromises had to be made in order to match multiple groups. These settings are in the ballpark of four of the seven groups (and most similar to just two), and not especially close to the other three, unfortunately. This is not a 100% faithful recreation of any of his picture aesthetics, but in being less faithful to one specific look, I was better able to replicate the film examples overall.

This new Kodak Portra 800 v3 Film Simulation Recipe is intended for fifth-generation Fujifilm X-Trans cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20 (yes, the X-S20), and the upcoming X100VI. To make this Recipe compatible with some X-Trans IV models—specifically, the X-T4, X-S10, X-E4, and X-T30 II—I simply set Color Chrome FX Blue to Weak instead of Off, since X-Trans V cameras render blue more deeply on some film simulations. For those with the X-Pro3 or X100V, consider setting Shadow to 0 instead of 0.5. I do think that the original Kodak Portra 800 Recipe, as well as Kodak Portra 400 v2, are not very far off from Peter’s pictures, and could be good alternatives.

*Minolta* – Buckeye, AZ – Fujifilm X-T5 – Kodak Portra 800 v3

The Kodak Portra 800 v3 Film Simulation Recipe is great for both golden-hour and midday light. While it is intended for sunny daylight conditions, it does pretty well in shade, too. It’s alright for overcast days, depending on the specific cloud cover conditions. It’s great for natural-light indoors, and surprisingly decent for nighttime photography, but I’d avoid it for artificial light scenarios with warm bulbs. This Recipe is fairly versatile, despite it’s warm Kodak-like colors. In the right light, it can look pretty darn close to some of the Kodak Portra 800 scans that Peter McKinnon has been sharing on his social media channels. Interestingly, there’s also similarities to some of the Kodak Portra 400 images in Kyle McDougall’s An American Mile series. I have a feeling that this will quickly become a favorite option for many of you—personally, I really love this one!

Film Simulation: Classic Chrome
Dynamic Range: DR400
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome FX Blue: Off (X-Trans V); Weak (X-Trans IV)
White Balance: 6600K, -1 Red & -3 Blue
Highlight: -2
Shadow: -0.5
Color: +3
Sharpness: -2
High ISO NR: -4
Clarity: -3
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 1/3 (typically)

Example photographs, all camera-made JPEGs captured using this Kodak Portra 800 v3 Film Simulation Recipe on my Fujifilm X-E4:

*Morning Lightbulbs* – Buckeye, AZ – Fujifilm X-E4

*Read Leaves on a Block Wall* – Buckeye, AZ – Fujifilm X-E4

*Rounded Light on an Circular Table* – Buckeye, AZ – Fujifilm X-E4

*Orange Tables and Leaf* – Buckeye, AZ – Fujifilm X-E4

*Main Street Market* – Buckeye, AZ – Fujifilm X-E4

*Sunny Suburbia* – Buckeye, AZ – Fujifilm X-E4

*Ready for an Adventure* – Buckeye, AZ – Fujifilm X-E4

*Rainy Day Rose Blossom* – Buckeye, AZ – Fujifilm X-E4

Example photographs, all camera-made JPEGs captured using this Kodak Portra 800 v3 Film Simulation Recipe on my Fujifilm X-T5:

*Sunrise Beyond Grandeur Point* – Grand Canyon NP, AZ – Fujifilm X-T5

*Dead Tree at the Rim’s Edge* – Grand Canyon NP, AZ – Fujifilm X-T5

*Golden Sunset inside the Grand Canyon* – Grand Canyon NP, AZ – Fujifilm X-T5

*Morning at the Rim* – Grand Canyon NP, AZ – Fujifilm X-T5

*Maricopa Point at Midday* – Grand Canyon NP, AZ – Fujifilm X-T5

*Canyon Ridge in Golden Light* – Grand Canyon NP, AZ – Fujifilm X-T5

*Sunrise over icy South Rim Trail* – Grand Canyon NP, AZ – Fujifilm X-T5

*Bright Angel Trail from Above* – Grand Canyon NP, AZ – Fujifilm X-T5

*Too Close to the Icy Ledge* – Grand Canyon NP, AZ – Fujifilm X-T5

*Lookout Studio* – Grand Canyon NP, AZ – Fujifilm X-T5

*Grand Canyon Railway 237* – Grand Canyon NP, AZ – Fujifilm X-T5

*Williams Flyer* – Grand Canyon NP, AZ – Fujifilm X-T5

*American Painted Horse* – Litchfield Park, AZ – Fujifilm X-T5

*Swift Trailer* – Litchfield Park, AZ – Fujifilm X-T5

*Blue Barrel, Red Bricks* – Litchfield Park, AZ – Fujifilm X-T5

*Raindrop on a Lightbulb* – Buckeye, AZ – Fujifilm X-T5

*Raindrops of Fall Leaves* – Buckeye, AZ – Fujifilm X-T5

*Hanging Lightbulbs* – Buckeye, AZ – Fujifilm X-T5

*Fingers as Carrots* – Litchfield Park, AZ – Fujifilm X-T5

*Sitting Siblings* – Buckeye, AZ – Fujifilm X-T5

*Minolta & Film Book* – Buckeye, AZ – Fujifilm X-T5

*Camera, Books* – Buckeye, AZ – Fujifilm X-T5

*Busy Parking Lot* – Goodyear, AZ – Fujifilm X-T5

*Window Paperclip* – Buckeye, AZ – Fujifilm X-T5

*Window Light* – Buckeye, AZ – Fujifilm X-T5

*Hanging Plastic Golfballs* – Buckeye, AZ – Fujifilm X-T5

*Blossoming Trumpet Flower* – Buckeye, AZ – Fujifilm X-T5

*Hazy Tree Leaves* – Buckeye, AZ – Fujifilm X-T5

*Desert Spring* – Buckeye, AZ – Fujifilm X-T5

*Hill behind Yellow* – Buckeye, AZ – Fujifilm X-T5

*Go Right* – Buckeye, AZ – Fujifilm X-T5

Comparison:

*This new Kodak Portra 800 v3 Film Simulation Recipe*

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black: Amazon B&H Moment
Fujifilm X-T5 in silver: Amazon B&H Moment

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Top 25 Most Popular Film Simulation Recipes in January 2024

Posted on February 6, 2024 by Ritchie Roesch

*Icy Morning at the Rim* – Grand Canyon NP, AZ – Fujifilm X100V – Fujicolor C200 v2

I get asked fairly regularly which Film Simulation Recipes are the most popular. For me, this is a fascinating topic, but it’s definitely hard to know definitively. While I get a glimpse on social media, my best gauge is the Fuji X Weekly website statistics; specifically, which Recipe articles are viewed the most. I don’t collect any data on the Fuji X Weekly App, so that’s no help—although, if I did, it would likely offer the most accurate picture; however, it would still be impossible to know which Recipes people programmed into their Fujifilm cameras, or how often they used each. Perhaps a survey would be particularly useful, yet even it has its limitations. While certainly a flawed method, page-view website statics offer the best glimpse at which Film Simulation Recipes are the most popular, so that’s what I’m using for this article. These are simply the Top 25 most-viewed Recipes on the Fuji X Weekly website last month (January 2024).

Most of the time these lists are pretty predictable. Those with Kodak brand names in the title—Kodachrome, Portra, Gold, Tri-X, etc., etc.—are the most popular. Classic Chrome is the king of film simulations, as the majority of the most-viewed Recipes are based on that film simulation. X-Trans IV Recipes, especially for the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, tend to be the most popular.

This time, however, I was a surprised by many of the rankings. The top two—Kodachrome 64 and Kodak Portra 400 v2—did not surprise me at all. Those particular Recipes are far-and-away the most popular. Third place, which made this list despite being so new (released towards the end of the month), is a good deal behind the top two. Reala Ace is now the most popular Classic Negative Recipe, edging out Pacific Blues. Kodak Vision3 250D is the only Recipe that uses Eterna, and Kodak Vision3 250D v2 is the only one that uses Nostalgic Neg.. There’s also only one PRO Neg. Std Recipe and one Acros, while five use Classic Negative and 16 (of the 25) use Classic Chrome. By far the most popular X-Trans II Recipe is Classic Kodak Chrome, which ranks 21st. Fujicolor C200 v2 is the only App Patron Early-Access Recipe that I’ve ever seen make it into one of these lists.

Without any further delay, below are the most popular Recipes of last month!

Top 25 Most Popular Film Simulation Recipes of January 2024

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#17:

Kodak Vision3 250D v2

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#24:

#25:

Fujicolor Super HG v2

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Kodak Emulsion — Fujifilm X100V (X-Trans IV) FXW App Patron Early-Access Film Simulation Recipe

Posted on February 5, 2024 by Ritchie Roesch

*Blooms by the Pavilion* – Buckeye, AZ – Fujifilm X100V – Kodak Emulsion Recipe

I love this new Kodak Emulsion Film Simulation Recipe, even though it was a happy accident. I was trying to replicate the aesthetic of some Kodak ColorPlus 200 film scans that someone shared with me, but I was unsuccessful; however, in the process of failing, I discovered these settings, which are absolutely great!

Even though this Recipe doesn’t accurately mimic any specific emulsion (as far as I’m aware), it still looks very analog-like, and highly reminiscent of a few different Kodak negative stocks. I bet you could convince some people that you actually shot with film, and not a modern digital camera. While I used my Fujifilm X100V to capture these pictures, if I were to choose an interchangeable-lens model paired with vintage glass, I’m certain it would be even more convincing.

This Kodak Emulsion Film Simulation Recipe is compatible with all “newer” X-Trans IV cameras (X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II), but not the X-T3 or X-T30. Technically it is compatible with X-Trans V models, but, because X-Trans V renders blue more deeply on some film simulations, it will look slightly different (try it anyway!). I’m sure that you can also use this Recipe on newer GFX cameras; however, I don’t have any personal experience with that, and I’m sure it will render slightly different (again, give it a try, as you might like it).

*Fallen Giant* – Buckeye, AZ – Fujifilm X100V – Kodak Emulsion Recipe

This Kodak Emulsion Film Simulation Recipe is an App Patron Early-Access Recipe. The Fuji X Weekly App is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is that you get early access to some new Film Simulation Recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

If you are a Fuji X Weekly Patron, it’s available to you right now on the App!

Example photographs, all camera-made JPEGs using this Kodak Emulsion Film Simulation Recipe on my Fujifilm X100V:

*Autumn Sun* – Buckeye, AZ – Fujifilm X100V

*Autumn Tree Leaves on a Shrub* – Buckeye, AZ – Fujifilm X100V

*Minolta SLR* – Buckeye, AZ – Fujifilm X100V

*Homework* – Buckeye, AZ – Fujifilm X100V – Flash On

*Vines Along a Shaded Wall* – Buckeye, AZ – Fujifilm X100V

*Sunlit Table & Chairs* – Buckeye, AZ – Fujifilm X100V

*Potted Flowers & Pavilion* – Buckeye, AZ – Fujifilm X100V

*Flowers at a Neighborhood Park* – Buckeye, AZ – Fujifilm X100V

*Palm Tree & White Building* – Buckeye, AZ – Fujifilm X100V

*Hanging Lightbulbs* – Buckeye, AZ – Fujifilm X100V

*Flag in the Wind* – Buckeye, AZ – Fujifilm X100V

*Bougainvillea Branch on a Bright Day* – Buckeye, AZ – Fujifilm X100V

*Yellow Wildflowers in the Desert* – Buckeye, AZ – Fujifilm X100V

*Yellow Flowers Blooming* – Buckeye, AZ – Fujifilm X100V

*Tall Saguaro Behind Dead Tree* – Buckeye, AZ – Fujifilm X100V

*Reaching Saguaro Fingers* – Buckeye, AZ – Fujifilm X100V

*Damaged Saguaro* – Buckeye, AZ – Fujifilm X100V

*A Desert Landscape* – Buckeye, AZ – Fujifilm X100V

*Dirt Road After Rain* – Buckeye, AZ – Fujifilm X100V

McCurry Kodachrome — A Fujifilm X-Trans IV Film Simulation Recipe

Posted on January 25, 2024 by Ritchie Roesch

*Morning at the South Rim* – Grand Canyon NP, AZ – Fujifilm X100V – McCurry Kodachrome

I received an email from Anders Lindborg back in November, and the subject line read, “The Last Roll.” Anders explained to me that himself and John Sevigny had co-created a Kodachrome 64 Film Simulation Recipe based on Steve McCurry’s last roll of Kodachrome film, which was (as you likely know) famously developed on July 12, 2010, at Dwayne’s Photo in Parsons, Kansas.

Over the last several years, Anders has made a number of Film Simulation Recipes that have been published on Fuji X Weekly, including Kodak Tri-X 400, Ilford FP4 Plus 125, Ilford HP5 Plus 400, Ilford Pan F Plus 50, Kodak Gold v2, seven Fujicolor Pro 160NS Recipes, and seven Fujicolor Pro 400H Recipes. Anders and John collaboratively made the Kodak T-Max P3200 Recipe. They had intended to share this new Recipe with everyone, but were waiting until after the finishing touches were complete on a book that John was intending to publish. Sadly, before that happened, John Sevigny died on November 9th, after suffering a massive stroke.

Writing this article has been difficult for me, because of John’s passing. But I hope that this is somehow honoring to him. He was an extraordinarily knowledgable photographer who was always eager to help. It’s a humble privilege for me to share with all of you this Recipe that Anders and John co-created.

*Orange Pot, Tables & Leaf* – Buckeye, AZ – Fujifilm X-T30 – McCurry Kodachrome

“The goal was to create a recipe that both looked and behaved like Kodachrome 64,” Anders wrote. “It should also be based on science, not just trying to look like the real thing during very special conditions. Our starting reference were the photos taken by Steve McCurry on the quite-famous last roll of Kodachrome project. We also studied every little detail of the documentary to find out the exact conditions for how the photos were made. Even that was not enough, so we started to hunt down every single Kodachrome 64 photo we could possibly find. Luck was on our side, as we managed to locate a whole bunch that were actually developed by Dwayne’s Photo.”

Anders continued, “After about eight months of testing every single scenario we could come up with, using similar lighting equipment that was used for the last roll project, we started to feel like we had done all that was possible with the given tools. Everything matched our reference photos, and we both got stunning results with every test we made, but we still decided to test it for just a bit longer to make sure we actually had captured the true spirit of this film. John also travelled parts of the USA and South America, shooting nothing but this recipe for color work.”

Kodachrome was first introduced in 1935, and was discontinued in 2009. There are three distinct eras of the film, and Kodachrome 64, which was introduced in 1974, was in the third and final era. Kodachrome was actually a black-and-white film, and the color dyes were added during the development process. Because of this, it is probably the most difficult film to scan, and, if not properly color corrected, will often have a pronounced blue cast. Even a scan that is carefully corrected can lean slightly blue compared to the slide being projected or viewed on a light table. McCurry’s “last roll” slides were scanned by Richard Jackson, who was regarded as a leading expert on Kodachrome scanning.

*Kodachrome 64 slides on a light table* – Fujifilm X100V – McCurry Kodachrome

There are some differences between this McCurry Kodachrome Recipe and my Kodachrome 64 Recipe, but there are also a lot of similarities. My Recipe is more like Kodachrome as viewed via a slide projector or light table, while the McCurry Kodachrome Recipe is more like quality scans of the film. There’s a comparison of the two Recipes at the very bottom of this article.

Like the actual film, this McCurry Kodachrome Recipe has a narrow dynamic range, and must be carefully exposed. Pay extra attention to the highlights, because they can clip easily. Also, try to keep the ISO as low as practical. I used this Recipe with the ISO all the way to 6400, and it was fine, but for best results that better match the film, don’t go above ISO 1600. McCurry Kodachrome is fully compatible with all X-Trans IV models—including the X-T3 and X-T30; for X-Trans V, blues will render slightly more deeply, so the results will be just a tad different, but feel free to try anyway.

Film Simulation: Classic Chrome
Dynamic Range: DR100
Grain Effect: Weak, Small — Weak for X-T3/X-T30
Color Chrome Effect: Strong
Color Chrome FX Blue: Off — N/A for X-T3/X-T30
White Balance: 5900K, -1 Red & +4 Blue
Highlight: 0
Shadow: 0
Color: +2
Sharpness: -2
High ISO NR: -2
Clarity: 0 — N/A for X-T3/X-T30
ISO: Auto, up to ISO 1600
Exposure Compensation: -1/3 to +1/3 (typically)

Example photos, all camera made JPEGs using this McCurry Kodachrome Film Simulation Recipe on my Fujifilm X-T30:

*Siblings Playing Video Games* – Buckeye, AZ – Fujifilm X-T30

*Little Palms in a Pot* – Buckeye, AZ – Fujifilm X-T30

*Promenade* – Buckeye, AZ – Fujifilm X-T30

*Broken Haircut Chair* – Buckeye, AZ – Fujifilm X-T30

*Bougainvillea Below Window* – Buckeye, AZ – Fujifilm X-T30

*Bougainvillea & Stucco* – Buckeye, AZ – Fujifilm X-T30

*Blossom Along Sidewalk* – Buckeye, AZ – Fujifilm X-T30

*Sunny Day Along Suburban Wall* – Buckeye, AZ – Fujifilm X-T30

*Palm Trunk & Palm Shadow* – Buckeye, AZ – Fujifilm X-T30

*Rainbows on Sunny Day* – Buckeye, AZ – Fujifilm X-T30

*Walkway Chair* – Buckeye, AZ – Fujifilm X-T30

*Block Wall* – Buckeye, AZ – Fujifilm X-T30

*Primetime Vannin’* – Buckeye, AZ – Fujifilm X-T30

Example photos, all camera made JPEGs using this McCurry Kodachrome Film Simulation Recipe on my Fujifilm X100V:

*Red Scion* – Buckeye, AZ – Fujifilm X100V

*Colorful Shoes* – Buckeye, AZ – Fujifilm X100V

*Jon Dressed Up* – Buckeye, AZ – Fujifilm X100V

*It’s a Dreary Day in the Neighborhood* – Buckeye, AZ – Fujifilm X100V

*Old Chair Swing* – Litchfield Park, AZ – Fujifilm X100V

*Glass Maker* – Harmony, CA – Fujifilm X100V

*Joshua Playing Air Hockey* – Tempe, AZ – Fujifilm X100V

*Red Blanket* – Buckeye, AZ – Fujifilm X100V

*Winter Morning at the Rim* – Grand Canyon NP, AZ – Fujifilm X100V

*Canyon Behind Trees* – Grand Canyon NP, AZ – Fujifilm X100V

*Tree & Canyon* – Grand Canyon NP, AZ – Fujifilm X100V

*Cold Canyon* – Grand Canyon NP, AZ – Fujifilm X100V

*The Big, Giant Hole in the Ground* – Grand Canyon NP, AZ – Fujifilm X100V

*Moon over Dilapidated Barn* – Prefumo Canyon, CA – Fujifilm X100V

*Roofline & Wall* – Buckeye, AZ – Fujifilm X100V

*Suburban Skies* – Buckeye, AZ – Fujifilm X100V

*Growing Bougainvillea* – Buckeye, AZ – Fujifilm X100V

*Bougainvillea & Cinder Block Wall* – Buckeye, AZ – Fujifilm X100V

*Pops of Yellow* – Flagstaff, AZ – Fujifilm X100V

*Golden Hour Girl* – Buckeye, AZ – Fujifilm X100V

*Backyard Sunset* – Buckeye, AZ – Fujifilm X100V

*Suburban Desert Sunset* – Buckeye, AZ – Fujifilm X100V

*Sunset Over Desert Brush* – Buckeye, AZ – Fujifilm X100V

*Golden Coast Blossoms* – Laguna Beach, CA – Fujifilm X100V

Comparison:

*Kodachrome 64 Film Simulation Recipe (Fujifilm X-E4)*

*McCurry Kodachrome Film Simulation Recipe (Fujifilm X-E4)*

Find this Film Simulation Recipe and over 300 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.